Fantastic medieval castles, beautiful scenery, enchanting villages, splendid vineyards, tasty cuisine and a touch of romanticism – what more could you want in a getaway? Well, all that and more awaits you on one of the most popular itineraries in Germany, known as the Romantic Road (Romantische Straße, in German).

The route starts at Würzburg, which lies about 110 kilometres south-east of Frankfurt, and ends in Füssen, 82 kilometres south-west of Munich. Between those two points, you will come across over 60 towns and villages steeped in culture, as well as stunning scenery. In all, an itinerary covering some 400 kilometres to savour what was once an important trade route in the Middle Ages and, since 1950, one of the leading tourist magnets in Germany.

The Main Sightseeing Spots

As there is a lot to see on that long trip, we have made a selection of the places we consider the standout spots to stop at.

Würzburg. Situated in the heart of Franconia’s grape-growing region, this town is famous as the home of a veritable jewel of Baroque architecture – the Würzburg Residence, designated a World Heritage Site by UNESCO in 1981.

Rothenburg ob der Tauber. One of the best preserved medieval towns in the country and one of the major attractions on the Romantic Road, so be sure to make a stopover to visit it. We recommend strolling along the medieval wall to soak up the panoramic views it affords of the city and its surrounding area.

Dinkelsbühl. Another of the gems you will encounter along the Road is this picturesque town, which managed to avoid destruction in both the Thirty Years’ War and the Second World War. It is thus well preserved and the essence of its medieval past intact. A striking feature that meets eye when walking through the town is its numerous towers, numbering sixteen in all.

Nördlingen. While less frequented than the previous ones, much of the historical charm of this beautiful medieval town in Bavaria has been preserved. Curiously, the town was built over a crater caused by the impact of a meteorite that fell to earth over 15 million years ago. It covers an area measuring 25 kilometres in diameter.

Augsburg. The largest city along the route and one of the oldest in Germany. It was founded by the Romans over 2,000 years ago. Having enjoyed independence for a period of its history, the city flourished and generated considerable wealth, becoming one of the most prosperous in Europe. A prominent city landmark is the Rathausplatz, a large pedestrian square in the very heart of the Altstadt, while other noteworthy sights include Renaissance and Baroque buildings.

Wies Pilgrimage Church. Located in Steingaden, this is a must-see spot for art lovers, as the architectural style of the building is among the most noteworthy in the Bavarian Rococo.

Neuschwanstein Castle. Wrapping up our list of recommendations is this stunning piece of architecture which was actually the model for the castle design in Walt Disney’s Sleeping Beauty. No wonder, then, that Neuschwanstein means “new swan stone”. Overlooking the Pöllat Gorge in the Bavarian Alps, its construction was commissioned by Ludwig II of Bavaria – the “Mad King” – in 1866.

Some Pointers

The best way to get around along the Romantic Route is by car, as it gives you greater autonomy when moving from one town to the next. You can pick up a hire car at Frankfurt airport. The route is signposted, so you just have to follow the indications to find your way. Those who prefer an alternative means of transport can take the coach, for which tickets can be booked in advance for specific legs of the journey. The more intrepid among you can also enjoy the pleasure of cycling through the bucolic landscapes as, on the whole, the route does not present any steep slopes.

Since this is one of the most popular tourist destinations in Germany, we recommend that, if possible, you schedule your trip for the spring or autumn, as in summer it is far more crowded.

Now that you’re up to speed with the ins and outs of this fantastic route, it’s time to plan your own itinerary. Check out flights to Frankfurt here.

Text by Los Viajes de ISABELYLUIS

Images by vince42, Tilo 2007, Rictor Norton & David Allen, ilovebutter, Holger Baschleben, Allie_Caulfield, Brian Wiese

By Clara Arnedo

I’ve just got back from Gambia and some of the sights still linger in my mind: the rainbow that appears onTanji beach every day at sunset, when fishing boats laden with fish come back to the port, and the whole town takes part in collecting and selling the fresh fish. These are just a few of the memories that this small but perfect country leaves with you, to help you get an idea of what Africa is really like. Now Vueling makes it easier for us to travel to the Gambia, with a new route connecting Barcelona and Banjul, the capital of the country.

The journey starts in the capital, Banjul, a city that is small and pleasant. And so is the country, with a population of 1.6 million. Banjul is a relatively safe and peaceful city, where it is worth exploring the crowded colourful markets selling all kinds of wares. The most outstanding is Albert Market, a large typically African market mainly selling fruit, vegetables and fish. When sellers and customers see us they are reluctant at first and quickly avoid our cameras. But after a while they gradually become more open and available. All they need is a little time.

Another attraction in the city is Arch 22, in honour of the president, the bodyguard of the former president, who took his position on 22 June 1994. Since then he has been the great protagonist of the Gambia: we see Yahya Jammeh everywhere – on posters stuck on walls and lampposts in every village and every town.

But the Gambia is especially a country with a coast that opens out to the Atlantic Ocean; a wedge-shaped country that cuts into Senegal and is divided in two by the river that gives the country its name – the Gambia.

First we go to the coast to discover the long, fine sand beaches of Banjul. There are hotels on the seafront, affording a spectacular view of the ocean. But the most memorable fishing scene has got to be Tanji, where you can find a flurry of colours and life every evening on the shore when the fish is brought in. It seems like chaos but there is actually an internal organisation and hierarchy, and laws that enable the same spectacle to happen every day at sunset. The men are strong and muscular and are in charge of carrying tons of fish from the boats to the beach, balancing the baskets on their heads. Once they are on the shore, the women collect the treasure to wash it and prepare it to be sold… young men run further to look for spots to set up and sell the fish. The children often follow, running fast at their heels, hoping to catch a bit of fish that might fall on the way. This makeshift fish market on the sand is the tip of the iceberg of this small country that is bursting with life. In the morning, in that same spot, a colourful fruit and vegetable market materialises, dominated by women buying and selling food. One of these women is Ida Cham Njai, a beautiful and energetic chef who offers the unique experience of accompanying her to shop in the market, and then spending a pleasant day cooking local produce with her at her home. The gastronomy and local produce are the best ways to learn a bit more about this pleasant destination.

A British redoubt in colonial times, it is now one of the smallest countries in West Africa. It also has one of the highest birth rates. The Gambia is full of children, and mothers who wrap them to their hips: it is a beautiful and typical scene of the country. The rest of the country is made up of the jungle, nature and many animals: monkeys, birds and even hippos. The further upstream you go, the wilder nature is, and the more rural the population is… it is a wild adventure to go up the river towards the town of Georgetown, because there are not many places for accommodation. Tourism is not widely developed in the Gambia, and that is part of its charm. In any case, you don’t have to travel very far from Banjul to discover the wild. NearSerrekunda, the largest and busiest city in the country, we find Bijilo National Park, or Monkey Park, which includes easy paths to walk around. In this area you can also visit a crocodile pond, and you can even touch one of the crocodiles! This is the other side of the Gambia, with its river and mangrove swamps; the more authentic Gambia, one of the least developed countries on earth, with a life expectancy of 54 years and a literacy rate of 40%.

But this is not the end of the journey, and the Gambia, despite being a small country, still has a few surprises in store for us. Can you imagine remote African villages invaded by Street Art and graffiti? Well, this is what you can find in the Gambia. Specifically in Bafuloto and Makumbaya – two names that are hard to remember, two villages with small and simple houses, streets made of sand and dirt, where children play under the sun. And on the walls of these huts is where the Wide Open Walls movement found one of its favourite canvases. Pictures that depict nature, with animals from the area and other motifs that fill these places with colour.

A great way of discovering the Gambia from different perspective. Another way of penetrating Africa through this small gateway.

By Clara Arnedo

Makes you want to go, right? Do it! Check out our prices here!

Apart from this conjunction in location and time, can an event like Sónar 2017, with the most advanced music proposals, be related to a figure who was able to capture and assimilate the essence of upcoming trends for nearly half a century like David Bowie. We believe that it can indeed. At My Vueling City we lay several bridges between the two and single out items in this year’s Sónar programme which embody the ever-restless spirit of “The Thin White Duke”.

Rebel Rebel
Bowie’s demeanour was always tinged with a heady potion of defiance against established values. He never settled in to any set aesthetic, as evinced in his constant regeneration – at every new release, he rebelled against the previous one, which accounts for his endless change of image.

The exhibition, David Bowie Is, opens at the Museu del Disseny de Barcelona on 25 May 2017. Produced by London’s Victoria and Albert Museum, it has already attracted over one and a half million visitors in the eight cities where it has been hosted so far, including London, Berlin, Paris and Chicago, making it the most visited exhibition in the 164 years since the inception of the V&A.

On display at the exhibition are over 300 objects, including photographs, record covers, handwritten letters, original costumes, stage designs and hitherto unseen material from Bowie’s concerts over the last five decades, on loan from the David Bowie Archive. David Bowie Is takes an in-depth look at the way David Bowie’s music and radical individualism have inspired others by defying conventions and seeking freedom of expression.

The Impact of Sound, and Sight Too
This year Barcelona is hosting two events related to music, and also to advanced thinking and the creative avant-garde. On the one hand, the largest exhibition ever dedicated to Bowie and, on the other, the world’s largest electronic music festival. We all know Bowie’s prowess in the musical sphere, in terms of his great ability to assimilate styles and his insatiable effervescence, which kept him constantly in touch with the latest trends until the end of his life. Indeed, the standard bearer of glam rock also flirted with more advanced genres, notably ambient music and drum and bass. Here then are some of the proposals in this year’s Sónar programme which we feel are imbued with Bowie’s spirit through and through.

Arca
Arca undoubtedly condenses the cryptic essence of Bowie’s final studio album.Blackstar and Arca speak the same language – both are solemn; both seem to know the afterlife. Of all the world’s festivals, Sónar was singled out by Arca, the unclassifiable musician and producer, for a live presentation of his newly released work which redefines him as an even more complex and evolved figure. This show will also feature the presence of and visuals by Jesse Kanda.

Moderat
Bowie moved to Berlin in the second half of the 1970s and there he became steeped in the high-calibre art and music scene. Those were the years of his collaboration with Brian Eno, during which he released the trilogy of Low, Heroes and Lodger. Moderat clearly dovetails to perfection into this pure Berlinese tradition – pop and electronic music with tunes in black and white. Moderat started out as a collaborative project between Gernot Bronsert and Sebastian Szary (Modeselektor) on the one hand, and Sacha Ring (Apparat) on the other. The idea was to work together whenever their respective projects left them enough spare time.

Nicolas Jaar
Bowie incorporated the new dance and experimental music trends in the 1990s, as evinced in such albums as Earthling and Outside, with a nod to drum and bass, electronic metal and even avant-garde jazz. Nicolas Jaar is a musician who merges seamlessly into that philosophy of musical defiance which cannot be stuffed into any specific stylistic straitjacket and also imparts a political or poetic message to his creations.

Phosphereby Daito Manabe
Music was Bowie’s great passion throughout his long career. He collaborated with the great stars of pop and rock, notably Queen, Lou Reed and Mick Jagger, and those of contemporary music such as Philip Glass, but that was not the only discipline he excelled at. He also collaborated with such top-notch artists as Tony Oursler. So, it can’t be ruled out that Bowie might have authored the background music to Phonosphere, by Daito Manabe, one of the most acclaimed digital artists in the world. This installation is an important step forward in new kinds of immersive creation and will be one of the highlights of Sónar+D 2017. This monumental structure is a robotic hybrid architecture in which synchronized mirrors, smoke machines, beams of light and up to 24 video projectors combine to create an unprecedented spatial experience, drawing from the world of new contemporary dance music, as well as the vocabulary of projection mapping.

Boris Chimp 504
Space Oddity was Bowie’s first big hit. The single was released at a time when humanity was in the grips of space exploration in the guise of journeys beyond the stratosphere. With his Multiverse, Boris Chimp 504 takes us back to that period. This audiovisual, real-time performance emphasises the relationship between audio synthesis and graphical language, with the story of the first ape to be sent to the moon in 1969 as the point of departure.

Book your Vueling to Barcelona and score a luxury double in its most highly evolved aspect – Sónar – while looking back to the figure of The Thin White Duke at the exhibition, David Bowie Is.

Text by Los Viajes de ISABELYLUIS

Prague is a monumental city, with great historic buildings that bring unique, elegant and refined atmosphere to the city. But a contemporary artist got to the city to turn upside down its classic harmony with some of his weird work.

Born in Prague, David Černý is a controversial, irreverent and disturbing artist who loves to provoke the audiences. And he does so! His sculptures, with a remarkable social criticism, against power and authority, disturbed some of his audiences.

David Černý started his career as a provoking artist when, along with his colleagues at the arts school, painted in bright pink a tank from the soviets at the garden of the German Embassy -a monument to Czechoslovakia liberation in 1945-. Černý was arrested for his colourful attack but now this tank is exposed at the Military Museum in Lešany, 20 kilometers away from Prague, ad a freedom symbol.

His work is all around the city where this artist was born. There are many, but this is a little route to the most shocking and remarkable work.

Quo Vadis?

His first work, Quo Vadis?, was located at the German Embassy in Prague (Vlašská 19, Malá Strana). In Quo Vadis? Černý reinterprets Trabant, the most common car at East Germany, putting legs instead of wheels. It’s a tribute to over 3.000 Germans from the East who invaded the garden of this embassy on summer 1989, short after the fall of the wall.

The dead horse in Saint Wenceslaus

We already said that Černý’s work is the opposite to the classicism of this city. Thus, the dead horse of Saint Wenceslaus is a good example of that, oppositely to the classic stature located in the square of the same name. Saint Wenceslaus is, indeed, a symbol to the national Czech identity, and saint patron of Bohemia.
The version by Černý of this statue is pretty close to the original, at Lucerna avenue, but the horse is upside down, death and with its tongue out.

Viselec

You should pay attention when passing by the centric street of Husava, at Staré Mesto. Actually, you should look at the sky if you don’t wanna miss it. Above, you’ll see the hanging stature, a human figure that looks a lot like Sigmund Freud.
As with most of the work by Černý, it’s open to interpretations and the artist was never willing to reveal the actual meanings.

Piss

Located by Franz Kafka Museum, at Cihelná 2b, 118. These are two figures that move thanks to an electric mechanism who are peeing in a small pool with the same shape as the Czech Republic as they write quotes, from famous local authors, with the effluent.
Next to this sculpture there is a phone number where you can send SMS suggesting your own quote to be written by this peculiar sculpture.

Miminka babies

About 216 meters high, Žižkov is the telecommunications tower in Prague and the highest building in Czech Republic. Right here, David Černý located his disturbing work of ten dark babies who climb the building while crawling.
This sculpture can be seen also from the park at Kampa island, near Charles bridge.

Klaus & Knizak

At Futura Art Gallery (Holečkova 789/49), you should go by the stairs to find two great figures that are the bottom half of a human body to put your head by the hole on their bum. Inside, a satirical video is projected featuring the former president of the Czech Republic until 2013, Václav Klaus, and the artist Milán Knížák, feeding each other while the song "We are the Champions" is played.
This is a critic to the Czech politics and also to the voyeur viewer who just observers their actions without taking part.

Shark

In 2005, this work was presented for the Bienal in Prague, but it was forbidden in other exhibitions in Belgium or Poland. This piece presents Saddam Hussein’s image captive, on his underwear and bound hand and foot, immersed in a tank of formaldehyde. The work is signed by Mahoma and was presented one year before Hussein was killed, in 2006.

Quo Vadis? by VitVit | Pink tank by Hynek Moravec| Miminka by Evrik| Piss by UkillaJJ

So you feel like visiting Prague, do you? Book your flights here!