The Concurso de Tapas Picadillo is one of the most acclaimed in northern Spain. In A Coruña, the whole city gets involved, with a good many culinary establishments presenting their best creations. In some areas of the city, participants have come together in the form of group entries. Following is a rundown of some of the bites that surprised us most. As there were over 70 participants, we have made a selection of those located near the historic city centre. Although the contest is over, bear in mind you can still savour the tapas until 31 December, and you can look up this year’s winners on the competition website.

The Ciudad Vieja, Monte Alto, Zalaeta and Plaza de España Area

The earliest settlement in A Coruña is what is now known as Ciudad Vieja (Old City), an area which features monuments prior to the 19th century. This is the perfect place to stroll around, in the hushed atmosphere of its cobbled backstreets. The best place to start the route is hard by the San Carlos Gardens, at an establishment called A Boca do Lobo, where you can try the two special tapas that entered the competition. The first, creative offering is Galician octopus at 100°, seaweed coulis and liquid croquette with a pork crust. The other is the traditional roast Celtic pork dewlap and potatoes in their gravy. On the edge of the Ciudad Vieja lies the Plaza de María Pita, a complex of striking harmony arranged around a statue of a local heroine who fought against English corsairs. The square is surrounded by buildings with porticoes where some of the city’s main bars and restaurants are located. These include Breen’s Tavern, where you can enjoy a scrumptious cod-and-prawn brandade. Next door is El Ángel Café Bar (Plaza María Pita, 25) whose “Celtic pouches” were a surprising entry in the competition, while El Tequeño made a bold move with their creative, melgacho tapa based on small-spotted catshark tail.

The Barrera, La Marina, Galera, Estrella and Olmos Area

This is the nerve centre of A Coruña’s tapas bars, an area also known as La Pescadería, where the largest number of establishments is concentrated. The Calle Franxa, which runs from the Plaza de María Pita, is studded with seafood restaurants, Cuban and Turkish eateries, and a whole gamut of traditional tascas, beer gardens, jamonerías and wine cellars. The stretch leading from Ciudad Vieja to Los Cantones is another area crammed with bars and restaurants. However, the highest concentration of these is found along Calle Barrera, which boasts no less than thirteen contestants in the tapas competition. Like A Casa da Moura(Barrera, 9), with their delicious ovo da moura, or Alma Negra (Barrera, 13), with their creative mackerel taco, as well as a more traditional dish known as mar y montaña de tendones y callos de bacalao (“sea and mountains of tendons and cod tripe”). For us, however, pride of place goes to the stunning tartar de zamburiñas y aguacate sobre cama de brotes tiernos y brotes de col morada (“tartar of variegated scallop and avocado on a bed of tender bean sprouts and red cabbage shoots”), to be had at Tapa Negra. Calle Galera, which leads into Calle Olmos, is flanked by some of A Coruña’s classic tapas bars which have been handed down from one generation to the next.

The Alameda, Plaza de Galicia, Plaza de Vigo and Juan Flórez Area

Another large collection of tapas bars is grouped around the two aforementioned squares. This is the heart of the Ensanche quarter, an important shopping and business precinct, with a good many stores and offices, but also taverns and restaurants. It is part of the Picasso District, an area running from Juana de Vega to Plaza de Mina, named after the Malagan artist who lived and studied for a few years in this part of A Coruña. The streets Juan Flórez, Linares Rivas and Ramón de la Sagra also fall within its zone of influence.

We strolled through the area stretching from Los Cantones to the Parque de Santa Margarita; then along Juan Florez up to Avenida de Rubine, which leads to the Riazor football stadium. To start with, at Casa Martín, near the Plaza de Pontevedra, you should try the empanada de xoubas y grelos (pilchard and turnip top pie). Just one street away is El Huerto Los Cantones (Cantón Pequeño, 22) where, if you’re still feeling peckish – or you have just started out on the route – you will be well satisfied with the miniburguer de pez espada, tomate semiseco, espinaca fresca y salsa de almejas en pan de cereales (swordfish mini burger, semi-dried tomatoes, fresh spinach and clam sauce on wholemeal bread). Any better offer?

Don’t miss the chance to sink your teeth into the best, traditional-style, creative tapas currently to be had in A Coruña. Check out our flights here.

Text by ISABELYLUIS Comunicación

Images by Turismo A Coruña, Concurso de Tapas Picadillo

One legend has it that the Breton saint St. Ferreol founded the city after landing there in a boat escorted by a choir of seven mermaids, but scholars still cannot agree on the origin of the name the city has been called since Medieval times.

History

The first people to settle in the area were Celts. And there is evidence of Phoenician and ancient Greek settlements, too. When the Romans conquered Hispania in the first century BC, a fishing village stood on the site of today’s city. Soon the locals began exporting preserved fish to the rest of the Roman Empire. The name “Ferrol” first appeared in church records in the year 1087, referring to a donation made by villagers to the nearby monastery of San Martín de Jubia.

From La Coruña

Ferrol has easy access to La Coruña, only 40 minutes’ distant --via a very scenic stretch of the AP-9 motorway, crossing the Eume river and others-- and to other towns in northern Galicia such as Villalba, Naró, and Ortigueira. You’ll see hills and extensive green meadowland crisscrossed by streamlets, along with panoramic views of the sea. You may wish to stop along the way at the Parque Natural Fragas do Eume, where you can admire Europe’s best-conserved Atlantic coastal woodlands, some 9,000 hectares of virgin forest. The triangular park, lying between the towns of As Pontes, Pontedeume and Monfero, will show you that “enchanted forest” isn’t just a figure of speech –you will expect to see elves and wood sprites frolicking amongst the ferns and lichens, and the springs and waterfalls, all under the leafy canopy of ash, alder, oak, and poplar trees, which the sun’s rays have difficulty penetrating in some spots. You might also visit the equally enchanting  Caaveiro monastery, dating from the year 934, and which overlooks the forest.

A Stroll through the Magdalena District

Ferrol’s urban essence is concentrated in the old quarter, the Barrio de la Magdalena, a commercial and entertainment district featuring such Belle Époque jewels as the 1892 Jofre Theatre, the Magdalena Market, the 1923 fish market building called “La Pescadería”, the Casino Ferrolano (also erected in 1923), the Hotel Suizo (1916), and the Banco Hispano-Antigua Fonda Suiza (1909-1910). The rationalist, geometrically laid out district resembles Barcelona’s Ensanche, and at its extremes lie two broad squares, the Plaza de Amboage or, more properly, del Marqués de Amboage, and the Plaza de Armas). There are numerous 18^th C. and 19^th C. homes with fancy wrought-iron balcony railings on stone corbels and white, wood-framed glass-enclosed balconies, as well and modernist buildings from the early 20^th C. The whole neighbourhood was designated as a protected cultural treasure in 1983. The main shopping streets are Real, Magdalena, Igrexa, Dolores, Galiano, and María. For tapas, drinks, and sit-down meals the calle del Sol is the place to go.

A Fortified City

Well worth visiting are the fortifications, whose construction began in the reign of Phillip II (b. 1527 d. 1598) that protected the city against attacks from the sea, including the  San Felipe Castle, and the Arsenal, a unique building now housing the Naval Museum.  It connects to the Magdalena neighbourhood via the ornate, neo-classical 1765 gateway known as the Porta do Dique.

The Spanish Armada

Ferrol has an important naval base and large military and civilian shipyards. Since the 15^th it has been a key military installation, particularly during the heyday of the Spanish Empire, the first on which “the sun never set” –the Spanish Armada has both the discovery of America and the first circumnavigation of the world to its credit. Sea dogs, history buffs, and landscape lovers alike will find much to rave about in Ferrol. Perhaps you should book a flight to La Coruña with Vueling a take a closer look? Check out or flights here.

Report by Isabel y Luis Comunicación

Pictures by Juan Balsa, Diputación de A Coruña y Concello de Ferrol

On account of its historic legacy, Prague is a jewel sculpted by the passage of time and one of the leading tourist destinations. If you happen to be in the capital of the Czech Republic, you are bound to visit its popular castle, cross the well-known Charles Bridge and have a revitalising Pilsner in any of the city’s myriad beer halls. But, when you are done with the typical tour for flip-flop and sock-wearing guiris, set off to explore the Prague which Czechs usually keep to themselves. This is the city, as fascinating as it is alternative, which we reveal in the following.

David  Černý
David Černý has turned Prague into his own huge museum. A St Wenceslas on an upside-down horse, a statue of two men peeing facing each other, Freud hanging from a building, babies transformed into machines… These are but some of the works which the most widely acclaimed yet corrosive and controversial contemporary Czech artist has strewn about the streets, avenues and public spaces of the Czech capital.

DOX
DOX is housed in a refurbished building in the working class suburb of Holešovice. Inaugurated in 2008, Prague’s contemporary art centre boasts the largest collection of modern works in the country. This is a must-visit venue for all art lovers. We recommend you end the visit by making a foray into their interesting shop – their café is nothing to scoff at either.

The Dancing House
Originally known as Fred and Ginger, in honour of the famous dancing couple, it was eventually named The Dancing House. This construction with its fascinating curved forms is highly conspicuous in a city celebrated for its centuries-old buildings. It was designed by Frank Gehry, the architect behind Bilbao’s Guggenheim Museum, who executed the project in collaboration with the Croatian-Czech architect, Vlado Milunić.

Malá Strana
The Malá Strana district is a refuge for the inhabitants of Prague when inundated by droves of tourists. A backwater of calm and quiet in the heart of the city, it is bounded by several green areas, notably Kampa Island. The latter is separated from Malá Strana by a channel popularly known as the Devil’s Stream and its basks in bucolic beauty all year around. It is the ideal spot to get away from it all and to enjoy a stint of reading while sipping a coffee in one of the inviting cafés secreted along its streets.

Náplavka
This spot in the south of Prague’s Old Town, on the right bank of the river Moldava, was once the major meeting place of hippies. It has now become the focal point of hipster Prague. The area has a thriving art and culture scene and the best time to visit is on Saturdays, when the so-called Farmer’s Market is held from ten in the morning until nine in the evening. It is devoted to regional farm products, with stalls selling organic produce, craft beer and street food. You are likely to even gobble up the paper serviettes (recycled ones, of course).

Cubist Prague
When it comes to Cubist art, what normally springs to mind are works by such figures as Pablo Picasso, Georges Braque, Jean Metzinger and Juan Gris. And, if we push it a little further, the sculptures of Alexander Archipenko, Jacques Lipchitz and Henri Laurens, and the literary experiments of Guillaume Apollinaire. However, we hardly ever think of Cubism as applied to architecture which had in Prague once of its paramount expressions, thanks to the architectural trio made up of Josef Chochol, Pavel Janák and Josef Gočár. Visitors can delight in a number of their constructions around the city, but you should make a special point of seeing the building which epitomises the movement, Gočár’s House of the Black Madonna. Located on the corner of Celetná Street and Ovocný Square in the heart of Prague, it now houses the Czech Museum of Cubism.

SoNa
Wallpaper Magazine rated it one of the classiest districts in the world. Indeed, SoNa (short for “South of Národní”) is worthy of that distinction, what with its winding streets, cafés bustling with lively folk and exotic restaurants where you can sink your teeth into specialities from some of the remotest spots on earth. And, if you feel like doing some shopping, wander down Karoliny Svetle, where you will come across the stores of the most avant-garde local designers.

Vyšehrad
No alternative guidebook to Prague would leave out a visit to Vyšehrad, the Czech capital’s “other castle”. Rather than a castle, it is actually a ruined fort. Apart from interest in the landmark itself, Vyšehrad affords some of the finest views of Prague and the river Moldava.

The Alternative Tour

If you’re keen on delving further into alternative Prague, you can get help from Prague Alternative Tours. They will take you through the flip side of the Czech capital, past the walls displaying the city’s most amazing street art and to the flashiest clubs. They will also get you into the most innovative contemporary art galleries, and community centres where you can meet the most promising young local creators.

Book your Vueling to Prague and gear up to discover the alternative side of the Czech capital.

Text by Oriol Rodríguez

Images by Nan Palmero, Marmontel, Jose Mesa, Achim Hepp

It was a film that led me to Turin. I was stunned by a giant edifice topped by a spire which towered over the city. It was the Mole Antonelliana, a vivid name alluding to both its blunt presence and its designer, Alessandro Antonelli, who had initially conceived of it as a synagogue. I discovered it in a humble but significant independent film entitled Dopo Mezzanotte (After Midnight), by Davide Ferrario, who lives in the city and has shot many of his films there. It is a hymn to cinema, a passion triangle with the action set in the Museo Nazionale del Cinema, which has been housed in the Mole since 2000. With an area of 3,200 square metres, it is the largest in Europe dedicated to “the Seventh Art”. It is a highly original, spectacular exhibition, both for its location and the layout of its collections, including pre-cinematographic devices, magic lanterns, and both old and modern stage items – notably masks from Star Wars and Bergman’s The Seventh Seal, Superman’s cloak and Marilyn Monroe’s bodice. It is actually one of the most frequented museums in Italy, quite a feat in a country with such a rich history and art heritage. It is also the site of the Turin Film Festival, next slated for 20 to 28 November, which has featured such filmmakers as Nanni Moretti, Gianni Amelio and Paolo Virzi.

The City that Bewitched Risi, Tornatore and Argento

The fact that Turin was Italy’s first capital is evident in its cinema, from Neorealism to erotic comedies, with a profusion of such explicit detective films as Double Game, Black Turin and Torino, centrale del vizio. It was in Turin that the master of horror movies and self-confessed lover of the city, Dario Argento, shot several scenes from one of his first hits, The Cat o' Nine Tails. He went on to film in their entirety his latest works, Do You Like Hitchcock?, Sleepless (Non ho sonno) and Giallo.

The city of the Juventus and Torino football clubs, the annual contenders at the “Derby della Mole”, is also an obligatory stop on the journeys depicted in the perennial classics. Enrico Loverso emigrates from the poor south to the Turinese industrial north in The Way We Laughed (Così ridevano) by Gianni Amelio. In Everybody's Fine (Stanno tutti bene), by Giuseppe Tornatore, an elderly, splendid Marcello Mastroianni visits his adult children distributed across Italy and finds the last of them – of course – in Turin. And, the irascible blind captain played by Vittorio Gassman sets off from Turin station in Scent of a Woman, directed by Dino Risi (the remake, with Al Pacino, came years later). Risi also happened to make his cinema debut in the same Alpine city, when he was assistant director during the shoot of Piccolo mondo antico (Little Ancient World), and it was there, too, that he one night declared his eternal love to the stunning actress, Alida Valli, while they were sitting in a carriage in the rain, in the romantic, lush gardens of the Parco Valentino.

The Setting for Robberies and Spies in American Movies

In The Pink Panther 2, with Steve Martin, one of the city’s most prized treasures is stolen – no less than the Turin Shroud. However, the film that has probably set Turin most on the map is the 1969 cult movie, The Italian Job, by Peter Collinson (which has seen a recent remake). In it, Michael Caine flees with his loot from the carabinieri in his Mini Coopers, through the Palazzo Carignano, along the inner staircases of the Palazzo Madama and around the exterior of the Gran Madre di Dio Church, skidding through the glamorous Galleria San Federico shopping centre, and driving over the flared roof of the Palazzo a Vela, built for the Italia 61 Exhibition and refurbished as a sports centre for the 2006 Winter Olympics. He also drives up the heady oval test track on the old FIAT factory – the city’s veritable economic driving force for decades – housed in the Lingotto building, now a multidisciplinary space for trade fairs and festivals. In his final getaway, his Minis reach the nearby Alps, the formidable mountain range which acts as the backdrop for this stunning city, after having crossed the river Po.

And, opposite the Po stands the majestic Piazza Vittorio Veneto, which appears in The Bourne Ultimatum, a saga starring Matt Damon. However, the café where we later see the fired up secret agent sitting is actually in Madrid! The fact is that the film crew were back working in Spain when a change to the script forced them to repeat the shoot of the scene originally filmed in Turin. The magic of cinema always involves some hidden devices!

If you fancy seeing the city for yourself, secure your ticket here!

Text by Carlos G. Vela para ISABELYLUIS Comunicación

Images by Felipe Cadona Colombo, Jean-Pierre Dalbera, Luigi Giordano, Marco Coïsson, MarkusMark, Nicola Gambetti