On our first visit to Rome we were struck by the sheer number of fountains we came across on our walks. I don’t mean just the monumental type – and there are some very beautiful ones – but the public drinking fountains located all over the old city which are ideal for quenching your thirst. After researching the subject we learned that water and its distribution was one of the ancient Romans’ major concerns, leading them to build aqueducts and channelling systems. Much of this must have rubbed off on the subsequent generations who inherited their legacy, prompting them to continue to seek ways of managing such a valuable asset.

Before focusing on the grand monumental fountains – we have made a selection of our favourites, listed below – let’s start by talking about their more modest counterparts, the nasoni. These public drinking fountains date from 1874 and are typically made of iron, cylindrical in form and with a snout-shaped spout; hence they are known as nasoni (nasone, in the singular) which means nose in Italian. Rome has nearly 2,500 and most of them provide clean drinking water which, in the hot summer, is something to be grateful for. One of the oldestnasoniis in the Piazza della Rotonda, near the Pantheon. They are well worth seeking out on your walks and you are likely to be pleasantly surprised on more than one occasion.

Fontana di Trevi

We start with the best known and most widely photographed of them all. Visiting Rome without seeing the Trevi Fountain is like not having been there at all. Don’t expect it to be sited in a huge square – quite the opposite. It defies belief how so much activity and splendour is crammed into the intersection where it is sited. Designed by Nicola Salvi and completed in 1762 – the original preliminary drawings are by Bernini – it was commissioned by Pope Clement II and its central theme is the Taming of the waters.And, yes – go ahead and carry out the ritual of throwing a coin in the fountain, ensuring you will return to this beautiful city. Beware, though, it is strictly forbidden to emulate Anita Ekberg and Marcello Mastroianni in La Dolce Vita!

Fontana dei Quattro Fiumi

The spectacular Fountain of the Four Rivers, which is surmounted by a huge Egyptian obelisk from the Roman period, is sited in the Piazza Navona. Around the base are four statues depicting the world’s four main rivers – the Nile, Ganges, Danube and Río de la Plata. This exceptional work by the great Baroque master, Bernini, has two companion fountains on the side – Neptune and the Moor.

Fontana del Tritone

The Triton Fountain is once again the work of the great Gian Lorenzo Bernini, although this time the fountain is rather more modest and yet every bit as beautiful. Located in the Piazza Barberini, very near the Trevi Fountain, it is dedicated to the god, Triton, shown kneeling on the tail-fins of four dolphins and holding up a conch from which spouts a jet of water.

Fontana del Pantheon

Located in the picturesque Piazza della Rotonda in front of the Pantheon, this dolphin fountain is popularly known as the Fountain of the Pantheon. It was commissioned by Pope Gregory XIII and designed by Giacomo della Porta. Like the previous fountain, the basin acts as the supporting foundation for an obelisk dating from the period of Ramses II.

Two Fountains in the Piazza Farnese

The Piazza Farnese, one of our favourite squares, is the site of two highly original matching fountains set on the sides. They are strikingly shaped like bath-tubs and made of granite taken from the Caracalla Baths.

Fontana della Barcaccia

The Fountain of the Old Boat is located in the Piazza di Spagna, at the foot of the spectacular Spanish Steps. It is the work of Pietro Bernini, the father of Gian Lorenzo Bernini. Depicted in stone is a ship which, according to the tradition, was washed down here by a flash flood in the river Tiber.

When visiting Rome, be sure to visit these and many other fountains. Book your Vueling here.

Text by Los Viajes de ISABELYLUIS

Images by Lalupa, Sébastien Bertrand, Matt Brisher, 2pi.pl, LASZLO ILYES, Anita Szeicz

Donostia-San Sebastián is a city in constant change. Perhaps its effervescence can partly be accounted for by the prevailing impetuous climate changes and, above all, by the ceaseless wind there. Coinciding with the forthcoming change of season, we recommend you visit this charming coastal city to delight in the chromatic variations of its bay – La Concha – or the crashing waves at Chillida’s Peine del Viento.

San Sebastián is currently abuzz with creative activity, now more heated than usual. The fact is that this city in Guipúzcoa will be Europe’s culture capital for the whole year, a title it shares with the city of Wrocław in Poland. Throughout 2016 there will be concerts, stage plays, talks, book presentations and a long list of miscellaneous cultural activities.

The Year’s Major Cultural Event

This is Donostia 2016, an event that does not set out to dazzle with great names on the international scene, or exorbitant investments in infrastructure. Instead, it is pioneering a new model based on experimentation, learning and developing close-knit audiences, with a view to the legacy all this will leave behind in the city as of 2017. That accounts for the programme being grounded in local tradition, albeit with an international projection.

The fact is that Donostia is no newcomer to organising events. Let’s not forget that for years the city has been hosting such long-standing festivals as Zinemaldi, the Musical Fortnight and Jazzaldi.

Activities of all kinds will be held throughout the year in various areas of the city. Like those billed to be staged in Cristina Enea Park. This beautiful park is the city’s largest and is located hard by the Estación del Norte. August will see the independent music festival, Glad is the Day, a tribute to Gladys, a local heroine among social movements. The Dabadaba and Le Bukowski clubs, in collaboration with San Sebastián 2016 and Tabakalera, will be hosting this project with the aim of putting the Egia district onto the map of the city’s summer cultural festivals. The daytime event is admission-free and will feature eight performances at two venues – Anari, Los Tiki Phantoms, Chiquita y Chatarra and The Saurs at the main venue; and AWWZ, Telmo Trenor, Kino Internacional and Javi P3Z at the electronic venue.

Donostia Goes Hipster

Modernity and culture go hand in hand in the Egia quarter. We embark on a tour of the area through some of its most emblematic spots.

Tabakalera

Unveiled last September after 10 years of renovation. Tabakalera, a new, spectacular centre of international contemporary culture is housed in a former tobacco factory covering an area of 37,000 square metres. It consists of two exhibition halls, a cinema, an art media library, creation labs, a hotel for resident artists, micro-theatre shows, concerts, two cafés, a restaurant and a roof terrace with superb views of the city.

The Egia Quarter

The renewal of two venues, namely the Victoria Eugenia Theatre and the Koldo Mitxelena Kulturenea, belonging to the Diputación Foral de Gipuzkoa (Guipúzcoa’s provincial administration), has helped shift the city’s hub to the other side of the Urumea. No wonder that this area is known as the Donostiarra Brooklyn, as it has become the city’s centre of modernity and culture.

Dabadaba

Currently one of San Sebastián’s most active venues. Concerts, festivals, exhibitions, DJ sets, flea markets and screenings are hosted in Dabadaba, a multi-purpose centre. Apart from musical and cultural events, on weekday mornings it also offers breakfast, shakes and natural fruit juices. This venue is up with the latest trends, such as a revival of interest in beer – a varied and growing selection of commercial and craft beers are featured on its menu.

Le Bukowski

Le Bukowski is another major night-time meeting point in the Egia quarter. It might lack the sophistication of the Victoria Eugenia Theatre, or the modernity of Rafael Moneo’s Kursaal Auditorium. But, what does that matter if what you want is to listen to good rock or dance music? This is the yardstick club in Donostia, both for live and DJ music. It has been active for three decades and not for nothing is it as fresh as the day it first opened.

Gazteszena

A space in the Egia quarter which has been operating as a multi-purpose venue since 1998. This year it will be hosting the Mojo Workin festival on 18 and 19 March, an event dedicated to rhythm and blues and soul which will be featuring international artists and DJs.

Donostia is always on duty for the traveller. Come and visit its trendiest quarter in a particularly exciting year. Check out our flights here.

Text by Los Viajes de ISABELYLUIS

Images by Donostia 2016, Dabadaba

The Ria de Muros e Noia is one of the Galicia region’s least built-up coastal areas, and also one of the most beautiful. Fishing boats landing delicious, shellfish, white sandy beaches with good surfing, all framed by green hills with a riot of vegetation –it’s definitely worth a visit. Here is a route you might consider.

Mt. Louro and the Xarfas Lagoon
Starting from the northern extreme of the estuary, between the Costa da Morte and Muros, you can stand atop Louro mountain, a 241-metre high granite block, and feast on the views of the Ria de Muros e Noia and the Lagoa de Xarfas with its fabulous Area Maior beach. The surrounding –hills, dunes, beach and the lagoon—boast a wealth of flora and fauna. There’s even an observatory for watching migratory birds.

Muros
Heading south we come to the town of Muros, founded in the 10^th C. , and now featuring modest fishermen’s houses next to lordly mansions from bygone times. A stroll the town in the late afternoon can be timed to coincide with the arrival of the boats in the evening after a day’s fishing. The fish is put up for sale immediately on the dock, which is also an interesting spectacle to watch. And it means your shellfish dinner will be fresh and delicious. You won’t be disappointed by any of the restaurants under the arches near the water’s edge.

Just three kilometres away on the road to Noia is the Muíño de Mareas do Pozo do Cachón, a flour mill powered by the tides, built in the last quarter of the 19^th C. There is also an interesting museum.

Noia
Noia is the biggest town in the estuary, and is only 36 km distant from Santiago. According to tradition, it was named for Noah, who is believed to have settled there after the Biblical flood. The city’s coat of arms shows an ark and a dove bearing an olive branch.

The old quarter features two churches built in the local version of the Gothic style: San Martiño (15^th-16^th C.) and Santa María a Nova (14^th C.), the latter with a fascinating collection of about 500 tombstones. The 16^th C. convent of San Francisco may also be visited, and the town is replete with stately mansions, such as the Casa da Xouba, the Pazo Dacosta (or Casa de Rivas), and the Pazo Forno do Rato. In the Obre district the pazos (mansions) of Pena de Ouro and Bergondo are worth a visit.

Some five kilometres from de Noia, across the Tambre, we come to the Ponte Nafonso, a bridge built during the 12^th C. reign of King Alfonso IX of Leon and Galicia. It consists of a score of pointed arches lying on granite ashlars. The setting against the sea and mountains makes the sight of the bridge all the more spectacular

Castro de Baroña
On the south side of the estuary, next to the fishing village of Porto do Son, is the Castro de Baroña, an Iron Age Celtic settlement, with a score of round or oval stone cottages, once thatched, on a small peninsula. The archaeological remains and the wonderful landscape make it a worthwhile visit.

Corrubedo Dunes Nature Park
Between the Ria de Muros and Noia and that of Arousa, to the south, lies this lovely park with beaches, dunes, fresh- and salt-water lagoons, wetlands, and even megalithic remains. One of the main attractions is the “moving dune”, a restless pile of sand about a kilometre long , 200-300 meters wide, and 20 metres tall.

Some Further Recommendations
Though the quickest way to explore the Muros and Noia estuary is by the AC-550 coast road, we recommend side trips into the surrounding hills to get the best views.

For lodging there are numerous country inns and guest houses on both sides of the water, most of them in old and typical buildings. A particularly unusual place to stay is the hotel Pesquería del Tambre, in the Tambre river valley on the site of and old hydroelectric dam transformed into a nature hotel by the architect Antonio Palacios.

Check out our flights to Santiago de Compostela and head west to the sea!

Text: Isabel y Luis Comunicación

Pictures: Turismo de Galicia

There is one night in the year inevitably associated with witches, horror stories, pumpkins, bonfires and disguises and that it is 31 October, the eve of All Saints. One of the many traditions alive in Spain is the stage performance of Don Juan Tenorio, by the poet, José Zorrilla. The ritual has been performed continuously ever since it made its debut around 1844. While at first glance a romantic drama might seem out of place on a night more suited to The Munsters, there is a reason for it – much of the second act in the play takes place in a cemetery, and many of the protagonists are dead souls who come alive and interact with the lead figure. Chilling, isn’t it?

Don Juan Tenorio’s Seville

Having solved the first mystery, a second issue arises. What connection is there between one of the most popular Juanes in literature and the city of Seville? First, it was here in Seville that José Zorrilla wrote his stage play and where the story is set. Granted, Zorrilla was actually inspired by Tirso de Molina’s The Trickster of Seville and the Stone Guest, written in 1630, which is where the myth of Don Juan stems from. The work ended up seducing such artists as Molière, Mozart, Lord Byron and Espronceda, among others.

A different, entertaining way of touring Seville is to stroll along its streets in search of possible sites featured in that drama, and the spots where tributes to the work are located. Here are some of them:

The Hostería del Laurel (Plaza Venerables 5) is located in the heart of Santa Cruz, one of the most popular districts in Seville. This former boarding house is where José Zorrilla lodged when he wrote Don Juan Tenorio. This, the birthplace of the literary classic, also acted as a source of inspiration for some scenes. Despite the passage of time, it is still worth venturing inside, where some of its historical essence has survived intact.

A few yards from the Hostería del Laurel lies the Plaza de la Alianza, site of the home of Doña Ana de Pantoja, the future wife of Don Luis Mejía, who rivalled Don Juan Tenorio when it came to causing mischief. There is actually a scene in this square where Don Juan tries to wrest his beloved from the grasp of Don Luis.

It is more difficult to find the convent where Doña Inés – one of the main characters in this romantic drama – was confined. The convent belonged to the Order of Calatrava, which is why the habits she wears bear the emblematic red cross of Calatrava. Indeed, a convent once stood in the Calle de Calatrava, which was re-christened thus in honour of the literary work. Following the disentailment it was subsequently demolished, the sole surviving vestige being a chapel which was eventually turned into a warehouse. Easier to locate is the Plaza de Santa Marta, which everyone agrees was the spot where Doña Inés was abducted by our hero.

Still in the beautiful Santa Cruz quarter, we find the Plaza de Doña Elvira, site of the home of Don Gonzalo de Ulloa, the father of Doña Inés, who was staunchly against her alliance with Don Juan.

Concerning the location of Don Juan Tenorio’s house, literary sources cite it as being on the banks of the river Guadalquivir, where he ended up fleeing, although the exact spot is unknown. There is also the real site because, if you’ve done some reading on the subject, the Tenorio family actually existed and tradition places them in the Convent of San Leandro, situated in the square of the same name.

The scene of the final duel, in which Captain Centella kills Don Juan Tenorio, takes place in the present-day Calle Génova, now re-christened the Avenida de la Constitución.

To wind up this tour commemorating the literary classic, you can visit the Plaza de los Refinadores where a statue to Don Juan Tenorio, sculpted by Nicomedes Díaz Piquero, was erected in 1975.

By the way – if you’re in Seville any weekend from 31 October to 15 November, we recommend visiting the San Fernando Cemeterywhere Engranajes Culturales is staging a dramatised visit and performance of the third act of Don Juan Tenorio.

Ready to be a Don Juan in Seville? Secure your Vueling ticket here.

Text by ISABELYLUIS Comunicación

Images by Víctor Fernández Salinas, Consuelo Ternero, Sandra Vallaure