Golden leaves on the trees, sunsets, chestnuts... many things come to mind when we hear the word "autumn". Summer is long gone and it seems like all that is left to do now is stay at home and wrap up warm. Hold on a minute! Stay at home, you say? Not necessarily! Travelling in autumn has become the best option for many reasons. Not convinced? Here are a few of them:

Going out and enjoy in Warsaw can be a delicious experience afordable for everyone. Without frills, three meals can go for about fifteen euros. There are eateries and bars known dairies or milk (mlezny bar) where you can eat as well for about 3 euros.

Ask for a beer or a soft drink without fear. You can sit on the terrace of the main tourist areas (weather permitting), because the beer will cost about a euro ... and they serve big tankards.

Poles are very fond of soups and stews. Some of the most tasty that we tried and that you should not lost are bigos, a stew of cabbage and meat very well, with a similar flavor to sauerkraut; borsch soup broth made ​​with beets and sometimes served with a giant kibble; the zurek rye flour soup, mushrooms, sausage and boiled egg, highly recommended for the winter but summer care because ordered to warm one day and we still raining during the heats ... It is very blunt. Another typical and delicious dishes on the golonka, roast amazing knuckle; and the famous pierogi, a kind of ravioli or dumplings stuffed with meat, chicken, cheese ...

And speaking of pierogi, we recommend Pierogarnia na Bednarskiej (Ul Bednarska 28/30,. Tel (22) 424 13 87), where you can enjoy the famous Polish ravioli well made and at a reasonable price.

The mleczny milk bar or bars

The milk bars are the former communist restaurants that still exist in the form of soup kitchens. You will feel like in high school, with a home-cooked meal, yet cool day, and a variety of traditional Polish dishes.

Some where we sat were Krakowskie Przedmieście 20/22, or the "Bambino" in Krucza 21.

Recordando la etapa comunista

Oberza pod Czerwonym Wieprzem
Żelazna 68

It is a place that has been preserved as it was the Soviet taverns. Unfortunately it has not been preserved almost none and this is one of the best, very good traditional Polish cuisine. The price is average. It is worthwhile to see how they were. Zurek very good soup, duck and golonka (knuckle).

Pijalnia
ul. Zamoyskiego 28/30

This bar any time is good for a drink or a traditional Polish eat a snack. Anytime literally, because the kitchen is open 24 hours a day. Inside, it is decorated with lots of communists details. The walls are lined with newspapers decades ago, the music played has more than 50 years ... Everywhere you look there detales who remember the past.

Cozy Warsaw

Mielżyńki
Burakowska 5/7

Located in an old factory next to a church that gives a special charm, is one of the most pleasant places to take some wine and dine pecking sites. The concept is different because,besides tasting, wines can be purchased. For a romantic night, or with friends, we recommend it. Not expensive, you can have dinner with a good wine for 20 euros. It has a beautiful terrace that is appreciated in the summer.

Restaurante Polka
Świętojańska 2

Beside the square is Zamkowy this restaurant whose interior looks like something out of a friendly dollhouse. Although the decor is not exactly expensive to sample Polish gastronomy.
A dinner for three people, with 2 starters, 3 main courses, dessert and wine came out € 35-40 each.

W oparach absurdu
Ząbkowska 6

The cafe "W oparach absurdu" (in the mist of absurdity), is located in the district of Prague. As for the name, and we can get the idea that this is a somewhat alternative cafe, but very charming!

It is also the favorite cafe of one of our best Polish friends. This cafe is in the "good" area of this neighborhood, so you can go both day and night, and also drinking a lot of beers (my friend ordered a chocolate beer), you can have lunch or dinner typical Polish dishes (eg pierogi) about 4 € the plate.

You have 2 floors and the furniture is old style, with sofas, armchairs and wooden chairs, sewing machines with tables, images of pristine, antique mirrors ... Lovely!

With these recommendations and we just have to tell you something ... Bon appetit!

Makes you want to go, right? Do it! Check out our prices here!

Modernism emerged in the late-19th and early-20th century, marking a break in style with the past, in line with the prevailing cosmopolitan, entrepreneurial mindset of the moment.

In 1883, the city needed to expand, leading to the construction of its famous Ensanche district,which spans the present-day streets of Juana de Vega,Picavia,Feijoo, Plaza de Lugo and Plaza de Pontevedra.

With the wealth they had acquired from foreign trade, the local bourgeoisie commissioned luxury residences in this new area, modelled on those of Vienna, Paris, Prague, Budapest and Berlin, in an outward show of their prosperity and cultural pursuits. This enabled them to distinguish themselves from the old Corunnan aristocracy, who still lived in the Ciudad Alta and Ciudad Vieja districts in dilapidated mansions with dark rooms, lacking proper ventilation or glazed window balconies, with their backs to the sea and to modernity.

Strictly speaking, Modernism came to the city in 1906 with the arrival of the Cuban architect, Ricardo Boán y Callejas, and the Corunnan architect ,Antonio López Hernández, who brought the new trends in building design from Austria, Switzerland and Germany. They also brought journals, catalogues and photos from those countries featuring designs by the Austrian, Otto Wagner, and the Belgian, Victor Horta.

One of the most striking features of these houses are the female faces adorning some of the buildings that are still standing. They were mostly inspired by the countenance of an English lady, Elizabeth Siddal, the wife of the Pre-Raphaelite painter, Dante Gabriel Rossetti. She was immortalised in the guise of her languid, enigmatic beauty and her long tresses following her death from an overdose of laudanum, a mixture of opium and alcohol.

Modernism in A Coruña was influenced by the ornamental style of the English architect, Owen Jones (1808-1874). Local artists decorated the facades and doorways with irises, horse-chestnut leaves, water plants, roses and camellias in multi-coloured garlands which seem to reach out to the passer-by and lavish pleasure on the senses.

Galleries are awash with the Mackintosh Rose motif of Charles Rennie Mackintosh, as well as twirling, sap-bearing plant stems. The transparent glass surfaces spread out among them like dragonfly wings. However, Japanese influences also come to the fore in the form of embossed irises, reeds and butterflies on lilies, star-shaped holly leaves and lotus flowers framing windows and lifts, by way of a country-like, ecological architecture. Enjoy a Modernist route through the city – download the guide here.

Modernist Top 5 in A Coruña

1. Casa Rey (1911)

The work of Julio Galán, his architecture distils the essence of the glass city. The rippling cornice, the Mudéjar inspired glazed ceramics and the wrought iron balconies made in the Wonenburger foundry make it a veritable dolls house for the ladies of those times that adorned its balconies with their head-dresses of gardenias and palm leaves. Chocolate was one of the exotic wares shipped from the Indies and other colonies to the port of A Coruña, and chocolateries dating from that period are still open to the public on the streets of Riego de Agua, Plaza de Lugo and Estrecha de San Andrés. Hence the origin of the popular Corunnan demonym ofcascarilleiros(huskers),an allusion to the cocoa husks which filled the streets with their aroma. Plaza de María Pita, 12.

2. Casa Molina (1915)

Designed by Rafael González Villar. The building was the home of Don Raimundo Molina, a representative of Royal Dutch Lloyd and consul of the Netherlands. He was also the father of the well-known mayor, Don Alfonso Molina. Influenced by the Italian Modernism of Turin, the garlands and draped ribbons of the building form a theatrical final curtain to the Old City. C/ Santiago, 2.

3. Kiosko Alfonso (1912)

Also designed by Rafael González Villar, this is a magnificent example of early-20th-century recreational architecture. With its rectangular floor plan, it operated as a café, music hall and cinema, the central screen of which divided the auditorium into two rooms. In the first room, the audience saw the positive film, while a negative of the film could be viewed at a lower fee from the other. Converted into an exhibition hall in 1982, the original Modernist decoration is still intact, including dragons which surround and immerse the audience in a world of mystery and fantasy. Jardines de Méndez Núñez.

4. Compostela, 8 (1910)

Also the work of Julio Galán Carbajal. The foyer, with access at no. 8 Calle Compostela, is the most striking entrance hall in the city. Walls, ceilings and the archway leading into the lift turn the space into an original stuccowork greenhouse, brimming with intertwined water plants, lotuses, lilies and irises. The lions at the entrance, the eagle and the caryatids on the cornice form a symbolic defence of the house’s residents, reminiscent of ancient Persian palaces.

5. Plaza de Lugo, 13 (1912)

Lastly, this bourgeois residence designed by Antonio López Hernández, linked to the family of the Corunnan actor, Fernando Casado Arambillet (better known as Fernando Rey), features overflowing ornamentation as an outward show of the economic prowess of its residents. It is theatrically adorned with a large garland of roses, leading the eye towards the huge female caryatid dominating the ensemble. The decorative syntax makes this the most beautiful building in A Coruña.

Don’t wait to see these Modernist architectural jewels in A Coruña. Check out our flights here.

Turismo A Coruña

“The Metamorphosis”, by Franz Kafka (1883–1924), is undoubtedly one of the major works of the 20th century. Kafka took just 21 days to write it, yet nothing would be the same in literature after that, for, in this concise story, he soared to the heights of the genuine literary titans like Kleist, Dickens and Flaubert. Also the author of “The Trial” and “The Castle”, Kafka features among the leading figures of world literature. His theatre of operations and his inspiration were centred on Prague, the essence of which has thankfully has been preserved practically intact.

What is “The Metamorphosis” About?

“When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin”. Thus begins the “metamorphosis” of a man who “thinks about nothing but his work”. Gregor Samsa is actually a person who stands for all of humanity. One fine day Gregor discovers that he has turned into something repulsive which should be hidden from everyone else. But, what does that suffocating story actually refer to? The novel sets out to make us aware of what we really are. The transformation into an insect involves an awakening. It is only then that Gregor sees the profound metaphysical horror he is living in. And, as he is the only person that notices it, he becomes a social outcast.

Kafka’s Prague

Prague was the centre of both his literary world and his life – a mysterious city, but also a dazzling one for its entangled layout and fanciful architecture. In his short stories and novels, Kafka does not name the places he describes, except for a select few. Nevertheless, Prague emerges in his work as an ever-present, imaginary city charged with metaphor and allegory. Indeed, if we look at his writings closely, it is easy to retrace the famous author’s footsteps through the maze of streets in the old city and the picturesque spots where Kafka lived and wrote.

The Old City and its Square

Kafka spent most of his life in Prague’s Old City. U věže, the house he was born in, was located on the corner of Maiselova and Kaprova street. After the city’s facelift in the late-19th and early-20th century, the only part of the building still wrought in the original stone is the facade – emblazoned on it is a simple commemorative plaque.

While the Kafkas moved often, and usually did so within a few houses of the original one, the trail of Franz Kafka is present at virtually every step through the Old City, but mainly around the Old Town Square. For instance, in the period 1880–1896, the Kafkas lived in the charming Minute House, very near the City Hall, which stands out for its beautiful sgrafitto decoration. The future writer lived just a stone’s throw from the German Institute, the present-day Kinský Palace. His father, Hermann Kafka, ran a haberdashery on the ground floor of the same building. Today the palace houses the National Gallery. On Široká street, between the narrow Maiselova street and the luxury Pařížská Avenue, stands the must-see Kafka Bookshop, virtually next door to the Maisel Synagogue and within view of the High Synagogue. Travellers are also urged to visit the Church of the Holy Spirit and the Spanish Synagogue, on Dušní street, which houses the school that Kafka frequented.

In Kafka’s Footsteps – the Museum and Castle

The famous writer’s work brings to life both the old Prague Ghetto and the Malá Strana quarter and Prague Castle. The Franz Kafka Museum is located near Charles Bridge in Malá Strana. A Kafka exhibition entitled “The City of K” was organised by the Barcelona Contemporary Culture Centre (CCCB) in 1999 and, after touring New York’s Jewish Museum, it arrived in Prague in 2005. The exhibition was arranged in two distinct parts – the first showed how Kafka was influenced by the city and how it affected his life, while the second part reviewed the way Kafka describes the city without actually mentioning the names of places that emerge in his novels and short stories.

The characters in Kafka’s novels often follow routes leading up to Prague Castle. While it is often said that one of the places he lived and worked in was the tiny house at 22 de Zlatá Ulička – Golden Lane – the house actually belonged to his sister and Kafka used to sometimes take refuge there to get away from the hustle and bustle of the city centre. The stories dating from that period were later published under the title “A Country Doctor”.

In 1917, the writer went down with pulmonary tuberculosis and later died in a sanatorium in Austria. His mortal remains lie in a family pantheon in the New Jewish Cemetery of Prague-Strašnice.

If you’re eager to experience a feeling of being shrouded in mystery, make sure you visit Prague. Check out our flights here.

Text by ISABELYLUIS Comunicación

Images by Czech Tourism, Nico Paix, Jose Mesa, Roman Boed