A Walk Through Tintins Brussels
We know that Tintin travelled to America, the Soviet Union, China and South America… he even got to step onto the moon! But, where did the endearing reporter created by Hergé actually live? While the cartoonist never revealed it explicitly, there is no doubt that Brussels, where Hergé lived all his life, is the backdrop in the cartoon strips whenever the amusing reporter and his faithful dog, Snowy, are captured at home. We ventured into Tintin’s haunts and discovered the palaces, museums, hotels, theatres and parks in Brussels which Hergé converted into comic artefacts.
On their return from their first adventures in Tintin in the Land of the Soviets, Tintin and Snowy are welcomed as heroes by a crowd in the Gare du Nord, an exact copy of the former Brussels Gare du Midi. Now featured in the railway station is a mural inspired by a cartoon of Tintin in America to mark the centenary of the birth of Georges Remi, “Hergé”.
In the second of his 24 adventures, the iconic reporter and his faithful friend travel to the Congo, an album which Hergé was likely inspired to pen after various visits to the Royal Museum for Central Africa. Among many other nods, the leopard man that threatens Tintin in the comic is an imitation of the statue sculpted by Paul Wissaert on display in that museum.
The address, 26 Labrador Road, is well known to Tintinophiles. First mentioned in The Broken Ear, don’t waste your time looking it up in a Brussels street finder. Instead, head for 26 de la rue Terre-Neuve, where you will come across an uncannily similar building to the one where the young reporter’s flat was located!
Built in the late-19th century on the south side of the Royal Park, the Royal Palace stands out as one of the most emblematic landmarks in Brussels. This majestic building was where Hergé drew inspiration for the Royal Palace of Syldavian King Muskar XII in King Ottokar's Sceptre.
Dating from 1873, the Flea Market or Marché aux Puces, located in the Place du Jeu de Balle, is the Brussels mecca of collectors, antiquarians, treasure hunters and bric-a-brac seekers. It was at this flea market that Tintin discovered the model ship at the opening of The Secret of the Unicorn.
However, it was most likely in The Seven Crystal Balls that Hergé captured most of Brussels’ architectural landmarks. For example, in this thirteenth instalment of The Adventures of Tintin, one of the city’s most emblematic hotels appears – the Metropole. Also easily recognised in this comic album is La Monnaie theatre, renamed the Music-Hall Palace. And, the mansion where Professor Hercules Tarragon lives is the spitting image of the opulent villa on Avenue Delleur 6.
Also in The Seven Crystal Balls, we come across the character, Rascar Capac, a mummy inspired by a relic on display in the Cinquantenaire Museum. Hergé was a regular at this gallery, where he went in search of ideas. It was also where he discovered the fetish created by the Arumbaya, the focus of the storyline in The Broken Ear.
Another prime magnet for Tintinophiles is the southern Brussels district of Uccle, one of the nineteen districts making up the Belgian capital. In Uccle we find the Brussels Planetarium, an observatory which Hergé portrayed in The Shooting Star. Interestingly, the Centre Culturel d'Uccle has a statue of Tintin on display, while in the district cemetery, a short distance away from where he lived until his death, is the artist’s grave. A plaque at 33 Rue Philippe Baucq, in the more central district of Etterbeek, reminds visitors that this was the birthplace of Georges Remi “Hergé”. (The house is not open to the public.)
At Louvain-la-Neuve, less than half an hour from the centre of Brussels, stands the Musée Hergé. Designed by the French architect, Christian de Portzamparc, the Hergé Museum is three storeys high and has 8 exhibition halls, featuring 80 original prints, 800 photographs and countless documents and miscellanea related to the life and work of the creator of Tintin and Snowy.
Highly recommendable for Tintin lovers in particular, and enthusiasts of the ninth art in general, is a visit to the Brussels Comic Strip Centre (Rue des Sables 20) which features thousands of original works relating to some of the most outstanding Belgian creations in the comic world, notably The Smurfs, Lucky Luke, Spirou and Tintin, among others.
The huge dragon from The Blue Lotus painted on the ground at the entrance to rue de la Colline 13 announces your arrival at the Tintin Boutique. This is the ideal store for stocking up on all types of objects and souvenirs associated with the illustrious reporter and his endearing troupe of cartoon companions.
Fire up and venture into the world of Tintin – book your Vueling to Brussels here.
Text by Oriol Rodríguez for Los Viajes de ISABELYLUIS
Images by Oscar W. Rasson, Julien, Andrea Carrozzo, CTJ71081, Dustin Hackert, Laurence Livermore, Su-Lin, Stephane Mignon
more infoVini and Panini in Florence
The capital of Tuscany is a striking city packed with appeal which is well worth spending a few days in. Awaiting you, among other inducements, is Michelangelo’s famed David, Spring by Botticelli, the Ponte Vecchio, the famous dome of Santa Maria del Fiore and the Piazza della Signoria with its bold Perseus by Cellini. A highly manageable city which lends itself to strolling about and can be enjoyed both day and night – the latter has a charm of its own. And, of course, it has to be tasted and savoured.
Wine is part of the city’s DNA, as is art, and you are duty bound to stop and have a drink in any of the salumerie (delicatessens) or wine bars, where they also offer boards of local sausage, cheeses and panini, which spice up the drink experience even more. There are loads of them but, to help put you on the right track, here are some recommendations:
Ino
Hidden in the back streets near the Uffizi gallery is this eatery – a must-visit – run by chef Alessandro Frassica, who you will see behind the bar counter or dancing in front of it. Panini made on the spot, with a long list of more or less classic options. When we were there we wolfed down one with bresaola (a cured beef), ricotta and zucchini, and another with mortadella e salsa al tartufo (mortadella and truffle sauce) which tasted divine. The food is freshly cut, the bread is good, a great atmosphere and a very trendy ambience. Needless to say, you have to wash down your panini with two glasses of local red wine.
Alimentari Uffizi
A delightful store with just three tables where you can purchase wine and drink it on the spot for an uncorking surcharge. To go with it –tastings of cheese, sausage, olives and a delicious homemade sobresada.Behind the counter is the helpful Alessandro, ready to guide you successfully through your culinary choice. Pure produce.
All’Antico Vinaio
One of Florence’s oldest wine bars, now run by a group of youngsters who have set a new seal on the business while maintaining its centuries-old essence. Chalked up on the blackboards are a host of panini options with seasonal ingredients which you can combine at will. Don’t let the queue in this eatery put you off, as it is well worth the wait. Order some wine and enjoy – it is sited in one of the liveliest streets for “wine crawling”. Apart from wine, they also have anosteriaif you prefer to eat at a table.
A Special Dinner at Il Santo Bevitore
We left the panini behind – but not the wine – and sat down in a restaurant offering Italian specialities in order to taste regional Florentine cuisine. And we made the right choice! A young, lively atmosphere and a cuisine that soars above the Italian standards we are used to, as well as a wine list with hundreds of Italian varieties. We followed their recommendations and ended up with a table full of terrina di fegatini de pollo (a tasty, typical Tuscan paté on a bun), tagliatelle alle castagne and risotto ai porcini (field mushrooms). The menu changes with the season and their wine bar on the same street is handy for whetting one’s appetite.
Shopping at Il Mercato Centrale and Sant’Ambrogio
So, we went shopping. The Central Market, located in the heart of San Lorenzo, is the most important market in Florence. Their display ranges from pastas of all types, cheeses, wines and olive oil to fresh delicatessen, fruit and vegetables, as in any market. One of their main draws is the food area on the first floor, influenced by street-food culture, where you can find all kinds of snacks. Another must-visit venue that will delight even the most seasoned foodies is the Mercato di Sant’Ambrogio. Located on the Piazza Lorenzo Ghiberti, it features both inside and outside stalls where locals crowd around in search of the best titbits. Genuine and lively – before you leave, make sure you buy at least some olives and a birra (beer). Have a seat in the surrounding area and soak up the atmosphere. And, while you’re at it, head for the Trippiao Pollini street stall and pluck up the courage to try their tripe sandwich – you won’t regret it!
Let yourself get carried away by the flavours of Florence – check out your Vueling here.
Text and photos by Silvia Artaza of Gastronomistas.com
Belgrade In Three Itineraries
In truth, Belgrade has not been fairly treated by history, as the peoples, cultures and religions that passed through the city left more of a trail of destruction than a positive, lasting historical footprint. Surprisingly, however, Belgraders have chosen to preserve the vestiges of those civilisations that occupied and also ravaged the city.
Former Singidunum
A Celtic tribe first settled Singidun (meaning “round fort”) in the 3rd century BC, on the site of the extant Kalemegdan Fortress. Subsequently, the Roman army arrived and changed the name to Singidunum, which endured until the city became Beograd in the year 878.
Remains of the fort built by the Celtic tribes, as well as some dating from the Roman period, can still be seen in Kalemegdan Park, where the original garrison was sited. Sections of an aqueduct, cisterns and some stretches of the wall stand side by side with an unusual mixture of buildings from different periods, such as those from the Ottoman and the Austro-Hungarian periods, which we will be looking at in a moment.
No fewer than 18 Roman emperors were born in Serbia; no wonder, then, that the Roman legacy still lingers in parts of the country. Notable examples are Viminacium – present-day Kostolac – or Felix Romuliana, situated near the archaeological site of Gamzigrad, a UNESCO World Heritage Site since 2007.
In Belgrade, the two museums you cannot fail to visit if you want to research the country’s Roman heritage are the Belgrade City Museum and the National Museum of Serbia.
Ottoman Belgrade
Traces of the Ottoman period can be seen in the 15th-century stone paving of Skadarlija, Belgrade’s best known pedestrian precinct in the Bohemian Quarter. Here, things get into full swing at nightfall when the numerous restaurants, taverns and cafés are frequented by Serbians and foreigners alike, eager to taste the cuisine hot off the fire. Notable dishes include sarma (vine leaves stuffed with meat and vegetables), kebab (meat on the skewer) and baklava (the famous confectionery of honey-rolled nuts), liable to transport diners back to Belgrade’s Ottoman past.
Of the 273 mosques that once existed in the city, only the Bajrakli Džamija mosque, dating from 1575, is still standing. Having survived the passage of time, partial destruction and other attacks, it was rebuilt and is now open to Belgrade’s Muslim community.
Several Ottoman vestiges can also be seen in the aforementioned fort in Kalemegdan Park, including the Sahat Tower, with its striking clock, and the Tomb of Silahdar Damat Ali Pasha, housing the remains of the Grand Vizier of the Ottoman Empire and “Conqueror of Morea” (the Byzantine name for the Peloponnese), who ruled from 1713 to 1716.
Belgrade also features a very interesting museum for those wishing to find out more about the city’s Ottoman legacy. This is the Galeriji Fresaka (Gallery of Frescoes), with its exhibition of over 1,300 frescoes, which are actually copies of icons found on Serbian monuments dating from the 11th to the 15th century, some of which are Byzantine in style. Some of the icons have been destroyed in their original location, while others have fallen into disrepair.
Austro-Hungarian Belgrade
Perhaps the entire heritage of Belgrade’s Austro-Hungarian past, which lasted from 1867 to 1919, can be summed up in one word – Zemun. This is the name of an unusual district which did not become part of Serbia until the outbreak of the First World War and which breathes an atmosphere unlike that of any other district in the city.
But the whole ensemble of eclectic art dating from the period 1860 to the late 1920s, in addition to neo-Renaissance historicist architecture, abounds along the pedestrian precinct of Kneza Mihaila, Belgrade’s major thoroughfare and shopping area. Stretching for one kilometre, it features striking mansions from the late 1870s, as well as bookshops, fashion stores, cafés and souvenir stalls where you can soak up the vibrant everyday activity of Belgrade.
Another lively spot in the city, and also a meeting point for Belgraders and foreigners, is Trg Republike (Republic Square), with its emblematic “Horse”. Executed in 1882, this equestrian statue of Mihajlo Obrenović III (Prince Michael) commemorates his expulsion of the Turks. Behind it stands the aforementioned National Museum of Serbia, due to open to the public again in April 2016 as it is currently closed for renovation.
I bet you hadn’t thought of a city like this! Why wait to discover it for yourself? Check out our flights here.
Text and photographs by Ana Isabel Escriche (Planeta Dunia)
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100 Years of German History on Wheels
The BMW group is marking its 100th anniversary this year by holding a temporary exhibition showcasing the company’s history, from 1916 up to the present, through a display of 100 “masterpieces”. We travelled to Munich to witness the inauguration of this landmark exhibition. There we learned both the history of this emblematic automaker and of Germany, and retraced its technological evolution over the last century.
The Building
The museum is housed in a futuristic complex called BMW Welt, ideally located near the Olympiapark. The venue not only serves automobile enthusiasts, as it also hosts regular exhibitions on themes related to technology, design and innovation. Designed by the Austrian architect’s studio, Coop Himmelb(l)au, it took four years to build. It was originally slated to open for the final stage of the 2006 World Cup in Germany, but it wasn’t completed in time, and eventually opened a year later. It is a vibrant building as it can be adapted to a variety of uses – it can operate as a market, a communications centre and also a meeting point for the exchange of ideas.
This is a modern building designed to be experienced with the five senses. Here you can see, hear and feel technology and design. It features a permanent auto exhibition, among other content. Prominent, too, is the Junior Campus, a place where children learn how to approach technology in an entertaining and edifying manner.
The Museum
The BMW Museum is a multi-purpose space which features presentations of new BMW car models, among other things. The museum interior is arranged into key sections, namely seven great thematic areas, each set within its own environment and endowed with a distinct aesthetic. On our visit, we learned that the main idea behind the conceptualisation of the museum space was to exploit the carmaker’s history as an expression of its modern, sophisticated character, one in which innovative technology is at the forefront, and design is used to enthral at first sight. However, cars are not the only exhibits here, as you will also see motorcycles and all kinds of technology as applied to motor sports. Also on display is the latest motor invention by the Bavarian automaker.
100 Masterpieces
BMW celebrates its 100th anniversary this month, and one of the main events they are hosting is the show, 100 Masterpieces, a temporary exhibition showcasing the company’s history from 1916 to the present. To this end, 100 works have been selected to exemplify one of the most innovative companies in the world. It is a journey through different periods and the display is spectacular.
The works are displayed within a hemispherical building on five platforms which stand for five specific periods through which the company’s history is presented. As is to be expected, the exhibition starts with the first “masterpiece” of BMW – the founding in 1916 of Bayerische Motoren Werke (Bavarian Motor Works). From here on, the journey through time moves between posters of different eras, each of which closely reflects the corresponding art avant-gardes of those times. The following section is dedicated to the company staff. Here, the focus is on the legion of workers, each of whom played their part in the construction of the German colossus. This section also touches on such aspects of the business as health, architecture, internationalism, production, corporate culture and sustainability. The itinerary is chronological and gradually reveals achievements of all kinds, notably motorbikes like the incredible R35, the near-pioneering R12, the striking K1, the Dakar-winning GS, and the innovative R NineT. And, automobiles – the latest BMW 7 Series, the legendary James Bond Z8, the iconic Mini Cooper, the amazing Isetta, a period trend-setter, and the futuristic i3 and i8. They have all made history at BMW, as has the production of aircraft engines. The exhibition also features a number of milestones in motor racing. We were particularly impressed by the display of rare mock-ups, films and photographs, as well as various preliminary sketches of fantasy prototypes. In all, the exhibition goes far beyond pleasing four-wheel fanatics. It is more of a lesson in history, aesthetics, design and sociology presented in a highly attractive fashion.
Don’t pass up the chance to discover the ins and outs of one of the icons of international motoring. Check out our flights here. The exhibition runs until 30 September 2017.
Text by Los Viajes de ISABELYLUIS
Images by Germany Travel
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