This Marseille’s quaint neighborhood is the oldest in the city and is located behind the old port, an area comprised between Castle of Sant Jean and Basilica of Sainte-Marie-Majeure . Its Provencal style streets and frontages have an maghreb atmosphere, due to the large Muslim settlement that has occurred in recent decades in this port enclave . Le Panier is characterized by a humble and even somewhat ramshackle appearance, because in ancient times had been a conflict zone, home of pirates and privateers.

Currently, this area has been converted and has nothing to do with what was once. Artisans and artists have reoccupied the streets and set up their workshops. A host of colorful houses, narrow streets with the most peculiar shops, upstairs and downstairs and typical food little bars and restaurants that gives so much charm to the district. The laundry hanging from the windows on the street gives this neighborhood an unusual authenticity. It is ideal for a walk, take pictures, go to lunch one delicious hot chocolate in one of the cafes or visit any of their famous Marseilles soap factories. Bakeries and pastries also charge a special role.

This traditional neighborhood contrasts with the rest of Marseille, more stately. There would still have one of the most emblematic points of the city attractions such as La Vielle Charité , museum and cultural center or Place des Moulins that is also noteworthy for it is on top of the old neighborhood, still retaining two former fifteen windmills, now rehabilitated as dwellings.

Image:  phgaillard2001

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Windmills, wooden shoes, dykes, bicycles, canals, Gouda cheese –all of these symbolise the Netherlands, but the tulip has an even greater claim to emblematic status, and, along with other flowers, is one of the country’s main exports.

The tulip’s name is derived fromdulband, an old Persian word for “turban”, and the flower was originally cultivated in the region comprising today’s Turkey, Pakistan, and Afghanistan, where it had religious connotations and adorned the tents and palaces of sultans.

The Flemish scholar and pioneering horticulturalist Carolus Clusius (1526-1609) was the first person to manage to cultivate tulips in Europe, and is regarded as the founder of the Dutch tulip industry.

The tulip was initially a luxury item for which large sums were paid, and in the 17^th C. a speculative “tulip bubble” expanded to gigantic proportions –a sale of 40 bulbs for 100,000 florins was recorded in a year when a Dutch workman earned about 150 florins a year. But the bubble soon burst.

Today, entire fields carpeted with the colourful flowers adorn the Netherlands, especially in the northeast, the Kop van Noord-Holland region, and Bollenstreek with its famous Keukenhof, the world’s largest floral park, with as many as seven million tulip bulbs sprouting every spring.

This year’s National Tulip Day falls on Saturday, 17^th January. It is regarded at the start of the tulip season, which finishes when late tulips are picked and the end of April. It is celebrated throughout the Netherlands, but Amsterdam’s Damm square is the place to be.

Tulip growers show their best early flowers there, turning the square into a mosaic of colours and textures, to the delight of tulip fanciers, including many foreign visitors, who are regaled with bouquets to take home.

In the course of the tulip season Dutch growers will sell more than 1,700 million flowers. Most of them to export markets.

Serious tulip fans should also visit Amsterdam’s Tulip Museum, which tells the story of the tulip in its historical context. The museum is in the Jordaan neighbourhood, just across the bridge from the Anne Frank house.

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Report by Scanner FM

Photograph by Kang-min Liu

It takes 180 square meters of the south wall of the Chiesa di Sant’Antonio Abate-the convent of the Friar Servants of Mary of the Church of San Antonio in Pisa. The art of Keith Haring, the renowned artist from New York, left the imprint in this pisan wall with a work that wants to give out a message of peace and citizen participation.

Tuttomondo is the only mural painting of the artist thought to be a permanent work, unlike his early works he executed quickly with white chalk on the Subway’s commercials. Haring was identified from the beginning with the Street Art, avant-garde art of the 80s that rebelled against the traditional system of exhibition galleries. So was born a way of counterculture related to graffiti and hip hop . His art seeks graphic simplicity that can be understood by everyone at first sight; uses images as graphic symbols.

The large mural was created in 1989, a year before he died, and took a week to be finished. Tuttomondo thereby became the last public work of Keith Haring. Everything came after a casual meeting in New York with a student from Pisa who proposed the idea. Thus the idea of ​​ Tuttomondo was born, a word that sums up the idea that the artist had about interaction with his audience, and in it 30 figures are represented to symbolize peace and harmony in the world . Each figure has a role within its gear, in this way men with dolphin represent man’s relationship with nature, the figures “human scissors” are a symbol of solidarity to defeat the snake symbolizing evil-or the woman with the baby represents motherhood.

Colours are also very important, and that was his election, Haring chose the tones of Pisa’s buildings, to keep harmony with the environment.

Image: Cutiekatie

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The Church of the Saviour on Spilled Blood, or the Cathedral of the Resurrection of Christ, was commissioned by Tsar Alexander III between 1883 and 1907 on the exact spot where his father, Tsar Alexander II, was fatally wounded.

Located next to the Griboedov Canal and visible from Nevski Prospekt, the building was constructed according to the traditional Russian style and inspired by Saint Basil’s Cathedral in Moscow. It therefore stands as one of the most striking Baroque and Neoclassical buildings to be found in Saint Petersburg. The structure includes three semi-circular apses and is crowned by five domes. It is one of the churches housing the largest number of mosaics in Europe, which bring together both Byzantine and Art-Nouveau styles.

In the past, the church was only available for private use but was opened to the public following the revolution. The building was used for various purposes throughout the communist era and eventually fell into complete disrepair. In 1970, responsibility was passed to Saint Isaac’s Cathedral and a series of restoration projects began that were to last for 27 years.

It is currently open as a museum and entry costs 250 roubles (350 if you visit during the White Nights Festival). We recommend that you rent an audio guide (200 roubles) so as not to miss any of the interior details or alternatively join one of the guided tours offered on the website of Saint Isaac’s Cathedral.

By Isabel Romano from DiariodeaBordo

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