In addition to its canals, the dockside in the old harbour, the Gravensteenor Castle of the Counts of Flanders, the City Hall and the Korenmarkt, one of Ghent’s major attractions is an altarpiece. Granted, it might not sound overly exciting or novel at first glance. If we add that it is one of the masterpieces of Flemish painting and the cornerstone in the transition from medieval to Renaissance art, it might start arousing some interest. And, that it is one of the artworks which, in the course of history, has been stolen most often, as well as having travelled through many countries, you are bound to see it in a different light.

The masterpiece in question is the Polyptych of The Adoration of the Mystic Lamb,also known as the Ghent Altarpiece, the work of the brothers Hubert and Jan van Eyck. It is located on the high altar in St Bavo Cathedral and was executed in 1426, commissioned by Joost Vijdt and his wife, Lysbette Borluut. The altarpiece consists of 12 panels painted in oil on both sides and measuring 3.5 m high by 4.6 m wide. It remains closed most of the year, and is only opened on festive holidays, revealing all its splendour. The paintings on the outer panels are more sober, with a marked sculptural air, the central theme being the Annunciation. A noteworthy highlight of the inner panels is their colouring, with a Deësis of Christ the King, the Virgin Mary and John the Baptist as the prominent upper feature, and the Adoration of the Lamb in the lower centre. Without going into the subject, the symbology and details behind the scenes of the altarpiece would fill a whole book.

The startling vicissitudes affecting this artwork date from 1566, when the retable had to be dismantled and concealed in the City Hall to preserve it from an assault by Calvinist iconoclasts.

In 1781, the two upper panels, depicting Adam and Eve, were removed from the ensemble, as Joseph II of Bohemia and Hungary found the nakedness of the figures disagreeable. In the 19th century, the panels were replaced with clothed versions of Adam and Eve, executed by the Belgian painter, Victor Lagye.

In 1800, the Napoleonic troops regarded it as the spoils of war – the wings were sectioned off and sold, while the central panels ended up in the Louvre. Once Napoleon had been defeated, the panels were restored to their rightful place in Ghent. But not for long.

In 1816, the vicar of St Bavo sold several of the side panels, which passed through a number of hands before coming into the possession of Wilhelm II, King of Prussia. They ended up being displayed at the Kaiser Friedrich Museum in Berlin. To provide a better view of them, the panels were sectioned lengthwise to reveal the obverse and reverse sides in the same plane. At the end of the First World War, among the multitude of artworks Germany was forced to return were these panels, which were again replaced in their original site.

In 1934, the panel of The Just Judges was stolen and a ransom of one million Belgian francs was demanded for its safe return, but the deal was rejected. It is still missing to this day and has been replaced by a copy, the work of the Brussels Fine Arts Museum curator, Jef Van der Veken.

Needless to say, the altarpiece was not left unscathed by the Second World War either, forming part of the large-scale plunder perpetrated by the Nazis. After a complex hunt for stolen art undertaken by the so-called “Monuments Men”, it was located in the Altaussee salt mine in the Austrian Alps.

The altarpiece is currently being restored, so not all the panels are on display in St Bavo Cathedral. To make up for this, those interested can follow the restoration project live in the Ghent Fine Arts Museum (MSK).

Now that you’re up to speed with all the ins and outs behind this marvellous artwork, we recommend you get hold of a Vueling and see it for yourself. And, don’t leave it too long, in case it gets stolen again!

Text by ISABELYLUIS Comunicación

In Belgium, beer is undoubtedly a quintessential beverage, something the people of Mechelen – just over 20 kilometres from Brussels – are well aware of. Citizens of this Flemish town have had enough with beer being regarded as a male prerogative, prompting them to launch a guide entitled, Beer in women’s hands,which stresses the historical and current role of women in the making of this elixir.

This Mechlinian project features recommendations on both tours of the city to visit historic sites and craft breweries and pointers to tasting the best local beers combined with typical dishes. A good example of this are bapas (snacks paired with a beer) and food pairing (creative combinations of beer with local dishes). All these options have one goal – to banish the myth that beer is not a woman’s drink and to dispel the belief that they prefer wine (and white wine at that) or light, fruity beers.

Another option in the guide is to cycle from Het Anker brewery, the oldest in Flanders, originally run by Beguines, nuns of a lay religious order who lived mainly in Mechelen and Louvain. This is where Golden Carolus is brewed – thus called after Charles V, the Holy Roman Emperor, who was brought up in this city – as is the brand named Lucifer, which tops the rankings of the best beers in the world.

Another suggestion in the guide is to have an aperitif in St Rumbold’s Tower, one of the major tourist landmarks in Mechelen. After the effort of climbing the more than 500 steps to the top of the tower, a beer is just what you need to quench your thirst as you take in the views of the city. St Rumbold’s Tower, nearly 100 metres tall, houses two famous carillons with 49 bells. It is worth mentioning that Mechelen is renowned for its Royal Carillon School, where many carillonneurs from all over the world have come to learn the secrets of this instrument.

The guide also recommends going on a multicultural, historical walk with tastings included. The itinerary takes you through the city’s central square, the Grote Markt, site of one of Mechelen’s three city halls, and of the unusual statue known as the Opsinjoor, depicting a man pulling a doll around on a sheet, considered the city’s mascot. Other landmarks on the route include the Palace of Margaret of Austria, Charles V’s aunt and governor of the Netherlands in the 16th century, the Church of Saints Peter and Paul, originally a Jesuit church, the Church of Our Lady across the river Dijle, which features works by Rubens, and the Palace of Margaret of York, the residence of the Bishop of Kamerrijk (Cambrai) when he was in Mechelen.

A final recommendation for Mechelen is a visit to the Dossin Casern, an erstwhile transit camp converted into a museum and documentation centre on the Holocaust and human rights. From 1942 to 1944 it was used by the Nazis as a transit camp where over 25,000 Belgian Jews and gypsies were detained before being deported to Auschwitz-Birkenau.

Mechelen is an ideal spot for sightseeing on a day trip from Brussels, as it is easily reached by train. Check out our flights to the Belgium capital here.

Text by María Jesús Tomé
Images by Turismo de Malinas

Louvain, regarded as the Flemish Salamanca for its large student population during the academic year, is the ideal destination to head for on a getaway to Brussels as it is less than half an hour’s train ride away.

Louvain and its University

The university is a major feature of Louvain (Leuven, in Flemish). Not only is it a historic institution – it was founded in 1425 – but an international student magnet as it attracts large numbers of foreign Erasmus scholarship holders each year. Many of these will be unaware that Erasmus of Rotterdam, after whom the exchange programme of almost thirty years’ standing is named, actually used to lecture at Louvain University.

No wonder, then, that the population of this Flemish city increases by around 20,000 youngsters at the start of each academic year. They study during the day and hit the town by night, turning Louvain into one of the most fun spots in Europe. Come heat or cold, many of these students congregate in the Oude Markt, a square packed with cafés, pubs and restaurants, compounding what is considered to be Europe’s longest bar counter.

In the morning, many of these students make up for the previous night’s debauchery in the library, located in the Monseigneur Ladeuzeplein square. The library building, formerly sited on the Naamsestraat, was destroyed in World War I and rebuilt with Belgian and American funding. The square is embellished by a striking landmark – a beetle pierced by a huge, three-meter-high needle. It was unveiled in 2005 to mark the 575th anniversary of the University.

Louvain’s Historic City Centre

Some of the most emblematic buildings in Louvain, the capital of Flemish-Brabant province, are located in the Grote Markt or Main Square. The most remarkable landmark is the City Hall, an example of the mid-15th-century Brabantine Gothic, with over 230 small sculptures adorning the facade. Noteworthy, too, is St Peter’s Church with its unfinished, low belltower and the Neoclassical building known as the Round Table (Tafelrond), currently the site of the National Bank. Starting from the Grote Markt, if you head along Bondgenotenlaan street, you come to Martelarenplein (Martyrs’ Square) with its marked Spanish air, redesigned as it was by the architect, Manuel de Solà-Morales, between 1998 and 2004.

Like the city of Mechelen, Louvain has a magnificent, 12th-century Grand Béguinage. This secluded precinct is just a fifteen minute walk from the centre and once housed the Beguines, a female religious community that led an austere life. Covering an area of six hectares, the Grand Béguinage is now the residence of many exchange professors and Erasmus students. Bear in mind that Flemish beguinages are listed as World Heritage Sites by UNESCO.

Other places of interest include St Gertrude’s Abbey, the Church of St Michael – a masterpiece of the Flemish Baroque – and the statue of Fons Sapientiae (Source of Wisdom), by the Belgian artist, Jef Claerhout, which is decked out in different costumes at various times of the year.

Gastronomy and Beer in Louvain

Beer is a must in Louvain, and several beer routes have been set up, including a tour of the Domus brewery and that of Stella Artois, the best known brand in the city. Several restaurants in town offer menus paired with local beer, notably Zarza and EssenCiel, the latter situated on the crowded Muntstraat.

Now that you know how to find your way around Louvain, get your Vueling to Brussels and enjoy the university city!

Text by María Jesús Torné from tusdestinos.net

Images by Toerisme Leuven, Frédéric Van Hoof, milo-profi.be

Antwerp lies 50 kilometres from Brussels and is a must-see city if you happen to be in Flanders. There you will find all the ingredients for enjoying a splendid getaway – streets brimming with fashion, a magnificent historic centre with beautiful buildings, including the Rubens House museum, and a culminating tour of the district where 85% of the world’s diamond trade is concentrated – not bad, is it?

One of the best ways to “drop in on” the city is by train as you will be greeted right away by the spectacular Central Station. Built from 1895 to 1905, it consists of a large, formidable structure crowned by a huge dome and decorated in twenty different types of marble, which has earned it the nickname of “marble temple”. No wonder it is regarded as one of the finest stations in the world.

After such a grand reception, the best thing is to head for the city’shistoric centreto rake up vestiges of its splendid past. A must-visit site is the Grote Markt (Main Square), framed by 16th- and 17th-century guild buildings, with pride of place going to the Antwerp City Hall. In the centre of the square stands one of the icons of Antwerp – the fountain of Silvius Brabo. Sculpted in bronze in 1887, the theme relates to the origins of the city. Legend has it that a giant named  Druon Antigoon, who guarded the bridge over the river Scheldt, used to charge a toll for any boats wishing to sail by. Any boatman who refused to pay the fee would have his hand cut off and thrown into the river. One day, the Roman centurion, Silvius Brabo, who had grown tired of this situation, cut off the giant’s hand and threw it into the river, giving rise to the origin of the name Antwerp (Ant= hand, werpen= to throw). No wonder then that a typical local confectionery called handjes is shaped like a hand, in memory of the legendary event.

Pressing on with our downtown walk, we recommend stopping to visit the Cathedral which houses one of Rubens’ masterpieces, The Descent from the Cross. Another sight worth visiting is the Gothic Church of St James, part of the branch of the Road to Santiago which starts in the Netherlands.

Another major landmark in Antwerp is the Rubens House (Rubenshuis), where the painter spent the last 29 years of his life. Now a museum, it successfully conveys how this artistic genius lived and worked. Rubens was one of the favourites of King Philip IV of Spain, his leading patron.

Among the curiosities of this city, which has earned it worldwide fame (notwithstanding its harbour, which is one of the major ports in Europe), is its important role in the diamond trade. The figures talk for themselves: 40% of the world’s industrial diamond is marketed in Antwerp, as is over 85% of rough diamond and 50% of polished diamond – nothing to be scoffed at! The district where all this activity takes place lies south of the Central Station. There, sightseers can visit the Diamond Museum and brush up on their knowledge of this luxurious, highly valuable mineral.

More suited to a variety of budgets is Meir, the city’s most important shopping street, where you can find all sorts of brands sold from the interiors of beautiful 18th- and 19th-century town palaces. Fashion and design are also major players in Antwerp, so be sure to head for Nationalestraat to visit MoMu, the Fashion Museum.

Let yourself be carried away by the charms of this beautiful city – book your Vueling to Brussels here.

Text by Los Viajes de ISABELYLUIS

Images by tom hartley