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The Millennium trilogy written by Stieg Larsson has given much to talk about since it hit the bookshelves, creating controversy because of the author’s sudden death and engaging millions of readers. With their Swedish film adaptations and by the great David Fincher in Hollywood, there are many things to know about this intriguing story located in Sweden and many cool places to visit.

1 Stockholm. The first place we know in "The Girl with the Dragon Tattoo". A location with many attractions where we would not know where to begin ... try to stop by the financial district and remember the first steps of Mikael Blomkvist and Lisbeth Salander and do not forget to stop by Södermalm, the island where our hero has his home and the writer himself had it too.

2 Hedestat not exist, do not bother to look for it. In the film directed by Niels Arden Oplev, the small town of Gnesta does the part and it is probably the best alternative.

3 The bucolic coast of Bohuslän. Light and ethereal melancholy landscapes take us to the world of Ingmar Bergman and Stieg Larsson. A beautiful hazy set of wooden houses and violent waters where fishermen catch salmon. Once you've been there you will find it hard to imagine it as the home of serial murderers and Nazis.

4. Millennium exhibition at the Stockholm City Museum. Although plenty of people are visiting it, it is a small exhibition. "The Dark Side" is also a good alternative if you want more, studying the city’s dangerous criminal life.

5 It is said that "The Girl Who Kicked the Hornets' Nest" is not his latest book. Anyway, the hospitalization of Lisbeth and the trail remain a difficult tension to overcome. But we do not want to recommend anyone to visit a hospital, have a drink instead at Kvarnen or sip a coffee in Mellqvist to finish your tour.

Image from Wikimedia

Why not take a trip to Stockholm? Have a look at our flights here!

The Eternal City is also a city of celluloid. From Gregory Peck and Audrey Hepburn’s Vespa ride, to Anita Ekberg and Marcello Mastroianni’s dip in the Fontana di Trevi, Rome has been the backdrop of some of the most iconic sequences in cinema history. We embark on a celluloid tour of the capital of Italy while recalling the best movies that featured Rome as one of their protagonists.

To Rome With Love (Woody Allen, 2012)

Woody Allen stands out as one of the filmmakers who has most successfully captured the essence of New York. However, in recent years, the indispensable American director went on a pilgrimage that led him to film in London, Barcelona, Paris and Rome. One of the most outstanding movies from his European tour, To Rome With Love, revolves around Monti, a district of Rome which shook off its unsavoury past and became one of the liveliest areas in the city. The film also captures the beauty of other spots, notably the Via dei Neofiti, the Piazza della Madonna dei Monti and the popular Bottega del Caffè.

Bicycle Thieves (Vittorio de Sica, 1948)

A masterpiece of Italian Neorealism, a style which in the first half of the 20th century yielded some of the milestones in cinema history through its stark portrayal of mundane, everyday life. Lamberto Maggiorani, an unemployed construction worker and untrained newcomer to acting, breathes life into the character of Antonio Ricci, who has his bicycle stolen during his first day’s work posting advertising bills. While chasing the thief, Lamberto runs through the popular quarters of Trastevere and Porta Portese.

La Dolce Vita (Federico Fellini, 1960)

One of Federico Fellini’s heights of creativity and one of the most accurate cinema depictions of Rome’s character – particularly as it was in the 1950s, with its post-war mixture of glamour and humdrum genre life. Marcello Mastroianni stars as Marcello Rubini, a gossip magazine journalist who follows the great film star Sylvia wherever she goes (especially on her night outings), the role played by a mesmerising Anita Ekberg. Although such landmarks as the Piazza del Popolo, Via Veneto and Piazza Barberini feature in La Dolce Vita, the movie will always be remembered for the scene at the Fontana di Trevi.

The Great Beauty (Paolo Sorrentino, 2013)

Awarded the Oscar for Best Foreign Language Film in 2014, Paolo Sorrentino’s The Great Beauty is the 21st century’s La Dolce Vita. Enveloped in a fascinating surrealistic aura, seldom has Rome glittered so exuberantly on celluloid. You simple cannot help falling for Rome as seen through the gaze of Sorrentino as it settles on the Piazza Navona, Baths of Caracalla, Villa Medici, Palazzo Colonna, the Colosseum, Gianicolo, the Tempietto di Bramante and the Orange Garden.

Night On Earth (Jim Jarmusch, 1991)

Roberto Benigni plays an eccentric cabbie, the main star of the Rome vignette of Jim Jarmusch’s Night On Earth.This is a collection of five vignettes with stories set in Los Angeles, New York, Paris, Helsinki and Rome. In the episode set against the backdrop of the Eternal City, Benigni picks up a priest in the early hours and drives him through some of the best known settings in the city, notably the Colosseum, while making a hilarious confession of his sex life.

Rome, Open City (Roberto Rossellini, 1945)

Another essential film of mid-20th-century Italian Neorealism. Inspired by the true story of the priest, Giuseppe Morosini, who was tortured and murdered by the Nazis for having helped the partisans. Filmed in the district of Prenestina the same year World War II ended, Rome, Open City lays bare the physical and moral wounds left by the conflict on the streets of the Eternal City and in the spirit of its people. And, amid so much suffering, a masterful Anna Magnani.

Dear Diary (Nanni Moretti, 1993)

With Dear Diary, this Trans Alpine Woody Allen executed one of his most widely acclaimed films. A semi-autobiographical comedy in the guise of a documentary, it recalls the director’s experiences in three chapters – On My Vespa, Islands and Doctors.In the first of these, Moretti rides his scooter through Rome’s everyday settings in August, providing a different take on the Italian capital. One unforgettable moment shows Moretti dancing with his running Vespa.

Roman Holiday (William Wyler, 1953)

However, the prize for iconic scooter tours of Rome goes to Roman Holiday, starring Gregory Peck and Audrey Hepburn. It marks a sublime moment in the history of cinema, particularly the scene on the Spanish Steps or the sequence shot at the Bocca della Verità. The winner of three Oscars, this movie marked Rome’s ascendency as a city of cinema.

Book your Vueling to Rome here and let yourself be bewitched by this celluloid city.

Text by Oriol Rodríguez for Los Viajes de ISABELYLUIS

What do Ben Hur, La Dolce Vita, Gangs of New York and Nine have in common? At first glance, we might think… nothing, but, if we pay attention to the credits, we will see they were all shot at Cinecittá. For many of us, these film studios, located on the outskirts of Rome, are inevitably associated with the name of the great Federico Fellini, but they have also been a privileged host to some of the best moments in cinema history, and the spot where a large number of movie stars converged.

This “Cinema City” was built in 1937 after the previous studios were destroyed in a fire, the cause of which has never been accounted for. The construction project was commissioned to the engineer, Carlo Roncoroni, and the architect, Gino Peressutti. The aim was to build a veritable city of the seventh art, capable of competing with Hollywood itself, which would turn Italian cinema into a worldwide beacon. It should be noted that Mussolini’s Fascist regime was in power at the time and, like Germany, the Italian regime regarded cinema as a powerful propaganda tool.

Fortunately for us, not everything produced there was regime propaganda as it eventually became the place that witnessed the passage of great names in the history of Italian cinema – Roberto Rossellini, Federico Fellini, Vittorio De Sica and Luchino Visconti.

Production came to a halt when the Second World War broke out, and the premises were even put to a different use. Two years before the war came to an end, Cinecittá was occupied by the Nazis and converted into a concentration camp for civilians. It was subsequently bombarded by Allied forces and then turned into a shelter for internally displaced people. All this upheaval led to the loss of most of the technical equipment and machinery once housed in the studios.

After weathering those dark years, Cinecittà gradually evolved into its period of greatest splendour. First, it became the site of grand American productions, featuring such unforgettable movies as Ben Hur,Quo Vadis? and Cleopatra. Second, this was where the careers of the great figures of Italian cinema unfolded. And, the presence of the Americans brought a fresh lease of life and modernity to the Eternal City, as so accurately portrayed in Fellini’s La Dolce Vita.

But all golden ages have their expiry date and the number of large-scale productions began to wane in the seventies, losing out to television. The fact is that the trend of block-buster productions started falling behind, while Italian cinema gradually ceased to be a major player on the world scene. Despite this, the studios can still boast of having been involved in such movies as The Godfather III, by Francis Ford Coppola (1988), The English Patient, by Anthony Minghella (1996), Gangs of New York, by Martin Scorsese (2002), The Passion of the Christ, by Mel Gibson (2004) and the popular television series,HBO Rome (2005-2007).

On a curious note and perhaps as a symbol of our times, Cinecittá is currently the premises of the house and set of Grande Fratello, the Italian version of Big Brother, a contest which has become one of the great television hits.

Cinecittá is now a place of pilgrimage for any film-lovers worth their salt, although what remains to experience is merely an exercise in nostalgic reunion with a period in which cinema was different. It is also a good excuse for taking the whole family along to teach the new generations some cinema history and show them one of its landmark venues. In addition to its sets and some of the most popular set designs, visitors can also see the exhibitions hosted in the Fellini Building.

Nowadays, it might feel weird to stroll through those almost ghostly spaces, tinged with the decadence of time, and try to relive the period in which the great American film stars walked those corridors. What is guaranteed though is the flush of excitement one feels when catching sight of its stunning, iconic entrance.

Ready for a trip to the cinema? Check out your Vueling to Rome here.

Text by ISABELYLUIS Comunicación

Images by Jean-Pierre Dalbéra, Carlo Mirante