Situated in the Veneto region in the north of Italy, Verona is a must-see city for those visiting the area. A stroll through its streets and past its monuments transports the traveller to a host of bygone times, from imperial Rome – this was Julius Caesar’s leisure resort – through the Middle Ages, the Renaissance and the periods of French and Austrian rule, up to the present. A rich historic past which has left its mark in the form of buildings, streets and squares, deservedly listed as World Heritage by UNESCO.

The City and its River

Verona is set on a meander of the river Adige, straddled by bridges such as the Ponte Pietra, the sole surviving Roman bridge in the city, and the Ponte Scaligero, with its characteristic battlements. The latter is part of the Castelvecchio, a medieval castle that currently houses one of the city’s leading museums.

Verona and its Roman Past

Noteworthy among the vestiges of Verona’s Roman past is the Arena, an amphitheatre dating from the 1st century AD where gladiators fought. Since 1913 it has been hosting activities more commensurate with our times, notably opera, performed in the summer from June to September. The large size of the amphitheatre, with a seating capacity of 30,000, is suitable for spectacular stage scenery, so don’t miss out on this memorable experience. We also recommend visiting the Roman Theatre, sited on the banks of the river Adige, which is currently part of the National Archaeological Museum. Like the Arena, in summer it becomes a venue for cultural activities; in this case, stage plays.

Thronging Piazzas, Impossible Love Affairs and Places of Worship

In the heart of the historic city lies the Piazza delle Erbe. Built over the old Roman forum and typified by picturesque white sunshades set above the market stalls, this unique spot is always teeming with people. Located in this square are such outstanding buildings as the Baroque Palazzo Maffei, the Torre dei Lamberti, affording magnificent views of the city from its rootop, and the beautifully frescoed facades of the Mazzanti Houses.

The Arco della Costa leads into the Piazza dei Signori, also known as the Piazza Dante, which was the centre of the city’s political activity during the 16th century. Preserved here, among other buildings, are the Palazzo della Ragione and Palazzo di Cansignorio, the seat of political power of the Scala family and the Venetians.

Not far from these magnificent squares, in the Via Capello, stands a landmark no visitor should miss, as it was immortalised in one of Shakespeare’s most popular works and has enshrined Verona as a prime destination for romantics. I’m refering, naturally, to the well-known setting for Romeo and Juliet. Juliet’s House is well worth visiting, although it is no mean feat having to jostle with hordes of other tourists in such a small patio. It does, however, have its charm.

As for religious architecture, not to be missed is the Basilica of San Zeno Maggiore, one of the masterpieces of Romanesque architecture in northern Italy, and the Duomo, also dating from the Romanesque (12th-century), which houses Titian’s Assumption of the Virgin Mary.

Time for Gastronomy

Not everything boils down to walking and sightseeing. You also need to get your strength back and enjoy the region’s culinary delights. We recommend you try the pastissada, a horsemeat stew, the origins of which go back to Roman times.

For those seeking a quicker, more refreshing break, what better than to stop at the Gelateria Zeno Gelato e Cioccolato, located in the Piazza San Zeno, to have one of their magnificent ice-creams.

Ready for a getaway to Verona? Come and discover this gem of Veneto. Check out our flights here.

Text by ISABELYLUIS Comunicación

Images by Spencer Wright, Lorenzo Blangiardi, Elescir, Kosala Bandara, FotoCla., Jorge Cancela, Allie_Caulfield, Son of Groucho

Marseille is full of surprises, or at least that’s the feeling you get when venturing into the city. This gateway to the Mediterranean has much more to offer than what is apparent at first sight. For starters, it has two harbours – the Vieux Port (Old Port), enclosed and fortified, a vestige of times when the coastline was invaded by pirates and hostile nations. And, the new – and larger – harbour which opens out to the sea and is a symbol of contemporary times. The elegant buildings lining the city’s streets have an unkempt, decadent yet inspiring air, while the fishing quarters smack of new trends in the guise of art galleries and cafés, and avant-garde spaces such as the MuCEM (Museum for the Civilisations of Europe and the Mediterranean) and the Villa Méditerranée, attesting to Marseille being much more than just a port city. And, in the midst of all this stands the highlight of this article, one of the works which prompts many architects to pilgrimage to Marseille –Le Corbusier’s Cité Radieuse.

This huge building, recently designated a World Heritage Site by UNESCO, together with 16 other architectural works by Le Corbusier, is one of the essential icons of modern architecture and one of the artificer’s major achievements. In this massive and equally beautiful colossus in concrete, the precursor of Brutalist art and ideologue behind architecture as we know it today successfully shaped the vertical city he had dreamed of, which he named the Unité d’habitation (Housing Unity). This was the first in a succession of similar residential buildings which were subsequently erected in Nantes-Rezé (1955), Berlin-Westend (1957), Briey (1963) and Firminy (1965).

Cité Radieuse, known locally as La Maison du Fada (The Nutter's House), is a large apartment block located in the south of Marseille on the Boulevard Michelet. It was designed in 1945 and built from 1947 to 1952. It is made up of 337 duplex apartments distributed over twelve storeys. Apart from its residential function, Le Corbusier also incorporated amenities into the design, including a commercial area on the seventh and eighth floors, gardens, a paddling pool, a gym, a theatre and a nursery on the spectacular rooftop. The edifice was built in rough-cast concrete and its standout feature are the supporting pilotis or piers, as well as the polychromed decoration on the balconies which set up a rhythm across the facade.

Most of the apartments are now private property, although sightseers are allowed to visit the common areas of the building. On the seventh and eighth floors you can see how most of the commercial units have been turned into design and architects studios. An exception to this is La Ventre de l’Architecte, a luxury restaurant affording splendid views of Marseille and the coast. The crowning touch is provided by another communal area, the rooftop, an area of surprises where architectural forms have been turned into spectacular sculptures affording views over the city. A pilot apartment can be visited as part of a guided tour, but be sure to book in advance with the Marseille Tourist Office. Those who would like to broaden their experience of the Cité Radieuse can stay overnight at the Hotel Le Corbusier, housed in the building itself.

Don’t miss the chance to visit Marseille and its architectural jewel, the Cité Radieuse. Book your Vueling here!

Text and photos by Los Viajes de ISABELYLUIS

Celebrate Halloween in one of the cities that we suggest in this post. If you love dark tourism and all things spooky, don’t miss these fang-tastic plans for 31 October (and the days around it!).

It is rare to find this kind of buildings in Germany, a country as jealous of its harmonic architecture. Even more in a town like Brunswick (Braunscheweig), located in Lower Saxony, just over 20 kilometers from Hannover.

Brunswick was a great example of this architectural consistency with old postwar buildings and characteristic half-timbered, forming a homogeneous whole.

Until the Happy Rizzi House stood in the historic heart, a five-storey building that contrasts sharply with the other buildings. This is a great work of modern art, full of smiling faces brightly colored, bug-eyed, crazy shapes and asymmetrical forms. Such a psychedelic collage!

Its construction on land that used to be part of the stables and fields of a Ducal Palace, so close to the church of Saint Andrews, caused much controversy and rejection in this population at the beginning. However, its construction continued starting in 1999 and it took two years to complete.

The funny thing is that, once the initial shock, most of the citizens of Brunswick came to love this "happy home" and now would be unwilling to demolish any way. And, to Brunswick, many tourists come just to observe its facade; not inside, which are labor offices, that can not be visited.

The idea came after a conversation of James Rizzi, New York artist and pop art exponent, with Jäschke Olaf, owner of the Aeschke gallery inBrunswick. They had already collaborated in the past but never to undertake a work of such magnitude.

Unfortunately, Rizzi died in late 2011. He was a beloved artist in Germany due to his work left and for his work with charities. Her hallmark were hi of three-dimensional paper sculptures, with prints of children's characters and vivid colors. These designs became translate into everyday objects, from small labels to larger works as a Volskswagen Beetle, trains and even aircraft.

But happy house is surely his most voluminous work, that will make you crack a huge smile when you see it.

Address of the Happy Rizzi House: Ackerhof 1 Braunschweig

Happy Rizzi House por Gerd Evermann | Boing 757 por Gero Brandenburg | Happy House por Magnus Manske | James Rizzi por Alexander Lieventhal

Why not take a trip to Hannover? Have a look at our flights here!