A selection of family-friendly countries in Europe which are perfect for visiting with the kids this spring, by Mammaproof.

When thinking of museums to visit in Paris, the first thing that springs to mind are the great temples of art, notably the Louvre, epitomised by the enigmatic smile of the Mona Lisa, the Orsay Museum, featuring a stunning collection of Romanticism and Impressionism that will delight any art lover, and the Pompidou Centre, with one of the most comprehensive modern and contemporary art collections in the world.

However, apart from those grand institutions, Paris also has other venues where, in addition to art, you can discover the life and times of other personages associated with the city, or simply enjoy the works of private collections displayed in fabulous exhibition halls.

One of the trendiest districts of late is Le Marais, situated in the 3rd and 4th arrondissements on the right bank of the Seine. It boasts numerous venues where in some cases you can enjoy a different, less crowded and at once rewarding exhibition experience. Here, then, is our selection of some of the museums you should make a point of visiting while touring this colourful, cosmopolitan district.

Maison de Victor Hugo

Victor Hugo is the first protagonist in our selection as he is privileged to have his own museum in what is the nerve centre of Le Marais, the Place des Vosges. From 1832 to 1848, Victor Hugo lived on the third floor of the Hôtel de Rohan-Guéménée, where he wrote most of Les Misérables. Currently a museum, where visitors can gain greater insight into this essential figure of French literature.

Musée Picasso

Another great name, this time of one of the most influential artists of the 20th century, makes up our second option. The Musée Picasso, housed in the Hôtel Salé, has a large collection of 200 paintings, 100 sculptures – this is the most prominent section in the museum – and ceramics, and 3,000 drawings and engravings covering all periods. It also features the painter’s own art collection, with works by Paul Cézanne and Henri Rousseau, among others.

Shoah Foundation

What started out as a monument to the “Unknown Jewish Martyr” grew into the Fondation pour la Mémoire de la Shoah, one of the largest Holocaust documentation centres in Europe. The Hebrew word shoah, which means “catastrophe”, is used to designate the Holocaust. The entrance to the building is inscribed with the names of the 76,000 Jews that were deported from France to the Nazi concentration camps.

Museum of Jewish Art and History

Situated in Le Marais is the Jewish quarter, known locally as the Pletzl (meaning “square” in Yiddish). It is worth strolling around the streets in the area and enjoying the sight of the colourful shops. While in this quarter, we recommend a visit to the Hôtel de Saint-Aignan, located at 71 Rue du Temple, as it houses the Museum of Jewish Art and History, where you can learn all about the history of the Jewish communities of France, Europe and North Africa, from the Middle Ages until the present.

Musée Cognacq-Jay

Housed in the Hôtel Donon, the Cognacq-Jay Museum features the 18th-century collection of artworks built up by Ernest Cognacq and his wife, Marie-Louise Jay, from 1900 to 1925. Your visit will reveal more than 1,200 works and objects collected by this couple of art collectors, the standout pieces being paintings by Canaletto, Tiepolo, Boucher, Fragonard, Greuze and Reynolds.

Museum of Magic and Museum of Automata

The Museum of Magic reveals the secrets behind the art of magic, conjuring tricks and illusionism. On display are all manner of items used to perform magic tricks (magic wands, boxes, magic caps, etc.) and visitors are treated to live shows, too. Also housed in this building is the Museum of Automata, boasting a collection of 100 mechanical contrivances which will amaze you. Ideal for those travelling with children.

Book your Vueling to Paris, tour one of the city’s trendiest districts and venture into some of its unusual museums.

Text by Los Viajes de ISABELYLUIS

Images by Assayas, Sailko, Guillaume Baviere

What started out as a religious festival in honour of the Virgin Mary has become one of Lyon’s – and, by extension, France’s – standout cultural events. Worship of Mary the mother of Jesus in the capital of the Auvergne-Rhône-Alpes region goes back a long way, its origins steeped in the Middle Ages. During the plague which ravaged France in 1643, for instance, the city was placed under her protection.

To uncover the roots of the Fête des Lumières (Festival of Lights), you have to go back in time to 8 December 1852, the date on which a statue of the Virgin was unveiled. Executed by the sculptor, Joseph-Hugues Fabisch, it was placed in the Chapel of Notre-Dame-de-Fourvière. The event was widely celebrated in the city and, in keeping with the traditional way of marking important commemorations in those times, the facades of well-to-do homes were lit up with candlelight. What might have been just an isolated event in Lyon’s history was later reenacted each year on 8 December, when the nativity of the Virgin is celebrated, gradually becoming the festival of lights which we know today. Over time, the religious nature of the festivity has been replaced by one more akin to cultural entertainment, while the candles have been replaced by grand spectacles of light designed by renowned artists, and the celebration itself has been extended from one to four days.

The festival has grown so popular over the years that it now attracts up to 4 million visitors who flock to Lyon, eager to witness for themselves the huge, charming and magical display of light. This can be daunting for newcomers arriving in the city to discover and enjoy the Fête des Lumières. We advise you to book your accommodation in advance and to be patient when attending the various light shows, as you are bound to encounter large crowds. What we can guarantee, however, is that you will be amazed by the earnestness with which the Lyonnais celebrate this festivity, and by the sheer number and quality of the visual displays, most of which are held in the old town and around Lyon’s major landmarks.

What’s More…

Apart from visiting Lyon for its Festival of Lights, which this year runs from 8 to 11 December, we recommend you take the opportunity to discover some of the city’s other charms, too. Be sure to visit its historic centre or Vieux Lyon, designated a World Heritage Site by UNESCO in 1998, where you can breathe the medieval atmosphere, visit Roman ruins – most notably the Roman Theatre of Fourvière – and do a spot of shopping at the Carré d’Or. Cuisine is another of the city’s fortes, and has earned it international accolades. Indeed the city features such standout chefs as Paul Bocuse and Eugénie Brazier. So, make a point of dropping in on at least one of the countless bouchons, as restaurants are known in Lyonnais parlance, and treat yourself to their excellent local cuisine.

Come and experience first-hand this stunning festival of lights – book your Vueling here.

Text by Los Viajes de ISABELYLUIS

Images by Fulvio Spada

A few days ago, after Banksy had updated his website, we noticed that his work is now displayed at various points in “The Jungle” refugee camp in Calais, one of the largest camps in western Europe. Despite his identity still being cloaked in anonymity, Banksy is currently one of the most highly valued artists around. His sharp, critical wit is undoubtedly the hallmark of his work.

Noteworthy among the four new artworks he posted is the one showing Steve Jobs carrying an early-eighties Macintosh, with a sack slung over his shoulder, reminiscent of the bags the forced migrants often take with them on their harsh journey. This is clearly a reference to the whole migratory movement being enacted from Syria to Europe. Jobs was, of course, the son of a Muslim Syrian immigrant and was adopted by a middle-class family of Armenian origin. That is the conceptual link Banksy draws between Steve Jobs and the Syrian diaspora.

Another Banksy offering in the same area makes reference to a famous work by Théodore Géricault, The Raft of the Medusa, painted between 1818 and 1819, depicting a group of castaways in danger, packed onto a drifting raft. This alludes to the dangerous voyage embarked on by many of these refugees who risk their lives crossing the Mediterranean on flimsy rafts. In this version, the castaways are crying out for help to a modern cruise ship speeding past near the horizon. The artist had previously drawn attention to the issues surrounding the refugee crisis in a work entitled, Dismaland.

In addition to these artworks, members of Banksy’s team set up 12 permanent installations in Calais, and a makeshift children’s playground in the camp precinct. The materials used were either sourced locally or were remnants of the Dismaland project brought here for the purpose. This new project is known as Dismal Aid.

A Much Frequented But Little Visited City

Calais is primarily a city of passage. Some 15 million people are estimated to pass through it each year as it is a compulsory way station for access between France and England. In contrast, comparatively few people actually spend some time visiting the city. However, we can wholeheartedly recommend this city in the north of France, with little over 75,000 inhabitants and just 34 km from Dover, as a tourist destination. Its charm lies not in its architecture or monuments but in its privileged siting on the seaboard and the majestic Côte d’Opale.

The city is not celebrated for its grand monuments or buildings, but it does have such landmarks as the Musée Mémoire 1939-1945, dedicated to the Second World War and housed in a bunker, a sculptural group by Rodin known as The Burghers of Calais, located opposite the City Hall, and the Cité Internationale de la Dentelle et de la Mode, the city’s Lace Museum. On display is a century-old mechanical loom with 3,500 vertical threads and 11,000 horizontal ones. Calais’ genuine heritage lies in its natural surroundings and local scenery is stunning. Come armed with your camera as the views are breathtaking. The attractive seafront is dotted with striped changing booths which take you back to the early 20th century. The sands stretch westwards for 8 km along the dune-filled Blériot beach, so named as it was here that the pioneer aviatorLouis Blériottook off on the first ever solo flight over the English Channel in 1909.

By the way, when you feel like having lunch or dinner, be sure to head for the Histoire Ancienne, a bistro specialising in regional and French dishes, some cooked on an open wood fire. This very pleasant, Parisian-style restaurant was opened in the 1930s. Prices are affordable, with dinner ranging from 19 to 28 euros.

Don’t miss your getaway to Calais – check out our flights to Lille here.

Text by ISABELYLUIS Comunicación

Images by Rob Sinclair, Carawah, Olivier Duquesne