Petra, Amman, Jerash, castles, Roman ruins, the Dead Sea, souks, narrow streets, deserts... Jordan has so much to offer and you can discover it all on a short trip, as everything is close by and transport links are good.

Do you fancy going away before the official summer holidays, to beat the crowds? Make a note of these ideas.

Among the many charms of Spain’s capital, the quarter known as the Madrid of the Austrias is one of the most exciting areas in the city. The irregular layout in this section of Madrid’s historic district dates from the 16th and 17th century. It was the setting for duels and intrigues, and a privileged witness to the passage of the Habsburg dynasty through the city. Indeed, it was the Habsburgs or Austrias who chose Madrid to be the capital of their empire and they had it embellished to reflect that status.

Plaza Mayor and Environs

The Plaza Mayor is the main precinct to be built by the Austrias in Madrid and, as such, the perfect spot to start our itinerary. Full of atmosphere and thronging with people, it is one of Europe’s most beautiful squares. The project designer was Juan de Herrera, commissioned by Philip II, although it was during the reign of Philip III that it acquired something like its current appearance. I say “something like” because it was gutted by fire in 1790 and had to be restored to a design by Juan de Villanueva. Sited on one side of the square is the Casa de la Panadería, dating from 1590, the first building to go up in the precinct. In the centre of the square stands the equestrian statue of Philip III, by Giambologna and Pietro Tacca.

Emerging from the square along Calle Gerona, opposite us stands the opulent Santa Cruz Palace, in the Plaza de las Provincias, which originally served as a royal prison. Built in Herrerian style as of 1629, in 1791 it also sustained fire damage and was likewise restored under the direction of Villanueva. However, some of its original features were retained, notably the main entrance portal, the twin towers flanking the facade and the large, central coast-of-arms. Since 1938 it has been the seat of the Ministry of Foreign Affairs.

In the same square stands a replica of the 17th-century Fuente de Orfeo (Orpheus Fountain) – the original is housed in the National Archaeological Museum. Continuing along Calle de la Fresa as far as Calle Postas, we come to the Posada del Peine, one of the oldest hostel facilities in Spain, founded in 1610.

Calle Arenal and Plaza de Oriente

From here we walk into Calle del Arenal, site of the popular, 17th-century Church of San Ginés which houses a large number of artworks. Nearby stands the legendary San Ginés Chocolate Factory, dating from 1894, a favourite among Madrilenians for having chocolate con churros.

The area between Calle Arenal and Gran Vía contains a network of streets which are the site of a  number of well-preserved monasteries, including the Monastery of the Descalzas Reales and the Convent of the Encarnación.

Further along Calle Arenal we come to the Plaza de Isabel II, formerly known as the Caños del Peral, with its spectacular Teatro Real facade. The square was important at the time of the Austrias as standing in its centre was one of the city’s major fountains. The remains of this fountain can still be seen by going down into the Ópera metro station.

Going around the Teatro Real we come to the Plaza de Oriente, home to the Royal Palace, which stands on the former site of the Habsburg citadel, known as the Alcázar. South of the Plaza de Oriente lies the Plaza de Ramales, once the site of the Church of St John the Baptist, where Diego Velázquez was buried. Oddly enough, various searches were conducted to find his bones. They were never found, but are still believed to be somewhere in the square.

Heading down Calle San Nicolás, we emerge into one of the oldest parts of the quarter, featuring the church of St Nicholas of Bari, the oldest church in Madrid. Turning back towards Calle Mayor, we come across the Palace of the Dukes of Uceda, a majestic 17th-century residence. Next door stands the Church of El Sacramento, which was financed by the Duke of Uceda in 1616.

Back in the Plaza Mayor, a must-visit landmark is the Arco de Cuchilleros, a traditional arcade lined with mesones and home to the famous restaurant, Casa Botín which, founded in 1725, has the honour of being the oldest restaurant in the world. The Arco de Cuchilleros was built by Juan Gómez de Mora in 1619 to offset the split level between the square and the Cava de San Miguel. This building, which is three storeys higher than the rest of the ensemble, was for centuries the tallest construction in Madrid. Behind the Cava de San Miguel lies the San Miguel Market, a favourite among Madrilenians when they go out to eat top-quality tapas. Near the market stands the Plaza de la Villa, one of the most emblematic Habsburg squares in the city on account of three unique buildings – the Casa de la Villa – the former City Hall – the House and Tower of Los Lujanes and the Casa de Cisneros.

Be sure to visit the Austrias’ Madrid – book your Vueling here.

Text by Aleix Palau for Los Viajes de ISABELYLUIS

From David Bowie or Iggy Pop, to U2 or R.E.M, Berlin has long been a source of inspiration for the most famed ambassadors of pop and rock (their impact on club culture deserves a separate article). With the iconic Hansa Tonstudio recording studios as the hub of experimentation and creation, the German capital stands out as the inextricable backdrop for beacons of musical genesis over the last few decades.

“Heroes” (David Bowie, 1977)

David Bowie took refuge in Berlin in search of inspiration in the late seventies. His German sojourn ended up spawning the Berlin Trilogy,a triptych of albums that began with Low (1977) and ended with Lodger (1978), although epitomised by the second album, Heroes.Recorded in the legendary Hansa Tonstudio (or Hansa Studio by the Wall), the title track recounts the story of two lovers who hide their idyll in the shadows of the Berlin Wall.

“Lust For Life” (Iggy Pop, 1977)

Following in the footsteps of his friend, David Bowie, Iggy Pop headed for Berlin to develop his career as a solo artist. The first chapter in that new venture was The Idiot (1977). A bigger hit still was Lust for Life, released that same year. With the Hansa Studio by the Wall again becoming his centre of operations, Iggy Pop took just eight days to breathe life into such essential titles in his repertory as Lust for Life, The Passenger and Tonight.

“Kollaps” (Einstürzende Neubauten, 1981)

Few albums has captured so well the essence of Berlin in the early eighties as Kollaps, Einstürzende Neubauten’s debut. A landmark industrial and experimental band, the calling card of this group led by Blixa Bargeld was a collection of pieces which even today, three decades on, still resound as searing, psychotic and oppressive – an exquisite torture on the ears.

“Night Time” (Killing Joke, 1985)

The quasi-metal, industrial band, Killing Joke, achieved one of their major hits with Night Time, a work suggestive of an interlude between their strident beginnings and the calmer stretches they would subsequently experiment with, albeit fruitlessly. And, while you’re at it – listen to Eighties, the last track on the album, and then do the same with Come as You Are, by Nirvana. Influence, coincidence or plagiarism?

“Black Celebration” (Depeche Mode, 1986)

Depeche Mode went to Berlin to record their fifth studio album, with Martin Gore then consolidating as the band’s creative engine. As the title suggests,Black Celebrationstresses the darkening sound passages that the Britons had been flirting with in their previous works, Construction Time Again (1983) and Some Great Reward (1984). Definitely one of the most influential records of the eighties.

“Your Funeral… My Trial” (Nick Cave And The Bad Seeds, 1986)

Nick Cave has stated on more than one occasion that Your Funeral… My Trial is the best album in their career. Indeed, his long fourth track harbours some of the most hair-raising cuts by the Australian, like its counterpart, Your Funeral, My Trial, Stranger Than Kindness or The Carny which Cave and The Bad Seeds would play a year later in the Wim Wenders film, Wings of Desire.

“Bossanova” (Pixies, 1990)

Engendered in Berlin, this third album of the Pixies is undoubtedly one of the great works of independent rock. The hideout of simply irresistible tracks like Velouria, Dig for Fire or Allison, their customary dedication to sure-fire tunes entangled with distorted guitar rasps,Bossanovareveals borrowings from surf and space rock. While not a conceptual work, many of the themes bear references to aliens, UFOs and the remaining extraterrestrial paraphernalia that so obsessed its leader, Black Francis.

“Achtung Baby” (U2, 1991)

Having scoured the roots of American music with Rattle and Hum (1988), U2’s next release marked a radical departure in sound. Having moved to Berlin to allow the winds of change blowing across the city to rub off on them, the Irishmen caught the world unawares with a work grounded in the essences of the burgeoning genres, including independent rock and electronic music. Achtung Baby is one of those definitive records in the history of rock.

“Collapse Into Now” (R.E.M., 2011)

R.E.M. was one of the most popular bands in the last few decades, with the added advantage that they managed to keep their integrity and artistic credibility intact. They split up in September 2011, a few months before the release of their last album, Collapse Into Now. Recorded in the Hansa Tonstudio, this is a standout farewell bordering on the sublime, as in Discover, Mine Smell Like Honey and Überlin.

Berlin Musictours offers an extensive, more than interesting gamut of tours to the hotspots of Berlin’s ever effervescent musical activity. Among the various itineraries to choose from, notable routes include the Bowie Berlin Tour, U2 Berlin Tour, Depeche Mode Berlin Tour and Hansa Studio Tour. Why wait to discover an à la carte musical Berlin? Check our flights here.

Text by Oriol Rodríguez for ISABELYLUIS Comunicación