We love Venice. It is one of the most exciting destinations in Europe. Its eventful history, canals, immortal alleyways and artistic grandeur make this the city where any art lover is likely to fall head over heels. And, no wonder – in addition to the hundreds of churches here, one of the world’s most important networks of museums span the lagoon. Museums which, to cap it all, are not accommodated in conventional spaces. Instead, they practically invade Gothic, Renaissance and Baroque buildings and feature collections which now, well into the 21st century, are capable of giving you hiccups.

With access by gondola, vaporetto or on foot, these are the nine museums you simply cannot pass up the next time you go to Venice. Cominciamo!

1. Accademia – the Largest Collection of Venetian Art

The Gallerie dell’Accademia is housed in three former religious buildings and makes up the leading collection of Venetian art in the world. The exhibition covers five centuries of art, from the Middle Ages to the Rococo, boasting such essential works as Feast in the House of Levi, by Paolo Veronese, Titian’s Presentation of the Virgin in the Temple, Vittore Carpaccio's Saint Ursula Cycle, Finding of the Body of St Mark, by Tintoretto and Andrea Mantenga’s St George, in addition to early works by Lotto, the Bellini family and Tiepolo.

2. The Doge’s Palace – the Splendour ofLa Serenissima

While not a museum in the strict sense, the Doge’s Palace provides an essential visit for anyone seeking to grasp the splendour of the Venetian Republic. The seat of government, Palace of Justice and the Doge’s residence, this huge Gothic complex is the ideal place for delighting in some of the city’s foremost artworks, on the spot where they were conceived. Noteworthy, for instance, is the large-format Paradise, painted by Domenico and Jacopo Tintoretto, which presides over the Grand Council Hall. Another must-see are the canvases by Paolo Veronese in the Chamber of the Council of Ten and the luxurious Golden Staircase, built by Sansovino and decorated by Alessandro Vittoria.

3. Peggy Guggenheim Collection – Home of the Great Patroness of the Arts

Entering this unfinished 18th-century palace means venturing into the universe of the celebrated patroness, Peggy Guggenheim. Promoter of such artists as Klee, Pollock, Calder, Kandinsky, Ernst, Picasso, Moore and Braque, Guggenheim acquired this palace on the Grand Canal in 1949 and turned it into her residence. The collection is made up of 200 canvases and sculptures by renowned artists, including Dalí, Magritte, Chirico, Balla, Duchamp, Rothko, Picabia, Delauney, Malevich and Mondrian. Peggy Guggenheim bequeathed the collection to the foundation of her uncle, Solomon R. Guggenheim, on condition that it remained in the city.

4. Scuola Grande di San Rocco – the Finest Tintoretto

A must-see landmark, this former charity hospital built as a tribute to St Roch is one of the best places to see the work of Tintoretto. Completed in 1549, in 1564 Jacopo Tintoretto was commissioned to decorate the ceiling and walls of the Scuola. The standout monumental work in the complex is his Crucifixion, located in the Sala dell’Albergo, in which the artist achieved levels of sentiment never before seen in Venetian art.

5. Museo Correr – History of the Republic

Located in St Mark’s Square, this is one of the city’s leading museums. Based around the endowment which the abbot, Teodoro Correr, bequeathed to the city of Venice, it is the best place to learn the history of the Republic of Venice and the Italian Risorgimento movement. It also boasts a large collection of Venetian painting, particularly the work of Vittore Carpaccio.

Admission to the museum also gives visitors access to the Archaeological Museum and the Libreria Sansoviniana, designed by Jacopo Sansovino, of which Andrea Palladio said it was “the most beautiful building since ancient times”.

6. Museo Fortuny – a Spaniard in Venice

The late-Gothic-style Palazzo Pesaro was the residence of the famous Spanish textile designer, Mariano Fortuny y Madrazo, who acquired the building at the turn of the 20th century and lived there until his death. Both the building and its contents were bequeathed to the city by the artist’s widow in 1956. The elegant rooms provide the perfect backdrop for the Renaissance-inspired fabrics embroidered in gold and silver thread, and for the canvases, retables and Fortuny’s pleated silk dresses from the 1920s. A delightful visit.

7. Ca’ Pesaro – 20th Century Art Collection

This opulent Baroque palace houses the International Gallery of Modern Art. Founded in 1897, hanging on its walls are some of the most famous paintings by Gustav Klimt and Marc Chagall, in addition to works by Matisse, Miró, Klee and Kandinsky. Many of them were presented by these artists at the Biennial and acquired by the city. Be sure to visit the Museum of Oriental Art, on the third floor, as it features veritable jewels acquired by the Count of Bardi on his travels in the Far East in the 19th century.

8. Ca’ d’Oro – the Jewel of the Grand Canal

Works by Andrea Mantegna, Luca Signorelli, Vittore Carpaccio and Titian, as well as fabrics, frescoes and sculptures, come together in one of the most valuable displays on the Grand Canal. The museum, which since 1984 has housed the Franchetti Gallery, is located in a 15th-century palace regarded as the finest and most famous example of Venetian Gothic architecture. After undergoing alterations at various times in its history, the 1970s saw the restoration of the original splendour of its facade, one of the most beautiful in the city.

9. Ca’ Rezzonico – A Walk Through 18th-century Venice

This Baroque palace is one of the most priceless in Venice and one of the few palaces open to the public on the Grand Canal. Once famous for its sumptuous banquets, lavish parties and opulent decoration provided by the Rezzonico family, since 1934 it houses the Museo del Settecento, a collection of canvases, frescoes and artefacts which reflect 18th-century Venice. Be sure to visit the spectacular, restored ballroom designed by Giorgio Massari, featuring furniture by Andrea Brustolon, as well as a stunning gilt candelabra. Additionally, the ceilings in three rooms boast paintings by Giambattista Tiepolo.

Text by Aleix Palau for Los Viajes de ISABELYLUIS

Images by Aleix Palau, QMeuh, Didier Descouens, Basilio Speziari, saragoldsmith, Michele Rienzo

Apart from such irresistible cities as Venice and Verona, which tend to hog all the tourists’ gazes and flashes, Veneto also has other jewels to be seen and discovered and places which will quench your wanderlust. Not far from one of the leading lights of the region lies the Brenta Canal, linking Venice to Padua. It is well worth getting off the beaten track to discover it.

The river Brenta, which rises in the province of Trentino and flows into the Adriatic, was channelled between Venice and Padua in the 16th century to facilitate travel and the flow of goods between the two cities. Noble Venetian families then started building grand villas along the banks of the river. They served both as the agricultural headquarters of farming estates and as leisure resorts where their owners arrived in the summer months and where lavish parties were held. Over time, the canal became known as the “Riviera del Brenta”, where aristocrats flitted from party to party in luxury barges called burchiellos.All this splendour came to an end with the arrival of Napoleon, but those opulent villas, some of which have priceless gardens, have survived to the present and become a tourist draw in the area.

The best way of touring the Brenta Canal is obviously by barge. This will enable visitors to see first-hand the unusual system of locks, as well as the villas that are still standing, which number about eighty in all. You can take a barge either from Padua or the Venice ferry terminal and some of them include villa tours on the ride. Here, then, are the the standout villas, among those open to the public:

Villa Foscari

This beautiful villa, the work of Andrea Palladio, is nicknamed “La Malcontenta” because legend has it that Elisabetta Dolfin, the wife of Nicolò Foscari, was confined there allegedly for being an adulteress. Built from 1555 to 1560 on the Brenta riverside, it is noteworthy for the huge pedestal it is set on and its spectacular portico in the form of a classical pronaos, surmounted by a pediment, reminiscent of an ancient temple. The interior boasts some magnificent frescoes depicting mythological themes executed after 1566, the work of Giovanni Battista Zelotti.

Villa Pisani

Built in the 18th century and commissioned by the Pisani family, this spectacular villa with a certain Versaillesque air is an obligatory visit. Among the marvels to be seen in its interior is Tiepolo’s Glory of the Pisani family, which adorns the ceiling of the Dance Hall. Other highlights of this building include the enormous gardens, with ponds and a large maze which invites visitors to get lost in search of its Minerva statue, which crowns the belvedere. The stables, too, are worth visiting.

Villa Widmann Rezzonico Foscari

This villa was built in the early-18th century by the Scerimanns, a family of Venetian nobles of Persian extraction. The simple lines of its exterior strike a contrast with the richly ornate interior, decorated with French-inspired frescoes and Rococo stuccowork.

Book your Vueling to Venice to see the wonders of the Brenta Canal and its spectacular villas.

Text by Los Viajes de ISABELYLUIS

Those who think cultural tourism is a 21st-century invention are well off course – Venice invented it long ago. Intent on setting the city under the international spotlight, the first International Art Exhibition ever was held there in 1895. That is, the Venice Biennale, which has continued until this day.

The undisputed artificer of the avant-garde art pulse – Documenta notwithstanding – the Biennale has run into its 57th edition without losing steam. Six months full-out, from 13 May to 26 November, during which the city is invaded by contemporary art, which takes over both land and sea. What with vaporetti, churches and palazzi, we visited the city of canals to soak up the latest trends, soon to descend on museums and art galleries across half the globe. Let the Grand Tour begin!

Survival Manual

A cautionary word to all navigators – moving through the Biennale is no mean feat. The key – comfortable footwear, strategically placed accommodation and solid planning. The offerings are boundless and the spaces, gargantuan.

The main facilities are located at the Arsenale and the Giardini di Castello. Those are the sites of the official exhibition, Viva Arte Viva, as well as many of the 85 national pavilions dotting the island. And, as if that weren’t enough, the list is augmented by countless top-notch parallel exhibitions and events that have staked out their territory in the city’s historic buildings.

My advice – keep calm and don’t get flustered. The marathon only comes around every two years. Set aside three days on your agenda and you won’t succumb in the attempt. Take up lodgings in the area of Il Castello, the Biennale’s hard core, thereby avoiding vaporetto tickets. And, have a notebook on you and a camera with fully charged batteries so you can review the sights once you’re back home.

In the Giardini – the Cream of the Crop

Separating the wheat from the chaff can be exhausting. By way of a warm-up, we headed south-east, to the confines of the city. Located there are the Giardini di Castello, Venice’s green lung par excellence and the preserve of the national pavilions (a somewhat archaic idea, a reminder that the current Biennale is an updated version of the classical trade fairs of yesteryear). The fact is that in Venice each state has its own building to showcase to the world the cream of the crop of its contemporary art production, by way of an Art Olympics where the winner manages to show the most muscle.

While the Biennale is all about art, it is in fact also about power and architecture. In terms of the latter, some pavilions shine with a light of their own. Not to be missed are the Finland pavilion, built in timber modules by the luminary, Alvar Aalto, the father of modern Scandinavian architecture; the Austrian pavilion, the work of Josef Hoffmann who, together with Gustav Klimt, founded the Vienna Secession, and that of The Netherlands, its open forms highlighting the minimalist elegance of 1950s neoplasticism.

But, let’s get back to art and to the most talked-about offerings. The Golden Lion for the Best Pavilion was awarded to Germany, where artist Anne Imhof installed a glass floor under which performances displaying the world “as a kennel” take place. France depicts a musical space and recording studio, Studio Venezia, an installation designed by Xavier Veilhan where musicians and artists from all over the world perform. And Austria draws all the camera flashes with a lorry standing on its nose by Erwin Wurm, a playful proposal in a pavilion redolent with sculptures which visitors can interact and have fun with.

The Off Programme

Side shows, parallel exhibitions, talks, dialogues, performances and film cycles – no body is built to withstand Venice. Indeed, the official programme is rivalled by a series of first-rate artistic proposals staged in churches, foundations and museums around the city. Here, then, are the juiciest offerings in the Off-Biennale 2017.

Damien Hirst has hit Venice with a two-fold proposal. At collector François Pinault’s art spaces, the Punta della Dogana and the Palazzo Grassi, he has installed his latest eccentricities,including an 18-metre-high sculpture which rises into the firmament. In keeping with the British artist we are familiar with, his show is pure spectacle, and the perfect excuse to visit two historic buildings overlooking the Grand Canal.

The tiny island of San Giorgio Maggiore surrenders unconditionally to Michelangelo Pistoletto. A key figure of Arte Povera and one of the most prominent Italian artists, Pistoletto presents One and One Makes Three, an exhibition housed in an abbey designed by Palladio where he showcases a selection of his works created between the 60s and the present, also featuring his popular “Venus of the Rags”.

We wind up our marathon tour at the Palazzo Fortuny, a Venetian Gothic gem which rises between the Rialto Bridge and St Mark’s Square. This former home and studio of painter Marià Fortuny houses both the artist’s collection and temporary exhibitions. This time around, it is the turn of Intuition, a collective display dedicated to the evocative power of art and featuring such great names as André Breton, Joan Miró, Vassily Kandinsky, Marina Abramovic and Anish Kapoor.

Thus far our review of the Biennale, a centennial event which reinvents itself each year and showcases art to suit all tastes, interests and theories. We’re off to the canals!

Book your Vueling to Venice here

Text by Núria Gurina

Photos by: Andrea Avezzù, Jean-Pierre Dalbéra, Francesco Galli, g.sighele, imagea.org, Erin Johnson