In terms of tourism, Germany is much more than just Berlin, Munich and Hamburg. In recent years, some cities from the former German Democratic Republic (GDR) are gaining prominence like any other, having shaken off the dust and deadweight of the Socialist regime they lived under during the Cold War. One of these newly emerging cities is Leipzig, its waxing popularity driven by the art scene, its recent history and the great vitality of its inhabitants. In the following we pinpoint the reasons that make Leipzig the ideal destination for your next getaway.

Leipzig – A Music Destination

Listen up, classical music lovers! Music is very much in vogue in Leipzig, and I mean goodmusic, largely owing to the city’s past. It is famous for composers of the calibre of Johann Sebastian Bach, who was cantor of the Choir at St Thomas Church, one of the oldest in the world. And of Robert Schumann and Clara Wieck, who entertained their contemporaries as musicians and as a couple. For Felix Mendelssohn, Leipzig was where he spent the last few years of his life, while the city is the birthplace of Richard Wagner. The Augustusplatz is the city’s music hub and the site of the Gewandhaus concert hall, a Brutalist-style building which houses one of the most widely acclaimed symphonic orchestras. Right opposite stands the Opera, the third oldest in Europe. Oddly enough, the two institutions share the same conductor.

Leipzig – A Defiant City

The chain of events that led to the downfall of the GDR unfolded precisely in Leipzig. Throughout 1989, a number of masses and peaceful protests were held around the Church of St Nicholas that gradually wore down the old, established regime and led to the fall of the Berlin Wall. The Stasi, the feared secret police of East Germany, witnessed these events in silence, as, faced with growing grass-roots pressure, they declined to intervene. Leipzig boasted numerous printing presses in the second half of the 20th century and, in order to monitor their activity, the Stasi had their headquarters set up in the so-called Haus zur runden Ecke (House of the Rounded Corner). Today it is a museum showcasing the workings of the former State security, which so hobbled the lives of the GDR’s citizens.

Leipzig – A Trade Centre & River Port

Leipzig has long been a major trade centre and, to provide merchants conducting their business with shelter from the inclement weather – rainy and overcast most of the year – around twenty covered arcades were built. Two of the best known arcades are Speck’s Hof – the oldest in Leipzig, which currently showcases some magnificent paintings and ceramic medallions, and the Mädler arcade with its stylish glass skylight and the historic Auerbachs Keller restaurant, where Goethe overheard the stories that inspired Faust when he was studying in Leipzig. As a tribute to the celebrated writer, there are two statues dedicated to the main characters in this paramount work of universal literature.

Leipzig’s commercial calling is partly due to the White Elster river, a sub-tributary of the Elbe, which numerous canals criss-crossing the city flow into. They also provide a different way of discovering it – from a small boat.

Leipzig – An Artistic Melting Pot

The Saxon city is currently one of the favourite destinations among painters, designers and creators from the world over on account of the lively art scene that has blossomed in the Spinnerei, once Europe’s largest spinning mill. Today it is an unusual, colossal cultural centre where contemporary art is produced and exhibited. It features twelve art galleries, a hundred art studios and over a hundred cubicles rented out to creators who flock to Leipzig to soak up the latest trends and share their know-how with other colleagues. Here, they feel very much at home.

Leipzig – A Grand City

Leipzig is a distinguished city with character and some striking monuments and other buildings. Prominent in the Augustusplatz is the Paulinum, one of the Leipzig University buildings, featuring a facade emulating the Paulinerkirche, the former university church which was senselessly dynamited in 1968 during the times of the GDR regime. Another building which stands out, at least for its height, is the City-Hochhaus, known as the “wisdom tooth” on account of its design. The top floor of this landmark houses the Panorama Tower restaurant and viewing platform. Their lunch menu is very reasonable and the eatery is worth visiting, if only for the splendid views.

The city also features a colossal monument which, apart from being oversized, also has an unpronounceable name – the Völkerschlachtdenkmal– which was built to commemorate the Battle of the Nations in 1813, specifically the defeat of Napoleon at Leipzig by a coalition of nations, namely Prussia, Russia, Sweden and Austria.

Come and discover this German city – check out your Vueling here.

Text by Tus Destinos

Images by Robin Kunz, Michael Bader, Peter Hirth, LTM-Tom Schulze, Nils Petersen

In 1996, Bordeaux decide to jack up and become a city of the 21st century. The ensuing project developed in several stages – the facades of the city’s Baroque buildings were cleaned (Bordeaux’s 18th-century heritage is exceptional), the docks along the Garonne river were reconditioned and a solar-powered tramway was built. The Bordelais are rightly proud of this sustainability initiative. This whole facelift led to the capital of Aquitania being chosen as the European Best Destination in 2015 with an all-time record score, ahead of the greats like Rome, Brussels, London and Berlin.

Apart from the aforementioned works, designed to modernise the city, Bordeaux has committed to sustainability. Among other things, three years ago this involved unveiling the Darwin Ecosysteme, an area around the Queyries quayside, although the project originally dates from 2005. This area, which stretches along the right bank of the Garonne, is sited over an erstwhile industrial zone. Cleaning it up and remodelling it took two years. The brain behind the project is Philippe Barre, an Bordeaux entrepreneur committed to sustainable development who did not hesitate to invest his own money in an ecosystem which combines energy efficiency, renewable energies, ecology and thrift. To this end, Darwin is managed by the Évolution Group, an incubator of companies devoted to sustainable development, funded through office space rentals and coworking, events organising and the support of private patrons and, to a lesser extent, public subsidies. The ultimate aim of this initiative is to elicit the responsible use of resources in order to check the advance of climate change.

At first glance Darwin looks like a half-derelict site, but it actually houses over a hundred companies, many of them start-ups, who are dedicated to sustainable development – a pre-condition for being allowed to set up here. This fosters a pleasant, ecological working environment for employees, able to reap the benefits of an ecosystem conducive to development and human growth. Also based here are around twenty Bordeaux associations involved in urban culture and ecology.

Darwin features some unique spaces, such as a huge skatepark built using recycled materials, graffiti-decorated walls, the Magasin Général, the largest biological restaurant in France and a macrostore with organic products. Protecting the environment is an idea which is here starting to take its first few tentative steps, so it comes as no surprise that the projects evolving in this area are still on a modest scale, such as protecting bees, organic allotments and free-range chicken rearing. There is also a recycling station which supplies material to the coworking spaces. In the future, Darwin will be hosting fully sustainable social housing, making it the most ecological district in Bordeaux.

Fancy seeing this sustainable district for yourself? Check out your Vueling to Bordeaux here.

Text and images by Tus Destinos

Images by Sara Soulignac and S.Duboscq

With a deeply tradition of music, Leipzig has been home to the renowned musicians and composers from all times, for the likes of Johan Sebastian Bach, Richard Wagner, Schumann or Mendelssohn. Music and culture is in every corner of the city, in the habitual concerts in Augustusplatz or in the different music festivals of every music style that the city offers.

Also known as Heldenstadt (City of Heroes), Leipzig was crucible for the revolution against the communist dictatorship in Eastern Germany, in a non-violent revolution that was called Friedliche Revolution and that ended up with the fall of the Wall in Berlin in 1989. 

Baroque, neoclassical and modernist architecture blends with the buildings of the Soviet-era in Leipzig and there are many shops, restaurants, cafés and clubs in the city center. 

A place that shows how the city is constantly culturally evolving is Spinnerei, (http://www.spinnerei.de/ , Spinnereistraße 7 ), an old cotton spinning mill in the district of Lindenau that is now a big factory for culture diffusion where talent and art from the artists of the so-called “New School Of Leipzig”. You can visit workshops, exhibition gallerys and Art shops, asist the cinema forums and eat at their restaurants. 

If you are interested in the History of Music in Leipzig you have plenty of museums and interesting places to visit 

Museum of Musical Instruments
You will enjoy of one of the most important collections in the world and discover a good perspective of the History of Music of the city

Bach's Museum
You will discover Bach, the main artist in baroque german musical style everywhere in the city. Especially in this museum which opened in 2010. An interactive exhibition that present the life and works of Johann Sebastian Bach.

Mendelssohn's museum-house
The last home for Felix Mendelssohn, a late Biedermeier-style house where he moved with his family in 1845, is since 1997 the composer's museum where you will see the original furniture and some of his objects.

Gewandhaus concert hall
Headquarters of the Gewandhaus orchestra. Founded in 1743 and directed for a long time by Kurt Masur, one of the promoters of the peaceful Leipzig's revolution. The main attraction is the visit to the impressive 6,638 pipe organ!

But there is not only music in Leipzig. Auerbachs Keller, a famous restaurant , is a must in the city. Here , Johann Wolfgang von Goethe spent long times as a student and now is full of students and young people from all over the world. It was founded in 1525 by a doctor in his own home cellar.

History has its own place as well in Mädle, an old drugstore which is now a restaurant and a night pub. In Bergstrasse 19, there is also a Saxon food restaurant Thüringer Hof where Lutero used to go.

Notice that there is a Flea Market in Leipzig on the last weekend of the month. They say it is the eldest and the biggest in Europe

Picture Gewandhaus by Andreas Praefcke/ Picture Leipzig by Tino Strauss / Picture Bach by nalocos.blogspot.com

In addition to its canals, the dockside in the old harbour, the Gravensteenor Castle of the Counts of Flanders, the City Hall and the Korenmarkt, one of Ghent’s major attractions is an altarpiece. Granted, it might not sound overly exciting or novel at first glance. If we add that it is one of the masterpieces of Flemish painting and the cornerstone in the transition from medieval to Renaissance art, it might start arousing some interest. And, that it is one of the artworks which, in the course of history, has been stolen most often, as well as having travelled through many countries, you are bound to see it in a different light.

The masterpiece in question is the Polyptych of The Adoration of the Mystic Lamb,also known as the Ghent Altarpiece, the work of the brothers Hubert and Jan van Eyck. It is located on the high altar in St Bavo Cathedral and was executed in 1426, commissioned by Joost Vijdt and his wife, Lysbette Borluut. The altarpiece consists of 12 panels painted in oil on both sides and measuring 3.5 m high by 4.6 m wide. It remains closed most of the year, and is only opened on festive holidays, revealing all its splendour. The paintings on the outer panels are more sober, with a marked sculptural air, the central theme being the Annunciation. A noteworthy highlight of the inner panels is their colouring, with a Deësis of Christ the King, the Virgin Mary and John the Baptist as the prominent upper feature, and the Adoration of the Lamb in the lower centre. Without going into the subject, the symbology and details behind the scenes of the altarpiece would fill a whole book.

The startling vicissitudes affecting this artwork date from 1566, when the retable had to be dismantled and concealed in the City Hall to preserve it from an assault by Calvinist iconoclasts.

In 1781, the two upper panels, depicting Adam and Eve, were removed from the ensemble, as Joseph II of Bohemia and Hungary found the nakedness of the figures disagreeable. In the 19th century, the panels were replaced with clothed versions of Adam and Eve, executed by the Belgian painter, Victor Lagye.

In 1800, the Napoleonic troops regarded it as the spoils of war – the wings were sectioned off and sold, while the central panels ended up in the Louvre. Once Napoleon had been defeated, the panels were restored to their rightful place in Ghent. But not for long.

In 1816, the vicar of St Bavo sold several of the side panels, which passed through a number of hands before coming into the possession of Wilhelm II, King of Prussia. They ended up being displayed at the Kaiser Friedrich Museum in Berlin. To provide a better view of them, the panels were sectioned lengthwise to reveal the obverse and reverse sides in the same plane. At the end of the First World War, among the multitude of artworks Germany was forced to return were these panels, which were again replaced in their original site.

In 1934, the panel of The Just Judges was stolen and a ransom of one million Belgian francs was demanded for its safe return, but the deal was rejected. It is still missing to this day and has been replaced by a copy, the work of the Brussels Fine Arts Museum curator, Jef Van der Veken.

Needless to say, the altarpiece was not left unscathed by the Second World War either, forming part of the large-scale plunder perpetrated by the Nazis. After a complex hunt for stolen art undertaken by the so-called “Monuments Men”, it was located in the Altaussee salt mine in the Austrian Alps.

The altarpiece is currently being restored, so not all the panels are on display in St Bavo Cathedral. To make up for this, those interested can follow the restoration project live in the Ghent Fine Arts Museum (MSK).

Now that you’re up to speed with all the ins and outs behind this marvellous artwork, we recommend you get hold of a Vueling and see it for yourself. And, don’t leave it too long, in case it gets stolen again!

Text by ISABELYLUIS Comunicación