A Spanish Christian, New York Jew and Pakistani Muslim might seem to have little in common but, if we dig deeper into their cultural past, the city of Jerusalem is the fundamental origin of all three religions. This is the site where Jesus was crucified, where Solomon built his temple and where Muhammad went on his Night Journey. Far removed from the opulence of European cathedrals, Jerusalem’s places of worship are sheer simplicity. Christians, Jews and Muslims coexist in the narrow streets of Jerusalem’s Old City, an amalgam of religions which often leads to disputes and conflict. In short, Jerusalem is synonymous with religion.

The Via Dolorosa

The Via Dolorosa is the Way of the Cross along which Christ walked to the Crucifixion after being judged. The site of the 14 Stations of the Cross has changed over time and the route has also varied. Thousands of pilgrims make their way along the Via Dolorosa when visiting the city. The route starts at the Antonia Fortress and proceeds along King David Street, crossing the Main Souq and ending at Golgotha, the site of the Church of the Holy Sepulchre where the Crucifixion and burial of Christ are assumed to have taken place.

Church of the Holy Sepulchre

The Holy Sepulchre is the last Station on the Via Dolorosa and it is here that Christ was buried in a tomb belonging to Joseph of Arimathea. The original basilica was commissioned by the Emperor Constantine between 335 and 326 BC. After being destroyed several times and being gutted by fires and earthquakes, the church we see today is uneven in appearance and has several chapels and other spaces. In all, the church belongs to seven different Christian denominations, all of whom manage their own chapels, as well as the common areas. The two holiest sites in the church are Golgotha, where Christ was crucified – a spot you come across on entering the precinct – and Christ’s tomb.

The Wailing Wall

Possibly one of the most emblematic spots in Jerusalem, the Wailing Wall is the holiest site in Judaism. Thousands of Jews pray each day at the Wailing Wall, while both locals and tourists stuff notes bearing petitions and wishes between the stones. The Wall was once part of the retaining perimeter wall of the platform on which the Temple stood and is the closest spot to the Holy of Holies in that building – hence its importance to Jews.

Haram Ash-Sharif

This vast esplanade houses Jerusalem’s most striking building, the Dome of the Rock. Tradition has it that this is the spot where Solomon’s Temple and the Second Temple both stood. This area on the south-east side of the Old City became a Muslim holy site when the Dome of the Rock was built in AD 691. Various other buildings have been erected since then and this is now the third most sacred Islamic shrine in the world. Standing alongside the Dome of the Rock is the other important building in the precinct, the Mosque of Al-Aqsa. Built in the 8th century AD, it is the main place of worship for Muslims in Jerusalem. Unfortunately, after the Second Intifada in the year 2000, only Muslims are allowed to enter these buildings, but at certain times the esplanade is open to everyone, so the mosques can be observed from the outside.

Mount of Olives

The Mount of Olives lies on the east side of the Old City. It is the site of one of the oldest cemeteries in the world, as it has been in continuous use since the third millennium BC. Various places of worship stand here, notably the Chapel of the Ascension, built on the spot where Jesus ascended into Heaven, the Tomb of the Virgin Mary and, in the Garden of Gethsemane, the Basilica of Agony, the site where Christ prayed before being arrested.

Mount Zion

Mount Zion lies alongside the Mount of Olives. This mount is closely linked to The Last Supper and to King David, who is believed to be buried here. Hence it is holy to Jews, Christians and Muslims alike. Following the death of Christ, the disciples started meeting here to pray in the Room of the Last Supper. Subsequently, they gathered around the stone where the Virgin Mary is said to have died. This is the site of the Abbey of the Dormition, commissioned by Kaiser Wilhelm II in the early 20th century.

Be sure to visit Jerusalem’s Holy Sites, as well as the rest of the city – check out our flights here.

Text by Aleix Palau for Los Viajes de ISABELYLUIS

This small Italian town in the Sicilian province of Trapani was first settled by the Saracens in the Middle Ages. After the Second World War, on account of the post-war hardships, the area lost a substantial part of its population as many of its inhabitants emigrated to the New World. Subsequently, the town was totally devastated by an earthquake in 1968. The decision was then taken to start over from scratch, and an inventive project was drawn up to “humanise” the area, for which purpose several famous international artists were called in, names such as Pietro Consagra, Alberto Burri, Mario Schifano, Andrea Cascella, Arnaldo Pomodoro, Mimmo Paladino, Franco Angeli and Leonardo Sciascia. The town soon turned into a huge laboratory of experimental art, prompting artists to create works that ennobled the new urban precinct.

The Top 6 Monuments in Gibellina

It should be noted that the reconstruction of Gibellina arose as part of a major cultural challenge which involved both the need to built habitable dwellings and to do so in an artistic milieu. Today, Gibellina is one huge open-air, modern-architecture museum featuring some brilliant works; and, it is now inhabited once more. Here, then, are the six most stunning areas.

Il Cretto di Burri

Gibellina is a town born of a tragedy, and an earthquake at that, the remains of which are still visible beneath the vast work known as Il Cretto, by Alberto Burri. The artist was reluctant to set his work within the confines of yet another urban complex. Instead, he created a gigantic monument dedicated to the earthquake victims which stretches over the streets and alleyways of the old town. It is a massive concrete structure which hugs the ground and is scored by deep cracks. Its artistic value lies in having physically frozen the historical memory of the land. For its sheer size, Il Cretto is one of the largest artworks in the world.

The “Meeting”

In 1976 Pietro Consagra designed a monument-sculpture known as The Meeting. This large-scale sculpture features smooth curves emerging from two parallel projections. It is a clear example of Brutalist architecture, so in vogue in the seventies. In this case he combined transparent sections with opaque ones, while eschewing any balanced compositional harmony. It now stands between the bus station and the area taken up by bars and other leisure facilities.

The Chiesa Madre

in 1970 Ludovico Quaroni was commissioned to design Gibellina’s parish church on a hilltop. The geometry of the church is novel, not only owing to the layout of the building and its relationship to its surroundings but on account of the language in its architectural forms. The various functional areas are distributed in a box with a 50-metre-square base sub-divided into modules and sub-modules, while the symbolical and geometrical centre of the monument is a great smooth cement sphere bearing reference to the sacred.

The Piazza del Municipio and the Civic Tower

The town square is surrounded by a colonnade designed by Vittorio Gregotti and Giuseppe Samonà, the walls of which were decorated with ceramics by Carla Accardi. Edging the perimeter of the square stand some marvellous white metal sculptures of characters from the work, Oedipus Rex, made by Pietro Consagra, with others by Mimmo Rotella, and the so-called Civic Tower designed by Alessandro Mendini. Four times a day, a blend of sounds with reminiscences of everyday life in the old Gibellina can be heard from this tower.

The Square System

This is actually a matrix of closed architectural squares designed by Franco Purini and Laura Thermes. Enclosed within this System are the Piazza Rivolta del 26 giugno 1937, Piazza Fasci dei Lavoratori, Piazza Monti di Gibellina, Piazza Autonomia Siciliana and Piazza Passo Portella delle Ginestre.

The Civic Museum of Contemporary Art

Gibellina’s contemporary art collection was created from contributions by Italy’s leading artists, and others of international acclaim.

The first to chip in were the Sicilians – Pietro Consagra, Carla Accardi and Emilio Isgrò. Ever since its inauguration in 1980, the Gibellina Museum has been endowed with over 1,800 artworks, notably original paintings, illustrations and sculptures. Most are housed inside the building, but some are dotted about the town streets, where they form a complement to the urban architecture. The bulk of the museum’s exhibition space is taken up by the collection, but there is a room dedicated to Mario Schifano, while another open-air area is given over to artistic and architectural mock-ups.

Join us on a trip to this unique spot in the world. Check out our flights here.

Text by ISABELYLUIS Comunicación

Images by Tiberio Frascari, Giulio Nepi, Antonella Profeta

Our main reason for visiting Iceland’s capital was to uncover the city’s musical melting pot. Reykjavik has continued to churn out musical icons ever since the initial boom in the early 1980s, as reflected in the documentary and double LP, “Rokk í Reykjavík”, featuring such Icelandic bands as Baraflokkurinn and Tappi Tíkarrass – the latter was Björk’s first serious music project. When talking of Iceland, the first thing that springs to mind are the two most popular names on the international scene – Sigur Rós, and the aforementioned Björk. However, there is an amazingly long list of artists distributed across the length and breadth of the land, as well as countless bands, soloists and collectives that often share their members, regardless of each group’s musical style.

All of these have at some time performed in Húrra, Reykjavik’s leading concert hall, previously known as Harlem. When we were there, we were impressed by the varied setlists scheduled for the following days – an extreme metal festival, a reggae group (Hjálmar, very popular in Iceland)  and a tribute group to the Sex Pistols which hails from the continent. Húrra really acts as a downtown music hub, covering all the musical genres. For starters, it is one of the customary venues for the popular music festival, Icelandic Airwaves, which is held at the beginning of November at various settings in the city, including the marvellous Harpa, a musical and cultural activities centre which has fairly galvanised the local scene in the last few years.

Needless to say, we had to finish off the night with a beer. There are myriad Icelandic brands, including the ubiquitous Viking, in addition to some imported varieties. We ended up at Kaffibarinn, also known as KB, owing to the fact that Damon Albarn from Blur is one of its proprietors. The downstairs hall is comfortable, cosy and features a good, ongoing soundtrack, principally pop and electronic. But, remember not to bother the DJ – not for nothing is there a metal plaque near the crockery which reads, “No requests accepted”. If you want to smoke, which is not allowed inside the premises, they have an open-air interior patio where you can smoke and still keep up a conversation with friends and acquaintances. But, at midnight, everything changes and the upstairs area at KB becomes a dance club which operates until the early hours.

The local scene is clearly both extensive and surprising. Apart from groups with a proven track record, notably Of Monster And Men, Sólstafir, Amina, FM Belfast and Sin Fang, it is the new generation that is shaking the very foundations of the city. We could start with Retro Stefson, a pop group which has been migrating toward electronic and has recently shot to the number one slot in Iceland thanks to their new single, Skin, a preview of their upcoming album, Scandinavian Pain. In fact, it was their vocalist and guitarist, Unnsteinn Manuel Stefánsson, who acted to some extent as our host during our fleeting visit. After inviting us to see his new studio, which is bound to become one of the most active in the city, he took us to have a coffee in Sæmundur í Sparifötunum, a hipster gastro hotel where he introduced us to two of Iceland’s best known rap stars, the upcoming talent, Gísli Pálmi, and the veteran Emmsjé Gauti, the author of a single called precisely Reykjavik. He talked to us about the female collective Reykjavíkurdætur, currently on a meteoric roll, and remarked how one of the leading lights of Iceland’s parliament, Óttarr Proppé, has played in various bands, among them HAM, which was very popular in the early nineties. He also revealed that his favourites included the very young singer (aged sixteen) from R&B and trap music, Aron Can, and the pop singer, Sturla Atlas. Truth be told, Manuel – of Portuguese and Angolan extraction – is also the brother ofLogi Pedro,one of the most celebrated hip hop producers in Iceland and the composer of much of the bass and rhythms for some of the aforementioned artists.

When it came to discovering new artists, we were also lucky enough to have the assistance of the writer, Sigurjón Birgir Sigurðsson, who goes under the stage nameSjónand who collaborates closely with Björk. He recommended the DJ, Flugvél Og Geimskip, and the trap duo, Úlfur Úlfur, whose popularity is on the up and up and who feature among Iceland’s best known current stars.

We could go on about contemporary figures well worth watching, including Sin Fang, who has just worked with Jónsi of Sigur Rós on the latter’s new album. Then there is the electropop group, Gangly, and Alex Somers, the hyperactive writer of American soundtracks who resides in the city and who, together with his boyfriend, the aforementioned Jónsi, recorded under the name Riceboy Sleeps.

And, of course, a must-visit is to the best record shop in town, Smekkleysa, associated with the Bad Taste label (which is what “Smekkleysa” means in Icelandic), and originally related to members of The Sugarcubes. In short, this venue is the basic driving force behind the burgeoning Icelandic scene, due largely to its promotion of such internationally acclaimed projects as Fufanu, Gus Gus, Jóhann Jóhannsson, Minus, Mugison, Múm and Sigur Rós itself.

You will be dazzled by the huge variety of musical offerings to be had in Reykjavik. Don’t pass up the chance to venture into the city’s music scene – check out our flights here.

Text by Joan S. Luna (Mondo Sonoro)

Images by Los Viajes de ISABELYLUIS

Do you dream of taking home the best photos of Santiago? Buying postcards and books might be the quickest solution, but, if you enjoy taking your own pictures, you shouldn’t hesitate to embark on this eminently photogenic route through Compostela. Here are 10 of its most emblematic subjects.

1. Praza do Obradoiro

We admit you’d be hard put to capture its entirety, as it covers 7,700 square metres. Surrounded by monumental buildings, snapping a whole picture of the Praza do Obradoiro is no mean feat. A wide-angle shot of the portico of the Colexio de San Xerome will yield an image of the Cathedral – cloister and towers included – as well as the Pazo de Xelmírez, the front of the Hostal dos Reis Católicos and the Paxo de Raxoi to the left.

2. Cathedral Facade

The centre of the square is a reasonable viewpoint, as are the arcades of the Pazo de Raxoi, to stand square in front of the Cathedral, if you have a fish-eye lens. But, if you’re looking to take full-length photos with a normal lens, the trick is to go down the stairs of the Rúa de Raxoi, where you get a complete view of the facade with the towers. Ideal for group photos.

3. Goal and Excitement

While its monumental beauty tends to hog everyone’s gaze, the Praza do Obradoiro and its surroundings are indeed the most intensely exciting spots in all Santiago de Compostela. The arrival of pilgrims and the display of satisfaction at having achieved their goal are commonplace scenes in this privileged setting.

4. Bird’s-Eye View

The ascent to the Cathedral Rooftops, 30 metres above the Praza do Obradoiro, affords some of the best views of the squares surrounding the Cathedral, as well as revealing its architectural features and the rooftops and chimney stacks in the old town. The tapestry gallery in the cloister, which can be visited using your museum ticket, provides another fine perspective of the Obradoiro, and of the cityscape south of the Cathedral.

5. The Photogenic Quintana

The stark bareness of the Plaza de la Quintana takes on special significance with the interplay of light on the stone. Noon yields snapshots of the granite in all its hardness. Late afternoon throws the shadows of the spires and lantern of the Cathedral on the wall of the Convento de Antealtares. Night lighting turns the surface into a quasi aquatic medium, like some silent fish tank. You can also get good shots from the Casa da Conga arcades.

6. A Tiny Playhouse

Secluded and motley, the Plaza de las Platerías and its stairs provide splendid group snapshots all day long, thanks to the south-facing portal. In a low-angle shot, the horses on the fountain will seem to graze the Torre del Reloj. To capture the whole square, you have to backpedal to the entrance to the Rúa do Vilar. If you have a wide-angle lens, use the towers to frame the shot. Night light endows the Casa del Cabildo and the stepped cloister tower with a special relief when seen from the church door.

7. Streets and Towers

The rúas (streets) in the monumental site are rich showcases of typical Galician architecture. The Torre de las Campanas or Belltower can be photographed from the middle and upper stretches of the Rúa do Franco. The Rúa do Vilar, flush with the Airas Nunes Café, provides a classic view of the arcades and main facades, with the Torre del Reloj or Clocktower in the background. The parallel street, Rúa Nova, affords a picture postcard view of the porticoed houses around the tower of the Church of Santa María Salomé.

8. The Bountiful Market

Getting back to the historic core, the Mercado de Abastos or market is abuzz with activity, particularly first thing in the morning, suggesting detailed portraits of myriad people and gastronomic delights. Between the green of peppers and turnip greens, the orange of the velvet crabs and the blue of the lobsters, your pictures will look almost aromatic.

9. A Park With a View

You get to Bonaval Park through the Porta do Camiño, between the CGAC and the Convento de Bonaval. There, Álvaro Siza and Isabel Aguirre designed a succession of platforms and terraces which are a delight for any photographer. They are highlighted by the shadows cast by trees, the ruins of old monastic dwellings, the spring, the old cemetery with its lone cypress tree… Late afternoon light is magical, revealing splendid views of the monumental precinct with back lighting. The best time is in autumn, when the landscape is carpeted with yellow, red and brown foliage and branches become denuded, revealing towers and sturdy chimneys in the distance. Extraordinary views of the city from its carballeira and the neighbouring Rúa de Bonaval, which in the afternoon reflects the sun’s rays like no other street.

10. Walkway To A Historic City

By proceeding down the Avenida de Xoán XXIII as far as the transport terminal you get a contrasting image between the contemporary layout of the long steel marquee and the back facade of the Convento de San Francisco. The pergola grows smaller as you approach the monumental area, creating the optical effect of having “entered” the historic city.

How long can you afford to put off enjoying such a beautiful setting, Come on – free up some space on your smartphone and start packing. Check out our flights here.

Text and images: Santiago de Compostela Turismo