Valencia is not all Calatrava and paella, just as Barcelona does not account for all of Spain’s Modernist buildings – well, someone had to say it! Clichés aside, if there is anything the first-time visitor to Valencia is likely to be amazed at it is the sheer quantity and quality of its Modernist heritage. It hits you as you wander down its streets, particularly in the historic centre and the Ensanche.

Valencia saw marked urban development in the late-19th century, the upshot of its economic boom at the time. The city grew beyond its old walled precinct, giving rise to an overspill known as the Ensanche. The expansion coincided with one of the burgeoning art movements of the moment, one that would become all the rage among Europe’s middle classes. The movement became known as Modernism, elsewhere dubbed Art Nouveau, Modern Style, Jugendstil, Liberty or Floreale, depending on the country. Not to be outdone, the Valencian middle classes became enthralled by this new style, which a marked a break with the prevailing academic tradition. Its artificers were inspired by nature and experimented with new applications of iron and glass in architecture.

Valencian Modernism is characterised by the use of glazed ceramics on facades and in interiors, which usually feature motifs associated with the region, notably oranges and orange blossom. Among the standout buildings, which you should make a point of visiting on your itinerary of Valencia’s Modernist heritage, are the following:

- Mercat Central. Built in 1914 and designed by Francesc Guàrdia i Vial and Alexandre Soler, both of whom trained at the Barcelona School of Architecture, this is one of the city’s major tourist attractions and it’s not for nothing. The interior metallic structure is painted white, making the colours of wares sold in the stalls stand out all the more. Further, visitors are met by the striking, spectacular central dome, which floods the interior with light. Both the stunning architecture and the congenial atmosphere in the market make this a must-visit for all sightseers in the city.

- Mercado de Colón. Inaugurated in 1916 and designed by Francisco Mora Berenguer, it was commissioned to provide services for the Ensanche district. Prominent is the ornamented brick facade, decorated with a host of ceramic figures – it couldn’t be otherwise! Restored in 2003, the interior now houses various shops, cafés and bars.

- Estación del Norte. Passengers arriving in Valencia by train are rewarded with the sight of this marvellous station. Opened in 1917, it boasts some beautiful areas, notably the vestibule, decorated in wood, glazed ceramics and marble.

- Casa Ordeig. Located next to the Mercat Central, it was designed by Francisco de Mora i Berenguer. He drew inspiration from the Lonja de la Seda (Silk Exchange), which accounts for the Neo-Gothic motifs on the facade.

- Edificio Suay. This grand edifice with its white facade is located on the corner of Calle Correos and the Plaza del Ayuntamiento. It was designed by the same architect as the Casa Ordeig.

- Edificio de los Dragones. Located on the corner of Calle Sorni and Calle Jorge Juan, it was designed by José María Manuel Cortina Pérez and built in 1901. Its Neo-Gothic-inspired decoration is striking and features a profusion of mythical animals, particularly dragons – hence its name.

Apart from the aforementioned landmarks, we recommend you take a stroll along Calle de la Paz, where you will come across numerous Modernist buildings, including the Edificio Camaña Laymon, Edificio Sancho, Casa Gray, and Casa Sagnier I and II.

Ready to discover one of Valencia’s most alluring and evocative architectural facets? Book your flight here.

Text by Los Viajes de ISABELYLUIS

Images by Jocelyn Kinghorn, Marja van Bochove, Carquinyol, Pleuntje, Paul Thompson

From Iñaki Makazaga by Piedra de Toque

We walked Venice at MyVuelingCity with Isabel Sanchez to discover different places in which to recover the attractiveness of European capitals. This time she guides us through the 120 islands of Venice city connected by 177 canals, within the gulf of the same name, on the Italian coast of the Adriatic Sea. “The city is sinking two millimeters a year: you have to hurry to meet with all its beauty”

Venice has always been the city of artists, entrepreneurs, traders and restless travelers, like the famous Marco Polo, who helped open the doors of the fabulous Eastern civilization to European people. And it was this talent concentration that produced the splendid flowering of Venice’s architecture, especially between the centuries 11th and 17th, when the most notable buildings, still in good condition, were built.

From Iñaki Makazaga by Piedra de Toque

Makes you want to go, right? Do it! Check out our prices here!

At certain times in the 20th century, Prague took on a leading role as one of the major design production centres in Europe. During the Art Nouveau period, it was among the leaders, together with Vienna, Brussels and Barcelona. Now, the Prague design scene is again emerging on an international level. We went there to take a look at what’s been happening of late.

On our arrival in the capital of the Czech Republic, we decided that the best way of discovering the trends in Czech design over the last few years was to visit The Museum of Decorative Arts, a beacon for enthusiasts of the arts and applied design. However, we found that the museum was closed for renovations and will only re-open to the public in 2017. Instead of feeling disappointed, we took the setback as a more stimulating challenge and set about unearthing less well-known places associated with the past and present of Czech design. Just opposite the Museum stands the Academy of Arts, Architecture and Design, whose students are destined to influence the future course of design, architecture, fashion, jewellery, graphic arts and the fine arts. Apart from presenting the work of its students and graduates, some of the Academy exhibitions are contextualised in terms of references from the past and present.

From Cubism to the Influence of the Brussels School

There are still many sites from that period on display. The Czech Republic – or Czechoslovakia, as it was then known – was a hub of multi-cultural design during the two World Wars. Even prior to World War I, the Czech Cubist movement played a vital role and creators such as Josef Gočár, Pavel Janák and Vlastislav Hofman designed unique works of architecture, furniture and ceramics. The furniture which Jindřich Halabala began to design for the United Arts and Crafts Manufacturing Plant between the wars influenced several generations. For further details of the key players in the design field during the interwar period, there is a publication entitled “Czech 100 Design Icons”. But, we also recommend having a look at the stores Modernista and Kubista, where you will find a wide variety of replicas from that period.

Czech design also came to the fore in the 1950s and 1960s, making itself felt on the international scene, particularly at the Brussels World Fair of 1958, while eight years later its consolidation earned widespread recognition in the film, Czechoslovak New Wave.It was not, however, until democracy was restored in 1989 that the following resurgence of Czech design occurred.

New Age of Splendour – Studios and Shops

Events unfolded apace after the return of democracy to the country. Thus, in the nineties, design flourished in the Czech Republic. A host of stores, designers and architectural and design studios emerged, notably Olgoj Chorchoj, Studio Najbrt and Maxim Velčovský, which continue to play a decisive role. At the same time, the design world continues to be augmented by young, upcoming talent provided by the Academy of Arts, Architecture and Design, which organises the Great Design Prizes competition each year.

On the contrary, fashion designers have been late in catching the wave. While in the nineties and the early years of this century they were practically nowhere to be seen, nowadays there are some stores of note. These are Timur et Grupo, Sister Conspiracy, Hana Havelková, Klára Nademlýnská, Denisa Nová and Liběna Rochová, to name but a few.

Design Markets

The 17th international Designblok exhibition, with “Freedom” as the theme, will take place in October this year. The event is aimed at both the professional sector and the public at large and will be given over to design from a broad perspective, ranging from fashion to furniture design, to jewellery, home accessories, product design, lighting, etc. Also to be featured there are installations of a character halfway between design and the plastic arts.

While Designblok holds its presentations in upmarket establishments, the Dyzajn market focuses on the sale of original creations. Here, the leitmotif is the open-air format. But, if you’d like to see it, you’ll have to wait until next year, as it is held on the first two days of August. This year’s location was Střelecký Ostrov. Lastly, the next DesignSUPERMARKET is scheduled for this December and will be hosted in Kafka’s House. These three events provide an opportunity to see the exhibitions and also to make design purchases.

Prague design is waiting to be discovered. Check out our flights here.

Text by ISABELYLUIS Comunicación

Images by Wendy, Kubista, Academia de las Artes, Arquitectura y Diseño de Praga, Museo de Artes Decorativas de Praga

During the reconstruction of the city of Nantes in the ’50s, after World War II, and having the idea of relieving the housing shortage at that time, Le Corbursier conceived La Maison Radieuse, one of the unité d’habitation (unit room) that have become a landmark in the twentieth century’s civil architecture which later, served as inspiration for many European cities.

The first of these Unité d’habitation was built in Marseilles. Later on, in 1955, was built a very similar version but slightly refined in Rezé, just 3 or 4 miles from Nantes.

At first sight, it is surprising that this building with symmetrical structure and vivid coloured windows in contrast to the gray of its structure was so revolutionary at that time. The idea was that the 294-duplex-apartments building would work formally and functionally independent as a boat. For that purpose, he included games communal areas and gardens.

Nowadays, most of the apartments are inhabited, but a few can be visited in this sort of original House-Museum.

Imagen de Pymouss44

A place well worth discovering! Check out our flights here.