Fez, also known as the mazy city of Morocco is one of the country’s most ancient and best-preserved cities, conserving its authenticity and exoticism with a an architecture that has remained practically untouched for centuries. What is perhaps most striking in this North African city is the fact that its less touristy and crowded, especially if you compare it to its neighbour, Marrakech. For this reason, it has a special charm that allows oneself to submerge into the culture of the citizens, without feeling suffocated by the sellers and merchants that often bother travellers in other Moroccan cities.

1.- Medina Fes el-Bali

The highlight of our trip to Fez is precisely in the maze that is made up by more than a hundred districts ofFes el-Bali, that are full of narrow streets with thousands of turning points and dead ends. UNESCO has protected it since 1967, as it is considered the oldest part of the city, which concentrates some of the most important monuments.

In the past, according to the law, each district was obliged to have a mosque, a religious school, a bakery, fountain and hammam. The Mausoleum of Moulay Idris and the Al Karaouine, together with the Koranic schools Attarine and Bou Inania boast an exquisite architecture that deserves to be seen. The latter, Bou Inania can be visited by non-Muslims, with an exception of the prayer rooms.

The Medina Fes el- Jdid or New Medina was raised by the Merindia dynasty in the twelfth century, outside the old town. It is full of mansions with Andalusian patios, gardens, mosques and new souks, but mostly what makes it interesting is the swanky Royal Palace of golden gates, every so often cleaned with a curious mixture of lemon juice, salt and vinegar. The Mellah or Jewish quarter, which stands in the heart of Fes el- Jdid, close to the palace also offers a large market thanks to the Grand Rue, Boulevard Bou Ksissat, contrasting with the of the facades and balconies of traditional Muslim architecture, where privacy reigns.

3.- La Ville Nouvelle

In order to complete our tour of Fez, we must not forget to visit the Ville Nouvelle, the newest part of the city that was built following the French protectionism during the twentieth century. Most urbanites enjoy this area reserved for the more affluent locals, with their walk through the Avenue Hassan II and the Boulevard Mohammed V. There’s an entire collection of glamorous bars with terraces, restaurants, ice cream parlours and bakeries. Boutiques fill the streets of movement and make the Ville Nouvelle an ideal place for the classic mint tea with typical pastries that help regain strength after an afternoon of shopping.

Picture by NaSz451

Text by Blanca Frontera

Eating in the street is all the rage. It is becoming more popular by the day and Restaurant Day, which emerged in Finland but is celebrated in various cities around the world, contributed to it in large measure. The event takes place every three months and is a magnificent expression of urban culture, as its origins lie in volunteering and citizens’ own initiative. Any person, or group of people, can open their own pop-up restaurant, an expression fast gaining currency – you choose a spot, set up your stall, impress, sell and dismantle it, all in a single day. It could be in a park, on a street corner, in a courtyard or even an apartment or office. What is the goal? To promote a culinary experience and, above all, to have a good time in community… and all for a modest price. One’s imagination is the limit!

Any individual or group of friends can come together for a few hours to prepare and offer one, two, three… five or up to ten different dishes. Sweet or savoury, whatever catches one’s fancy or, to be sure, whatever you can do best. The better the product you make, the more portions you sell and the more business you do. And, apart from the pleasure involved in the culinary experience, it goes without saying that nobody wants to lose money. You can even make money!

Restaurant Day is a veritable gastronomic experience for those who set up their own pop-up restaurant and also, apparently, for the thousands of potential customers who, in a matter of minutes, can savour dishes from the five continents. It is common to find youngsters selling Mexican dishes alongside another group making sushi, and a nearby family preparing a scrumptious paella, accompanied by various potato omelettes.

The driving force behind Restaurant Day is the Finn, Timo Santala, who decided to launch this initiative after a trip to Thailand, where street food is a common practice. It is also a way of cutting down on the bureaucratic red tape involved in opening a restaurant. The first Restaurant Day, or Ravintolapäivä, was held on 21 May 2011. Just 45 pop-up restaurants took part, distributed between thirteen towns in Finland. The second time around, the number registering for the event rose to 200. The last edition, held on 16 May 2015, saw the participation of nearly 2,500 restaurants in 34 countries. From Finland to Italy, Portugal, France, Spain, Germany, Denmark, Britain, Poland, Hungary, Russia, Belgium and the Netherlands. The fact is that people are taking a greater interest in the venture day by day, and becoming more open to preparing and tackling new cuisines and new flavours – restaurants serving foreign cuisines are always the most readily accepted everywhere!

In short, Restaurant Day is a great way for making people aware that they are the real citizens and owners of the towns they inhabit. The thinking behind this growing movement is that it is up to them to make the towns they live in a much better place. Despite attempts by administrations, particularly in Finland, to control the level of street-food hygiene and to levy taxes on the initiative, they were forced to back down due to the popularity of the event. Thus, the organisers have managed to maintain the civic spirit of the original proposal. It is therefore a great opportunity for anyone wishing to fulfil their dream of opening a restaurant, even if just for one day!

There is now even an app which enables you to find the nearest spot for a pop-up restaurant linked to theRavintolapäivä. The next stagings of this event are scheduled for 16 August and 21 November 2015, and Budapest will be one of the cities with greater participation of Europe. 

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Text and images by Marc Carol and Jordi Casino (Barcelonahelsinki)

By Eddy Lara from DestinosActuales.com

The Scandinavians deal with death in a very different way to Latin cultures. Their perception is completely different and they fully accept what is actually an inevitable part of life. One of the best manifestations of that different approach is the way in which they conceive their cemeteries: small cities with immense green areas where people can not only go to visit the remains of a loved one but also get in touch with nature.

Skogskyrkogården Cemetery or the Woodland Cemetery in Stockholm is one of the most representative pieces of modernist architecture to be found in any of the Scandinavian countries. It was designed by the architects Erik Gunnar Asplund and Sigurd Lewerentz in 1915 and the idea was to adapt it to the woodland surroundings in which it was built. There is a crematorium and three chapels: the Chapel of the Holy Cross, the Chapel of Resurrection and the Woodland Chapel, the latter containing a replica of the Angel of Death sculpture. The cemetery was declared a UNESCO World Heritage site in 1994.

Besides the architectural beauty of this cemetery, its most striking feature is the importance given to nature. It has been designed to help everyone who comes to bid farewell to their loved ones overcome the pain of their loss but also to accept that loss and, therefore, attain inner peace. This is one of the greatest achievements of the place. Spending time here generates an indescribable feeling of inner peace… you forget you are in a cemetery or rather you begin to perceive death from a completely different perspective.

The remains of the most famous Swedish actress of all time can be found at this cemetery: Greta Garbo. If you have the opportunity to visit this place when travelling to Stockholm, make sure you do. It will not leave you indifferent and perhaps you’ll start to see death through optimistic eyes, or at least less dark than many of us imagine it.

Imagen de Holger.Ellgaard

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In the past eighteen years the Amsterdam Dance Event (ADE) has grown into a globally renowned platform for the international dance and electronic music scene. The festival (from 15th till 19th of October) is the perfect place to spot the latest musical trends and emerging talents, as well as hear the most recent work of both electronic music pioneers and current superstar acts.

In addition to the extensive live line-up of ADE Festival, ADE Playground offers music enthusiasts a large and varied daytime program including five days of film screenings, music hardware presentations, art shows and exhibitions, exclusive fashion offers, interactive talk shows, promotional activities and pop-up musical performances at 25 creative hotspots around the city, including roof-top terraces, clothing shops, and art galleries, as well as outdoor exhibitions and cinemas.

The business arm of the event (ADE Conference) is recognized as the most important of its kind. Divided into seven themed programs, ADE's comprehensive conference covers every aspect of the modern music industry, featuring dedicated programming for business professionals, start-ups, aspiring producers and musicians, international students, VJs, visual artists and stage designers. The programs also feature in-depth expertise and insight into the harder music genres, the relationship between music and technology, and sustainable, ecologically responsible practices for the global dance music industry.

The ADE Festival features 300 events and 2,000 DJ's over five days in 80 clubs and venues, which together combine to make Amsterdam one of the busiest and most inspiring clubbing cities in the world. Every year the ADE Festival attracts 300,000 festival visitors from around the globe and is truly the biggest international club festival covering the whole spectrum of electronic sub-genres.

Image from Amsterdam Dance Event

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