The name Ronda inevitably conjures up pictures of its lofty Puente Nuevo (New Bridge) and spectacular bullring. Situated in the north-west of Málaga province, in the beautiful natural setting of the Serranía de Ronda range, it is the ideal spot for a weekend getaway.

In the course of its history, Ronda has been conquered by Celts, Iberians, Phoenicians, Greeks, Carthaginians, Romans, Arabs and Berbers, as evinced in the city’s rich heritage. It was also occupied by the French in 1810, prompting the emergence of a bandit resistance movement known as bandolerismo.

Ronda, A Monumental City

The obvious starting point is the Puente Nuevo, one of the city’s icons.Built in the 18th century, it connects the historic town to the city’s modern districts, spanning a 100-metre-deep ravine through which the river Guagalevín flows. It is well worth crossing the bridge to see the stunning views. Another vantage point is provided by the balconies in the Jardines de Cuenca, revealing a view of the bridge in all its splendour. But, there’s more. Pre-dating the Puente Nuevo is the Puente Romano (Roman Bridge), also known as the Puente de las Curtidurías, in addition to the Puente Viejo, finished in 1616.

Another sightseeing area is the inner city with its narrow streets, particularly the Calle Manuel Montero with its characteristic white houses adorned with flowering geraniums. The area also boasts a large number of mansions and palaces, notably the Mondragón Palace. Moorish in origin, the building features harmoniously blended Mudéjar and Renaissance styles. It currently houses the Ronda Museum. Other outstanding buildings are the Palace of the Marqués de Salvatierra, the Casa del Gigante (House of the Giant), a jewel of Nasrid architecture, the Renaissance-style House of St John Bosco and the Palacio del Rey Moro (Palace of the Moorish King). The latter houses a fountainhead opened up by the Moors which provides access down to the river.

When it comes to religious architecture, a must-see monument is the Church of Santa María la Mayor, built over the High Mosque of Medina. A prominent feature of its interior is the choir, carved in fine walnut and oak woods.

There are numerous vestiges of the old Moorish settlement, as we saw for ourselves. You can still visit the Muslim Medina, of which part of the wall has been preserved, although the most striking feature is the Almocábar Gate, dating from the 13th century. However, the most important vestige of that period is the Arab Baths –the best preserved on the Iberian Peninsula –built in the 13th and 14th century alongside the Arroyo de las Culebras.

Also worth exploring is Ronda’s Roman past, the major landmark being the Acipino Archaeological Site. Located some 20 kilometres outside the city, the standout feature in this complex is the Roman theatre.

Ronda – A City of Bulls

As intimated at the beginning of this post, the Bullring is another icon for which Ronda is famous. The Real Maestranza de Caballería de Ronda, unveiled in 1785, is one of the oldest and most monumental bullrings in Spain. Interestingly enough, its design is attributed to Martín de Aldehuela, artificer of the Puente Nuevo. For those who wish to explore the world of bullfighting, the bullring includes the Museo de la Tauromaquia (Museum of Tauromachy) which is open to the public.

However, Ronda is not only well-known in bullfighting circles for its bullring. It was here that modern tauromachy emerged, as did the Corridas Goyescas, and the city is the cradle of powerful matador dynasties like the Romeros and the Ordóñez. This is precisely why Ronda was frequented by its two best-known international aficionados, Ernest Hemingway and Orson Welles, and the ashes of Orson Welles were deposited in the Ordóñez family estate in Ronda.

Ronda – the Home of Good Food and Drink!

The best way to round off a tour of Ronda is to try its culinary specialities, notably their sopa de castañas (chestnut soup),migas con chorizo (cured pork sausage crumble), rabo de toro (bull’s tail stew), conejo a la rondeña (Ronda-style rabbit) and perdiz al tajo (Tajo-style partridge).The ideal accompaniment to these dishes is any of wines produced in the nearby Serranía de Ronda, designated either DO Málaga or DO Sierras de Málaga.

Ready to explore all the cities concealed in Ronda? Secure your Vueling here.

Text by ISABELYLUIS Comunicación

Photos by SuperCar-RoadTrip.fr, Elliott Brown, Julia Kostecka, Antonio

Those who think cultural tourism is a 21st-century invention are well off course – Venice invented it long ago. Intent on setting the city under the international spotlight, the first International Art Exhibition ever was held there in 1895. That is, the Venice Biennale, which has continued until this day.

The undisputed artificer of the avant-garde art pulse – Documenta notwithstanding – the Biennale has run into its 57th edition without losing steam. Six months full-out, from 13 May to 26 November, during which the city is invaded by contemporary art, which takes over both land and sea. What with vaporetti, churches and palazzi, we visited the city of canals to soak up the latest trends, soon to descend on museums and art galleries across half the globe. Let the Grand Tour begin!

Survival Manual

A cautionary word to all navigators – moving through the Biennale is no mean feat. The key – comfortable footwear, strategically placed accommodation and solid planning. The offerings are boundless and the spaces, gargantuan.

The main facilities are located at the Arsenale and the Giardini di Castello. Those are the sites of the official exhibition, Viva Arte Viva, as well as many of the 85 national pavilions dotting the island. And, as if that weren’t enough, the list is augmented by countless top-notch parallel exhibitions and events that have staked out their territory in the city’s historic buildings.

My advice – keep calm and don’t get flustered. The marathon only comes around every two years. Set aside three days on your agenda and you won’t succumb in the attempt. Take up lodgings in the area of Il Castello, the Biennale’s hard core, thereby avoiding vaporetto tickets. And, have a notebook on you and a camera with fully charged batteries so you can review the sights once you’re back home.

In the Giardini – the Cream of the Crop

Separating the wheat from the chaff can be exhausting. By way of a warm-up, we headed south-east, to the confines of the city. Located there are the Giardini di Castello, Venice’s green lung par excellence and the preserve of the national pavilions (a somewhat archaic idea, a reminder that the current Biennale is an updated version of the classical trade fairs of yesteryear). The fact is that in Venice each state has its own building to showcase to the world the cream of the crop of its contemporary art production, by way of an Art Olympics where the winner manages to show the most muscle.

While the Biennale is all about art, it is in fact also about power and architecture. In terms of the latter, some pavilions shine with a light of their own. Not to be missed are the Finland pavilion, built in timber modules by the luminary, Alvar Aalto, the father of modern Scandinavian architecture; the Austrian pavilion, the work of Josef Hoffmann who, together with Gustav Klimt, founded the Vienna Secession, and that of The Netherlands, its open forms highlighting the minimalist elegance of 1950s neoplasticism.

But, let’s get back to art and to the most talked-about offerings. The Golden Lion for the Best Pavilion was awarded to Germany, where artist Anne Imhof installed a glass floor under which performances displaying the world “as a kennel” take place. France depicts a musical space and recording studio, Studio Venezia, an installation designed by Xavier Veilhan where musicians and artists from all over the world perform. And Austria draws all the camera flashes with a lorry standing on its nose by Erwin Wurm, a playful proposal in a pavilion redolent with sculptures which visitors can interact and have fun with.

The Off Programme

Side shows, parallel exhibitions, talks, dialogues, performances and film cycles – no body is built to withstand Venice. Indeed, the official programme is rivalled by a series of first-rate artistic proposals staged in churches, foundations and museums around the city. Here, then, are the juiciest offerings in the Off-Biennale 2017.

Damien Hirst has hit Venice with a two-fold proposal. At collector François Pinault’s art spaces, the Punta della Dogana and the Palazzo Grassi, he has installed his latest eccentricities,including an 18-metre-high sculpture which rises into the firmament. In keeping with the British artist we are familiar with, his show is pure spectacle, and the perfect excuse to visit two historic buildings overlooking the Grand Canal.

The tiny island of San Giorgio Maggiore surrenders unconditionally to Michelangelo Pistoletto. A key figure of Arte Povera and one of the most prominent Italian artists, Pistoletto presents One and One Makes Three, an exhibition housed in an abbey designed by Palladio where he showcases a selection of his works created between the 60s and the present, also featuring his popular “Venus of the Rags”.

We wind up our marathon tour at the Palazzo Fortuny, a Venetian Gothic gem which rises between the Rialto Bridge and St Mark’s Square. This former home and studio of painter Marià Fortuny houses both the artist’s collection and temporary exhibitions. This time around, it is the turn of Intuition, a collective display dedicated to the evocative power of art and featuring such great names as André Breton, Joan Miró, Vassily Kandinsky, Marina Abramovic and Anish Kapoor.

Thus far our review of the Biennale, a centennial event which reinvents itself each year and showcases art to suit all tastes, interests and theories. We’re off to the canals!

Book your Vueling to Venice here

Text by Núria Gurina

Photos by: Andrea Avezzù, Jean-Pierre Dalbéra, Francesco Galli, g.sighele, imagea.org, Erin Johnson

The modern design is what better identifies Denmark, its trademark, with high quality classic and modern objects and colourful furniture. These are not relevant only for the original aesthetic; these are elegant objects that offer intelligent solutions for the daily needs.

Among the best Danish designers, who experiment and conduct functional ideas, names like Børge Mogensen, Arne Jacobsen, Hans Wegner, Finn Juhl, Poul Kjærholm, Poul Henningsen or Verner Panton stand out. This is because, before functionality was trendy, Danish were already using natural and high-quality materials.

For instance, the best house in the world is a work by Danish architect Bjarke Ingels, awarded at World Architecture Festival in the housing category. His work, House 8, is located at the Ørestad district in Copenhagen. Kaare Klint, considered the father of furniture design, has mythic creations such as the Safari Chair, the Propeller Stool or the Church Chair. Poul Henningsen, better known as PH, started creating lamps in the 50s but his designs are never old-fashioned. You can purchase them at Louis Poulsen or in Illums Bolighus

Considered the best city to live, according to the prestigious magazine Monocle, Copenhagen is the perfect destination to gift yourself with a modern whim - a home accessory, an object on Scandinavian style or a sample of Danish fashion – while you do tourism.

To start discovering this universe, get to Bredgade street. Here you will find a great variety of shows from famous brands, like Georg Jenseny and Arne Jacobsen, or Design Museum of Denmark with the greatest design exhibition in Denmark.

Made in Denmark offers high-quality Danish design. Founded by Asger Daugbjerg and Brian Engblad, the shop is located in Brolæggerstræde since 2011 and it quickly became a success.

Normann Copenhagen is located at the old cinema of Østerbro area. Its products are sold to many countries. Started in 1999 by Jan Andersen and Poul Madsen, they offer their own designs and collaborate both with well-known and new designers from around the world.

In the area of Kongens Nytorv there is a great variety of interior design stores from the most vanguard designers. For instance, here is the main store forBang & Olufsen. 

In Bredgade street you’ll find great antiques and many distributors for Danish furniture. This is the place to get, for instance, a classic from Arne Jacobsen or Finn Juhl. Or in Læderstræde, where besides the cosy cafés, you can get exclusives jewels or vanguard clothing.

TV-series likeForbrydelsen, Danish version of ‘The Killing’, made famous the Peruvian alpaca fiber sweaters that the main character dresses often. They’re from the brand Gudrun & Gudrun and come from the Faroe Island, which belongs to Denmark. They’re hand-made and warm, perfect to get through the cold Nordic winters.

A place well worth discovering! Check out our flights here.

Asturias is a natural paradise, with a great variety of landscapes. Maybe that is the reason why many film directors chose this region to shoot the scenes of their movies.

But one of the towns with a bigger amount of film locations is Llanes, a beautiful fishing village with a medieval origin. The old quarter has being conserved perfectly and the location between the sea and the mountain makes that, in a little area, many different landscapes can be found.

At the historic quarter the Tower or the walls from the 13th century stand out, also the Basilica or many palaces and mansions, originally from the 16th to the 18th century. This area was used to film Spanish movies like "Porque te vi llorar" or "Los jinetes del alba".

Other remarkable sports in Llanes are the avenue Paseo de San Pedro, where José Luis Garci’s "Historia de un beso" was filmed in 2002, The Memory Cubes by Basque artist Agustín Ibarrola, the fortress, San Antón avenue, the lighthouse, the Aula del Mar or the beaches in Sablón, Puerto Chico and Toró.

There is also an interesting sample of Indianan architecture like the Casino or the Partarriú palace, the same mansion that Juan Antonio Bayona used to film The Orphanage that can be found as you get to Llanes.

By the east of Llanes, we get to the golf field of Andrín, where the movie "Mi nombre es sombra" (1966), by Gonzalo Suárez was filmed. In front of the field, there is a little way that leads to the Boriza viewpoint and by the cliffs where "El abuelo" was filmed. This offers a terrace above the sea, with a great panoramic view over Andrín and Cué beaches. The area has great beauty and other paths along the cliffs make this place the perfect spot for trekking. This is when you realize that following film locations is just an excuse or a reason to enjoy the beautiful landmarks in Asturias.

The film route along the west area of Llanes is equally beautiful. You’ll pass by the Pría jesters from the movie "La Señora" (1987) by Jordi Cadena. The jesters are breaches in the rocks and the sea waters goes through creating fountains that can reach several meters high.

The cemetery in Niembru, along to the Church of Nuestra Señora de los Dolores, make a beautiful spot where scenes from the movies "La Señora", "Epílogo" or "El abuelo" where filmed.

In total, there are about 25 locations where 42 sequences from 18 different films, 3 TV-shows and 1 short film were shot. This is divided in three different routes around the town of Llanes, east and west. Explanatory panels in every spot explain the technical remarks of the scene and will help you to orientate.

Llanes has invested a lot of effort in this initiative, along with film meetings, screenings, Q&A with the directors or live music from movie soundtracks.

We’ll be there. If you want to come too, check out our flights here.