The upcoming 14th International Beefeater In-Edit Music Documentary Festival will be featuring the best music documentaries from the past and present. This time around, what caught our attention is the large number of punk-related documentaries. No wonder, as we happen to be celebrating the fortieth anniversary of this genre. You heard it – forty years have passed since a group of mates got together and crafted a band to start a riot. And, indeed they did. The Sex Pistols lit the fuse in late 1976 and, just two years later, the musical paradigm had changed radically. The system was transformed from a scene dominated by intellectualised, ultra-professional hard rock and progressive rock bands such as Deep Purple, Led Zeppelin, Genesis or Emerson, Lake and Palmer, into another, totally alternative and largely amateur scene. And, London was the nerve centre of this new circus act.

Some documentaries dealing with this genre will feature at this year’s In-Edit Festival. Check out the programme here. Following is a rundown of the documentaries in which London acted as the backdrop. It’s amazing to see what the City was like at such a major turning point in its history, just when it it seemed more like a time bomb on the verge of blowing up, on account of the wrangling between different political trends and the high unemployment rate, particularly among young people. Remind you of anything?

Jubilee (Derek Jarman, 1978)

Rather than a documentary, this is actually a feature film, albeit 100% punk. Its director skilfully captured the spirit of the moment in this marvellous dystopian movie in which Elizabeth I travels 400 years into the future and lands in a desolate, nihilist Britannia where gangs of evil girls and killer police roam the streets.

The Filth And The Fury (Julien Temple, 2000)

Set at the pinnacle of this documentary genre, this film was a watershed in its day. It does true-to-life justice to the story of the Sex Pistols, the band which caused a sea change that rocked the foundations of the music industry in just one and a half years. The documentary is crammed with references to the punk scene in London. Highly recommended.

Rough Cut Ready Dubbed (Hasan Shah and Dom Shaw, 1982)

This film documents the post-punk period (1979-1982), which saw a convergence between various urban tribes, notably the Mods, Rockers, Punks and Skinheads. The editing is markedly punk, while it’s interesting to see the prevailing looks and the way the folks moved in their milieu. The main characters are scene celebrities (press, musicians, DJs, etc.) and the movie is recorded in Super 8. Stills in motion from a fleeting period marked by upheaval.

Rude Boy (Jack Hazan & David Mingay, 1980)

Set in London in 1978 and early 1979, with The Clash as co-protagonists. The movie opens by setting the scene in the electoral context that London was steeped in at the time, with nationalist, anti-communist and even xenophobes on one side, and anti-racist and anti-Nazi protests on the other. The film blends fiction with documentary and also chronicles tours by The Clash.

Punk: Attitude (Don Letts, 2005)

This documentary makes the perfect introduction to the genre for the uninitiated. It features a huge gamut of celebrities who were involved in some capacity, notably Captain Sensible (The Damned), Mick Jones (The Clash) and Siouxsie Sioux (…and the Banshees), brought together by the hardened documentalist and DJ who mediated between punks and Rastafarians in the first year of London punk.

Four Accessories For the Punk Experience in London

1. Dr. Martens Boots

Worn by many of the lads that feature in the In-Edit documentaries. Nowadays you can buy them at the official Dr. Martens Store, and also at the Camden and Portobello street markets, sold by the odd specialty stall.

2. Second-hand Punk Records

If your thing is vinyl, with mangy, well-bent edges, the best deals can be found at All Ages Records in Camden.

3. Pubs

A number of pubs became part of the haunts of the punk movement in the 70s and early 80s, particularly those in the vicinity of the 100 club on Oxford Street, or The Roxy, in Covent Garden. If you still feel the urge to down a few pints among leather jackets with studs and crests, we recommend you head for The Elephant’s Head in Camden.

4. Garments

As much as some voice the opinion that punks were anti-everything – and even anti-fashion – we all know that was not true. The Sex Pistols were the first to be put through the fashion wringer. They were the living mannequins of Malcolm McLaren and Vivienne Westwood, who owned the Sex punk boutique at 430 King’s Road. Today, such designers as Westwood herself or Jean Paul Gaultier still display punk influences. There are currently a number of stores that carry iconic garments, but we recommend a futuristic update of this trend at Cyberdog.

Be sure to put on tight leather pants and spike your hair.  Discover the wild side of London – check out our flights here.

Text by Los Viajes de ISABELYLUIS

Gijon Sound is a musical movement that arose in Asturias during the early 1990s to become one of the most popular scenes in Spanish indie music. While Los Planetas were starting to define the musical movement in Granada that would go on to counter another musical scene created in Madrid during the 1980s by the name of the ‘Movida Madrileña’, La Buena Vida was doing the same in San Sebastian and El Niño Gusano in Zaragoza – decentralising the focus placed by Spanish music on the capital city that had so greatly featured in the ‘Movida Madrileña’.

Many of you will remember the most iconic band of this sound, Australian Blonde, whose hit song Chup Chup was used for the film ‘Las historias del Kronen’ by Montxo Armendáriz and was even heard on the radio shows of Los 40 Principales. However, you may be surprised to learn that other bands of equal importance coincided in time and space with Australian Blonde, such as Penelope Trip, Manta Ray and Nosoträsh. Penelope Trip provided the space for many of the bands from the movement to rehearse and Nacho Vegas from Manta Ray used to provide drinks at La Plaza – a bar that became the temple where all indie musicians from Asturias would gather. Many of the musicians from the Gijon Sound movement studied at Oviedo University and spent a great deal of time on the Milan Campus, whose cafeteria often served as a meeting place for the bands of the 1990s. Besides the bands mentioned above, other Asturian bands like Doctor Explosión should also be recognised as, although they were not fully involved in the indie sound of the Gijon Sound, they were in the right place at the right time. Also worthy of special mention are the bands created by the girlfriends of the members of bands in the Gijon Sound movement, such as Undershakers or Nosoträsh.

Other lesser-known bands could include Screamin’ Pijas, Las Buges or Babylon Chat, one of whose tracks is included in our Podcast, or the noisy Eiminator Jr., a band who took their name from a track by Sonic Youth on their Daydream Nation album and whose sound is closer to noise pop than that of the Gijon Sound.

This brief journey through the Asturian sound would not be complete without mention of Paco Loco, the producer for most of the Gijon Sound bands, who has become perhaps the most reputable producer of Spanish indie music, the Astro music label and the Gijon International Film Festival, one of the benchmark film festivals in Spain and very closely associated with this movement. The film festival regularly includes courses, discussions, meetings with directors and daily concerts or live music parties. (www.gijonfilmfestival.com)

We now offer you a brief tour of the bars around Gijon where the Gijon Sound movement was most present, some of which still conserve the same musical spirit today. We also offer a podcast including some typical Gijon Sound tracks for you to listen to while you visit the bars we recommend here.

The small, cramped but charming bars and good music of Cimadevilla are an essential requirement for experiencing the nightlife in Asturias. Let us begin in the Plaza de la Corrada, more specifically at the La Plaza bar, spiritual home of the Gijon Sound. Very close to La Plaza, you will find Soho, which plays great Spanish music until four in the morning and then British music until the sun rises. Soho has a well-kept secret: a small upper floor accessed by climbing some steps that is easily among the best in the Gijon nightlife. We cannot fail to mention the most legendary bar in the city: Escocia. This bar has become a refuge for those of us in our early forties and still maintains the spirit of the Gijon Sound. El Patio de la Favorita is another trendy bar, with great music and a live DJ every night. On the way, between the Plaza de El Marqués and El Patio, and as long as you like a good gin & tonic, Lola Gin is a great place for you to enjoy a G&T with cucumber, lemon or lime.

1. La Plaza, Travesía de la Corrada con la de Atocha, Gijon
2. Soho, Calle de las Cruces, 33201 Gijon
3. Escocia, 7 Calle de Santa Lucía, 33206 Gijon
4. El Patio de la Favorita, 4 Calle Ezcurdia, 33203 Gijon
5. Lola Rojo Gin, 5 Calle de San Antonio, 33201 Gijon

Perfect plan to go with friends! Check our flights and sign up! 

Donostia is a fascinating city, with its unique gastronomy and outstanding beauty. But its privileged location on the Cantabrian coast has also turned it into the habitual destination for all lovers of surfing looking to take advantage of the best waves without having to leave the whirl of the big city.

While the La Concha beach is one of the more glamorous and traditional images of San Sebastián (its shell is replicated in the awards that are presented at the annual film festival), the La Zurriola beach has set itself up as one of the great paradises for surfers that live in the capital of Guipuzcoa. Flanked by the delightful Kursaal building and by the esplanade of the Gros district, this 800 metre long beach has also been the setting for some of the concerts of the San Sebastián Jazz Festival and the huge events taking place during the Semana Grande, in addition to surf and skate competitions and other events.

Por David Moreu

So how about it? Come on, let’s go! Check out our prices here!

What remains of Pink Floyd 45 years on? In truth, very little. With Roger Waters touring half the world with his 3D show,The Wall,and Richard Wright’s disappearance eight years ago, of the avant-garde rock band which dominated the show scene in the 70s and part of the 80s, only Nick Mason and the lead, David Gilmour, are left from the original group to spearhead the effort.

A Touch of History

Pink Floyd is one of the best bands of all time; no doubt about it. This is attested by their records and their endurance in the top positions among the benchmark groups for decades. Granted, they didn’t invent the concept album – The Who had invented it just before them – but it was they who exploited it to its full expression.

Pink Floyd has some records to its name. Perhaps the most striking one is having had a disc on the Billboard list for 889 weeks (over 17 years) in a row; indeed, their album was on the list longer than any other disc ever. With an estimated 50 million copies sold, The Dark Side of the Moon is Pink Floyd’s most successful album and the top-selling rock disc ever, coming in second in worldwide record sales behind Michael Jackson’s Thriller. But, their success is not limited to that 1973 album. They were famous before that, too. At the end of the sixties, they were the flagship of the British psychedelic scene. Their early records, when Syd Barrett also played in the group, acted as a magnet for a whole seething mass of new ideas and experimentation. Likewise, The Dark Side of the Moon wasn’t their only pinnacle of success – their subsequent albums were on a par, although they weren’t able to match the level of sales. Thus, the decade of the seventies was theirs – with the permission of Led Zeppelin and The Rolling Stones – thanks to such legendary tracks as Animals, Wish You Were Here and, above all, The Wall, which was made into a film directed by Alan Parker and starring Bob Geldof.

What Happened in Pompeii?

It is a well-known fact that Pink Floyd’s live concerts were in technological terms the most spectacular shows for several decades. They actually reigned supreme until the early nineties, up to the time that U2 staged a tour with their album, Achtung Baby. Live performances were always one of Pink Floyd’s fortes right from the outset, when the original crew delighted the crowds on London’s university and underground circuits. Those were the days of British psychedelics, and their concerts were a veritable sensorial experience, thanks to the support of screenings and performances. To get a better idea of what they were like, it is worth seeing the film, Tonite Let’s All Make Love in London, directed by Peter Whitehead, which includes performances by the London band from those times.

In the seventies, by then without Syd Barrett, the group continued to flourish. Their music shifted from psychedelic to progressive rock, while technological devices became gradually more entrenched in their live shows. But, before becoming one of the stadium bands par excellence, they embarked on a project that ended up becoming one of the great milestones in rock history. They joined forces with the movie director, Adrian Maben, with a view to shaping a film project they were working on. The result was Pink Floyd Live at Pompeii, set in the mythical ruins of the Roman city which was devastated by the eruption of Mt Vesuvius in AD 79.

The project was hatched quite coincidentally. The director, Adrian Maben, had simply phoned Stephen O’Rourke, Pink Floyd’s manager, in the early seventies, and suggested making a movie with the group. At that time the idea was to produce a very arty piece and to elicit the participation of artists of the standing of Magritte, De Chirico,Christo and Jean Tinguely who would create on a visual level what Pink Floyd created in sound. But, they never managed to reach an agreement. Months later, Maben went to Italy with his girlfriend of the time and visited the ruins of Pompeii. That evening he discovered he had lost his passport and, thinking back, he decided he must have left it in the Pompeii amphitheatre. He went back to the spot at dusk and there, among the monuments, sculptures and paintings of a place that had frozen in time, Maben experienced his great moment of inspiration – it was the ideal spot to film Pink Floyd. In the near mystic silence of nightfall, he realised that Pompeii had it all – death, sex and oodles of latent life. And there, in that amphitheatre, Pink Floyd could bring it all back to life.

45 Years Later

Last March, Italy’s Minister of Culture, Dario Franceschini, confirmed in his Twitter account that the 70-year-old British guitarist, David Gilmour, would play in Pompeii on 7 and 8 July. There, you have it – Pink Floyd’s lead will again perform at the legendary archaeological site, forty-five years after having been the leading light in the shooting of the movie, Live At Pompeii. On this occasion, he will be presenting the tracks from his latest release, Rattle That Lock. However, the possibility that he might also play songs by his former band has not been ruled out. Recall that Gilmour and Nick Mason still hold the operating rights to practically the whole of Pink Floyd’s legacy.

Be sure to relive the magic of one of the best concerts ever. You can also enjoy a tour of the most famous Roman archaeological site in the world. Check out our flights here.

Text by Los Viajes de ISABELYLUIS