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The Zürich That Would Captivate John Waters

John Waters shot to fame by directing outlandish, low-budget movies such as Pink Flamingos (1972) which glorify violence, sexual perversion and bad taste. He uses provocation as a weapon targeting the good-mannered hypocrisy, iron-fisted morals and religious values of the American way of life. However, few realise that the American dandy with a pencil moustache has also designed large-format collages and photomontages. He has chosen 40 of these pieces – including storyboards from his movies – for the exhibition, How Much Can You Take?, which runs until 1 November at the acclaimed Kunsthaus Zürich, coinciding with the murals by Joan Miró on display there until the end of January.

Paradoxically, the multifaceted filmmaker has other traits in common with Zürich, such as class, a sense of order and extreme cleanliness. Deep down, Waters also has a tenderness and fetishism that suggests he would delight in the bric-a-brac on sale in downtown Teddy’s Souvenir Shop, offering the music boxes, Swiss army knives, cowbells and cuckoo clocks so typical of Switzerland’s bucolic image. That same cliché embodied by Heidi, the children’s character created by the writer, Johanna Spyri who, like the poet, Gottfried Keller, is buried in the leafy park of Sihlfeld Cemetery, the first in Europe to incorporate a crematory. Waters would surely relish a visit there, both for his fascination for the macabre and his professed love of literature, which of late he is more engaged in than cinema. Hence, we might also recommend he visit Fluntern Cemetery, site of the beautiful tomb of James Joyce, who in Zürich gave himself over to a licentious alcoholism while writing much of Ulysses, a diatribe against Church and State. Another writer who also passed away in this city was the German author of The Magic Mountain, immortalised in the Thomas Mann Archives, a small museum housed in the ETH Zürich. This State university has also been graced by no fewer than twenty Nobel prizewinners, notably the scientist Albert Einstein, as much a rebel against conventional mores as Waters. Located in the same university is the spectacular Law Faculty Library, designed by the architect, Santiago Calatrava. However, the maker of morbid films would probably prefer to read in the old abbey housing the Zentralbibliothek Zürich, the city’s main library.

The filmmaker’s more iconoclastic side would relish the recollection that Zürich was the cradle of Dadaism, the anarchic “anti-art” so critical of middle-class society in World War I. That was when the artistic couple, Emmy Hennings and Hugo Ball, founded the celebrated Cabaret Voltaire in Niederdorf’s Old Town. Together with Tristan Tzara, the locale broke with all established canons. The building gradually became derelict until it was occupied in 2001 by a group of artivists and used to stage neo-Dadaist-style performances before vast crowds of Zurichers. After their eviction, the City Council overturned its original plan to demolish the building, which was then refurbished as an alternative cultural centre. Also located in the Old Town is the unusual Musée Visionnaire, where visitors choose what they want to see – and are encouraged to critique it – from a catalogue of Art Brut, a movement also known as Outsider Art – the work of amateurs, the mentally disabled and any creator alien to institutions and the boundaries set by official culture. In short, characters who would not be out of place among the Dreamlanders, counter-culture misfits and such regular collaborators of Waters as Mink Stole or Divine.

The young Waters who was so enthralled by gruesome accidents and bloodthirsty tales would also take a fancy to the Moulangenmuseum, a museum featuring wax representations of body parts twisted by disfiguring diseases, including exhibits in the University Hospital’s medical teaching collection dating from 1917. And, lured by the repulsive, he might also look up the dark oeuvre, biomechanical aesthetic and highly charged erotic sense of another illustrious native of Zürich who designed the visual effects for the movie, Alien – the recently deceased H.R. Giger. Although fans of the illustrator and sculptor have to choose between a visit to his comprehensive museum in the walled town of Gruyères (nearly two hours south of Zürich), and the stunning Giger Bar in his native Chur (about an hour’s drive from Zürich), situated, strangely enough, in the same land that inspired the pastoral Heidi.

To wind up this walk on the dark side, nothing better than supper at Blindekuh Zurich, the world’s first restaurant where diners eat in the pitch black. Fortunately, Waters is not the chef, so you needn’t worry about being served what Divine ate in Pink Flamingos. I assume you get my drift but, just to make sure, before you take the plunge you should go to a quality chocolaterie like Sprüngli.

In any event, remember that the Waters exhibition only lasts for a few more weeks, so get your tickets here!

 

Text by Carlos G. Vela para ISABELYLUIS Comunicación

Images by David Shankbone, Roland zh, Juerg Peter Hug, Absinthe, Edsel Little

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A new Lisbon rises from the old

Words by Rita Branco

To begin your journey we invite you to take a closer look at an almost forgotten side of Lisbon: Braço de Prata. Located between Santa Apolónia and Oriente, it’s not the most charming area in the city, but in recent times it has become a place where new things find a start. Pioneers in recycling forgotten buildings, the cultural center Fábrica Braço de Prata was created back in 2007. Formerly a factory where war materials were manufactured, it is now a place to cultivate new ideas: since it replaced gunpowder with books, this special spot locks up between its doors countless proposals: from live music to art exhibitions, poetry sessions, dance meetings and other gatherings. Due to its variety of rooms, there is always something happening. It has twelve doors in total, all hiding secrets and each one with its own purpose: four exhibition rooms, another one for film projections, other for musical performances, a bookstore and a couple of bars. A place of leisure filled with a young and dynamic crowd.

Moving to one of the oldest neighborhoods in the heart of Lisbon, Anjos, there’s a place called Taberna das Almas, another cultural association born out of a deactivated glass factory. With two floors and three different rooms, this place made out of wood and full of personality, wants to revitalize the area by promoting and supporting all sorts of cultural projects. Since 2012, every road leads to Feira das Almas on the first Saturday of every month: this alternative market presents sixty projects every new edition, from vintage shopping and handicraft to brand new designers and labels, always accompanied by live music. Being the place where online shops gain a temporarily physical space, big traveling bags are turned into showcases and young artists exhibit their work, Feira das Almas brings a fresh idea into traditional business.

To the occidental side, Príncipe Real is a stylish area on its own. Full of old buildings being renovated and with a young population moving in, this rich neighborhood is becoming a serious shopping spot surrounded by gardens. Built in 1857, Ribeiro da Cunha Palace, was not only part of the New University of Lisbon once, it was the stage for a French TV show also. Right in front of Príncipe Real Garden, the brand new fashion bazaar opened its doors for the first time in early September, 2013. This stately Neo-Moorish building has been recovered and turned into a place where art, business and lifestyle meet, and gathers fifteen entrepreneurs shops over two floors. From fashion to beauty, furniture to music, a restaurant and a space dedicated to temporary art exhibitions, this commercial area combines tradition with innovation and creativity, keeping its interiors intact, where every room has a story to tell, and giving an opportunity to the labels to be in direct touch with their customers.

Extending south of Príncipe Real, there’s the bohemian Bairro Alto. At number 59 of Rua da Barroca, ZDB pops up. Zé dos Bois is an art center living in an eighteenth century palace that was abandoned for ten years: Baronesa de Almeida Palace, a place where writer Almeida Garrett once lived, lodges a non profit organization since 1997 and it has been existing as a space for creation and promotion of contemporary art and the alternative scene, with a special attention to experimentation and exploration of emerging artistic languages. Hosting more than 150 art events per year, including residencies and educational programs, spreading emergent visual art proposals and with a diversified schedule of live music performances, ZDB also has a bookstore, a bar and a terrace where film projections happen periodically.

Moving towards occidental Lisbon, right in front of Estrela Garden, you will find A Montra, which will be occupying number 132 of Calçada da Estrela until October, 2014. During an entire year, this cultural intervention will rehabilitate an abandoned street shop and will turn its window into an art gallery. Every month, an artist is going to produce an art work for that particular place, a feast for the eyes that is available at any time of the day.

To put an end to our journey, LX Factory seems to be a good choice. Once one of the most important manufacturing complexes in Alcântara, it is today a factory of experiences and ideas. Although the mechanical environment is still alive, its residents are now very different: creative people and original companies have been reviving the complex since 2007. LX Factory is to everyone and for everyone, this creative island of fashion, advertisement, communication, fine arts and music has a lot of different commercial and gastronomic spaces, and it also organizes the LX Market every Sunday, a fair for handmade pieces, small DIY brands and second hand opportunities.

From the oriental to the occidental side of Lisbon, here are six bets on the Portuguese new cultural scene. Six different places with a mutual goal: give Lisbon a new dimension and bring life to the city, promoting all sort of arts and entrepreneur ships as a unifier, and using the old to create a better new.

So you feel like visiting Lisboa, do you? Book your flights here!

 

Imagen de Ricardo Junqueira

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Four Must Visit Gastrobars in Seville

That Seville is famous for its tapas is a well-known fact. But the city also happens to be riding on a burgeoning culinary wave and, instead of just limiting itself to culinary tradition, it has jumped onto the internationally inspired bandwagon of carefree, innovative and excellent process of reinvention, as well as implementing novel techniques and flourishes of modernity.

Lalola – A Gourmet Tavern
I should perhaps dare introduce this restaurant as one of the best in Seville. Tasting the creations served up in this self-proclaimed “gourmet tavern” is well worth the long walk, as it is located far from the bustle of the city centre in the quarter of Los Remedios. Lalola is the domain of chef Javier Abascal, a youngster you are sure to hear about in the coming years. And, it’s just as well. His menu is an ode to his four loves – quality product, cooking over a slow fire, reminiscences of Sephardic cuisine and offal, which has its own section on the menu, allowing you to taste anything from boned pig trotters with creamy potatoes to beef sweetbread with aniseed  crumble and bamboo or monkfish foie gras. But, it doesn’t stop there, as the other shared dishes provide another surprise – organic chickpea hummus, La Vera red peppers and sesame, tuna tartare and algae noodles… Average ticket: €20 per head.

Mercado Lonja del Barranco – Variety For All Tastes
Go inside Mercado Lonja del Barranco and you can watch dapper gentlemen arriving in what is possibly the trendiest spot in Seville, with its Nordic, vintage aesthetic. Quite a shock after having strolled through the old Jewish quarter and come across a religious procession in the Triana neighbourhood. But, it rocks, as its taste lies in the variety. And, here, there is variety in abundance, highly recommendable for the hesitant, for foodies eager to taste a bit of everything and for parties of guests. Mercado Lonja del Barranco offers over 150 dishes, both local and international. Here, it’s no easy task deciding from among such a broad selection. I can recommend dipping into the seafood section and trying the typical shrimp omelette. Likewise the gourmet salmorejo stand, where you can taste the different varieties of this local speciality, and the cut ham stand… Tickets from €3.

Séptimo Wine Bar
Séptimo
, because seven is a lucky number. And, Isabel and Floriant, the Hispano-French couple who run this locale, seem to have hit the jackpot. Some luck in it, of course, but you can’t detract from their job well done, driven as they are by a tireless passion, which you notice as soon as they start talking about a tuna fish in the kitchen with a sparkle in its eyes. Indeed, they have managed to continually fill to capacity their small, inviting premises ever since they first opened just over a year ago. Their offerings are gourmet tapas, “inspired by whatever”, accompanied by “whichever wine goes well”. That is how Isabel puts it and she adds, in the Sevillian accent we have grown to love, “we make our own style of tasty food”. Hats off to their duck pie, marinated tuna or tartare, the three dishes they rate as the star items on the menu and which are virtually always in stock, while the rest of the offerings are seasonal. Now, for instance, you can taste a marvellous sautéed artichoke with pumpkin, field mushrooms and presa ibérica (Iberian shoulder of pork), highly tender lamb nuggets in sweet potato sauce and the pièce de résistance – a milk torrija (French toast) served with a ball of ice-cream likely to make you shed more than one tear. Average ticket: €20 for two.

Perro Viejo – International Fusion
There just had to be a hipster sanctuary in Seville, and that is Perro Viejo. Located in the heart of the Andalusian capital and inaugurated just two years ago, this stunning, three-storey tapas bar features ultra-cool, ultra-modern, ultra-gorgeous interior design – everything is wood, iron and greenery, clearly inspired by an industrial aesthetic. Here, the tapas are a blend of tradition and international fusion (there are distinct Thai, Japanese and Peruvian influences in their cuisine), with the emphasis on new culinary trends, as evinced in their exquisite Japanese butterfish tataki, pulpo a feira (Galician-style octopus) with migas, organic egg and Iberian broth, glazed pork dumplings with chilli vinaigrette, charcoaled papas bravas (spicy sautéed potatoes) and ceviche (lemon-and-garlic marinade). All of this livened up with a great wine list and, above all, spectacular cocktails. Average ticket: €40 for two.

Book your Vueling to Seville and gear up to savour the best gastrobars in town.

Text by Laia Zieger of Gastronomistas.com

 

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Ghosts Of London's Past

Por Michael Schuermann de Easy Hiker

London is a great city for hikers. For one because there are so many scenic trails and nature reserves near-by – the Ridgeway, the South Downs Way, the New Forest – and for another because they are all so easy and convenient to reach by what is probably the world’s best public transport system. (I know the London urban and suburban rail networks get a lot of stick, but I still have to find another city in the world where it is as easy to get around even if you have no car.)

We will spend more time in London in the near future and intend to explore the walking trails of the area in some detail, although the more serious hiking trips will have to wait until the spring.

For the time being, however, we will keep things simple and start you off this week with two short walksalong the Thames, one in the east and one in the west, each roughly two to three hours long, allowing you to set out late, after a leisurely breakfast on a weekend for example, and still be back in time “for tea” to watch the afternoon soccer game “on the telly”. Are you still with me, “guv”?

Ghosts of London Past

Wapping in the east of the city has always been my favourite part of “walking London”. I have done this walk several times over the past twenty years or so, but it was never the same walk – because the area has changed and still changes so quickly.

This stretch of London – between the Tower and Greenwich – was once the most important hub of global trade, the place where shiploads after shiploads of coffee, tobacco and sugar from the British colonies arrived on their way to the European consumers.

The London docks were abandoned in the 1960s, and the area lay fallow, a barren industrial wasteland, for twenty years before it was redeveloped in the 1980s. When I came here first, a little over twenty years ago, this process was still very much ongoing, and the “docklands” at the time were a surreal blend of derelict industrial buildings, waste dumps, modern office developments and handsome 19th century mansions.

Nowadays, the docklands are very trendy and chic, but they are still nothing like similarly trendy and chic areas of West London. They are, for one, much less lively. Wapping High Street is a residential area, but when we went there, on a Saturday around lunchtime, we were almost the only people in the street, give or take the odd jogger. Between old warehouses, centuries-old taverns and narrow stairways that lead down to the river, you feel that ghosts are walking with you every step of the way.

Our walk starts at St. Katharine Docks in the back of Tower Hill station. Walk down the stairs on your left hand side, turn left in front of the moat of the Tower of London and simply follow the signs.

The three basins of St. Katharine Docks were developed in the 1820s when one of the largest London slums – with over 10,000 inhabitants – was razed to the ground. (The rubble of the destroyed dwellings, ironically, was used to lay the foundations for one of London’s most luxurious property development projects in Belgravia.)

The St. Katharine Docks were never a great commercial success – the gates to the river Thames were too narrow, preventing larger ships from entering – and, having been heavily bombed in WWII, never fully rebuilt and gradually abandoned.

They became, however, also the first of the London docks to be redeveloped as a leisure-plus-retail facility and the blueprint for all such projects since, in the capital and all across Britain. They are a very pretty sight indeed, particularly on a sunny day. (Unfortunately, we were not quite so lucky on our walk.)

Leave St. Katharine Docks in the back of the Dickens Inn through Thomas More Street and turn left into Wapping High Street along the Thames. Look out for Wapping Pier Head, two early 19th century brick buildings that were erected right on the entrance to the docks to accommodate leading dock officials and their families …

… and, a few houses down the road, the ancient Town of Ramsgate pub. The Wapping Old Stairs beside the pub – they lead down to the river – are said to be haunted: for many men, convicts on their way to Australia and drunks who were imprisoned in the pub’s cellar before being “press-ganged” into the navy, these stairs would have been the last things they ever saw of England.

A little further on, in the garden next to the modern HQ of the London River Police, the City of London used to execute pirates – not removing their bodies before three high tides had washed over them, as a kind of deterrent presumably. The infamous Captain Kidd was hanged here in 1701, and a couple of blocks down, there is a pub that was named in his honour. (Go check it out. It has stunning views over the Thames.)

Continue past some more old warehouses before turning right into Wapping Wall – look for London’s oldest riverside pub, the Prospect of Whitby – and crossing the bridge into Shadwell. (Another modern development, called Shadwell Basin, appears on your left.)

Immediately after the bridge, turn right in the direction of King Edward VII Memorial Park, and continue by the bank of the river with some spectacular views of Canary Wharf in the distance.

Turn left into Spert Street for Limehouse Basin, where this walk ends. There is a DLR station on your left hand side from where the trains of the “Docklands Light Railway” take you back into the centre of London within a few minutes.

By Michael Schuermann de Easy Hiker 

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