That Seville is famous for its tapas is a well-known fact. But the city also happens to be riding on a burgeoning culinary wave and, instead of just limiting itself to culinary tradition, it has jumped onto the internationally inspired bandwagon of carefree, innovative and excellent process of reinvention, as well as implementing novel techniques and flourishes of modernity.

Lalola – A Gourmet Tavern
I should perhaps dare introduce this restaurant as one of the best in Seville. Tasting the creations served up in this self-proclaimed “gourmet tavern” is well worth the long walk, as it is located far from the bustle of the city centre in the quarter of Los Remedios. Lalola is the domain of chef Javier Abascal, a youngster you are sure to hear about in the coming years. And, it’s just as well. His menu is an ode to his four loves – quality product, cooking over a slow fire, reminiscences of Sephardic cuisine and offal, which has its own section on the menu, allowing you to taste anything from boned pig trotters with creamy potatoes to beef sweetbread with aniseed  crumble and bamboo or monkfish foie gras. But, it doesn’t stop there, as the other shared dishes provide another surprise – organic chickpea hummus, La Vera red peppers and sesame, tuna tartare and algae noodles… Average ticket: €20 per head.

Mercado Lonja del Barranco – Variety For All Tastes
Go inside Mercado Lonja del Barranco and you can watch dapper gentlemen arriving in what is possibly the trendiest spot in Seville, with its Nordic, vintage aesthetic. Quite a shock after having strolled through the old Jewish quarter and come across a religious procession in the Triana neighbourhood. But, it rocks, as its taste lies in the variety. And, here, there is variety in abundance, highly recommendable for the hesitant, for foodies eager to taste a bit of everything and for parties of guests. Mercado Lonja del Barranco offers over 150 dishes, both local and international. Here, it’s no easy task deciding from among such a broad selection. I can recommend dipping into the seafood section and trying the typical shrimp omelette. Likewise the gourmet salmorejo stand, where you can taste the different varieties of this local speciality, and the cut ham stand… Tickets from €3.

Séptimo Wine Bar
Séptimo, because seven is a lucky number. And, Isabel and Floriant, the Hispano-French couple who run this locale, seem to have hit the jackpot. Some luck in it, of course, but you can’t detract from their job well done, driven as they are by a tireless passion, which you notice as soon as they start talking about a tuna fish in the kitchen with a sparkle in its eyes. Indeed, they have managed to continually fill to capacity their small, inviting premises ever since they first opened just over a year ago. Their offerings are gourmet tapas, “inspired by whatever”, accompanied by “whichever wine goes well”. That is how Isabel puts it and she adds, in the Sevillian accent we have grown to love, “we make our own style of tasty food”. Hats off to their duck pie, marinated tuna or tartare, the three dishes they rate as the star items on the menu and which are virtually always in stock, while the rest of the offerings are seasonal. Now, for instance, you can taste a marvellous sautéed artichoke with pumpkin, field mushrooms and presa ibérica (Iberian shoulder of pork), highly tender lamb nuggets in sweet potato sauce and the pièce de résistance – a milk torrija (French toast) served with a ball of ice-cream likely to make you shed more than one tear. Average ticket: €20 for two.

Perro Viejo – International Fusion
There just had to be a hipster sanctuary in Seville, and that is Perro Viejo. Located in the heart of the Andalusian capital and inaugurated just two years ago, this stunning, three-storey tapas bar features ultra-cool, ultra-modern, ultra-gorgeous interior design – everything is wood, iron and greenery, clearly inspired by an industrial aesthetic. Here, the tapas are a blend of tradition and international fusion (there are distinct Thai, Japanese and Peruvian influences in their cuisine), with the emphasis on new culinary trends, as evinced in their exquisite Japanese butterfish tataki, pulpo a feira (Galician-style octopus) with migas, organic egg and Iberian broth, glazed pork dumplings with chilli vinaigrette, charcoaled papas bravas (spicy sautéed potatoes) and ceviche (lemon-and-garlic marinade). All of this livened up with a great wine list and, above all, spectacular cocktails. Average ticket: €40 for two.

Book your Vueling to Seville and gear up to savour the best gastrobars in town.

Text by Laia Zieger of Gastronomistas.com

On account of its historic legacy, Prague is a jewel sculpted by the passage of time and one of the leading tourist destinations. If you happen to be in the capital of the Czech Republic, you are bound to visit its popular castle, cross the well-known Charles Bridge and have a revitalising Pilsner in any of the city’s myriad beer halls. But, when you are done with the typical tour for flip-flop and sock-wearing guiris, set off to explore the Prague which Czechs usually keep to themselves. This is the city, as fascinating as it is alternative, which we reveal in the following.

David  Černý
David Černý has turned Prague into his own huge museum. A St Wenceslas on an upside-down horse, a statue of two men peeing facing each other, Freud hanging from a building, babies transformed into machines… These are but some of the works which the most widely acclaimed yet corrosive and controversial contemporary Czech artist has strewn about the streets, avenues and public spaces of the Czech capital.

DOX
DOX is housed in a refurbished building in the working class suburb of Holešovice. Inaugurated in 2008, Prague’s contemporary art centre boasts the largest collection of modern works in the country. This is a must-visit venue for all art lovers. We recommend you end the visit by making a foray into their interesting shop – their café is nothing to scoff at either.

The Dancing House
Originally known as Fred and Ginger, in honour of the famous dancing couple, it was eventually named The Dancing House. This construction with its fascinating curved forms is highly conspicuous in a city celebrated for its centuries-old buildings. It was designed by Frank Gehry, the architect behind Bilbao’s Guggenheim Museum, who executed the project in collaboration with the Croatian-Czech architect, Vlado Milunić.

Malá Strana
The Malá Strana district is a refuge for the inhabitants of Prague when inundated by droves of tourists. A backwater of calm and quiet in the heart of the city, it is bounded by several green areas, notably Kampa Island. The latter is separated from Malá Strana by a channel popularly known as the Devil’s Stream and its basks in bucolic beauty all year around. It is the ideal spot to get away from it all and to enjoy a stint of reading while sipping a coffee in one of the inviting cafés secreted along its streets.

Náplavka
This spot in the south of Prague’s Old Town, on the right bank of the river Moldava, was once the major meeting place of hippies. It has now become the focal point of hipster Prague. The area has a thriving art and culture scene and the best time to visit is on Saturdays, when the so-called Farmer’s Market is held from ten in the morning until nine in the evening. It is devoted to regional farm products, with stalls selling organic produce, craft beer and street food. You are likely to even gobble up the paper serviettes (recycled ones, of course).

Cubist Prague
When it comes to Cubist art, what normally springs to mind are works by such figures as Pablo Picasso, Georges Braque, Jean Metzinger and Juan Gris. And, if we push it a little further, the sculptures of Alexander Archipenko, Jacques Lipchitz and Henri Laurens, and the literary experiments of Guillaume Apollinaire. However, we hardly ever think of Cubism as applied to architecture which had in Prague once of its paramount expressions, thanks to the architectural trio made up of Josef Chochol, Pavel Janák and Josef Gočár. Visitors can delight in a number of their constructions around the city, but you should make a special point of seeing the building which epitomises the movement, Gočár’s House of the Black Madonna. Located on the corner of Celetná Street and Ovocný Square in the heart of Prague, it now houses the Czech Museum of Cubism.

SoNa
Wallpaper Magazine rated it one of the classiest districts in the world. Indeed, SoNa (short for “South of Národní”) is worthy of that distinction, what with its winding streets, cafés bustling with lively folk and exotic restaurants where you can sink your teeth into specialities from some of the remotest spots on earth. And, if you feel like doing some shopping, wander down Karoliny Svetle, where you will come across the stores of the most avant-garde local designers.

Vyšehrad
No alternative guidebook to Prague would leave out a visit to Vyšehrad, the Czech capital’s “other castle”. Rather than a castle, it is actually a ruined fort. Apart from interest in the landmark itself, Vyšehrad affords some of the finest views of Prague and the river Moldava.

The Alternative Tour

If you’re keen on delving further into alternative Prague, you can get help from Prague Alternative Tours. They will take you through the flip side of the Czech capital, past the walls displaying the city’s most amazing street art and to the flashiest clubs. They will also get you into the most innovative contemporary art galleries, and community centres where you can meet the most promising young local creators.

Book your Vueling to Prague and gear up to discover the alternative side of the Czech capital.

Text by Oriol Rodríguez

Images by Nan Palmero, Marmontel, Jose Mesa, Achim Hepp

John Waters shot to fame by directing outlandish, low-budget movies such as Pink Flamingos (1972) which glorify violence, sexual perversion and bad taste. He uses provocation as a weapon targeting the good-mannered hypocrisy, iron-fisted morals and religious values of the American way of life. However, few realise that the American dandy with a pencil moustache has also designed large-format collages and photomontages. He has chosen 40 of these pieces – including storyboards from his movies – for the exhibition, How Much Can You Take?, which runs until 1 November at the acclaimed Kunsthaus Zürich, coinciding with the murals by Joan Miró on display there until the end of January.

Paradoxically, the multifaceted filmmaker has other traits in common with Zürich, such as class, a sense of order and extreme cleanliness. Deep down, Waters also has a tenderness and fetishism that suggests he would delight in the bric-a-brac on sale in downtown Teddy’s Souvenir Shop, offering the music boxes, Swiss army knives, cowbells and cuckoo clocks so typical of Switzerland’s bucolic image. That same cliché embodied by Heidi, the children’s character created by the writer, Johanna Spyri who, like the poet, Gottfried Keller, is buried in the leafy park of Sihlfeld Cemetery, the first in Europe to incorporate a crematory. Waters would surely relish a visit there, both for his fascination for the macabre and his professed love of literature, which of late he is more engaged in than cinema. Hence, we might also recommend he visit Fluntern Cemetery, site of the beautiful tomb of James Joyce, who in Zürich gave himself over to a licentious alcoholism while writing much of Ulysses, a diatribe against Church and State. Another writer who also passed away in this city was the German author of The Magic Mountain, immortalised in the Thomas Mann Archives, a small museum housed in the ETH Zürich. This State university has also been graced by no fewer than twenty Nobel prizewinners, notably the scientist Albert Einstein, as much a rebel against conventional mores as Waters. Located in the same university is the spectacular Law Faculty Library, designed by the architect, Santiago Calatrava. However, the maker of morbid films would probably prefer to read in the old abbey housing the Zentralbibliothek Zürich, the city’s main library.

The filmmaker’s more iconoclastic side would relish the recollection that Zürich was the cradle of Dadaism, the anarchic “anti-art” so critical of middle-class society in World War I. That was when the artistic couple, Emmy Hennings and Hugo Ball, founded the celebrated Cabaret Voltaire in Niederdorf’s Old Town. Together with Tristan Tzara, the locale broke with all established canons. The building gradually became derelict until it was occupied in 2001 by a group of artivists and used to stage neo-Dadaist-style performances before vast crowds of Zurichers. After their eviction, the City Council overturned its original plan to demolish the building, which was then refurbished as an alternative cultural centre. Also located in the Old Town is the unusual Musée Visionnaire, where visitors choose what they want to see – and are encouraged to critique it – from a catalogue of Art Brut, a movement also known as Outsider Art – the work of amateurs, the mentally disabled and any creator alien to institutions and the boundaries set by official culture. In short, characters who would not be out of place among the Dreamlanders, counter-culture misfits and such regular collaborators of Waters as Mink Stole or Divine.

The young Waters who was so enthralled by gruesome accidents and bloodthirsty tales would also take a fancy to the Moulangenmuseum, a museum featuring wax representations of body parts twisted by disfiguring diseases, including exhibits in the University Hospital’s medical teaching collection dating from 1917. And, lured by the repulsive, he might also look up the dark oeuvre, biomechanical aesthetic and highly charged erotic sense of another illustrious native of Zürich who designed the visual effects for the movie, Alien – the recently deceased H.R. Giger. Although fans of the illustrator and sculptor have to choose between a visit to his comprehensive museum in the walled town of Gruyères (nearly two hours south of Zürich), and the stunning Giger Bar in his native Chur (about an hour’s drive from Zürich), situated, strangely enough, in the same land that inspired the pastoral Heidi.

To wind up this walk on the dark side, nothing better than supper at Blindekuh Zurich, the world’s first restaurant where diners eat in the pitch black. Fortunately, Waters is not the chef, so you needn’t worry about being served what Divine ate in Pink Flamingos. I assume you get my drift but, just to make sure, before you take the plunge you should go to a quality chocolaterie like Sprüngli.

In any event, remember that the Waters exhibition only lasts for a few more weeks, so get your tickets here!

Text by Carlos G. Vela para ISABELYLUIS Comunicación

Images by David Shankbone, Roland zh, Juerg Peter Hug, Absinthe, Edsel Little

Words by Rita Branco

To begin your journey we invite you to take a closer look at an almost forgotten side of Lisbon: Braço de Prata. Located between Santa Apolónia and Oriente, it’s not the most charming area in the city, but in recent times it has become a place where new things find a start. Pioneers in recycling forgotten buildings, the cultural center Fábrica Braço de Prata was created back in 2007. Formerly a factory where war materials were manufactured, it is now a place to cultivate new ideas: since it replaced gunpowder with books, this special spot locks up between its doors countless proposals: from live music to art exhibitions, poetry sessions, dance meetings and other gatherings. Due to its variety of rooms, there is always something happening. It has twelve doors in total, all hiding secrets and each one with its own purpose: four exhibition rooms, another one for film projections, other for musical performances, a bookstore and a couple of bars. A place of leisure filled with a young and dynamic crowd.

Moving to one of the oldest neighborhoods in the heart of Lisbon, Anjos, there’s a place called Taberna das Almas, another cultural association born out of a deactivated glass factory. With two floors and three different rooms, this place made out of wood and full of personality, wants to revitalize the area by promoting and supporting all sorts of cultural projects. Since 2012, every road leads to Feira das Almas on the first Saturday of every month: this alternative market presents sixty projects every new edition, from vintage shopping and handicraft to brand new designers and labels, always accompanied by live music. Being the place where online shops gain a temporarily physical space, big traveling bags are turned into showcases and young artists exhibit their work, Feira das Almas brings a fresh idea into traditional business.

So you feel like visiting Lisboa, do you? Book your flights here!

Imagen de Ricardo Junqueira