Gran Canaria has become the favourite destination among cyclists in the last few years owing to the good climate on the island and the challenging routes it offers. The island has hosted professionals of the calibre of Alberto Contador, entire pro cycling teams such as Tinkoff, world champion triathletes like Daniela Ryf and Stöckli’s Swiss mountain bike racer, Jolanda Neff. But, the fact that it’s teeming with pros does not mean they have exclusive rights to the land – amateurs can also delight in touring it on two wheels. Here is what is special about this island, and my recommendations.

Advantages of Gran Canaria as a Cycling Destination

- The mean annual temperature is 21°.

- Direct flights from most European airports.

- Good, tarred roads with little traffic, as well as cautious drivers accustomed to cyclists.

- The land elevation is almost 2,000 metres (1,949 m) in the Pico de las Nieves, considered to be one of Europe’s toughest mountain passes, together with Mortirolo, Angliru and Stelvio. However, here the advantage is that the temperature is much warmer than in Asturias or the Alps.

- Marked scenic contrasts, ranging from white sand dunes in Maspalomas to tropical parkland in the north of the island, to the oasis in the Fataga Gorge.

Practical Tips

Accommodation. If you’re seeking tranquility and vegetation, the best option is to stay in the north. A good spot is the Bandama Golf Resort, which forms part of the oldest golf course in Spain, located in the Bandama Caldera with its noticeable volcanic presence. Nearby you will come across the vineyards of the Bodegón Vandama, offering delicious dishes well worth trying. And, if you require other services, as well as sun and long afternoons, the Barceló Margaritas in Maspalomas is a good choice, with the broadest culinary variety to be had in the hotel itself. Remember that, if you want to pedal, you’re going to have to rest and eat properly.

Essential routes and sights. The number of places you visit will depend partly on the length of your stay. Detailed descriptions and route times can be sourced at the Strava cycling community. Following are the key points, and a rundown of what to expect in terms of your level, to help you plan your itinerary.

Pico de las Nieves. This is the highest point on the island, situated in its centre. On a clear day you can pick out Mt Teide on Tenerife and Roque Nublo from there. Different access routes are available. The toughest route – which I would not recommend, unless you’re a seasoned climber – is the Ingenio por Cazadores, which reaches gradients of 23%. Next comes the ascent from Ayacata, which you get to from Maspalomas, while the easiest route is on the north side, via Cueva Grande. You need to take the climb leisurely. Once at the top, apart from some fine views, there is a food station where you can refuel.

Tejeda. A mountain village with excellent gastronomic offerings. If you’re planning a route on a non-competitive day, this is an ideal spot for stopping to enjoy some traditional island cuisine.

Three Big Dams (Soria, Las Niñas, Chira). It is surprising to come across so much water on the south of the island. All the dams are connected by district roads with virtually no traffic. If you’re after peace and quiet, this is a great route.

Maspalomas Dunes. For those who have never seen sand dunes, this is a must-visit destination, featuring dunes worthy of the Sahara. My advice is to go there at dusk, when the light is at its best.

Fataga Gorge. It starts just past the Degollada de las Yeguas, and the scenery ranges from a desert landscape to a “valley of a thousand palm trees”. Those who have been to Morocco will feel like they’re still in the Draa Valley.

Artenara. Located in the Tamadaba Nature Reserve, the vegetation here is different from the rest of the island, the prevailing species being the indigenous Canary Island pine.

Puerto de Mogán and Güi-Güi Beach. Puerto de Mogán is near the great dams route, while Güi-Güi beach can be reached on foot and is well worth visiting.

If the weather is still bleak and cold where you live, don’t think twice – get away to Gran Canaria and discover the island on two wheels. Book your ticket at Vueling.

Text by Raúl Casañas

Those who think cultural tourism is a 21st-century invention are well off course – Venice invented it long ago. Intent on setting the city under the international spotlight, the first International Art Exhibition ever was held there in 1895. That is, the Venice Biennale, which has continued until this day.

The undisputed artificer of the avant-garde art pulse – Documenta notwithstanding – the Biennale has run into its 57th edition without losing steam. Six months full-out, from 13 May to 26 November, during which the city is invaded by contemporary art, which takes over both land and sea. What with vaporetti, churches and palazzi, we visited the city of canals to soak up the latest trends, soon to descend on museums and art galleries across half the globe. Let the Grand Tour begin!

Survival Manual

A cautionary word to all navigators – moving through the Biennale is no mean feat. The key – comfortable footwear, strategically placed accommodation and solid planning. The offerings are boundless and the spaces, gargantuan.

The main facilities are located at the Arsenale and the Giardini di Castello. Those are the sites of the official exhibition, Viva Arte Viva, as well as many of the 85 national pavilions dotting the island. And, as if that weren’t enough, the list is augmented by countless top-notch parallel exhibitions and events that have staked out their territory in the city’s historic buildings.

My advice – keep calm and don’t get flustered. The marathon only comes around every two years. Set aside three days on your agenda and you won’t succumb in the attempt. Take up lodgings in the area of Il Castello, the Biennale’s hard core, thereby avoiding vaporetto tickets. And, have a notebook on you and a camera with fully charged batteries so you can review the sights once you’re back home.

In the Giardini – the Cream of the Crop

Separating the wheat from the chaff can be exhausting. By way of a warm-up, we headed south-east, to the confines of the city. Located there are the Giardini di Castello, Venice’s green lung par excellence and the preserve of the national pavilions (a somewhat archaic idea, a reminder that the current Biennale is an updated version of the classical trade fairs of yesteryear). The fact is that in Venice each state has its own building to showcase to the world the cream of the crop of its contemporary art production, by way of an Art Olympics where the winner manages to show the most muscle.

While the Biennale is all about art, it is in fact also about power and architecture. In terms of the latter, some pavilions shine with a light of their own. Not to be missed are the Finland pavilion, built in timber modules by the luminary, Alvar Aalto, the father of modern Scandinavian architecture; the Austrian pavilion, the work of Josef Hoffmann who, together with Gustav Klimt, founded the Vienna Secession, and that of The Netherlands, its open forms highlighting the minimalist elegance of 1950s neoplasticism.

But, let’s get back to art and to the most talked-about offerings. The Golden Lion for the Best Pavilion was awarded to Germany, where artist Anne Imhof installed a glass floor under which performances displaying the world “as a kennel” take place. France depicts a musical space and recording studio, Studio Venezia, an installation designed by Xavier Veilhan where musicians and artists from all over the world perform. And Austria draws all the camera flashes with a lorry standing on its nose by Erwin Wurm, a playful proposal in a pavilion redolent with sculptures which visitors can interact and have fun with.

The Off Programme

Side shows, parallel exhibitions, talks, dialogues, performances and film cycles – no body is built to withstand Venice. Indeed, the official programme is rivalled by a series of first-rate artistic proposals staged in churches, foundations and museums around the city. Here, then, are the juiciest offerings in the Off-Biennale 2017.

Damien Hirst has hit Venice with a two-fold proposal. At collector François Pinault’s art spaces, the Punta della Dogana and the Palazzo Grassi, he has installed his latest eccentricities,including an 18-metre-high sculpture which rises into the firmament. In keeping with the British artist we are familiar with, his show is pure spectacle, and the perfect excuse to visit two historic buildings overlooking the Grand Canal.

The tiny island of San Giorgio Maggiore surrenders unconditionally to Michelangelo Pistoletto. A key figure of Arte Povera and one of the most prominent Italian artists, Pistoletto presents One and One Makes Three, an exhibition housed in an abbey designed by Palladio where he showcases a selection of his works created between the 60s and the present, also featuring his popular “Venus of the Rags”.

We wind up our marathon tour at the Palazzo Fortuny, a Venetian Gothic gem which rises between the Rialto Bridge and St Mark’s Square. This former home and studio of painter Marià Fortuny houses both the artist’s collection and temporary exhibitions. This time around, it is the turn of Intuition, a collective display dedicated to the evocative power of art and featuring such great names as André Breton, Joan Miró, Vassily Kandinsky, Marina Abramovic and Anish Kapoor.

Thus far our review of the Biennale, a centennial event which reinvents itself each year and showcases art to suit all tastes, interests and theories. We’re off to the canals!

Book your Vueling to Venice here

Text by Núria Gurina

Photos by: Andrea Avezzù, Jean-Pierre Dalbéra, Francesco Galli, g.sighele, imagea.org, Erin Johnson

That Berlin has a daunting variety of cultural resources is a well-known fact. Indeed, it is one of the main reasons for visiting the city. Added to the alternative venues that appear to spring up in the most unlikely spots in town – and not always easy to locate, at that – there are the more official offerings, which include a vast range of museums. Hence, those given to “collecting museums” on their journeys to various cities in the world will face a dilemma when it comes to Berlin – that of having to choose from the huge gamut of museums, housing an overwhelming quality and quantity of works.

The Museum Island

Museum Island (Museumsinsel), as it was re-christened in 1870, takes up the northern half of the island formed by the river Spree on its passage through the city. This is a must-visit destination for any museum buff in Berlin. It contains no fewer than five splendid museums, featuring collections that enable you to travel through art from ancient times to the 19th century. The value of the vast collections here led it to be listed as a World Heritage Site in 1999.

One of the most striking spaces in the complex is the Pergamon Museum, which draws about one million visitors a year. It features a collection of classical antiquities, a museum dedicated to Middle Eastern art, and another devoted to Islamic art. The building was designed to house large-scale artworks, notably its two standout exhibits – the Pergamon Altar and the Ishtar Gate.

The highlight of the Altes Museum (Old Museum) is the building itself. Dating from 1830, it is the work of the architect Karl Friedrich Schinkel, and one of the finest examples of German Neoclassicism. Housed in its interior is a splendid collection of exhibits from classical antiquity.

Sited behind the previous museum is the Neues Museum (New Museum), home to the magnificent collection of the Egyptian Museum of Berlin and the Museum für Vor- und Frühgeschichte (Museum of Prehistory and Early History). Its paramount exhibit is the superlative Nefertiti bust, which attracts a large number of visitors each year.

No less important is the Alte Nationalgalerie (Old National Gallery), a magnet for enthusiasts of 19th-century art, and the Bode Museum, with an endowment that includes sculpture ranging from Byzantine to Italian Gothic to Prussian Baroque, as well as one of the largest numismatic collections in the world.

Gemäldegalerie

The Gemäldegalerie lies west of Potsdamer Platz, within the complex of museums and concert halls making up the Kulturforum (Culture Forum). The gallery houses an excellent collection of paintings by European artists active from the 13th to the 18th century, with works by Dürer, Lucas Cranach the Elder, Hans Holbein, Jan van Eyck, Raphael, Titian, Caravaggio, Rubens, Rembrandt and Johannes Vermeer.

Neue Nationalgalerie

Another of the museums making up the Kulturforum is the Neue Nationalgalerie. Located in the Tiergarten, it is housed in an original building with glassed walls and a spectacular metal roof, the work of the architect Mies van der Rohe. Opened in 1968, this museum specialises in international art from the early 20th century to 1960. Standout features of this collection are the work of the German Expressionists and the Bauhaus.

Martin Gropius Building

Located on the Niederkirchnerstraße, between Checkpoint Charlie and Potsdamer Platz, in a building designed by the great uncle of the architect who founded the Bauhaus, Walter Gropius, this interesting exhibition space is celebrated for its excellent temporary exhibitions.

Berlinische Galerie

Inaugurated in 1975, the Berlinische Galerie is the best option for whoever wishes to take the pulse of art production in Berlin, as its collection features artworks produced in the German capital from 1870 until the present time. It is situated in Kreuzberg, one of the trendiest districts in the city where, if you’re good at getting your bearings, you can unearth the best of the alternative scene.

Berggruen Museum

Lastly, we have also chosen the Berggruen Museum, located opposite Charlottenburg Palace, as it houses exhibits donated by the art collector and dealer Heinz Berggruen. It is a collection of modern art classics with works by Picasso, Matisse, Klee and Giacometti as its major offerings.

Book your Vueling to Berlin and get ready to discover its magnificent museums.

Text by Los Viajes de ISABELYLUIS

Images by Lestat, Manfred Brückels, Christoph Rehbach. Rae Allen, Pedelecs, Jean-Pierre Dalbéra

The seventeenth edition of Primavera Sound will be held in Barcelona from 31 May to 4 June. The main centre of operations is the Parc del Fòrum, but concerts will also be hosted at other points in town (check out the festival website for these extra concerts and ticket availability). Barcelona will actually become the world’s music capital for five days. This year the line-up is headed by a wide variety of top-notch artists, notably Van Morrison, Grace Jones, Arcade Fire, Bon Iver, Frank Ocean, The xx, Aphex Twin, Slayer and Solange, as well as a number of highly interesting b-series artists, including The Damned, Wild Beasts, Angel Olsen, The Magnetic Fields, Marie Davidson, Julie Dorion and Mac Demarco, among others.

Apart from treating visitors to myriad musical offerings, Primavera Sound also gives you the chance to see the city. Barcelona is a comparatively compact city, so you can tour it in a short space of time. Here, then, are some tips on how to do it at your convenience.

Room Wanted

Barcelona is a tourist resort and, as such, offers a host of hotel accommodations. Then again, that makes it difficult to decide on an option. Here are three quite different proposals to help you make your choice. The first is Hostel Generator, located on Calle Córcega, well placed in terms of the city centre, the Gràcia district and the Verdaguer metro stop where you can get Line 4 straight to the Fòrum. Another interesting option is Melon District Marina, a student residence which also accepts bookings for just a few days, located halfway between downtown Barcelona and the main Primavera Sound venue (it’s just a fifteen-minute ride by either Metro or Trambaix to the Parc del Fòrum). Lastly, if you’re on a shoestring budget, you could always check out the Couchsurfing Barcelona website to find free accommodation.

Affordable Snacks

Barcelona’s culinary array is also endless. Here, we focus on a few reputable restaurants serving a Mediterranean diet and, more importantly, at reasonable prices. Let’s begin at Urretxu, a Basque restaurant near the Olympic Village which serves up market cuisine – ideal for a quick meal before any of the concerts. It is close to several stops on Line 4 and just a stone’s throw from the Fòrum. More centrally located – specifically, on Calle Diputación – is Gelida, with its typically Catalan culinary offerings which will suit all pockets. They do not have a house menu, but the list of dishes based on fresh products is great. Winding up these recommendations is the Bacoa hamburger chain, with several outlets scattered about the city. You can sit down to a meal of their organic meat hamburgers in any of their establishments, or opt for a takeaway, a good choice if you’re looking to get to the festival grounds as early as possible.

Hunting For Vinyl

If you’re left with any spare time after the flurry of activity generated by Primavera Sound, why not drop in on some of the city’s most venerable record shops? It’s worth embarking on that quest for the vinyl you’ve been seeking out for some time in the Calle Tallers, right next to Barcelona’s Rambla. There you will find the two stores owned by Discos Revolver, who celebrated their thirty-fifth anniversary just a short while ago. Another place of pilgrimage for music lovers which you should make a point of visiting is Ultra-Local Records, located on Calle Pujades, just a few metres from the line 4 metro stop of Llacuna (three stops from the Fòrum). Another way of “searching for the lost record” on the Sunday hangover morning is by visiting Mercat de Sant Antoni, an emblematic second-hand street market where, apart from vinyls, you can pick up all sorts of collectibles at very reasonable prices.

Book your Vueling to Barcelona and gear up to revel in the Primavera Sound festivities.

Text by Xavi Sánchez Pons