The Englischer Garten is the biggest park in the city and as the weather was fine we decided to spend the morning there, along with what seemed to be most of the residents of Munich. At the entrance to the park there is a bridge over the River Eisbach on which surfers take advantage of the strong current and resulting waves to practice their sport. It’s great fun watching them, seeing how they organise themselves, waiting for their turn to jump in and do their balancing act.

The park has huge boulevards and other areas full of trees criss-crossed by streams so it’s very relaxing to going for a walk around and crossing the bridges. In the middle of the Englischer Garten you find the Chinese Tower Biergarten. People can take their own food along to the beer gardens but as we didn’t take anything we bought sausages from a stall.

We carry on walking through the park and head for one of the side exits. There we find another small biergarten that caught our attention because they had put a ski lift cabin on their terrace in which you sit to have your coffee. We thought it was a really original idea.

We took Hohenzollernstraße; we wanted to go to a place we’d been recommended by Laurel Robbins on monkeysandmountains.com. This is a restaurant in which they serve potatoes with more fillings that you could possibly imagine.
You can find all types of shops in Hohenzollernstraße: fashion designers, antique shops, shoe shops… The Lili & Milou shop window is full of really original children’s clothes and games.

Unfortunately Kartoffelhaus was closed, more than likely because we had spent too long wandering in the park. We were still not used to German eating hours and the time at which we arrived was probably far better suited to having dinner rather than lunch.

Luckily, we found a place very close by that we really liked, the Schwabinger Wassermann at No. 82 Herzog Street. The idea of being in a street dedicated to the Munich director and producer Werner Herzog also really appealed to us because we’re huge fans of his films. This man drove his entire team mad as a result of his strong character. For the film Fitzcarraldo, he had a 320-ton steamship hauled up a hill rather than resort to special effects.

As we didn’t really know what the German words on the menu meant, we ordered a Thai dish by pointing to what the girl at the next-door table was eating. It looked really tasty and the end result was really hot but incredibly tasty.

The photo shows the dish we were served garnished with red chilli pepper. One thing we will remember the next time we eat something with chilli in it is to make sure we don’t rub our eyes after handling it. The sting in the eye is just the same as on the tongue with the inconvenience that you can’t have a drink to relieve the pain.

Next day, we decided to pay a visit to the centre of the city. The Marienplatz square stands at the heart of Munich with its impressive City Hall, the Peterskirche and the Frauenkirche with their characteristic green cupola adorning the church towers.

The Viktualienmarkt market is very close to the historic centre and its spectacular colours make you stop at each little stall. On one of the side streets are butchers selling all sorts of German sausages and delicious smoked meats. Stalls are distributed all around the maypole in the square offering attractive displays of fruit, vegetables, cheeses and Christmas decorations.

The most popular stall in the entire market was a small log cabin where they served Glühwein Haferl, hot wine with cinnamon and lemon served in little Christmassy china cups. Hand on heart we have to admit that the first sip didn’t go down too well but the taste grows on you as you drink more, apart from the fact that it also warms you up.

We continued on our way to Vits in Rumfordstraße 49, a delicious coffee shop recommended to us by Laurel. They say they serve the best coffee in city here and they aren’t wrong!

Of all the bars in Munich, the recommendation had been not to visit the famous Hofbrauhaus; it’s the one the Germans don’t go to because it’s too touristy. However, as we passed the door – to be honest by chance – we could not resist the temptation of going inside. Sitting at one of the shared tables near the door, we watched groups of tourists going into a small room in which regular clients left their beer glasses, kept under lock and key. When these clients went to the bar, they collect their glass and give it a rinse. It’s easy to tell who the regulars are as they generally come decked out in characteristic Bavarian hats and lederhosen.

In the Odeonsplatzse we found the Tambosi coffee shop, one of the oldest in town. The weather had already turned chilly and on the terrace, where a classical music concert was taking place, people were sitting outside wrapped up in red blankets.

They say that if you touch the noses of the lions on the door of the Münchner Residenz, the former royal palace of the kings of Bavaria, you will have good luck, but only if your touch is light, almost a stroke. If you touch them for too long, you will get the opposite effect. Normally these types of superstitions are usually only observed by tourists, but we can assure you that in this case, the people of Munich themselves are the most rigorous followers of tradition.

Munich was home to the Olympic Games in 1972 and it’s worth paying a visit to its Olympic Village, the Olimpiastadion with its irregular-shaped glass canopy.

Apart from being a sports venue, the Munich Olympic Stadium hosts lots of concerts and many of the artists that have performed there have left their signatures in the cement, just like the Hollywood Walk of Fame. You can find signatures from Metallica, REM, Kiss, Genesis, Aerosmith, Bryan Adams, Carlos Santana and Roger Waters just to name but a few of those that we can remember. It’s a walk through the history of music.

By Mónica Hidalgo on seriebcn.net

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At first glance, Zurich would seem to be the city of money and private banking, nice shoes and the ultimate in education, the city of luxury and shopping, of lakes and parks. But Zurich is also a city with a very interesting cultural side to it and some daring designers.

A good reference point for finding your way around Zurich is the Hauptbahnhof or, in other words, the central railway station. This enormous station will be your starting point or destination on any trip to or from the airport and from where you can catch the urban trams and buses that travel around the city. In the Swiss capital, public transport is the best option. Forget the taxis unless you want to pay about 30 euros per trip. Speaking of money, the Switzerland still uses the Swiss Franc and paying for things in euros is expensive. We recommend you use a card whenever you can. The cost of living in Switzerland is approximately two and a half times that of Spain. For example, a breakfast of white coffee and a croissant will cost you about eight euros.

Old Zurich is close to the central station, just across the River Limmat. Pedestrian cobbled streets, many bookshops and perfect for a stroll around here.

After, I head over to Langstrasse between districts 4 and 5. A Swiss friend highly recommended it to me because it is the best place to find the most modern and exciting part of the city.

Langstrasse was once a rather vulgar street – if that word can be used to describe the this luxurious city– where you can still find the odd erotic cinema and presumably a few places devoted to decadence. However, the modern reality is completely different. Langstrasse is where we can find such original cultural offerings as Perla-Mode. I walk inside and allow myself to be seduced by the words of Stefan. Perla-Mode is, according to Stefan, a group of artists who have taken over number 84 Langstrasse to develop contemporary art, thought and culture. A series of different rooms enable artists to exhibit their works, people to attend informal talks and chats on culture, art and anthropology and also house an improvised cinema built using old seats from the football stadium and wooden palets to show films that are later discussed in a small room. Wonderful. Perla-Mode consists of the Corner College and Motto Books, where you can find numerous books and magazines on architecture, photography and design from all over the world. Stefan tells me that there are plans to demolish the building to build housing blocks and that Perla-Mode will most probably no longer exist in February 2012. If you are in the Swiss capital before then, it is worth calling by to meet this group of artists to see what they have done to the place.

Just opposite Perla-Mode, I find Soho – an enormous erotic clothing store with various fetish items, leather boots and, as Sonja explains (the girl who approaches me as I enter the shop), things to help make life a little less boring.

I make my way along Langstrasse and find many more shops, some more interesting than others. I’m heading towards Joseffstrasse, following the directions given to me by the people of Zurich. Langstrasse itself is home to all kinds of shops: shoe shops, food outlets, kiosks, fashion shops, etc.

Before stopping to eat somewhere that was recommended to me, the Bistro Föifi 30 at 48 Josefstrasse, I venture over to explore a curious-looking shop, Senior Design Factory. Seduced by the window display, I walk inside and speak to one of its creators, Deborah Biffi, who tells me the story of this social design project that she began in 2008 with her partner Benjamin Moser. The history of Senior Design Factory began with a university degree project they decided to move from paper to reality and which materialised in the space where I’m standing. The project seeks to work with older people no younger than 75. They work with them on the creation of hand-made craftwork designed by them. All the wisdom and experience of many years manifested in wonderful decoration items. Some of them are rather surprising: from kitchen items to lamps or household decorations. Wool is a main feature of the items on sale in this shop. On Saturdays, workshops are held in which the older people teach youngsters the secrets behind their creativity.

The shop itself and its social purpose fascinated me and I was chatting for a long time with Deborah. As I leave, I see that the Bistro Föifi 30 is full to bursting and I am recommended a Turkish restaurant on Gasometerstrasse, Bar Valentins. After a bite to eat, I head down Josefstrasse towards the viaduct. I am told there are some very interesting things to see over there, and they were certainly right.

Before reaching the viaduct, I find Josefwiesse – a lovely park where parents are playing with their children and where others can have a drink while the kids run around in the park. A touch of the mountain countryside in the heart of the city.

As I leave Josefwiesse, I come across the famous viaduct. It is right next to the park and called Im Viadukt on Viaduktstrasse. Each archway of the viaduct is home to a fashion shop, a bar or another of many varied businesses. I take a look around and decide to enter Famous Ape. An original Swiss shop with two establishments: this one in Zurich and another in Geneva. Anina tells me a little about the shop and lets me look around. Goyagoya is another of the shops I decide to take a closer look at. Women’s clothing from German designers and some hard-to-find brands because they produce their work using traditional methods. 52 different shops and a market, the MarktHalle. Accessories and bicycles in Velos, workshops like Daniel Blunschi, flowers in Marsano, hairdressing and clothing in Fashionslave or fashionable bars like Ambrossi Coffee Bar.

I leave the area to head over to the Cabaret Voltaire, temple to Dadaism and a must-see in Zurich. Before I get there, I stop off to visit the city’s great lake. I sit on a bench, like many other locals, and stare at the ducks, the Alps in the background and the edge of Zurich as it surrounds the lake.

The Cabaret Voltaire smells of history. In fact, it has a room containing exhibitions and where they offer performances that maintain the spirit that gave rise to the Dada movement. I like what I see and have a beer in the bar at the Cabaret Voltaire. Before leaving the culture centre, I visit the shop to buy a piece of history in the form of a souvenir.

In the evening, I go for a few beers at Sihlcity – a leisure centre that has risen out of the ruins of an old factory. In the middle of the square, they have kept the characteristic chimney that provides the industrial feel that the surroundings cry out for. There are hotels, shops, restaurants and a disco and concert hall, the Papiersaal, where you can have a few drinks of an evening.

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Ever since the first event in 1955, Documenta has been held in Kassel every five years. As the fourteenth edition approached, the modern cultural event packed its bags and moved to Athens for the first time. Under the title “Learning From Athens”, the 2017 event has adopted proposals with political connotations. Running from 8 April to 16 July, this the largest and most important contemporary art exhibition in Europe is being co-hosted by both Athens and Kassel. As Documenta lands on Greek soil, we leave behind the Acropolis and venture into the heart of a more contemporary Athens.

National Museum of Contemporary Art
The main Documenta exhibition is housed in the National Museum of Contemporary Art (EMST Museum), which was inaugurated in 2014. An exhibition featuring works by over 80 artists will form the backbone of a journey with dark overtones from colonial times to the economic pragmatism of today. One of the leading and most interesting galleries in Greece, the museum is located on the premises of the former Fix Brewery – built in 1962 and designed by architect Takis Zenetos in collaboration with Margaritis Apostolidis. The brewery closed down in 1982, having produced what was the most popular beer in the country for decades. Kallirrois Avenue & Amvr. Frantzi Str

Exarchia
Those interested in counter-culture should make a point of visiting the Exarchia district. This bastion of anarchism in Athens has often been the scene of major demonstrations during the most difficult moments of the economic crisis. Exarchia is the closest thing to one endless, open-air art gallery. It is a striking display of street culture, with every single stretch of building frontage acting as a potential canvas; indeed, you are unlikely to find any patch of wall not covered in graffiti. By way of an Athenian version of Barcelona’s Gothic quarter, Madrid’s Malasaña, London’s Camden Town or Berlin’s Kreuzberg, Exarchia also boasts some of the best cafés in Athens, as well as the most highly recommended book shops and stores selling comics, records and second-hand clothing.

Technopolis
In the Gazi district of downtown Athens you will come across a huge cultural centre which was founded with the aim of promoting the art scene and enshrining the site’s industrial heritage (it houses the Industrial Gas Museum, dating from 2013), as well as arousing public awareness about social issues. Built in 1857, this complex was originally a gasworks. Amid chimney stacks, furnaces and huge gas tanks, attesting to the site’s recent past, Technopolis is the venue for virtually daily must-visit events in the fields of music, cinema, theatre and the visual arts, such as Fashion Week or the Athens Jazz festival. 100 Pireos Street

Embros Theatre
A self-managed theatre with one of the liveliest cultural agendas in Athens. The Embros Theatre is housed in the former headquarters of one of the leading publishers in town. But, when the business went to seed, the owners were forced to sell the building, which was acquired by a popular theatre company and turned into one of the most frequented theatre venues in Athens. However, the venture was short-lived. The company split into two and the building fell into disuse. In 2010 the auditorium was acquired by the Athens City Council but, in view of it hosting zero activity, it was occupied by a group of actors. Ever since the theatre has been hosting all kinds of artistic and cultural events, as well as operating as a social centre. Riga Palamidou, 3

Former Gestapo Prison
Surprisingly, a place bearing such a historical burden as this former prison has been overlooked by most tourist guides. It is located on Korai Street, opposite the Panepistimio metro station. Visitors can venture into what once concealed a clandestine prison of the Gestapo. Now designated a Historical Memory Site, under the German occupation during World War II it was where communists and other members of the Greek left-wing were incarcerated. It makes for an emotionally charged visit, of which the highlights are the picture gallery and the carvings made by the revolutionaries during their confinement. 4 Korai Street

Booze Cooperativa
One of the trendiest venues in town. In the morning, this multi-purpose space operates as a specialty café and a refuge for the bearded crowd working on their laptops. After lunch, which in Greece ranges from three to five o’clock in the afternoon (and the Booze Cooperativa cuisine is highly recommended), it turns into a bustling bar and stays that way until the wee hours. But, the great draw of Booze Cooperativa is the exhibition room hidden in the basement. On display in this gallery are works by some of the most evocative names from the local alternative art scene, while the theatre room on the floor above is the first choice for upcoming, alternative Athenian playwrights. 57 Kolokotroni Street

Αvli
After so much art and culture sightseeing, the time always comes to replenish your strength. And, talking of good food, there is nothing quite like Greek cuisine. There are dozens of spots where you can get delicious traditional Greek fare in Athens, but Avli tops them all and it’s set in one of the most picturesque yards in the city where you can taste all the homemade Greek specialities. And, in between helpings of keftedakia, loukaniko and moussaka, be a daredevil and have a few sips of ouzo. Locally made, this is one of the most popular drinks in Greece, characterised by its high alcohol content (from 37% to 50% proof), strong flavour and liquorice aroma. 12 Agiou Dimitriou

Monastiraki Flea Market
All trips tend to end off with a round of shopping. And, when you’ve been on an alternative tour of Athens, this should be negotiated at the Monastiraki Flea Market. Monastiraki is renowned as one of the major shopping hubs in Athens, and it also features numerous boutiques. However, on Sundays, this area, particularly along Ermou Street, becomes one huge flea market where you can pick up practically anything, from antiques to out-of-print books, vinyls, second-hand clothing, furniture… This rounds off your perfect Sunday morning programme, after having tucked in to a whopping breakfast of cheese or spinach pastry, washed down with a Milko (the Greek Milo chocolate drink) or a huge frappé coffee (although this is the speciality in Thessaloniki).

Texto de Oriol Rodríguez

On the far side of Bearpit lies Stokes Croft, the bohemian area seething with music bars, clubs and cafés with multi-purpose basements like the one in Cafe Kino or The Art House, where what caught our attention on their menu were the paninis christened with the names of the most popular local electronic bands. For a rather quick, nutritional eat – even in vegan variety – we can also recommend the nearby restaurant in the local Biblos chain where we tasted the wraps and shared food trays. The same street features one of Banksy’s first murals, “Mild Mild West”, a teddy bear brandishing a Molotov cocktail as a group of bobbies approaches, painted after clashes between riot police and ravers in 1999. The graffiti is at the entrance to Hamilton House, a building housing cooperatively managed artists and start-ups with a spacious, crowded bar called The Canteen. There we had arranged to meet Euan Dickson, the young sound engineer of Massive Attack, celebrated Bristol citizens and the most prolific survivors of so-called Trip Hop. Dickson has overseen the gestation of their music since early 2000, including the albums “100th Window”, “Heligoland” and the recent EP “Ritual Spirit”. He also operates as a keyboardist in their world tours, although he admits having reached music by a different route: “When the band released ‘Mezzanine’ in 1997, I was only 10 years old! Oasis prompted me to take up the guitar, but it was PJ Harvey and Radiohead that opened up a new world for me. I was lucky enough to have my Dad recommend me as a porter in the Massive Attack studio, where I also learned to use Pro Tools and, thanks to my enthusiasm, ended up helping them with their music”, Euan Dickson revealed to us in the company of two friendly mates of his and a few pints we shared in good cheer.

We chatted about the racial diversity in the city, the result of immigration in the fifties, which has also seen some conflict. Nowadays “it’s just taken as normal because you grow up with people from everywhere. Bear in mind that 70% of Bristol voted to stay in the EU in the Brexit referendum”, Dickson explains. In fact, the origins of the group he plays in is deeply rooted in the vibrant scene born of that cultural mix. Since the 70s, the Jamaican diaspora has left its musical mark on the St Pauls suburb, an area where riots broke out in 1980 in response to a police raid. It would also have been the haunts of the young DJ Andrew “Mushroom” Vowles, Grantley “DaddyG” Marshall and the then graffiti artist, Robert “3D” Del Naja, later recognised as the original core members of Massive Attack. In the eighties, they jointly founded one of the first “sound systems” in the United Kingdom, the legendary Wild Bunch, which also included such illustrious Bristolians as Tricky, a future collaborator of the group and, subsequently, a star in his own right, and Nellee Hooper, a star producer of Soul II Soul, Björk, Madonna and Gwen Stefani. Between steamy reggae and punk activism, the first New-York-style spray and lettering, sweaty MCs and incisive scratches, dark nights and cold rain, the original foundations of Trip Hop were laid. The controversial label was applied to the scene sparked by Massive Attack, together with other local groups that achieved global recognition, like Smith & Mighty, Kosheen and the acclaimed Portishead, the latter named after the nearby town and birthplace of their lead, Geoff Barrow, who met Beth Gibbons when he was earning a living as a singer in Bristol’s night spots.

As if Massive Attack’s ties to the local underground were not enough, there is even a theory which identifies Del Naja as the face behind Banksy. Although we had been warned that the group were fed up with the subject, we couldn’t help slipping the question. “If 3D were Banksy, I would have found out long ago”, Dickson asserted. He added that the headlines came out the day before the band were due to hold a big concert in their hometown and that, “when 3D turned up at the rehearsal, Daddy G began to shout, ‘Look everybody , Banksy’s arrived!’, and we fell about laughing”.

We said goodbye to Dickson and started reviewing the development of local electronic music. At the same time Trip Hop was flourishing, another native of Bristol was coming to the fore – Roni Size who, together with the collective, Reprazent, would define drum and bass, spawning a host of sub-genres that continue to feed the city with breakbeats. For instance, while London is regarded as the nerve centre of grime, Bristol is the birthplace of renowned DJ and producer Joker, said to have a spectacular home studio here. Another local figure is DJ Blazey, from the Bodynod collective. He has managed countless clubs dedicated to urban sounds combining rap, electronic and reggae. Unfortunately, we didn’t coincide with any of them, but we were able to attend a whole night of dub, dubstep and grime sound featuring two beacons of UK Urban Music, The Bug and Flowdan. They performed for a radically young, totally devoted crowd in the gigantic, multi-space Lakota, in the Stokes Croft area. Other clubs where fans queue up at the weekend are the neighbouring Blue Mountain and SWX, in Broadmead. Sure enough, electronic seems to well up by spontaneous generation in a city which is also home to the boisterous Fuck Buttons and The Third Eye Foundation, the alter ego of Matt Elliot, also a singer of dark folk.

Well, music is just everywhere in Bristol – in the transhumant buskers who entertain tourists with their guitar playing, in the numerous shops selling instruments and in the new record stores – like Idle Hands, a must-visit for electronic devotees – that have emerged in place of the plethora of forerunners that closed down during the previous decade. However, the sound is experienced above all in the endless array of music bars and concert halls like The Lanes, where that weekend various members of Fun Lovin Criminals DJ’ed. On Saturdays they host Mod nights, currently featuring DJ Andy Crofts of Paul Weller Band fame at the helm. Others include the famous venue Louisiana – “The Louie”, among friends – or the large syndicated auditorium O2 Academy, used for big occasions. Pubs, too, notably the seedy The Surrey Vaults or The Crofters Rights where, apart from tasting a huge number of craft beers, we spent an evening organised by the London label Trashmouth Records and caught sight of Big Jeff, an endearing local figure whose presence at a concert acts as an endorsement of your choice of venue from among the endless offerings in the city.

All music is welcome and, if one day it is electronic that blares out, this doesn’t mean the next day  guitars shouldn’t prevail. No wonder, then, that Bristol is also the city of Wayne Hussey, the former Sisters of Mercy guitarist, and singer of The Mission, both beacons of gothic rock. Also hailing from Bristol are rockers like The Alligators and Rob Ellis, the drummer, producer and arranger known for his close collaboration with PJ Harvey for over two decades. The band Airbus is from nearby Portishead and is actually a spin-off from the group of the same name and with whom they recorded the B-side track “Sour Times”. But, if you’re looking for harder sounds, there are the small standout classics by Onslaught who were part of the thrash metal explosion in the eighties and split up shortly afterwards, only to reunite in 2004. Then there are Jaguar, part of the New Wave of British Heavy Metal, and the hardcore punk group Disorder. So, Bristol begets a penchant for sharp riffs, as evinced in the crowded 3-storey pub, Mother’s Ruin, or at the venue Stag and Hounds, where that weekend happened to feature a performance by Olanza whose bassist is the son of the Black Sabbath drummer.

And, of course, we can’t overlook the fact that some seminal post-punk groups like The Pop Group and Glaxo Babies were founded in Bristol in the late seventies, followed the next decade by such acolytes as The Agents, The Escape and Rip Rig + Panic, whose members include the selfsame Neneh Cherry who would subsequently let Massive Attack use the kitchen in her London flat as a studio during the group’s initial forays in the metropolis. Bristol also witnessed the birth of two members of the popular Bananarama. And, another yardstick of mainstream eighties, the sorely missed Tears for Fears, came together in nearby Bath, where the Propellerheads also emerged. This is clearly fertile ground for music.

The rain never let up throughout our time in the city and, while we never quite grasped the rationale behind some locals – obviously used to such downpours – calmly strolling about in shirtsleeves or jerseys, we did come to appreciate the early nightfall and stimulating cold of Bristol in winter. We admired the city while recalling the verse by Beth Gibbons: “All mine / you have to be / from that cloud / number nine”. And, although soaked through, we felt lucky to be treading its streets.

Did that catch your fancy? Inspiring, isn’t it? Well, don’t leave it at that – get a flight and experience it for yourself. Check out our dates and times here.

Text by Mondo Sonoro and Los Viajes de ISABELYLUIS

Images by Los Viajes de ISABELYLUIS