When you first set eyes on Versailles, you realise why it was the jewel in Louis XIV’s crown. Starting with what had been his father’s hunting lodge, the Sun King had Europe’s largest palace built. The opulent interiors and splendid gardens could accommodate up to 20,000 people. The king had the leading artists and architects at his disposal – Louis Le Vau and Hardouin-Mansart designed the building; Charles Le Brun, the interiors, while André Le Nôtre remodelled the gardens. Everything was ready to receive the court.

Europe’s Largest Palace

The main rooms in the residence were on the first floor. There we find the Chambers of the King and Queen, arranged around the Marble Court, the latter set behind the last railing in the access to the palace from the street. If you have seen films like Marie Antoinette, by Sofia Coppola, or the television series, Versailles (we can wholeheartedly recommend both), you will know that their chambers were anything but private. The queens of France used to give birth before the court, while the kings went through the daily waking routine known as le lever du Roi (the king’s rising), attended by courtiers and family members, who came to see the monarch getting up.

The king had areas where he worked, including the Council Chamber, where he received his ministers and family, or the room known as the Louis XVI Library, characterised by the sovereign’s globe of the world and its priceless Neoclassical panelling. The chambers of the king and queen are connected by the Antechamber or Oeil-de-boeuf(Bull’s-eye)Roomon account of the large round window. The story goes that, on the night of 6 October 1789, when a group of revolutionaries stormed the palace in search of Queen Marie Antionette, she fled through this room to her husband’s chamber and safety. The following day they abandoned the palace forever.

Also on the first floor, on the side of the palace giving onto the gardens, are the State Apartments. The most famous of these is the 73-metre-long Hall of Mirrors, with its views over the gardens, where major official ceremonies were held. It was there that in 1919 the Treaty of Versailles was signed, marking an end to World War I. Other rooms well worth seeing include the War Drawing Room, located next to the Hall of Mirrors and featuring a large relief of Louis XIV on horseback trampling his enemies under foot, the Apollo Drawing Room and the Hercules Drawing Room, which houses the monumental painting, Feast in the House of Simon, by Veronese, a gift from the Republic of Venice to Louis XIV.

Household Chapel and Opéra Royal

Also on the first floor is access to the Royal Chapel, used by the king and his family, and to the Battles Gallery, the outcome of a renovation by Louis-Philippe on former apartments used by nobles. It was turned into a gallery of historical paintings housing works by the likes of Delacriox and Gérard.

A must-visit site on the ground floor are the priceless Apartments of the Mesdames Adélaïde and Victoire, the daughters of Louis XV, who never married and lived here until the time of the Revolution.

Another grand edifice in the Palace of Versailles is the Opéra Royal. This theatre, built in 1770 to mark the engagement of Louis XVI and Marie Antoinette, is not open to the public. It does, however, host an interesting opera season which is the perfect excuse to spend an evening there and feel like a regular courtier.

Gardens, Fountains and Lost Palaces

After a visit to the palace, the best thing is to wander around the huge gardens and enjoy the fountains. Various shows are staged on different days, so it is worth checking out the programme before planning your visit.

The gardens are laid out in formal fashion, with geometrically-shaped pathways lined with tree groves, hedges, flowers, fountains and ponds. Fountains such as Neptune, Latona, the Colonnade and the Dragon Fountain provide some of the most impressive sights. It is rewarding to stroll among them and end off by heading for the Trianon, one of the jewels of Versailles. Here you will find two buildings – the Grand Trianon, a palace commissioned by Louis XIV as a retreat from court life and to host his mistresses, and the Petit Trianon, built for Louis XV but which became Marie Antoinette’s favourite retreat. She also had a quaint little theatre built in it. Be sure to also visit the Queen's Hamlet, where Louis XVI’s wife had an estate of twelve buildings modelled according to the aesthetic of a rural village, peasants and farm animals included. She would seek refuge here to get away from the demands of court life.

Book your Vueling to Paris and head for Versailles, which is just a half-hour’s train ride away. You won’t regret seeing such a splendid palace and feeling like a king for a few hours.

Text by Aleix Palau for Los Viajes de ISABELYLUIS

Prague is a monumental city, with great historic buildings that bring unique, elegant and refined atmosphere to the city. But a contemporary artist got to the city to turn upside down its classic harmony with some of his weird work.

Born in Prague, David Černý is a controversial, irreverent and disturbing artist who loves to provoke the audiences. And he does so! His sculptures, with a remarkable social criticism, against power and authority, disturbed some of his audiences.

David Černý started his career as a provoking artist when, along with his colleagues at the arts school, painted in bright pink a tank from the soviets at the garden of the German Embassy -a monument to Czechoslovakia liberation in 1945-. Černý was arrested for his colourful attack but now this tank is exposed at the Military Museum in Lešany, 20 kilometers away from Prague, ad a freedom symbol.

His work is all around the city where this artist was born. There are many, but this is a little route to the most shocking and remarkable work.

Quo Vadis?

His first work, Quo Vadis?, was located at the German Embassy in Prague (Vlašská 19, Malá Strana). In Quo Vadis? Černý reinterprets Trabant, the most common car at East Germany, putting legs instead of wheels. It’s a tribute to over 3.000 Germans from the East who invaded the garden of this embassy on summer 1989, short after the fall of the wall.

The dead horse in Saint Wenceslaus

We already said that Černý’s work is the opposite to the classicism of this city. Thus, the dead horse of Saint Wenceslaus is a good example of that, oppositely to the classic stature located in the square of the same name. Saint Wenceslaus is, indeed, a symbol to the national Czech identity, and saint patron of Bohemia.
The version by Černý of this statue is pretty close to the original, at Lucerna avenue, but the horse is upside down, death and with its tongue out.

Viselec

You should pay attention when passing by the centric street of Husava, at Staré Mesto. Actually, you should look at the sky if you don’t wanna miss it. Above, you’ll see the hanging stature, a human figure that looks a lot like Sigmund Freud.
As with most of the work by Černý, it’s open to interpretations and the artist was never willing to reveal the actual meanings.

Piss

Located by Franz Kafka Museum, at Cihelná 2b, 118. These are two figures that move thanks to an electric mechanism who are peeing in a small pool with the same shape as the Czech Republic as they write quotes, from famous local authors, with the effluent.
Next to this sculpture there is a phone number where you can send SMS suggesting your own quote to be written by this peculiar sculpture.

Miminka babies

About 216 meters high, Žižkov is the telecommunications tower in Prague and the highest building in Czech Republic. Right here, David Černý located his disturbing work of ten dark babies who climb the building while crawling.
This sculpture can be seen also from the park at Kampa island, near Charles bridge.

Klaus & Knizak

At Futura Art Gallery (Holečkova 789/49), you should go by the stairs to find two great figures that are the bottom half of a human body to put your head by the hole on their bum. Inside, a satirical video is projected featuring the former president of the Czech Republic until 2013, Václav Klaus, and the artist Milán Knížák, feeding each other while the song "We are the Champions" is played.
This is a critic to the Czech politics and also to the voyeur viewer who just observers their actions without taking part.

Shark

In 2005, this work was presented for the Bienal in Prague, but it was forbidden in other exhibitions in Belgium or Poland. This piece presents Saddam Hussein’s image captive, on his underwear and bound hand and foot, immersed in a tank of formaldehyde. The work is signed by Mahoma and was presented one year before Hussein was killed, in 2006.

Quo Vadis? by VitVit | Pink tank by Hynek Moravec| Miminka by Evrik| Piss by UkillaJJ

So you feel like visiting Prague, do you? Book your flights here!

There is one night in the year inevitably associated with witches, horror stories, pumpkins, bonfires and disguises and that it is 31 October, the eve of All Saints. One of the many traditions alive in Spain is the stage performance of Don Juan Tenorio, by the poet, José Zorrilla. The ritual has been performed continuously ever since it made its debut around 1844. While at first glance a romantic drama might seem out of place on a night more suited to The Munsters, there is a reason for it – much of the second act in the play takes place in a cemetery, and many of the protagonists are dead souls who come alive and interact with the lead figure. Chilling, isn’t it?

Don Juan Tenorio’s Seville

Having solved the first mystery, a second issue arises. What connection is there between one of the most popular Juanes in literature and the city of Seville? First, it was here in Seville that José Zorrilla wrote his stage play and where the story is set. Granted, Zorrilla was actually inspired by Tirso de Molina’s The Trickster of Seville and the Stone Guest, written in 1630, which is where the myth of Don Juan stems from. The work ended up seducing such artists as Molière, Mozart, Lord Byron and Espronceda, among others.

A different, entertaining way of touring Seville is to stroll along its streets in search of possible sites featured in that drama, and the spots where tributes to the work are located. Here are some of them:

The Hostería del Laurel (Plaza Venerables 5) is located in the heart of Santa Cruz, one of the most popular districts in Seville. This former boarding house is where José Zorrilla lodged when he wrote Don Juan Tenorio. This, the birthplace of the literary classic, also acted as a source of inspiration for some scenes. Despite the passage of time, it is still worth venturing inside, where some of its historical essence has survived intact.

A few yards from the Hostería del Laurel lies the Plaza de la Alianza, site of the home of Doña Ana de Pantoja, the future wife of Don Luis Mejía, who rivalled Don Juan Tenorio when it came to causing mischief. There is actually a scene in this square where Don Juan tries to wrest his beloved from the grasp of Don Luis.

It is more difficult to find the convent where Doña Inés – one of the main characters in this romantic drama – was confined. The convent belonged to the Order of Calatrava, which is why the habits she wears bear the emblematic red cross of Calatrava. Indeed, a convent once stood in the Calle de Calatrava, which was re-christened thus in honour of the literary work. Following the disentailment it was subsequently demolished, the sole surviving vestige being a chapel which was eventually turned into a warehouse. Easier to locate is the Plaza de Santa Marta, which everyone agrees was the spot where Doña Inés was abducted by our hero.

Still in the beautiful Santa Cruz quarter, we find the Plaza de Doña Elvira, site of the home of Don Gonzalo de Ulloa, the father of Doña Inés, who was staunchly against her alliance with Don Juan.

Concerning the location of Don Juan Tenorio’s house, literary sources cite it as being on the banks of the river Guadalquivir, where he ended up fleeing, although the exact spot is unknown. There is also the real site because, if you’ve done some reading on the subject, the Tenorio family actually existed and tradition places them in the Convent of San Leandro, situated in the square of the same name.

The scene of the final duel, in which Captain Centella kills Don Juan Tenorio, takes place in the present-day Calle Génova, now re-christened the Avenida de la Constitución.

To wind up this tour commemorating the literary classic, you can visit the Plaza de los Refinadores where a statue to Don Juan Tenorio, sculpted by Nicomedes Díaz Piquero, was erected in 1975.

By the way – if you’re in Seville any weekend from 31 October to 15 November, we recommend visiting the San Fernando Cemeterywhere Engranajes Culturales is staging a dramatised visit and performance of the third act of Don Juan Tenorio.

Ready to be a Don Juan in Seville? Secure your Vueling ticket here.

Text by ISABELYLUIS Comunicación

Images by Víctor Fernández Salinas, Consuelo Ternero, Sandra Vallaure

Thessaloniki is redolent with a chaotic – and even decadent –  air, set in the West but facing the East, proud of a past characterised by Roman, Byzantine and Ottoman influences, yet imbued with modern, contemporary momentum.Thessaloniki (or Salonika) is not as popular as the capital, Athens, and does not exert the same draw as the absolutely exquisite Greek islands, but its streets are full of the delights that warrant flying there to be able to stand before the White Tower. Here, then, are some of its myriad charms.

Although a typical drink throughout the country, in Thessaloniki, frappé coffee is a religion. You will see them everywhere and at all hours, local folk sipping away at them in huge glasses, stuffed with a sort of evolved, iced cappuccino topped generously with foam. Cafés, bars, restaurants, ice-cream parlours… it is served in all kinds of establishments, but the best of them all is Paradosiako, an exquisite café and ice-cream parlour located in Aristotelous Square, the hub and heart of the city.

Thessaloniki is a city of churches. Marvellous churches, like Agios Panteleimon, the Church of the Acheiropoietos and Agios Athanasios. However, the most iconic church in the city is clearly the monumental Church of the Rotonda or Agios Giorgios. Designated a World Heritage Site in 1988, together with the Arch of Galerius (just over 100 metres from the Rotonda), this is the oldest church in Thessaloniki or, as some sources would have it, the oldest church in the world.

Sport is taken seriously in Greece, and in Thessaloniki, no less so. It is quite an experience to visit that volcano of passions, the Toumba Stadium, to see PAOK FC playing. Or, if your thing is basketball, head for the clamorous Alexandreio Melathron arena, home to the historic Aris FC.

Adjacent to Aristotle Avenue stands the Ladadika, the former oil market. You can find all kinds of shops and stalls in this maze of alleyways, a blend of Western market and Arab souq, with wares ranging from food to garments, and from spices to implements. On the south side, near the sea, is an area with the most contemporary restaurants in the city.

The epitome of the Mediterranean diet, Greek food is an orgasm on one’s taste buds. Bent on savouring one of the most widely acclaimed cuisines in the country, it would be a sin to visit Thessaloniki without tasting such local delicacies as xoriatiki salata, melitzanosalata, moussaka, youvetsi, bouyiourdi or mydia saganaki.There are excellent restaurants and taverns all around the city, but Neos Galerios (Apellou 3) is one of those small family restaurants (a variation on the Spanish Casa Pepe) where you can eat plenty and well for a moderate price.

In 1917 Thessaloniki was devastated by a fire from which only the upper district of Ano Poli was spared. Ringed by part of the old Byzantine and Ottoman walls, this jigsaw of steep, winding streets, and one-storey houses with colourful patios, enjoys privileged views of the rest of the city down below. You can walk up to Ano Poli, but the climb is likely to wear out your shoe soles. Your best bet is to take bus 50 which follows a circular route past the city’s cultural landmarks.

Thessaloniki is Greece’s cultural capital, particularly when it comes to the world of cinema. The majestic Olympion Theatre, located in beautiful Aristotelous Square, is the site of the Thessaloniki International Film Festival, the leading event of its kind in the country. Less than five minutes away lies the old harbour which has been partly remodelled and given over to cultural activities. One of the old shipyards now houses the Thessaloniki Cinema Museum. The rest of the refurbished shipyards host such events as the local editions of the Barcelona In-Edit (a music documentary film festival), and OffsideFest, a football documentary film festival.

The symbol of Thessaloniki is the White Tower, the sort of landmark which visitors to any city are bound to come across, even unwittingly. Once used as both a fortress and prison, the structure you see today was built during the period of Ottoman domination by Suleiman the Magnificent, most likely on the site of a pre-existing medieval construction. The White Tower is the point of departure for a walk down the Nikis, a promenade which stretches for several kilometres along the city’s seafront.

Mt Athos lies about three hours’ drive from Thessaloniki. Sacred to the Greek Orthodox Church faithful, this mountain rises from a rocky peninsula alongside the Aegean Sea. Around twenty monasteries are located on this mountain, including some of the oldest and remotest monasteries on earth, which are home to about 1,500 monks. The Holy Mountain enjoys a form of local autonomy and access to it is restricted. Women are not allowed to set foot on the mountain, while access to male visitors is limited to 200 Greeks and 10 foreigners per day.

Don’t wait to experience the magic that is Greece – check out our flights here.

Text by Oriol Rodríguez for Los Viajes de ISABELYLUIS

Images by L'imaGiraphe, Tilemahos Efthimiadis, Stella Vardaki, Dmitry Artyukhov