Berlin is synonymous with art. You don’t need to go much further to bump into someone who, after the fall of the Berlin Wall, has journeyed to the capital of Germany in search of an opportunity. With almost 450 galleries, 20,000 artists and over 3,000 exhibitions yearly, Berlin is experiencing an art boom. It heads the European art scene by a mile.

Gossip has it that over the last 20 years a new art gallery has been opened every week. Faced with that trend, no wonder that, over the last 12 years, Berlin’s galleries have joined forces to launch the Berlin Gallery Weekend (from 29 April to 1 May 2016) – the first of its kind – subsequently replicated in Paris, Vienna and Barcelona. We visited the city to see it for ourselves and spent three days packed with inaugurations, talks, parties and social events at special times to showcase the latest productions. This, just when spring is descending on the city and its streets start casting their gaze outwards.

Zero budget: admission to the galleries and other areas is free-of-charge.

Recommendation: hire a bicycle – distances become shorter when negotiated on two wheels. The city is big and the galleries string out from east to west, although centred mainly on Berlin Mitte, Kreuzberg and Potsdamer Straße. We began our tour – map in hand!

Berlin’s Epicentre – Auguststraße in Mitte

Auguststraße is lined with trendy restaurants and art galleries. This is the historic centre of Berlin; hence its name – Mitte, meaning middle. There we came across the KW Institute for Contemporary Art, a former margarine factory repurposed as an emerging art lab for mapping the latest trends. Right next door, the collector, Thomas Olbricht, presents his private collection, me Collectors Room, an area of 1,300m² with exhibits ranging from works by Cindy Sherman to exotic objects worthy of a curio cabinet. Long-standing venues, including the widely acclaimed Eigen + Art, blend in with the newcomers, like Kicken Berlin and neugerriemschneider, and the elegant building of Sprüth Magers on Oranienburger Straße, bringing a breath of fresh air to the local scene.

One of the latest venues to burst in on the scene, which features the epitome of a fusion between art and gastronomy, is the Jüdische Mädchenschule (Jewish Girls’ School). Housed in this building – which reopened in 2012 after falling into disuse – is theMichael Fuchs Galerieand a number of restaurants which form a nexus between the past and present. Among these isThe Kosher Class Room,which offers traditional Sabbath dishes on the menu, andMogg Deli,the best place for indulging in a good pastrami sandwich.

Before leaving the centre and heading for Kreuzberg, we made a compulsory stop at Clärchens Ballhaus. Opened in 1913, this dance hall is a veritable Berlinese legend which survived two World Wars and numerous Nazi clampdowns. Young and old, tourists, locals, good and bad dancers – there is something infectious about Clärchens which makes you feel at home there!

Around Checkpoint Charlie

Near the Berlin Wall’s most famous checkpoint and also the Jüdisches Museum (Jewish Museum) and halfway between Kreuzberg and Mitte, lies the Galerienhaus. This former Lufthansa headquarters which became a centre for political asylum-seekers in the nineties, houses 11 contemporary art galleries on its various levels. If you chance to go there, be sure to see the Gallerie Nordenhake, the Gallerie ŻAK | BRANICKA and the historic Konrad Fischer Gallery. Although initially founded in Düsseldorf, like so many other galleries in the Rhinelands, it ended up moving to the capital.

A few minutes away in the Mitte direction lies one of the trendiest venues in the area, the VeneKlasen/Werner Gallery, founded by the New Yorker, Michael Werner, who brought a piece of the Chelsea scene to Berlin, making it more spacious, more professional and… more expensive.

Before leaving Kreuzberg, we visited the Church of St Agnes which now houses the König Galerie. Built in the Brutalist style, it was acquired by Johann König and opened to the public as an art gallery in 2015. Here, in what appears to be the end of the white cube, a good itinerary is guaranteed.

Potsdamer Straße – A Trendy Art Boom

We came to Schöneberg, on the old west side, where for many years galleries and creative projects have been mushrooming, taking up every available square metre. The fact is it seems to be a surefire win-win formula – the venues are mutually beneficial in that their accretion and synched opening and inauguration times draw ever more visitors. Among the galleries you simply cannot pass up are the Supportico Lopez and Esther Schipper. However, if time is at a premium and you need to make a choice, head straight for the Isabella Bortolozzi Galerie. The Italian artist opened her gallery in 2008 in the former apartment where the actor and singer Hans Albers lived from 1946 to 1948. The premises have been preserved virtually intact. The walls are lined with wood panelling and secret recesses, which act as a backdrop.

Art galleries housed on a fifth floor without a lift in reclaimed buildings; exhibitions which can only be reached by crossing two patios and three doors… the list goes on and on. If you’re planning to visit the city within the prescribed timeframe, check out the full programme and our daily flights to Berlin. Happy Gallery Weekend!

Text by Núria Gurina for Los Viajes de ISABELYLUIS

Photos by Marco Funke, Genial23, Axel Schneider, Wolfgang Staudt

In spring, Barcelona becomes a hysterical city. Any idea of making the most of a weekend or sightseeing in the city turns into a pulsating, 1,000-rpm power tour. Downtown fills with end-of-year student trippers skipping through the streets in search of the perfect souvenir, anachronistic sightseers clutching at maps trying to ascertain points of interest, Asians taking selfies, their outstretched arm included, tour guides holding umbrellas and loudspeakers and, willy-nilly, the odd local tramp who peeps out and then, unnerved, retreats with a bewildered expression. The collective hysteria is centred on the Gothic Quarter, but its shock waves reach the Barceloneta, the Born and the Eixample. Here, finding a quiet corner to recover one’s strength before sallying forth into the streets again seems to be an impossible feat. But, it is not – here are some of our favourite spots for going into pause mode:

If you’re the kind that goes for design, at Vinçon (Pg de Gràcia, 96) you’ll find an endless array of exquisite decorative items – all top drawer! You’d be hard put to enter Vinçon without getting lost in the corridors crammed with unusual designer items, but it’s certainly rewarding not to. If you manage to locate the staircase leading up to the first floor, you’ll be surprised to come across the lounge of an old Modernist house. Preserved in this extension to the store are the ceilings, walls, flooring and chimney of a house that once belonged to the renowned early-20th-century Catalan painter, Ramón Casas. On the far side of the floor you come to a terrace which is a must-see. The inner court of the building affords some unusual views of the back of La Pedrera, one of Antoni Gaudí’s architectural masterpieces. You will also be able to survey a typical inner court of a whole street block characteristic of the Eixample district, complete with washing hanging out to dry, colourful blinds and inviting terraces. Noteworthy are the centuries-old trees piercing the terrace paving and a fairytale house at the end of the store patio. And, while the pleasure of going into a store without a consumerist purpose is growing on us, we might as well make a foray into Servei Estació, at Calle Aragó 270, on the corner of another of Gaudí’s famous buildings, the Casa Batlló. This store is quite an eye-opener, what with its compendium of DIY items, party decorations, stationery… in short, yet another maze of tasteful objects where the first floor is well worth seeing. If you go up to the terrace, you will be treated to further views of an Eixample patio and, once again, a different angle on Gaudí’s outlandish building. Here, a selfie is de rigueur.

In the heart of the Gothic Quarter lies one of the city’s most touristy streets, the Calle Boquería. The ground floor premises of these beautiful buildings, along what was once one of Barcelona’s most stately streets, are now given over to souvenir shops, paella-and-sangría eateries and cheap hotels. In the old days almost all buildings had a patio at the back. Nowadays, this area has either been excised or is inaccessible. However, via the Hotel Petit Palace Boqueria you can gain access to one such patio which is now part of a network of public parks in the city, a veritable backwater of tranquility and a pleasant surprise for tourists and locals alike. Another palatial mansion that belonged to the 18th-century Barcelona nobility now houses the Antic Teatre, a creative, experimental centre of the scenic arts which stages innovative performances outside conventional theatre circles. While you’ll certainly find their shows surprising, the interior garden concealed on the first floor is even more so. It is part of the theatre bar, which is open all day and has neighbourhood prices, so having a beer while you’re sunning yourself without paying through the nose is really possible in this magical enclave in the Born quarter. It is located just a few metres from the Modernist and very modern Palau de la Música Catalana. Discovering this building is guaranteed to boost your endomorphins to the limit.

These spots, where the city stands still, are havens of peace and quiet that should be confided to once closest friends only, in order to preserve their tranquility in the long run. If the crowds eventually descend upon them, we will have to seek out other oases, although this will be an increasingly more difficult task to accomplish. But the endless city that is Barcelona is unlikely to disappoint.

If you enjoyed this route and are eager to see more, head over to Insòlitbarcelona, a website dedicated to unusual itineraries in Barcelona. What are you waiting for to discover these spots. Check out our flights here.

Text by Insòlitbarcelona

Images by Insòlitbarcelona

1. El Retiro – the Most Popular of All

Stretching across 118 hectares, El Retiro Park is one of Madrid’s best known green areas. Close to the centre and readily accessible, it has long been a favourite among both Madrilenians and visitors to the city. Its origins go back to the period 1631–1640, when a second royal residence, known as the Palacio del Buen Retiro, was built on this site, the surrounding parkland being designated as a leisure area for the monarchs. Hardly anything has survived from those times as the palace was demolished after the Peninsula War in 1808. Following the revolution of 1868, the park was declared a public facility.

If you have a day to spend in El Retiro, you can fit in a stroll in search of Madrid’s purportedly oldest tree, have some refreshment at one of the kiosks, go for a boat ride on the Estanque Grande (Large Pond), see one of the scheduled exhibitions in the Velázquez Palace or the Palacio de Cristal (Crystal Palace), soak up the lush vegetation, research the park’s history through its fountains and statues and discover one of the few sculptures of the Ángel Caído (Fallen Angel).

2. The Casa de Campo – Madrid’s Largest Public Park

This is the largest urban park in Spain, spread across 1,722 hectares. It was once a preserve of the Spanish Crown, for which it operated as a hunting area, among other things. With the proclamation of the Second Republic, the park was made over to the city of Madrid and turned into a public precinct.

The Casa de Campo is the perfect spot for doing such sports as cycling, running, hiking and football. It also has sports facilities for tennis and swimming, and you can go canoeing or sailing on its iconic lake.

But the park offers more than just sport, boasting a large number of leisure facilities: an amusement park, zoo, various fairgrounds, the Madrid Arena multi-purpose pavilion and the Venta del Batán. Another of the major attractions here is the cableway linking the Casa del Campo to the Parque del Oeste, affording magnificent views over the park and the city of Madrid.

3. The Regal Air of the Campo del Moro Gardens

Designated an “Art Historical Garden” in 1931, it stretches across 20 hectares, running from the west side of the Royal Palace to the Paseo de la Virgen del Puerto. Legend has it that, in 1109, the Almoravid leader, Ali ben Yusuf, camped in these grounds during his attempt at reconquering the former Alcázar Real, which accounts for the name of the gardens.

The Campo del Moro Gardens are one of three parklands belonging to the Royal Palace. Comparatively unknown by Madrilenians, they afford unique views of the palace. It is the perfect spot for strolling around and relaxing. Two sculptural groups are prominent in the park’s central hub – the Triton Fountain and the Fountain of the Shells. A curiosity is the House of Cork, a small, romantically inspired templet of a simplicity that contrasts with the rest of the area.

4. The Royal Botanical Gardens – Hallmark of the Enlightenment

Founded in 1755 by Ferdinand VI near the river Manzanares, in 1781 they were moved on the orders of Charles II to their current location on the Paseo del Prado, next door to the Prado Museum, then known as the Natural Science Museum.

The Royal Botanical Gardens reflect the spirit of the Enlightenment, the period in which they were designed. The gardens are laid out on three stepped terraces and feature plants from Europe, the Americas and the Pacific, numbering around 5,000 species in all. The grounds include a library which boasts a herbarium of over half a million sheets, and an archive with nearly 10,000 drawings. It was designated an “Artistic Garden” in 1942.

5. El Capricho – A Romantic Spot

Situated in the Alameda de Osuna, it is a veritable gem and yet comparatively unknown by local citizens. In 1985 it was listed as a Cultural Interest Site. The gardens were commissioned in 1784 by Doña María Josefa Pimentel, the Duchess of Osuna, and reflect the romanticist taste of the time, with English, French and Italian references. Sited in the gardens is a palace, a shrine, fountains, sculptural groups, ponds and a maze, all in a botanically rich setting. Several anti-aircraft shelters were built there during the Spanish Civil War, although the sole surviving vestiges are some air vents.

Ready to discover a “greener” Madrid? Check out our flights here.

Text by ISABELYLUIS Comunicación

Images by Naliade, Pablo Sanchez, Kus Cámara, M a n u e l

“Our friend and companion Mr Kans Kamper of the Foot-Vallsection of the Sociedad los Deportesand former Swiss champion wishes to organise some football matches in Barcelona” read an advert in the weekly newspaper, Los Deportes on 22 October 1899. Hans Gamper, now known as Joan Gamper, was the Club's Swiss founder, player and president, and a key figure in the destiny of the Barcelona football team. He was already a prominent soccer player in his own country and, when he moved to Barcelona in 1899 for business reasons, he refused to forego his passion. He published the above advert in an attempt to perpetuate the sport. As a result, the foundational assembly of FC Barcelona was held on 29 November in the Gimnasio Solè. Located in Montjuïc del Carme Street number 5 (on the corner of Pintor Fortuny, near the Ramblas and very close to the Canaletes fountain), these premises went on to become a garage until they were bought by a construction company in 1996, demolished and rebuilt to be used as office space. However, a plaque at the entrance reminds passers-by that this place saw the birth of one of the most admired football clubs in the world.

From La Escupidera to Camp Nou

After continuously moving from one venue to another, Barça finally bought some grounds in 1909 between the streets Comte d’Urgell, Villarroel, Coello – now Londres – and Indústria – now París – where the first stadium was built. It was commonly known as La Escupidera (The Spittoon), given its small size. With a capacity for 6,000 spectators, it was almost too small from the outset. The numbers attending matches were such that those left outside would climb the outer walls of the premises in order to follow the game. The bottoms of these enthusiasts were exposed to the street, in view of passers-by, which is why Barça supporters are now known as culés (“bottomers” in Catalan).

In view of this, FC Barcelona moved to a stadium in the district of Les Corts, situated in the block delimited by the streets Numància, Travessera de Les Corts, Vallespir and Marquès de Sentmenat. Inaugurated on 20 May 1922, the stadium could initially hold 60,000 spectators. This enlargement also turned out to be insufficient to seat all those who wished to enjoy Ladislao Kubala’s football. This football wizard ­– included in the Barça "Holy Trinity" completed by Johan Cruyff and Leo Messi – was influential in the demolition of the Les Corts field and the construction of Camp Nou. The location of theformer stadiumis now commemorated by a plaque on an apartment block in Numància Street.

The new blaugrana colosseum, with a capacity for almost 100,000 people, was inaugurated on 24 September 1957 and has become a symbol of world football. A few metres from the stadium, encapsulating the essence of the club, stands the Masia Can Planas – a country house from 1702 that was until recently the residence of the blaugrana stars. For more information on Barça’s different headquarters, click here.

Between Euphoria and Faith

In February 1930, the weekly newspaper “La Rambla” was founded by Barça's president-to-be, Josep Suñol, with its headquarters at Las Ramblas number 13. Today, these premises are occupied by Núria Restaurant, just opposite the Canaletes fountain. At a time when football matches were not yet broadcasted on radio, the employees of the newspaper would hang a board from their office balcony with the day’s results. This was the way culés used to find out how well their team had done. If the score was satisfactory, the celebration would start. Since then, and still today, Canaletes fountain is the epicentre of Barça euphoria. Legend has it that, if visitors drink from the waters of Canaletes, they will eventually return to the city.

To wind up the celebrations, the football stars would end up on the balconies of the Generalitat de Catalunya and Barcelona City Hall in Sant Jaume square. Players, coaches and executives would then go to the Mercè chapel, a Baroque church located in La Mercè square, adjoining Carrer Ample and Passeig de Colom, to offer the winning trophy to the city's patron saint. Not very far from there is the cathedral of Santa María del Mar. This beautiful Gothic church was attacked at the beginning of the Civil War and most of the stained glass windows were destroyed. The government of the Generalitat insisted on its restoration, which was financed by various wealthy families of the time and Barcelona institutions, such as FC Barcelona. As a token of gratitude, the club's emblem was placed on the window in the church sanctuary. Indeed, football is a question of faith.

Barcelona is no doubt one of the most football-mad cities in the world. You can breathe Barça everywhere. Come and see it for yourself! Check out our flights here.

Text by Oriol Rodríguez / ISABELYLUIS Comunicación

Images by Oriol Rodríguez, Juanedc, Maria Rosa Ferre, Jordi Ferrer, Enfo_34/ Fundació del FC Barcelona