Bad-minded gossip says that the city of Apostol is the biggest village in Galicia, which paradoxically is something that true-blood Santiago-dwellers take to be a compliment. And it is, because as a parameter for quality of life, there is greenery and vegetation on every corner of the ancient city, and it makes it special. Green clambers over the seven hills; it invades all of the stony gutters in the streets; it even dares to boldly play with the façade of the cathedral.

In "Huertas", the back garden of Obradoiro, urban and rural mix mimetically, without any kind of ego struggle. The city has lately succumbed to the unstoppable advance of the green element. Compostela has always had a kind of contest between the weight of its history and modernity. The presence of what is old is counteracted by ragingly modern avant-garde architecture, and has turned the great green spaces into a network of world level parks. More than a garden city, it is a garden with districts inside it.

Let's assume that the stone forest has overwhelmed you by its beauty, and you now want to meditate. We suggest taking a green route to see a unique side of Compostela. This would be my list of top Compostela parks.

1.-The Eternal Alameda Park. It is not new. It is the nineteenth-century park par excellence. At the foot of Porta Faxeira, and separating the old and new areas, it has been clothed in the history of the city since last century, when it was turned from a private estate into one of the most beautifully classical parks in the world. It has everything it needs to make you fall in love: hundred-year-old trees with their dry, twisted trunks; the Herradura walkway, also called the Cholesterol walk - for recovering from an excess of Galician food; the most beautiful views of all sides of the town; fountains; churches; wrought-iron benches from the turn of the century; and the bandstand that is essential for any provincial city worth its salt.

2.-Bonaval. Design and modernity near the old area: From a domesticated park, we go to a magical place that embraces the historical quarter. The old monastic garden of Santo Domingo always had a slightly esoteric side. Abandoned for years, its soft sloping terraces were taken by Siza and turned from a leafy park into a highly modern piece of design work. Meticulously pruned green areas, caves, an ancient graveyard integrated into the park, and magnificent views of the cathedral are all blended with the existing old stone structures and ruins. Water, cave and "strange" shapes make it modern, enigmatic and special.

3.-Banks of the Sarela. An enchanted forest in the centre of the town: two rivers cross Compostela, in the Barrio del Carmen. When eco-hiking became really fashionable, a decision was made to restore their abandoned banks and make the most beautiful urban-rural walk I have seen. The several kilometres of incessant water of the winding Sarela, babbling springs between wooden footbridges, stone bridges, thick forests and even abandoned tanning works make the place a natural, rustic garden - in the heart of the city.

4.-Belvís. Monastic splendour behind the old part of town: Belvis is a watercourse that was always considered a green backbone to the East of the historic quarter. And it was always abandoned. A passageway between Virxen da Cerca and the traditional Belvis, this park highlights the beautiful hills that surround this hollow. It is a real gift for your eyes: the splendid monasteries of Belvis and the Seminary at the top, the stony Santiago that rises up above, and an always silent and scenic park, whose maze is a perfect place to lose yourself.

5.-Vista Alegre Park. The park of surprises. The wealthy Simeón family opens its small palace and magnificent garden. You enter through the two old gates to the property that are always open, and the pink country-house has all the elements of the Galician country-house, such as the chapel, galleries, etc. If the garden were the prototype of any powerful family, special effort was put into dressing each of its corners with the most florid avant-garde architecture. The SGAE headquarters like the Flintstones' house; Casa Europa; Escola de Altos Estudios Musicales; the Natural History Museum. Four avant-garde structures that lend the finishing touch to a classical garden.

By Fran Camino

The Ria de Muros e Noia is one of the Galicia region’s least built-up coastal areas, and also one of the most beautiful. Fishing boats landing delicious, shellfish, white sandy beaches with good surfing, all framed by green hills with a riot of vegetation –it’s definitely worth a visit. Here is a route you might consider.

Mt. Louro and the Xarfas Lagoon
Starting from the northern extreme of the estuary, between the Costa da Morte and Muros, you can stand atop Louro mountain, a 241-metre high granite block, and feast on the views of the Ria de Muros e Noia and the Lagoa de Xarfas with its fabulous Area Maior beach. The surrounding –hills, dunes, beach and the lagoon—boast a wealth of flora and fauna. There’s even an observatory for watching migratory birds.

Muros
Heading south we come to the town of Muros, founded in the 10^th C. , and now featuring modest fishermen’s houses next to lordly mansions from bygone times. A stroll the town in the late afternoon can be timed to coincide with the arrival of the boats in the evening after a day’s fishing. The fish is put up for sale immediately on the dock, which is also an interesting spectacle to watch. And it means your shellfish dinner will be fresh and delicious. You won’t be disappointed by any of the restaurants under the arches near the water’s edge.

Just three kilometres away on the road to Noia is the Muíño de Mareas do Pozo do Cachón, a flour mill powered by the tides, built in the last quarter of the 19^th C. There is also an interesting museum.

Noia
Noia is the biggest town in the estuary, and is only 36 km distant from Santiago. According to tradition, it was named for Noah, who is believed to have settled there after the Biblical flood. The city’s coat of arms shows an ark and a dove bearing an olive branch.

The old quarter features two churches built in the local version of the Gothic style: San Martiño (15^th-16^th C.) and Santa María a Nova (14^th C.), the latter with a fascinating collection of about 500 tombstones. The 16^th C. convent of San Francisco may also be visited, and the town is replete with stately mansions, such as the Casa da Xouba, the Pazo Dacosta (or Casa de Rivas), and the Pazo Forno do Rato. In the Obre district the pazos (mansions) of Pena de Ouro and Bergondo are worth a visit.

Some five kilometres from de Noia, across the Tambre, we come to the Ponte Nafonso, a bridge built during the 12^th C. reign of King Alfonso IX of Leon and Galicia. It consists of a score of pointed arches lying on granite ashlars. The setting against the sea and mountains makes the sight of the bridge all the more spectacular

Castro de Baroña
On the south side of the estuary, next to the fishing village of Porto do Son, is the Castro de Baroña, an Iron Age Celtic settlement, with a score of round or oval stone cottages, once thatched, on a small peninsula. The archaeological remains and the wonderful landscape make it a worthwhile visit.

Corrubedo Dunes Nature Park
Between the Ria de Muros and Noia and that of Arousa, to the south, lies this lovely park with beaches, dunes, fresh- and salt-water lagoons, wetlands, and even megalithic remains. One of the main attractions is the “moving dune”, a restless pile of sand about a kilometre long , 200-300 meters wide, and 20 metres tall.

Some Further Recommendations
Though the quickest way to explore the Muros and Noia estuary is by the AC-550 coast road, we recommend side trips into the surrounding hills to get the best views.

For lodging there are numerous country inns and guest houses on both sides of the water, most of them in old and typical buildings. A particularly unusual place to stay is the hotel Pesquería del Tambre, in the Tambre river valley on the site of and old hydroelectric dam transformed into a nature hotel by the architect Antonio Palacios.

Check out our flights to Santiago de Compostela and head west to the sea!

Text: Isabel y Luis Comunicación

Pictures: Turismo de Galicia

Do you dream of taking home the best photos of Santiago? Buying postcards and books might be the quickest solution, but, if you enjoy taking your own pictures, you shouldn’t hesitate to embark on this eminently photogenic route through Compostela. Here are 10 of its most emblematic subjects.

1. Praza do Obradoiro

We admit you’d be hard put to capture its entirety, as it covers 7,700 square metres. Surrounded by monumental buildings, snapping a whole picture of the Praza do Obradoiro is no mean feat. A wide-angle shot of the portico of the Colexio de San Xerome will yield an image of the Cathedral – cloister and towers included – as well as the Pazo de Xelmírez, the front of the Hostal dos Reis Católicos and the Paxo de Raxoi to the left.

2. Cathedral Facade

The centre of the square is a reasonable viewpoint, as are the arcades of the Pazo de Raxoi, to stand square in front of the Cathedral, if you have a fish-eye lens. But, if you’re looking to take full-length photos with a normal lens, the trick is to go down the stairs of the Rúa de Raxoi, where you get a complete view of the facade with the towers. Ideal for group photos.

3. Goal and Excitement

While its monumental beauty tends to hog everyone’s gaze, the Praza do Obradoiro and its surroundings are indeed the most intensely exciting spots in all Santiago de Compostela. The arrival of pilgrims and the display of satisfaction at having achieved their goal are commonplace scenes in this privileged setting.

4. Bird’s-Eye View

The ascent to the Cathedral Rooftops, 30 metres above the Praza do Obradoiro, affords some of the best views of the squares surrounding the Cathedral, as well as revealing its architectural features and the rooftops and chimney stacks in the old town. The tapestry gallery in the cloister, which can be visited using your museum ticket, provides another fine perspective of the Obradoiro, and of the cityscape south of the Cathedral.

5. The Photogenic Quintana

The stark bareness of the Plaza de la Quintana takes on special significance with the interplay of light on the stone. Noon yields snapshots of the granite in all its hardness. Late afternoon throws the shadows of the spires and lantern of the Cathedral on the wall of the Convento de Antealtares. Night lighting turns the surface into a quasi aquatic medium, like some silent fish tank. You can also get good shots from the Casa da Conga arcades.

6. A Tiny Playhouse

Secluded and motley, the Plaza de las Platerías and its stairs provide splendid group snapshots all day long, thanks to the south-facing portal. In a low-angle shot, the horses on the fountain will seem to graze the Torre del Reloj. To capture the whole square, you have to backpedal to the entrance to the Rúa do Vilar. If you have a wide-angle lens, use the towers to frame the shot. Night light endows the Casa del Cabildo and the stepped cloister tower with a special relief when seen from the church door.

7. Streets and Towers

The rúas (streets) in the monumental site are rich showcases of typical Galician architecture. The Torre de las Campanas or Belltower can be photographed from the middle and upper stretches of the Rúa do Franco. The Rúa do Vilar, flush with the Airas Nunes Café, provides a classic view of the arcades and main facades, with the Torre del Reloj or Clocktower in the background. The parallel street, Rúa Nova, affords a picture postcard view of the porticoed houses around the tower of the Church of Santa María Salomé.

8. The Bountiful Market

Getting back to the historic core, the Mercado de Abastos or market is abuzz with activity, particularly first thing in the morning, suggesting detailed portraits of myriad people and gastronomic delights. Between the green of peppers and turnip greens, the orange of the velvet crabs and the blue of the lobsters, your pictures will look almost aromatic.

9. A Park With a View

You get to Bonaval Park through the Porta do Camiño, between the CGAC and the Convento de Bonaval. There, Álvaro Siza and Isabel Aguirre designed a succession of platforms and terraces which are a delight for any photographer. They are highlighted by the shadows cast by trees, the ruins of old monastic dwellings, the spring, the old cemetery with its lone cypress tree… Late afternoon light is magical, revealing splendid views of the monumental precinct with back lighting. The best time is in autumn, when the landscape is carpeted with yellow, red and brown foliage and branches become denuded, revealing towers and sturdy chimneys in the distance. Extraordinary views of the city from its carballeira and the neighbouring Rúa de Bonaval, which in the afternoon reflects the sun’s rays like no other street.

10. Walkway To A Historic City

By proceeding down the Avenida de Xoán XXIII as far as the transport terminal you get a contrasting image between the contemporary layout of the long steel marquee and the back facade of the Convento de San Francisco. The pergola grows smaller as you approach the monumental area, creating the optical effect of having “entered” the historic city.

How long can you afford to put off enjoying such a beautiful setting, Come on – free up some space on your smartphone and start packing. Check out our flights here.

Text and images: Santiago de Compostela Turismo

What can we say about Pedro Almodóvar? Luis Buñuel notwithstanding, he is the internationally best known Spanish film director. His Oscar-award-studded, iconoclastic filmography includes both masterpieces and a large number of highly interesting movies. Like any creator worth his salt – and the Manchegan is one of these – Almodóvar has a pet city that features repeatedly in his films. We are referring to Madrid. In the late seventies he left his native Calzada de Calatrava and journeyed to the capital, Madrid, intent on making his name in cinema. It ended up becoming his favourite set. He has portrayed it in many different ways, revealing both its highlights and shadows, its well-known and its hidden facets. Almodóvar has explored virtually all the streets of his adopted city with a view to heightening the emotions and feelings of his main actors. His fiction breathes life into buildings, streets, establishments, airports, train stations and a long list of other settings.

The director of Volver turned the city into a film set, using to advantage real locations recognizable  to his audience and turning some spots into must-visit centres of pilgrimage for his fans. Touring these precincts involves venturing into Almodóvar’s passionate, architectural world, by way of an alternative tourist guide to Madrid. We now retrace some of the most emblematic spots on a route which you can round off by viewing the films directed by the creator of Women on the Verge of a Nervous Breakdown and jotting down new sites in your Almodovarian logbook.

Chicote Museum and La Bobia

One of the two bars that appear in Almodóvar’s films is the Chicote Museum, a chic cocktail bar with an eventful history sited on Madrid’s iconic Gran Vía. It opened in 1930 and its premises have been graced by a considerable number of contemporary stars and Hollywood classics, too. Its interior features in one of the main scenes of Broken Embraces, starring Blanca Portillo. La Bobia is another legendary meeting point in Madrid. It is hard by El Rastro flea market and was once a hotspot of La Movida (The Madrilenian scene). It was actually during those heady times that Almodóvar decided to set the opening scene of Labyrinth of Passion in La Bobia. The movie’s cast was headed by Imanol Arias and Cecilia Roth.

Cuartel del Conde Duque

A must-visit venue to see the spot where one of the Manchegan filmmaker’s most famous scenes was shot – when Carmen Maura takes a night-time shower with a hose in one of his masterpieces, Law of Desire. The scene was filmed in the doorway of the Cuartel del Conde Duque, one of Madrid’s largest and oldest palaces (it was built in 1717), which also boasts a highly valuable cultural and historical endowment. What’s more, once you’ve taken the snapshot de rigueur to relive Almodóvar’s shot, you can go inside and visit it, as it has been turned into a cultural centre featuring various temporary exhibitions throughout the year.

The M-30 Apartment Blocks

Pedro Almodóvar did not restrict himself to capturing only Madrid’s well-known city centre – he also turned his gaze to the suburbs. He did so in one of his best movies, the iconic What Have I Done to Deserve This? in which a long-suffering Carmen Maura is going through hell. She plays a woman who lives in one of the apartment blocks lining the M-30 motorway, a working-class residential area in the district of Moratalaz.

The Segovia Viaduct

One of the natural settings Almodóvar has used most often, both at the beginning of his career and even today. It appears in both Matador and the very recent I'm So Excited. In the latter, Paz Vega stars in an amusing scene shot against this backdrop. The Segovia Viaduct is located in Calle Bailén, near the Royal Palace, and is one of Madrid’s best known bridges.

Be sure to tour these Almodovarian settings – book your Vueling to Madrid here.

Text by Xavi Sánchez for Los Viajes de ISABELYLUIS