Brussels has a heady cultural agenda where exhibitions andvernissagesare common fare. Some especially interesting spaces have been unveiled there in recent times, augmenting the established ones. Thus, art enthusiasts and culture devotees in general would do well to visit them on a brief getaway.

The first of these is the ADAM (Art & Design Atomium Museum), located in the Atomium, an iconic construction in the Brussels district of Heysel which was built for the 1958 World Fair. ADAM is an art and design centre which showcases a unique collection of plastic furniture and other objects owned by the Belgian artist, Philippe Decelle, who has been collecting these artefacts since the 1970s. And, while you’re in the vicinity of the Atomium, you should make a point of dropping in on the light and sound installation, ID#2016, which runs until 13 November 2016 and forms part of the ID (Innovative Display) programme, a digital art festival which has been operating since 2013.

Another major cultural landmark in Brussels is MIMA (Millennium Iconoclast Museum of Art), located in the enduringly interesting district of Molenbeek. This space revolves around the highly specific, innovative theme of the evolution of contemporary art following the advent of Internet and the emergence of Culture 2.0.

Another highly edifying cultural landmark in Brussels is the Museum of Natural Sciences, famed for its Dinosaur Gallery, and particularly its iguanodons, the skeletons of which were unearthed in 1878 at a mine in Bernissart in southern Belgium. Be sure to also visit the Gallery of Humankind, a unique exhibition unveiled just a year ago which traces the evolution of man and the human body.

It is always a good time to visit the Bozar Centre for Fine Arts, not only because it is one of Belgium’s most dynamic art hubs (it receives an impressive 1 million visitors each year), but for the building itself. Designed by the acclaimed Belgian Art Deco architect, Victor Horta, it is a magnificent specimen of the country’s architectural heritage. An exhibition showcasing 80 sculptures by Pablo Picasso entitled Picasso. Sculptures is due to run here in the next few months – specifically, from 26 October 2016 to 5 March 2017. Organised in conjunction with the Musée Picasso of Paris, the exhibition will feature works expressing the creative power of the innovative Malaga art genius, who used a host of materials and numerous techniques in his sculptures.

Lastly, an area well worth strolling about and which always throws up some novelty is the Parc du Cinquantenaire (“Quincentenary Park”). Located in this park, a case in point is the Horta-Lambeaux Pavilion which showcases the stunning bas-relief known as Human Passions, the crowning work of Jef Lambeaux, sculpted in white Carrara marble. Another interesting venue is Autoworld, featuring the world’s most important automobile collection which this year marks its 30th anniversary.

Ready to discover these offerings in Brussels? Book your Vueling to Brussels here.

Text by Tusdestinos.net

Images by Tusdestinos.net, IRScNB-KBINTh.Hubin (Museum of Natural Sciences) and Visit Brussels (Olivier van de Kerchove)

Everyone is aware that Halloween is now a global festivity celebrated all over the world. So, if you’re a die-hard, why not see for yourself just how they stage it on the spot in various parts of the world? For instance, in London, a city enthralled with Witches Night.

At some stage you must have spent a date like New Year’s Eve, Carnival or Christmas abroad. It is a common practice among seasoned travellers to get away from their home country whenever they can for those hallowed days. But, those are not the only special events that prompt people to fly off to other lands. If there is any special day that has become hugely popular in recent times it is Halloween, which is held in considerable esteem by English-speaking nations and has, happily, been exported elsewhere, too.

One of the paramount cities when it comes to celebrating that night, particularly in the guise of horror movies, macabre events, the supernatural and, of course, pumpkins is London. It is one of the European cities with the greatest accretion and tradition of horror stories and legends, making it a must-visit venue for Halloween devotees the world over. The City has a generous lineup of activities for this, the most terrifying festivity in the year. We have chosen five of them for your delectation, if you happen to be flying to London for 31 October.

Abney Park Cemetery

With such a long history, a large city like London is bound to have numerous, centuries-old cemeteries with priceless architectural charm which are a tourist draw in themselves. One of the most spectacular graveyards is Abney Park, on the outskirts of the city near the Stoke Newington tube stop. Strolling along its paths between gravestones and age-old tombs overgrown with vegetation, you feel like you’ve stepped into a story by Edgar Allan Poe or H. P. Lovecraft.

Haunted Tattoo

After a walk through Abney Park, go down to Holloway Road (a street known for its cultural offerings and a haven for a large art community) and drop in on Haunted Tattoo. Over and above drawings etched into the skin, this tattoo studio stands out as a small museum featuring all kinds of objects relating to horror movies, literature, comics and illustration. Making no concession to horror vacui, the premises will leave you open-mouthed. Fear not – knock on the door, even if you don’t plan to have a tattoo done.

Jack The Ripper and the Whitechapel District

A dream plan for any Halloween enthusiast. If you’re ever in London for Halloween, make a point of trying the sightseeing route that follows the life and exploits of this notorious first serial killer of modern times. You can set up your own tour on the Internet but, if you prefer to have it laid on, you could opt for The Jack The Ripper Tour, highly rated and recommended by users.

The Rocky Horror Picture Show at the Prince Charles

Once you’ve completed the previous three tasks, the ideal way of opening the Witches Day evening is by attending one of the best horror musicals in cinema history – The Rocky Horror Picture Show. Located in Leicester Place, near the heart of the City, the Prince Charles Cinema is one of the most unusual in London with its policy of re-screening film classics. And, needless to say, for Halloween they have lined up a special screening at which – take note – you can sing along with the stars of the movie, as this is a sing-along session – What a treat!

John Carpenter at the Troxy

The icing on the cake for these splendid Halloween dates are the two live performances by John Carpenter in London on 31 October and 1 November. A legend of horror movies, and also known for having composed the soundtracks of his films, Carpenter will be giving two concerts featuring soundtracks from such movies as The Fog, They Live and Assault on Precinct 13, as well as new songs from his studio recordings. You can enjoy these performances in style, in one of London’s iconic cinemas, the Troxy, in the Commercial Road area near the Limehouse tube stop.

Liven up your horror Halloween in London – book your Vueling here.

Text by Xavi Sánchez for Los Viajes de ISABELYLUIS

Images by DAVID HOLT, James Nash, Tarquin Binary , Holloway Life, Alexander Baxevanis, Matt From London

There is one night in the year inevitably associated with witches, horror stories, pumpkins, bonfires and disguises and that it is 31 October, the eve of All Saints. One of the many traditions alive in Spain is the stage performance of Don Juan Tenorio, by the poet, José Zorrilla. The ritual has been performed continuously ever since it made its debut around 1844. While at first glance a romantic drama might seem out of place on a night more suited to The Munsters, there is a reason for it – much of the second act in the play takes place in a cemetery, and many of the protagonists are dead souls who come alive and interact with the lead figure. Chilling, isn’t it?

Don Juan Tenorio’s Seville

Having solved the first mystery, a second issue arises. What connection is there between one of the most popular Juanes in literature and the city of Seville? First, it was here in Seville that José Zorrilla wrote his stage play and where the story is set. Granted, Zorrilla was actually inspired by Tirso de Molina’s The Trickster of Seville and the Stone Guest, written in 1630, which is where the myth of Don Juan stems from. The work ended up seducing such artists as Molière, Mozart, Lord Byron and Espronceda, among others.

A different, entertaining way of touring Seville is to stroll along its streets in search of possible sites featured in that drama, and the spots where tributes to the work are located. Here are some of them:

The Hostería del Laurel (Plaza Venerables 5) is located in the heart of Santa Cruz, one of the most popular districts in Seville. This former boarding house is where José Zorrilla lodged when he wrote Don Juan Tenorio. This, the birthplace of the literary classic, also acted as a source of inspiration for some scenes. Despite the passage of time, it is still worth venturing inside, where some of its historical essence has survived intact.

A few yards from the Hostería del Laurel lies the Plaza de la Alianza, site of the home of Doña Ana de Pantoja, the future wife of Don Luis Mejía, who rivalled Don Juan Tenorio when it came to causing mischief. There is actually a scene in this square where Don Juan tries to wrest his beloved from the grasp of Don Luis.

It is more difficult to find the convent where Doña Inés – one of the main characters in this romantic drama – was confined. The convent belonged to the Order of Calatrava, which is why the habits she wears bear the emblematic red cross of Calatrava. Indeed, a convent once stood in the Calle de Calatrava, which was re-christened thus in honour of the literary work. Following the disentailment it was subsequently demolished, the sole surviving vestige being a chapel which was eventually turned into a warehouse. Easier to locate is the Plaza de Santa Marta, which everyone agrees was the spot where Doña Inés was abducted by our hero.

Still in the beautiful Santa Cruz quarter, we find the Plaza de Doña Elvira, site of the home of Don Gonzalo de Ulloa, the father of Doña Inés, who was staunchly against her alliance with Don Juan.

Concerning the location of Don Juan Tenorio’s house, literary sources cite it as being on the banks of the river Guadalquivir, where he ended up fleeing, although the exact spot is unknown. There is also the real site because, if you’ve done some reading on the subject, the Tenorio family actually existed and tradition places them in the Convent of San Leandro, situated in the square of the same name.

The scene of the final duel, in which Captain Centella kills Don Juan Tenorio, takes place in the present-day Calle Génova, now re-christened the Avenida de la Constitución.

To wind up this tour commemorating the literary classic, you can visit the Plaza de los Refinadores where a statue to Don Juan Tenorio, sculpted by Nicomedes Díaz Piquero, was erected in 1975.

By the way – if you’re in Seville any weekend from 31 October to 15 November, we recommend visiting the San Fernando Cemeterywhere Engranajes Culturales is staging a dramatised visit and performance of the third act of Don Juan Tenorio.

Ready to be a Don Juan in Seville? Secure your Vueling ticket here.

Text by ISABELYLUIS Comunicación

Images by Víctor Fernández Salinas, Consuelo Ternero, Sandra Vallaure

It was a film that led me to Turin. I was stunned by a giant edifice topped by a spire which towered over the city. It was the Mole Antonelliana, a vivid name alluding to both its blunt presence and its designer, Alessandro Antonelli, who had initially conceived of it as a synagogue. I discovered it in a humble but significant independent film entitled Dopo Mezzanotte (After Midnight), by Davide Ferrario, who lives in the city and has shot many of his films there. It is a hymn to cinema, a passion triangle with the action set in the Museo Nazionale del Cinema, which has been housed in the Mole since 2000. With an area of 3,200 square metres, it is the largest in Europe dedicated to “the Seventh Art”. It is a highly original, spectacular exhibition, both for its location and the layout of its collections, including pre-cinematographic devices, magic lanterns, and both old and modern stage items – notably masks from Star Wars and Bergman’s The Seventh Seal, Superman’s cloak and Marilyn Monroe’s bodice. It is actually one of the most frequented museums in Italy, quite a feat in a country with such a rich history and art heritage. It is also the site of the Turin Film Festival, next slated for 20 to 28 November, which has featured such filmmakers as Nanni Moretti, Gianni Amelio and Paolo Virzi.

The City that Bewitched Risi, Tornatore and Argento

The fact that Turin was Italy’s first capital is evident in its cinema, from Neorealism to erotic comedies, with a profusion of such explicit detective films as Double Game, Black Turin and Torino, centrale del vizio. It was in Turin that the master of horror movies and self-confessed lover of the city, Dario Argento, shot several scenes from one of his first hits, The Cat o' Nine Tails. He went on to film in their entirety his latest works, Do You Like Hitchcock?, Sleepless (Non ho sonno) and Giallo.

The city of the Juventus and Torino football clubs, the annual contenders at the “Derby della Mole”, is also an obligatory stop on the journeys depicted in the perennial classics. Enrico Loverso emigrates from the poor south to the Turinese industrial north in The Way We Laughed (Così ridevano) by Gianni Amelio. In Everybody's Fine (Stanno tutti bene), by Giuseppe Tornatore, an elderly, splendid Marcello Mastroianni visits his adult children distributed across Italy and finds the last of them – of course – in Turin. And, the irascible blind captain played by Vittorio Gassman sets off from Turin station in Scent of a Woman, directed by Dino Risi (the remake, with Al Pacino, came years later). Risi also happened to make his cinema debut in the same Alpine city, when he was assistant director during the shoot of Piccolo mondo antico (Little Ancient World), and it was there, too, that he one night declared his eternal love to the stunning actress, Alida Valli, while they were sitting in a carriage in the rain, in the romantic, lush gardens of the Parco Valentino.

The Setting for Robberies and Spies in American Movies

In The Pink Panther 2, with Steve Martin, one of the city’s most prized treasures is stolen – no less than the Turin Shroud. However, the film that has probably set Turin most on the map is the 1969 cult movie, The Italian Job, by Peter Collinson (which has seen a recent remake). In it, Michael Caine flees with his loot from the carabinieri in his Mini Coopers, through the Palazzo Carignano, along the inner staircases of the Palazzo Madama and around the exterior of the Gran Madre di Dio Church, skidding through the glamorous Galleria San Federico shopping centre, and driving over the flared roof of the Palazzo a Vela, built for the Italia 61 Exhibition and refurbished as a sports centre for the 2006 Winter Olympics. He also drives up the heady oval test track on the old FIAT factory – the city’s veritable economic driving force for decades – housed in the Lingotto building, now a multidisciplinary space for trade fairs and festivals. In his final getaway, his Minis reach the nearby Alps, the formidable mountain range which acts as the backdrop for this stunning city, after having crossed the river Po.

And, opposite the Po stands the majestic Piazza Vittorio Veneto, which appears in The Bourne Ultimatum, a saga starring Matt Damon. However, the café where we later see the fired up secret agent sitting is actually in Madrid! The fact is that the film crew were back working in Spain when a change to the script forced them to repeat the shoot of the scene originally filmed in Turin. The magic of cinema always involves some hidden devices!

If you fancy seeing the city for yourself, secure your ticket here!

Text by Carlos G. Vela para ISABELYLUIS Comunicación

Images by Felipe Cadona Colombo, Jean-Pierre Dalbera, Luigi Giordano, Marco Coïsson, MarkusMark, Nicola Gambetti