Situated in western Holland, on the final stretch of the river Meuse, the modernity breathed by Rotterdam is stunning, far removed from the usual image we have of European cities. Don’t expect to find a typical historic city centre, with a jumbled network of backstreets and time-worn buildings storied with its historical past. The city layout and its tall buildings are more reminiscent of New York’s Manhattan than other Dutch cities like Amsterdam or Utrecht.

The Bombing Raids and Nazi Occupation

The reason for this peculiarity – so to speak – goes back to the Second World War. On 14 May 1940, in a desperate attempt to secure the surrender of Rotterdam, the German air force bombarded the city to such an extent that hardly any building was left standing in the city centre. The air raids destroyed over 24,000 homes and led to the loss of around 800 lives.

Rising from the Ashes

After the city was liberated from the Nazis, unlike other European cities that set about restoring their historic centres as best they could, Rotterdam elected to start from scratch. In this respect, they did not hesitate to adopt the latest building trends, as evinced in every corner of the city. Herein lies Rotterdam’s chief appeal – a host of contemporary architectural discourses coexisting in harmony.

The Standout Features

As Rotterdam has a lot of architecture worth viewing, and one does not always have enough time to see it all, here is a selection of the major landmarks in the city:

The Erasmus Bridge – or Erasmusbrug – which connects the north and south parts of the city, is the work of Ben Van Berkel. Inaugurated in 1996, this imposing structure over the river Meuse has become a well-known landmark.

Near one end of the bridge are two emblematic buildings which can’t fail to attract one’s attention. One is the KPN Telecom Building, designed by Renzo Piano, one facade of which leans slightly towards the city. It is studded with green lights that generate different figures or messages. Just behind it stands “De Rotterdam”, a huge complex consisting of three inter-connected towers. Designed by Rem Koolhaas, it was inaugurated in 2013.

Another icon of Rotterdam, although of a much smaller size, are the Cube Houses (Kubuswoning), designed by the architect, Piet Blom. The original structure of these houses is the result of tilting the cubes 45 degrees and setting them on hexagonal pillars. The set of houses, made up of 32 cubes, has an unusual forest-like appearance. For those curious to see what they look like inside, there is one open to visitors.

The Kuntshal cultural centre, designed by Rem Koolhaas, is well worth seeing, both for the building itself and the collections it houses. The ample, 3,300 m², of available space enables five exhibitions to be hosted in parallel. While it lacks its own, or a permanent, exhibition, it does act as an expositor for the latest trends in contemporary art.

The Central Library exterior, with its huge pipes painted in bright colours, is reminiscent of the Pompidou Centre in Paris, which provided the Van den Broek studio with the necessary inspiration to design this building. Opened in 1983, it is Holland’s largest public library. A quaint detail is the giant chess board inside.

The dazzling red covering the spectacular structure of the New Luxor Theatre is the first thing that catches one’s eye when approaching it. Opened in 2001, it is the work of the Australian architect, Peter Wilson. There are guided visits of the theatre interior and, for those of you who visit on your own, don’t miss the views to be had on the roof terrace.

The outstanding feature of Rotterdam Central (Centraal Station) is the entrance ceiling – shaped like a boomerang, it is made of stainless steel and covered in red-cedar panelling. Three teams of architects were commissioned to undertake the recent extension and remodelling project, namely Benthem Crouwel Architects, MVSA Meyer en Van Schooten Architecten and West 8.

Don’t miss out on one of Europe’s finest showcases of contemporary architecture – treat yourself to a Vueling, here.

Text by ISABELYLUIS Comunicación

Photos by bertknot, Franklin Heijnen, Luke Price, Tim van Vliet, Rory Hyde

Just when we land, Tenerife welcomes us with an air of mystery and legend. Its volcanic landscape and its uncertain origins, which some authors place in Atlantis are just two of its many attractions.

And, legends aside, what is clear is that more than a lucky island, Tenerife is a piece of paradise on earth. It has two World Heritage Sites, a National Park, 42 protected areas and its weather makes it the island of eternal spring.

Whether you are visiting the island with friends, with family or with children, Tenerife is one of those destinations where you want to come back.

National Park Cañadas del Teide and Puerto de la Cruz

One of the must visit of Tenerife is the Teide National Park. Its breathtaking volcanic landscapes achieved that, in 2007 Tenerife were included as Well Natural in the World Heritage List of UNESCO. It is possible to visit the park with different excursions including the popular camel rise.

The caldera and volcano Teide - Pico Viejo are some of the world's most spectacular geological monuments. It also has a variety of volcanic cones and domes, lava flows, tors and caves that form a range of colors and shapes.

From there you can descend through spectacular Orotava Valley to the north coast, where is located the village of Puerto de la Cruz. This small town has many tourist attractions such as Loro Park, the Botanical Gardens, Lake Martiánez pool complex, beach Garden and Plaza del Charco.

San Cristobal de la Laguna

The historic center of La Laguna form was declared a World Heritage Site by UNESCO and it is a joy to walk through its streets.

Worth a stop on the way the Cathedral of San Cristóbal de La Laguna, Neo-Gothic and houses an interesting and rich artistic heritage. A short walk in its streets, we find among other facades of stately homes in Plaza de la Concepción, in front of the church of the same name. Turning left from the Place de la Concepcion reaches Herradores street, completely pedestrian, other interesting examples of Canarian architecture. But if the rotation is clockwise, the tour ends in San Agustin Street, in the houses of the Jesuits, Montañéz and Salazar. Lercaro Palace, the Museum of History of Tenerife, is another milestone in the street of St. Augustine and the church and hospital of Our Lady of Sorrows, St. Augustine's Church and the Institute of the Canary Islands.

A little further away is the beautiful Royal Shrine of the Holy Christ, next to the Plaza de San Francisco, better known as the Christ.

Hiking and nature trails

Masca

Masca is a picturesque village situated on the northwest tip of the island in the Teno Massif within the rural park of the same name. In Masca can find stunning scenery with deep ravines and cliffs ending in the Atlantic Ocean, surrounded by greenery and roads with impossible curves. Reputed to have been a haven for pirates.

Cruz del Carmen

If what you like is walking, one of the oldest trails on the island is what leads us to the Cross of Carmen.This promenade runs for environment typical vegetation, wax myrtle, heather and some species typical of the laurel, and reaches the Llano de Los Loros, from where you can enjoy panoramic views of the north coast wide.

Whales and dolphins watching

The southwest coast of Tenerife is a privileged place for whale watching in the wild, since there are whales and dolphin colonies living here all year. His presence is so near the coast, which has turned Tenerife in the first place in Europe in importance by the number of people doing whale watching in freedom.

We can find up to 21 different species in these waters, from the blue whale to the fearsome giant orca. There are two resident populations, finned pilot whale and bottlenose dolphin, which can be seen almost 80% of the days of the year, with a rate close to 100% sighting.

And of course, the beaches!

On an island as privileged as Tenerife, we must visit its incredible beaches, whether you like volcanic sand as soft golden sand.

For lovers of tranquility we propose Bollullo beach, in the town of La Orotava. It is a beautiful and secluded beach of volcanic sand which had the extraordinary clean waters and relaxed atmosphere. It's a little crowded beach, ideal for those who want to escape the crowded tourist venues and enjoy some quiet time. Access to this beach is on foot by a stepped path surrounded by banana trees. Pay attention to swim in this beach, because it lacks containment boom wave.

And for those who prefer to enjoy all the tourist amenities, our recommendation goes to the beach nightgown and Duque Beach.

The nightdress is part of a continuous succession of beaches which are occasionally separated by a line of stones on sand. The swimming conditions are always optimal as a breakwater protects the currents and waves.

El Duque is a beach of fine golden sand beach located in the southern part of the island, surrounded by a lovely seafront promenade that connects more than 8 beaches. In calm waters, and an extension of nearly 700 meters, the Playa del Duque delights its visitors, for they have all the services of an environment where quality is more distinctive.

You can also enjoy other spectacular beaches like El Medano, El Socorro, The Arena, La Pinta, La Tejita, Teresitas or Las Vistas.

By Nadia Polo

Picture Las Teresitas by Sergio Martín González | Picture San Cristóbal de la Laguna by Jens Steckert | Picture Acantilado de los Gigantes by Daniel Gaínza

A place well worth discovering! Check out our flights here.

It was a film that led me to Turin. I was stunned by a giant edifice topped by a spire which towered over the city. It was the Mole Antonelliana, a vivid name alluding to both its blunt presence and its designer, Alessandro Antonelli, who had initially conceived of it as a synagogue. I discovered it in a humble but significant independent film entitled Dopo Mezzanotte (After Midnight), by Davide Ferrario, who lives in the city and has shot many of his films there. It is a hymn to cinema, a passion triangle with the action set in the Museo Nazionale del Cinema, which has been housed in the Mole since 2000. With an area of 3,200 square metres, it is the largest in Europe dedicated to “the Seventh Art”. It is a highly original, spectacular exhibition, both for its location and the layout of its collections, including pre-cinematographic devices, magic lanterns, and both old and modern stage items – notably masks from Star Wars and Bergman’s The Seventh Seal, Superman’s cloak and Marilyn Monroe’s bodice. It is actually one of the most frequented museums in Italy, quite a feat in a country with such a rich history and art heritage. It is also the site of the Turin Film Festival, next slated for 20 to 28 November, which has featured such filmmakers as Nanni Moretti, Gianni Amelio and Paolo Virzi.

The City that Bewitched Risi, Tornatore and Argento

The fact that Turin was Italy’s first capital is evident in its cinema, from Neorealism to erotic comedies, with a profusion of such explicit detective films as Double Game, Black Turin and Torino, centrale del vizio. It was in Turin that the master of horror movies and self-confessed lover of the city, Dario Argento, shot several scenes from one of his first hits, The Cat o' Nine Tails. He went on to film in their entirety his latest works, Do You Like Hitchcock?, Sleepless (Non ho sonno) and Giallo.

The city of the Juventus and Torino football clubs, the annual contenders at the “Derby della Mole”, is also an obligatory stop on the journeys depicted in the perennial classics. Enrico Loverso emigrates from the poor south to the Turinese industrial north in The Way We Laughed (Così ridevano) by Gianni Amelio. In Everybody's Fine (Stanno tutti bene), by Giuseppe Tornatore, an elderly, splendid Marcello Mastroianni visits his adult children distributed across Italy and finds the last of them – of course – in Turin. And, the irascible blind captain played by Vittorio Gassman sets off from Turin station in Scent of a Woman, directed by Dino Risi (the remake, with Al Pacino, came years later). Risi also happened to make his cinema debut in the same Alpine city, when he was assistant director during the shoot of Piccolo mondo antico (Little Ancient World), and it was there, too, that he one night declared his eternal love to the stunning actress, Alida Valli, while they were sitting in a carriage in the rain, in the romantic, lush gardens of the Parco Valentino.

The Setting for Robberies and Spies in American Movies

In The Pink Panther 2, with Steve Martin, one of the city’s most prized treasures is stolen – no less than the Turin Shroud. However, the film that has probably set Turin most on the map is the 1969 cult movie, The Italian Job, by Peter Collinson (which has seen a recent remake). In it, Michael Caine flees with his loot from the carabinieri in his Mini Coopers, through the Palazzo Carignano, along the inner staircases of the Palazzo Madama and around the exterior of the Gran Madre di Dio Church, skidding through the glamorous Galleria San Federico shopping centre, and driving over the flared roof of the Palazzo a Vela, built for the Italia 61 Exhibition and refurbished as a sports centre for the 2006 Winter Olympics. He also drives up the heady oval test track on the old FIAT factory – the city’s veritable economic driving force for decades – housed in the Lingotto building, now a multidisciplinary space for trade fairs and festivals. In his final getaway, his Minis reach the nearby Alps, the formidable mountain range which acts as the backdrop for this stunning city, after having crossed the river Po.

And, opposite the Po stands the majestic Piazza Vittorio Veneto, which appears in The Bourne Ultimatum, a saga starring Matt Damon. However, the café where we later see the fired up secret agent sitting is actually in Madrid! The fact is that the film crew were back working in Spain when a change to the script forced them to repeat the shoot of the scene originally filmed in Turin. The magic of cinema always involves some hidden devices!

If you fancy seeing the city for yourself, secure your ticket here!

Text by Carlos G. Vela para ISABELYLUIS Comunicación

Images by Felipe Cadona Colombo, Jean-Pierre Dalbera, Luigi Giordano, Marco Coïsson, MarkusMark, Nicola Gambetti