During the reconstruction of the city of Nantes in the ’50s, after World War II, and having the idea of relieving the housing shortage at that time, Le Corbursier conceived La Maison Radieuse, one of the unité d’habitation (unit room) that have become a landmark in the twentieth century’s civil architecture which later, served as inspiration for many European cities.

The first of these Unité d’habitation was built in Marseilles. Later on, in 1955, was built a very similar version but slightly refined in Rezé, just 3 or 4 miles from Nantes.

At first sight, it is surprising that this building with symmetrical structure and vivid coloured windows in contrast to the gray of its structure was so revolutionary at that time. The idea was that the 294-duplex-apartments building would work formally and functionally independent as a boat. For that purpose, he included games communal areas and gardens.

Nowadays, most of the apartments are inhabited, but a few can be visited in this sort of original House-Museum.

Imagen de Pymouss44

A place well worth discovering! Check out our flights here.

At certain times in the 20th century, Prague took on a leading role as one of the major design production centres in Europe. During the Art Nouveau period, it was among the leaders, together with Vienna, Brussels and Barcelona. Now, the Prague design scene is again emerging on an international level. We went there to take a look at what’s been happening of late.

On our arrival in the capital of the Czech Republic, we decided that the best way of discovering the trends in Czech design over the last few years was to visit The Museum of Decorative Arts, a beacon for enthusiasts of the arts and applied design. However, we found that the museum was closed for renovations and will only re-open to the public in 2017. Instead of feeling disappointed, we took the setback as a more stimulating challenge and set about unearthing less well-known places associated with the past and present of Czech design. Just opposite the Museum stands the Academy of Arts, Architecture and Design, whose students are destined to influence the future course of design, architecture, fashion, jewellery, graphic arts and the fine arts. Apart from presenting the work of its students and graduates, some of the Academy exhibitions are contextualised in terms of references from the past and present.

From Cubism to the Influence of the Brussels School

There are still many sites from that period on display. The Czech Republic – or Czechoslovakia, as it was then known – was a hub of multi-cultural design during the two World Wars. Even prior to World War I, the Czech Cubist movement played a vital role and creators such as Josef Gočár, Pavel Janák and Vlastislav Hofman designed unique works of architecture, furniture and ceramics. The furniture which Jindřich Halabala began to design for the United Arts and Crafts Manufacturing Plant between the wars influenced several generations. For further details of the key players in the design field during the interwar period, there is a publication entitled “Czech 100 Design Icons”. But, we also recommend having a look at the stores Modernista and Kubista, where you will find a wide variety of replicas from that period.

Czech design also came to the fore in the 1950s and 1960s, making itself felt on the international scene, particularly at the Brussels World Fair of 1958, while eight years later its consolidation earned widespread recognition in the film, Czechoslovak New Wave.It was not, however, until democracy was restored in 1989 that the following resurgence of Czech design occurred.

New Age of Splendour – Studios and Shops

Events unfolded apace after the return of democracy to the country. Thus, in the nineties, design flourished in the Czech Republic. A host of stores, designers and architectural and design studios emerged, notably Olgoj Chorchoj, Studio Najbrt and Maxim Velčovský, which continue to play a decisive role. At the same time, the design world continues to be augmented by young, upcoming talent provided by the Academy of Arts, Architecture and Design, which organises the Great Design Prizes competition each year.

On the contrary, fashion designers have been late in catching the wave. While in the nineties and the early years of this century they were practically nowhere to be seen, nowadays there are some stores of note. These are Timur et Grupo, Sister Conspiracy, Hana Havelková, Klára Nademlýnská, Denisa Nová and Liběna Rochová, to name but a few.

Design Markets

The 17th international Designblok exhibition, with “Freedom” as the theme, will take place in October this year. The event is aimed at both the professional sector and the public at large and will be given over to design from a broad perspective, ranging from fashion to furniture design, to jewellery, home accessories, product design, lighting, etc. Also to be featured there are installations of a character halfway between design and the plastic arts.

While Designblok holds its presentations in upmarket establishments, the Dyzajn market focuses on the sale of original creations. Here, the leitmotif is the open-air format. But, if you’d like to see it, you’ll have to wait until next year, as it is held on the first two days of August. This year’s location was Střelecký Ostrov. Lastly, the next DesignSUPERMARKET is scheduled for this December and will be hosted in Kafka’s House. These three events provide an opportunity to see the exhibitions and also to make design purchases.

Prague design is waiting to be discovered. Check out our flights here.

Text by ISABELYLUIS Comunicación

Images by Wendy, Kubista, Academia de las Artes, Arquitectura y Diseño de Praga, Museo de Artes Decorativas de Praga

A train to the clouds

A front row seat to touch the sky. That's Gran Canaria, an island with many points to observe the firmament. High peaks and clear, dark skies are some of the advantages to its contemplation in the island. Also, and thanks to the phenomenon called by locals 'Panza de Burro', which makes the clouds gather low above sea level, and that blocks the light pollution of cities.

Some companies, such as the Astronomical Observatory Temisas, thst carries out ​​many of such activities in different places of the island. And AstroEduca with its teaching about astronomy.

Tejeda and the summits of Gran Canaria

The protected landscape of great beauty of Las Cumbres, spans a very important sector of the north and northeast of the island of Gran Canaria, in the municipalities of Artenara, Gáldar, Guide, Moya, Tejeda, Valleseco, Valsequillo and San Mateo.

Crowning the summit, in the center of the island is the highest point of Gran Canaria, Pico de las Nieves. Let´s dare to climb it by bike!

The best waves for surfers

On Gran Canaria there are many schools to learn surfing, windsurfing and kite if you are a begginer, or toimprove your level if you already have some knowledge. One way to release adrenaline while you enjoy the famous beaches of the island like Maspalomas, Playa del Inglés, Mogán, Puerto Rico, Agaete, Meloneras and San Augustine, to name some of the most emblematic.

Vegueta: Extremely charming neighborhood

Vegueta is really beautiful and concentrates the main architectural attractions of Las Palmas. Near the beach of Las Canteras is one of the biggest attractions of the city.

It is recommended to visit the area slowly, savoring its rich architecture and some of her jewelry as Literary Cabinet, the squares of Santa Ana, the Holy Spirit and of Santo Domingo and churches that dot.

It is also highly recommended a bath in one of the best urban beaches: Las Canteras. A good place to enjoy beautiful sunsets.

Sailors villages

As Agaete, where you'll find plenty of restaurants to enjoy a tasty meal of local fish and other fresh seafood. Do not leave without trying a good grilled fish-based groupers, traveling, mullet and octopus or fish paella.

Should come to the old salt Agaete, now converted into a fantastic natural pools.

Teror. Pure essence

Teror Teror or Villa Mariana is one of the oldest settlements on the island and an old town in the area around his basilica declared historical-artistic heritage. The Basilica of the Virgen del Pino, is a place of pilgrimage for all the inhabitants of Gran Canaria. And Teror Square, a good place to appreciate the typical Canarian architecture balconies.

The village is located in an area of outstanding natural beauty and ecological value as the Natural Park Doramas Azuaje, with ravines and Moya, Pino Santo or Parque de Sintes.

A place well worth discovering! Check out our flights here.

Modernism emerged in the late-19th and early-20th century, marking a break in style with the past, in line with the prevailing cosmopolitan, entrepreneurial mindset of the moment.

In 1883, the city needed to expand, leading to the construction of its famous Ensanche district,which spans the present-day streets of Juana de Vega,Picavia,Feijoo, Plaza de Lugo and Plaza de Pontevedra.

With the wealth they had acquired from foreign trade, the local bourgeoisie commissioned luxury residences in this new area, modelled on those of Vienna, Paris, Prague, Budapest and Berlin, in an outward show of their prosperity and cultural pursuits. This enabled them to distinguish themselves from the old Corunnan aristocracy, who still lived in the Ciudad Alta and Ciudad Vieja districts in dilapidated mansions with dark rooms, lacking proper ventilation or glazed window balconies, with their backs to the sea and to modernity.

Strictly speaking, Modernism came to the city in 1906 with the arrival of the Cuban architect, Ricardo Boán y Callejas, and the Corunnan architect ,Antonio López Hernández, who brought the new trends in building design from Austria, Switzerland and Germany. They also brought journals, catalogues and photos from those countries featuring designs by the Austrian, Otto Wagner, and the Belgian, Victor Horta.

One of the most striking features of these houses are the female faces adorning some of the buildings that are still standing. They were mostly inspired by the countenance of an English lady, Elizabeth Siddal, the wife of the Pre-Raphaelite painter, Dante Gabriel Rossetti. She was immortalised in the guise of her languid, enigmatic beauty and her long tresses following her death from an overdose of laudanum, a mixture of opium and alcohol.

Modernism in A Coruña was influenced by the ornamental style of the English architect, Owen Jones (1808-1874). Local artists decorated the facades and doorways with irises, horse-chestnut leaves, water plants, roses and camellias in multi-coloured garlands which seem to reach out to the passer-by and lavish pleasure on the senses.

Galleries are awash with the Mackintosh Rose motif of Charles Rennie Mackintosh, as well as twirling, sap-bearing plant stems. The transparent glass surfaces spread out among them like dragonfly wings. However, Japanese influences also come to the fore in the form of embossed irises, reeds and butterflies on lilies, star-shaped holly leaves and lotus flowers framing windows and lifts, by way of a country-like, ecological architecture. Enjoy a Modernist route through the city – download the guide here.

Modernist Top 5 in A Coruña

1. Casa Rey (1911)

The work of Julio Galán, his architecture distils the essence of the glass city. The rippling cornice, the Mudéjar inspired glazed ceramics and the wrought iron balconies made in the Wonenburger foundry make it a veritable dolls house for the ladies of those times that adorned its balconies with their head-dresses of gardenias and palm leaves. Chocolate was one of the exotic wares shipped from the Indies and other colonies to the port of A Coruña, and chocolateries dating from that period are still open to the public on the streets of Riego de Agua, Plaza de Lugo and Estrecha de San Andrés. Hence the origin of the popular Corunnan demonym ofcascarilleiros(huskers),an allusion to the cocoa husks which filled the streets with their aroma. Plaza de María Pita, 12.

2. Casa Molina (1915)

Designed by Rafael González Villar. The building was the home of Don Raimundo Molina, a representative of Royal Dutch Lloyd and consul of the Netherlands. He was also the father of the well-known mayor, Don Alfonso Molina. Influenced by the Italian Modernism of Turin, the garlands and draped ribbons of the building form a theatrical final curtain to the Old City. C/ Santiago, 2.

3. Kiosko Alfonso (1912)

Also designed by Rafael González Villar, this is a magnificent example of early-20th-century recreational architecture. With its rectangular floor plan, it operated as a café, music hall and cinema, the central screen of which divided the auditorium into two rooms. In the first room, the audience saw the positive film, while a negative of the film could be viewed at a lower fee from the other. Converted into an exhibition hall in 1982, the original Modernist decoration is still intact, including dragons which surround and immerse the audience in a world of mystery and fantasy. Jardines de Méndez Núñez.

4. Compostela, 8 (1910)

Also the work of Julio Galán Carbajal. The foyer, with access at no. 8 Calle Compostela, is the most striking entrance hall in the city. Walls, ceilings and the archway leading into the lift turn the space into an original stuccowork greenhouse, brimming with intertwined water plants, lotuses, lilies and irises. The lions at the entrance, the eagle and the caryatids on the cornice form a symbolic defence of the house’s residents, reminiscent of ancient Persian palaces.

5. Plaza de Lugo, 13 (1912)

Lastly, this bourgeois residence designed by Antonio López Hernández, linked to the family of the Corunnan actor, Fernando Casado Arambillet (better known as Fernando Rey), features overflowing ornamentation as an outward show of the economic prowess of its residents. It is theatrically adorned with a large garland of roses, leading the eye towards the huge female caryatid dominating the ensemble. The decorative syntax makes this the most beautiful building in A Coruña.

Don’t wait to see these Modernist architectural jewels in A Coruña. Check out our flights here.

Turismo A Coruña