Some years ago, a few sequences from the movie, Indiana Jones and the Last Crusade, were filmed in Venice. Specifically, in August 1988. Yet the fascination produced by good old Indy’s scenes in the city is still imprinted on our retinas.

Many of us would like to be able to take DeLorean in Back to the Future and travel, not only in space, but also in time, in order to attend the shoot and see the young Harrison Ford performing great feats. Fantasies aside, we can indeed now plan our trip to Venice in the form of a game in which, after the typical tours of St Mark’s Square and theRialto Bridge,we follow the tracks left by Indiana Jones in the beautiful city of canals.

First Stop – the Salute

The Venice scenes begin when Indiana and his colleague, Marcus, meet the archaeologist, Elsa Schneider, on alighting from the vaporetto. The vaporetto is the water taxi that acts as public transport in Venice and plies the regular routes along the Grand Canal and between the various islands in the lagoon. Specifically, they get off at the stop known as Salute, on Line 1 of the vaporetto– the most popular route – immediately alongside the church of Santa Maria della Salute. Clearly, the stop is named after the church. But, those scenes don’t really match the current Salute stop, as they were shot at the jetty of the fondamenta della Dogana alla Salute. From here you can catch a glimpse of the Campanile di San Marco in the distance – located in one corner of St Mark’s Square – as it appears in the movie.

Ponte dei Pugni

Once they have disembarked, they stroll along some of the quiet streets of the Dorsoduro quarter. The gallant Indiana gives Dr Schneider a flower while crossing the Ponte dei Pugni (bridge of fists), curiously named after the years of fist fights between the rival bands of the Nicolotti and the Castellani. The losers usually ended up in the water as, until quite recently, the bridge lacked a railing.

The Chiesa di San Barnaba

Finally, they get to the San Barnaba library – where Indy’s father was last seen – the facade of which is actually part of the Church of San Barnaba (Chiesa di San Barnaba). Bear in mind that, of the natural backdrops to the quests of Indiana Jones, the one the diehards of the saga were most impressed by was the Treasury of Petra, in Jordan, which was used as a secret temple housing the Grail, and the one in the Venice Library, located precisely in this church.

The church of San Barnaba was founded in the 9th century but its current appearance is the result of the 1749 restoration. It is located in the Campo San Barnaba square, where Katharine Hepburn was also the protagonist of a scene in Summertime in which she falls into the canal. Indiana Jones emerges from a sewer in that square once he has escaped from the catacombs under the library, uttering the celebrated words, “Ah, Venice!”

Some Familiar Backdrops

Fleeing from members of the Brotherhood of the Cruciform Sword, they run along the fictitious street of Santa Lucia. This is where a number of speedboat chase scenes begin which were actually filmed at the jetties of the English town of Tilbury. The Venetian scenes then continue in the vicinity of the Grand Canal and the Palazzo Ducale. Indiana then releases Kazim – a member of the Brotherhood he has captured – opposite the Palazzo Barbaro, level with the Ponte dell’Accademia. This palace, also known as Ca ‘Barbaro, once accommodated such distinguished guests as Sargent, Henry James, Robert Browning, Whistler and Monet. Two other facades can also be distinguished in the scene – those of Palazzo Venier dei Leoni and Palazzo Barbarigo.

Indiana Jones’ adventure in Venice ends with a shot of the most typical Venetian scene – a gondola punting a couple along the Rio del Malpaga, with the Ponte de l’Avogaria in the background.

Venice – a Movie Set

If you like discovering film locations during your trips, try to do it with some of the other numerous movies that have been shot in Venice, notably The Talented Mr. Ripley, Casino Royale,The Tourist or The Italian Job,to mention some of the best known ones. It is a unique, fun way of unearthing interesting spots in the city. What are you waiting for? Check out our flights here.

Text by Scanner FM

Images by Carlos de Paz, Didier Descouens, Frans Persoon, John_k, Bernard-G

“Everyone tells me I ought to get some exercise, that it’s good for my health. But, I have never heard anyone telling a sportsperson they ought to do some reading.”  This statement by Saramago prompted me to emphasise here the importance of striking a balance between tourist or sporting hyperactivity while travelling, and living out the experiences of others. Yes, friends, this is the advice of a hyperactive person – it does no harm to occasionally plan rest periods into one’s journeys, or to deploy a few good phrases as a mantra for competing. Indeed, Mr Saramago, you were dead right – you can also travel through reading, when your mind can find some rest, while in sport, not everything is physical. But, why Saramago in a post about Lanzarote? I found out – and high time it was too, for someone who has travelled to the island so often – that the Nobel prize-winning writer had spent his final years on Lanzarote. There, in the village of Tías, you will come across “A Casa” as he liked to call his home. Lanzarote was Saramago’s other homeland. “A whole lifetime to get here”, he announced, when he settled on this southerly island. The landscape of Lanzarote, the volcanoes, its warm nights, the peacefulness and the island’s inhabitants led him to write many of his articles, novels and diaries at his home in the Tías municipality. As the illustrious writer asserted, “This is not my land, this land of mine”, a phrase shown on the sculpture as a homage to him in front of “A casa” and “La Biblioteca”, as his house museum is known. Each and every object in “A Casa” has a special meaning – an olive tree to recall the country of his birth, or the clocks all set to 4 o’clock, as it was at that time he met his widow, Pilar. They all go to make this museum a happy, special place.

We cannot summarise all his work here, but we can choose three phrases that come in handy as motivating mantras at training sessions and competitions:

- There is something inside us with no name, and that is what we really are.

- There is something positive in defeat – it is never lasting. Triumph, however, has something negative – it is never lasting.

- We always end up arriving where someone is waiting for us.

After this short introduction about Saramago and his ties to the island, I must report that I flew to Lanzarote in March to compete in the tri122 de Costa Teguise. This is a triathlon I had advised you to consider, together with the Challenge Fuerteventura (April), as possible warm-up races for the Ironman Lanzarote, which is held in May each year, starting and finishing in Puerto del Carmen. The tri122 event went off well, without incident, although it was windy. The swim took place off the Playa de las Cucharas (where we went windsurfing the next day); the bike course had been altered from previous years, while the foot race was along the esplanade. My advice for this race would be very similar to the pointers I gave you in the Ironman Lanzarote post, so I won’t go into any detail there. For accommodation, I decided to stay at the Barceló, which is right on the Costa Teguise. I was pleasantly surprised to learn first-hand that they would soon have a better, specific programme for sportspeople in their facilities, given that, unlike the opposite side of the island, which we visited on the previous trip, here you can do open-water swimming, something we triathletes appreciate. In short, if you’re looking for wind and waves, the area of Famara is great and, to swim, windsurf and enjoy the beach, Costa Teguise would be the best option.

On a gastronomic note, this time I would choose two proposals:

- Before the race, a good choice for stocking up on carbohydrates is Portobello. Listen up – this is a markedly family setup based on homemade Italian food. Noteworthy is the fact that the owner was kind and helpful.

- The second proposal, for after the race, is La Bohemia. I believe it’s the best place in the Costa Teguise area. Their meat and roast are delicious and the service is excellent and friendly. Don’t worry, if you don’t eat meat, there are many other dishes to choose from on the menu.

As for the visits listed in the previous posting, we overlooked some of the island’s “great hits”, which I can reveal here – Playa de Jablillos, Playa Mujeres, Playa de Papagallo and Lago Verde. They are all splendid options for strolling and switching off, and even for reading! Also, if you like diving, there are facilities to discover scuba diving on the same beach where we went windsurfing.

You might ask: if I’m interested in sport in Lanzarote, are there any other interesting competitions on the island? Well, yes – there is the 70.3 Lanzarote on 19 September, and the 4 stage Mountain Bike and La Santa Duathlon in January. After these recommendations in two different Lanzarote posts, we’ll soon be hopping to another island, as I’m starting to get curious about hiking trails. Both Trans Gran Canaria, which takes place from 4 to 6 March 2016, and Transvulcania en la Palma, in May, are important enough on the international running calendar to be considering them when planning for next season.

Did you sign up for Ironman Lanzarote in the end? Book your ticket here if you’ve enrolled, or go for another date if you want to find out why everyone is training or competing in the Canary Islands.

Text by Raúl Casañas

Images by Ginés Díaz, Jules/Lanzarote InformacionTabayesco, Idoia Núñez

That Berlin has a daunting variety of cultural resources is a well-known fact. Indeed, it is one of the main reasons for visiting the city. Added to the alternative venues that appear to spring up in the most unlikely spots in town – and not always easy to locate, at that – there are the more official offerings, which include a vast range of museums. Hence, those given to “collecting museums” on their journeys to various cities in the world will face a dilemma when it comes to Berlin – that of having to choose from the huge gamut of museums, housing an overwhelming quality and quantity of works.

The Museum Island

Museum Island (Museumsinsel), as it was re-christened in 1870, takes up the northern half of the island formed by the river Spree on its passage through the city. This is a must-visit destination for any museum buff in Berlin. It contains no fewer than five splendid museums, featuring collections that enable you to travel through art from ancient times to the 19th century. The value of the vast collections here led it to be listed as a World Heritage Site in 1999.

One of the most striking spaces in the complex is the Pergamon Museum, which draws about one million visitors a year. It features a collection of classical antiquities, a museum dedicated to Middle Eastern art, and another devoted to Islamic art. The building was designed to house large-scale artworks, notably its two standout exhibits – the Pergamon Altar and the Ishtar Gate.

The highlight of the Altes Museum (Old Museum) is the building itself. Dating from 1830, it is the work of the architect Karl Friedrich Schinkel, and one of the finest examples of German Neoclassicism. Housed in its interior is a splendid collection of exhibits from classical antiquity.

Sited behind the previous museum is the Neues Museum (New Museum), home to the magnificent collection of the Egyptian Museum of Berlin and the Museum für Vor- und Frühgeschichte (Museum of Prehistory and Early History). Its paramount exhibit is the superlative Nefertiti bust, which attracts a large number of visitors each year.

No less important is the Alte Nationalgalerie (Old National Gallery), a magnet for enthusiasts of 19th-century art, and the Bode Museum, with an endowment that includes sculpture ranging from Byzantine to Italian Gothic to Prussian Baroque, as well as one of the largest numismatic collections in the world.

Gemäldegalerie

The Gemäldegalerie lies west of Potsdamer Platz, within the complex of museums and concert halls making up the Kulturforum (Culture Forum). The gallery houses an excellent collection of paintings by European artists active from the 13th to the 18th century, with works by Dürer, Lucas Cranach the Elder, Hans Holbein, Jan van Eyck, Raphael, Titian, Caravaggio, Rubens, Rembrandt and Johannes Vermeer.

Neue Nationalgalerie

Another of the museums making up the Kulturforum is the Neue Nationalgalerie. Located in the Tiergarten, it is housed in an original building with glassed walls and a spectacular metal roof, the work of the architect Mies van der Rohe. Opened in 1968, this museum specialises in international art from the early 20th century to 1960. Standout features of this collection are the work of the German Expressionists and the Bauhaus.

Martin Gropius Building

Located on the Niederkirchnerstraße, between Checkpoint Charlie and Potsdamer Platz, in a building designed by the great uncle of the architect who founded the Bauhaus, Walter Gropius, this interesting exhibition space is celebrated for its excellent temporary exhibitions.

Berlinische Galerie

Inaugurated in 1975, the Berlinische Galerie is the best option for whoever wishes to take the pulse of art production in Berlin, as its collection features artworks produced in the German capital from 1870 until the present time. It is situated in Kreuzberg, one of the trendiest districts in the city where, if you’re good at getting your bearings, you can unearth the best of the alternative scene.

Berggruen Museum

Lastly, we have also chosen the Berggruen Museum, located opposite Charlottenburg Palace, as it houses exhibits donated by the art collector and dealer Heinz Berggruen. It is a collection of modern art classics with works by Picasso, Matisse, Klee and Giacometti as its major offerings.

Book your Vueling to Berlin and get ready to discover its magnificent museums.

Text by Los Viajes de ISABELYLUIS

Images by Lestat, Manfred Brückels, Christoph Rehbach. Rae Allen, Pedelecs, Jean-Pierre Dalbéra

We know that Tintin travelled to America, the Soviet Union, China and South America… he even got to step onto the moon! But, where did the endearing reporter created by Hergé actually live? While the cartoonist never revealed it explicitly, there is no doubt that Brussels, where Hergé lived all his life, is the backdrop in the cartoon strips whenever the amusing reporter and his faithful dog, Snowy, are captured at home. We ventured into Tintin’s haunts and discovered the palaces, museums, hotels, theatres and parks in Brussels which Hergé converted into comic artefacts.

On their return from their first adventures in Tintin in the Land of the Soviets, Tintin and Snowy are welcomed as heroes by a crowd in the Gare du Nord, an exact copy of the former Brussels Gare du Midi. Now featured in the railway station is a mural inspired by a cartoon of Tintin in America to mark the centenary of the birth of Georges Remi, “Hergé”.

In the second of his 24 adventures, the iconic reporter and his faithful friend travel to the Congo, an album which Hergé was likely inspired to pen after various visits to the Royal Museum for Central Africa. Among many other nods, the leopard man that threatens Tintin in the comic is an imitation of the statue sculpted by Paul Wissaert on display in that museum.

The address, 26 Labrador Road, is well known to Tintinophiles. First mentioned in The Broken Ear, don’t waste your time looking it up in a Brussels street finder. Instead, head for 26 de la rue Terre-Neuve, where you will come across an uncannily similar building to the one where the young reporter’s flat was located!

Built in the late-19th century on the south side of the Royal Park, the Royal Palace stands out as one of the most emblematic landmarks in Brussels. This majestic building was where Hergé drew inspiration for the Royal Palace of Syldavian King Muskar XII in King Ottokar's Sceptre.

Dating from 1873, the Flea Market or Marché aux Puces, located in the Place du Jeu de Balle, is the Brussels mecca of collectors, antiquarians, treasure hunters and bric-a-brac seekers. It was at this flea market that Tintin discovered the model ship at the opening of The Secret of the Unicorn.

However, it was most likely in The Seven Crystal Balls that Hergé captured most of Brussels’ architectural landmarks. For example, in this thirteenth instalment of The Adventures of Tintin, one of the city’s most emblematic hotels appears – the Metropole. Also easily recognised in this comic album is La Monnaie theatre, renamed the Music-Hall Palace. And, the mansion where Professor Hercules Tarragon lives is the spitting image of the opulent villa on Avenue Delleur 6.

Also in The Seven Crystal Balls, we come across the character, Rascar Capac, a mummy inspired by a relic on display in the Cinquantenaire Museum. Hergé was a regular at this gallery, where he went in search of ideas. It was also where he discovered the fetish created by the Arumbaya, the focus of the storyline in The Broken Ear.

Another prime magnet for Tintinophiles is the southern Brussels district of Uccle, one of the nineteen districts making up the Belgian capital. In Uccle we find the Brussels Planetarium, an observatory which Hergé portrayed in The Shooting Star. Interestingly, the Centre Culturel d'Uccle has a statue of Tintin on display, while in the district cemetery, a short distance away from where he lived until his death, is the artist’s grave. A plaque at 33 Rue Philippe Baucq, in the more central district of Etterbeek, reminds visitors that this was the birthplace of Georges Remi “Hergé”. (The house is not open to the public.)

At Louvain-la-Neuve, less than half an hour from the centre of Brussels, stands the Musée Hergé. Designed by the French architect, Christian de Portzamparc, the Hergé Museum is three storeys high and has 8 exhibition halls, featuring 80 original prints, 800 photographs and countless documents and miscellanea related to the life and work of the creator of Tintin and Snowy.

Highly recommendable for Tintin lovers in particular, and enthusiasts of the ninth art in general, is a visit to the Brussels Comic Strip Centre (Rue des Sables 20) which features thousands of original works relating to some of the most outstanding Belgian creations in the comic world, notably The Smurfs, Lucky Luke, Spirou and Tintin, among others.

The huge dragon from The Blue Lotus painted on the ground at the entrance to rue de la Colline 13 announces your arrival at the Tintin Boutique. This is the ideal store for stocking up on all types of objects and souvenirs associated with the illustrious reporter and his endearing troupe of cartoon companions.

Fire up and venture into the world of Tintin – book your Vueling to Brussels here.

Text by Oriol Rodríguez for Los Viajes de ISABELYLUIS

Images by Oscar W. Rasson, Julien, Andrea Carrozzo, CTJ71081, Dustin Hackert, Laurence Livermore, Su-Lin, Stephane Mignon