The trails criss-crossing Tenerife, which vary in their difficulty rating, pass through a rich variety of environments, climates and habitats. Trekking along them enables you to discover the island’s secrets, observe its stark beauty and learn the lifestyle of its inhabitants, including its original settlers, the Guanches. They were the first to open up routes through the dense laurisilva, a sub-tropical cloud forest or highland forest, characterised by huge trees, calami and lianas with leaves resembling laurel. They also prepared pastureland near Mt Teide.

The most outstanding trail in Tenerife is, of course, the one that climbs up Mt. Teide, to an altitude of 3,717 metres. With its high difficulty rating, a special permit is required to attempt the summit.

Apart from the National Park, the other two exciting and spectacular settings for hiking trails are the Anaga and Teno rural parks. Following is a rundown of a low-difficulty trail in each of these Parks. They can be negotiated leisurely, while soaking up the scenery, with friends or family.

The Fortress – the Teide National Park

With its gentle gradient, this route is ideal for observing the park’s characteristic fauna and flora – the shrike and pimelia darkling beetle abound here. From the start and up until Cañada de los Guancheros, the route snakes across hills of pumice derived mainly from the eruptions of Montaña Blanca, where broom and golden chain are prevalent.

The Cañada de los Guancheros is a sedimentary plain featuring such plant varieties as broom, golden chain, rosalillo de cumbre (Pterocephalus lasiospermus), tonálica and Teide straw. On the final stretch, the trail winds around the foot of the crags of La Fortaleza with vegetation characteristic of steep slopes. Most striking are the moralito (Rhamnus integrifolia) and Canary Island cedar, the latter often interspersed with Canary Island pine at the foot of this mountain. La Fortaleza is the sole surviving vestige of the former Edificio Cañadas, located in the north of the Park. This reddish colossus was formed by highly viscous phonolithic lava which accumulated and solidified around the lava vent itself.

Anaga Rural Park – Cabezo del Tejo

The trail starts at the Anaga Forestry Park and proceeds towards Roque de Chinobre. From here, it becomes a pleasant stroll through the laurel forest, affording magnificent panoramic views of the Cordillera de Anaga range and the Roque de Chinobre. The route continues past the Roque Anambro as far as Cabezo del Tejo, with a vantage point set 800 metres above sea level. The return journey starts at this point, the forest trail winding past Hoya de los Toneleros, Ujuana and the Mirador de la Chamuscada. This hike takes about two hours. An alternative to this route is one running from the Anaga Rural Park, up to Chinobre and then descending directly to Las Chamuscadas – and its viewpoint of the same name – and back to the Forestry Park. This route takes around one hour.

Upper Teno, Lower Teno – Teno Rural Park

The Teno Rural Park was declared a protected woodland in 1994 under the Canary Islands Nature Reserve Act, aimed at preserving its ecological values and heritage and boosting the standard of living of local towns. Situated in the north west of Tenerife, it contains one of the island’s oldest geological areas, the Macizo Volcánico de Teno (Teno Volcanic Massif). With an area of 8,064 hectares, it is a treasure trove of biodiversity, with endemic species exclusive to the area and an unusual landscape, the outcome of natural processes and the endeavours of local inhabitants to harness the agricultural resources of this rugged terrain to the full.

The route we recommend starts in the Caserío de Teno Alto, at a spot known as Los Bailaderos. It runs along the present-day track leading to Las Cuevas, along the south side of El Vallado mountain. The importance of this initial stretch lies in the numerous examples of vernacular architecture along the way, in addition to the old brick kilns. Once you reach Las Cuevas, the path dips down to Las Casas along an uneven surface which occasionally lays bare the original cobblestone. The enclave of Las Casas is located at the foot of the slopes of El Barranco de Las Casas and the start of the Teno peninsula. Remains of traditional Canary Island architecture can be seen here. This leads straight to the Punta de Teno, the north-western tip of Tenerife island, set within the Teno Rural Park and affording some spectacular views of the peninsula, the coastline and the lighthouse.

This, the most pristine part of the island awaits you all year around. Discover it by getting hold of your tickets here.

Text by ISABELYLUIS Comunicación

Images by Turismo de Tenerife

Those who think cultural tourism is a 21st-century invention are well off course – Venice invented it long ago. Intent on setting the city under the international spotlight, the first International Art Exhibition ever was held there in 1895. That is, the Venice Biennale, which has continued until this day.

The undisputed artificer of the avant-garde art pulse – Documenta notwithstanding – the Biennale has run into its 57th edition without losing steam. Six months full-out, from 13 May to 26 November, during which the city is invaded by contemporary art, which takes over both land and sea. What with vaporetti, churches and palazzi, we visited the city of canals to soak up the latest trends, soon to descend on museums and art galleries across half the globe. Let the Grand Tour begin!

Survival Manual

A cautionary word to all navigators – moving through the Biennale is no mean feat. The key – comfortable footwear, strategically placed accommodation and solid planning. The offerings are boundless and the spaces, gargantuan.

The main facilities are located at the Arsenale and the Giardini di Castello. Those are the sites of the official exhibition, Viva Arte Viva, as well as many of the 85 national pavilions dotting the island. And, as if that weren’t enough, the list is augmented by countless top-notch parallel exhibitions and events that have staked out their territory in the city’s historic buildings.

My advice – keep calm and don’t get flustered. The marathon only comes around every two years. Set aside three days on your agenda and you won’t succumb in the attempt. Take up lodgings in the area of Il Castello, the Biennale’s hard core, thereby avoiding vaporetto tickets. And, have a notebook on you and a camera with fully charged batteries so you can review the sights once you’re back home.

In the Giardini – the Cream of the Crop

Separating the wheat from the chaff can be exhausting. By way of a warm-up, we headed south-east, to the confines of the city. Located there are the Giardini di Castello, Venice’s green lung par excellence and the preserve of the national pavilions (a somewhat archaic idea, a reminder that the current Biennale is an updated version of the classical trade fairs of yesteryear). The fact is that in Venice each state has its own building to showcase to the world the cream of the crop of its contemporary art production, by way of an Art Olympics where the winner manages to show the most muscle.

While the Biennale is all about art, it is in fact also about power and architecture. In terms of the latter, some pavilions shine with a light of their own. Not to be missed are the Finland pavilion, built in timber modules by the luminary, Alvar Aalto, the father of modern Scandinavian architecture; the Austrian pavilion, the work of Josef Hoffmann who, together with Gustav Klimt, founded the Vienna Secession, and that of The Netherlands, its open forms highlighting the minimalist elegance of 1950s neoplasticism.

But, let’s get back to art and to the most talked-about offerings. The Golden Lion for the Best Pavilion was awarded to Germany, where artist Anne Imhof installed a glass floor under which performances displaying the world “as a kennel” take place. France depicts a musical space and recording studio, Studio Venezia, an installation designed by Xavier Veilhan where musicians and artists from all over the world perform. And Austria draws all the camera flashes with a lorry standing on its nose by Erwin Wurm, a playful proposal in a pavilion redolent with sculptures which visitors can interact and have fun with.

The Off Programme

Side shows, parallel exhibitions, talks, dialogues, performances and film cycles – no body is built to withstand Venice. Indeed, the official programme is rivalled by a series of first-rate artistic proposals staged in churches, foundations and museums around the city. Here, then, are the juiciest offerings in the Off-Biennale 2017.

Damien Hirst has hit Venice with a two-fold proposal. At collector François Pinault’s art spaces, the Punta della Dogana and the Palazzo Grassi, he has installed his latest eccentricities,including an 18-metre-high sculpture which rises into the firmament. In keeping with the British artist we are familiar with, his show is pure spectacle, and the perfect excuse to visit two historic buildings overlooking the Grand Canal.

The tiny island of San Giorgio Maggiore surrenders unconditionally to Michelangelo Pistoletto. A key figure of Arte Povera and one of the most prominent Italian artists, Pistoletto presents One and One Makes Three, an exhibition housed in an abbey designed by Palladio where he showcases a selection of his works created between the 60s and the present, also featuring his popular “Venus of the Rags”.

We wind up our marathon tour at the Palazzo Fortuny, a Venetian Gothic gem which rises between the Rialto Bridge and St Mark’s Square. This former home and studio of painter Marià Fortuny houses both the artist’s collection and temporary exhibitions. This time around, it is the turn of Intuition, a collective display dedicated to the evocative power of art and featuring such great names as André Breton, Joan Miró, Vassily Kandinsky, Marina Abramovic and Anish Kapoor.

Thus far our review of the Biennale, a centennial event which reinvents itself each year and showcases art to suit all tastes, interests and theories. We’re off to the canals!

Book your Vueling to Venice here

Text by Núria Gurina

Photos by: Andrea Avezzù, Jean-Pierre Dalbéra, Francesco Galli, g.sighele, imagea.org, Erin Johnson

The modern design is what better identifies Denmark, its trademark, with high quality classic and modern objects and colourful furniture. These are not relevant only for the original aesthetic; these are elegant objects that offer intelligent solutions for the daily needs.

Among the best Danish designers, who experiment and conduct functional ideas, names like Børge Mogensen, Arne Jacobsen, Hans Wegner, Finn Juhl, Poul Kjærholm, Poul Henningsen or Verner Panton stand out. This is because, before functionality was trendy, Danish were already using natural and high-quality materials.

For instance, the best house in the world is a work by Danish architect Bjarke Ingels, awarded at World Architecture Festival in the housing category. His work, House 8, is located at the Ørestad district in Copenhagen. Kaare Klint, considered the father of furniture design, has mythic creations such as the Safari Chair, the Propeller Stool or the Church Chair. Poul Henningsen, better known as PH, started creating lamps in the 50s but his designs are never old-fashioned. You can purchase them at Louis Poulsen or in Illums Bolighus

Considered the best city to live, according to the prestigious magazine Monocle, Copenhagen is the perfect destination to gift yourself with a modern whim - a home accessory, an object on Scandinavian style or a sample of Danish fashion – while you do tourism.

To start discovering this universe, get to Bredgade street. Here you will find a great variety of shows from famous brands, like Georg Jenseny and Arne Jacobsen, or Design Museum of Denmark with the greatest design exhibition in Denmark.

Made in Denmark offers high-quality Danish design. Founded by Asger Daugbjerg and Brian Engblad, the shop is located in Brolæggerstræde since 2011 and it quickly became a success.

Normann Copenhagen is located at the old cinema of Østerbro area. Its products are sold to many countries. Started in 1999 by Jan Andersen and Poul Madsen, they offer their own designs and collaborate both with well-known and new designers from around the world.

In the area of Kongens Nytorv there is a great variety of interior design stores from the most vanguard designers. For instance, here is the main store forBang & Olufsen. 

In Bredgade street you’ll find great antiques and many distributors for Danish furniture. This is the place to get, for instance, a classic from Arne Jacobsen or Finn Juhl. Or in Læderstræde, where besides the cosy cafés, you can get exclusives jewels or vanguard clothing.

TV-series likeForbrydelsen, Danish version of ‘The Killing’, made famous the Peruvian alpaca fiber sweaters that the main character dresses often. They’re from the brand Gudrun & Gudrun and come from the Faroe Island, which belongs to Denmark. They’re hand-made and warm, perfect to get through the cold Nordic winters.

A place well worth discovering! Check out our flights here.

Asturias is a natural paradise, with a great variety of landscapes. Maybe that is the reason why many film directors chose this region to shoot the scenes of their movies.

But one of the towns with a bigger amount of film locations is Llanes, a beautiful fishing village with a medieval origin. The old quarter has being conserved perfectly and the location between the sea and the mountain makes that, in a little area, many different landscapes can be found.

At the historic quarter the Tower or the walls from the 13th century stand out, also the Basilica or many palaces and mansions, originally from the 16th to the 18th century. This area was used to film Spanish movies like "Porque te vi llorar" or "Los jinetes del alba".

Other remarkable sports in Llanes are the avenue Paseo de San Pedro, where José Luis Garci’s "Historia de un beso" was filmed in 2002, The Memory Cubes by Basque artist Agustín Ibarrola, the fortress, San Antón avenue, the lighthouse, the Aula del Mar or the beaches in Sablón, Puerto Chico and Toró.

There is also an interesting sample of Indianan architecture like the Casino or the Partarriú palace, the same mansion that Juan Antonio Bayona used to film The Orphanage that can be found as you get to Llanes.

By the east of Llanes, we get to the golf field of Andrín, where the movie "Mi nombre es sombra" (1966), by Gonzalo Suárez was filmed. In front of the field, there is a little way that leads to the Boriza viewpoint and by the cliffs where "El abuelo" was filmed. This offers a terrace above the sea, with a great panoramic view over Andrín and Cué beaches. The area has great beauty and other paths along the cliffs make this place the perfect spot for trekking. This is when you realize that following film locations is just an excuse or a reason to enjoy the beautiful landmarks in Asturias.

The film route along the west area of Llanes is equally beautiful. You’ll pass by the Pría jesters from the movie "La Señora" (1987) by Jordi Cadena. The jesters are breaches in the rocks and the sea waters goes through creating fountains that can reach several meters high.

The cemetery in Niembru, along to the Church of Nuestra Señora de los Dolores, make a beautiful spot where scenes from the movies "La Señora", "Epílogo" or "El abuelo" where filmed.

In total, there are about 25 locations where 42 sequences from 18 different films, 3 TV-shows and 1 short film were shot. This is divided in three different routes around the town of Llanes, east and west. Explanatory panels in every spot explain the technical remarks of the scene and will help you to orientate.

Llanes has invested a lot of effort in this initiative, along with film meetings, screenings, Q&A with the directors or live music from movie soundtracks.

We’ll be there. If you want to come too, check out our flights here.