Everyone is aware that Halloween is now a global festivity celebrated all over the world. So, if you’re a die-hard, why not see for yourself just how they stage it on the spot in various parts of the world? For instance, in London, a city enthralled with Witches Night.

At some stage you must have spent a date like New Year’s Eve, Carnival or Christmas abroad. It is a common practice among seasoned travellers to get away from their home country whenever they can for those hallowed days. But, those are not the only special events that prompt people to fly off to other lands. If there is any special day that has become hugely popular in recent times it is Halloween, which is held in considerable esteem by English-speaking nations and has, happily, been exported elsewhere, too.

One of the paramount cities when it comes to celebrating that night, particularly in the guise of horror movies, macabre events, the supernatural and, of course, pumpkins is London. It is one of the European cities with the greatest accretion and tradition of horror stories and legends, making it a must-visit venue for Halloween devotees the world over. The City has a generous lineup of activities for this, the most terrifying festivity in the year. We have chosen five of them for your delectation, if you happen to be flying to London for 31 October.

Abney Park Cemetery

With such a long history, a large city like London is bound to have numerous, centuries-old cemeteries with priceless architectural charm which are a tourist draw in themselves. One of the most spectacular graveyards is Abney Park, on the outskirts of the city near the Stoke Newington tube stop. Strolling along its paths between gravestones and age-old tombs overgrown with vegetation, you feel like you’ve stepped into a story by Edgar Allan Poe or H. P. Lovecraft.

Haunted Tattoo

After a walk through Abney Park, go down to Holloway Road (a street known for its cultural offerings and a haven for a large art community) and drop in on Haunted Tattoo. Over and above drawings etched into the skin, this tattoo studio stands out as a small museum featuring all kinds of objects relating to horror movies, literature, comics and illustration. Making no concession to horror vacui, the premises will leave you open-mouthed. Fear not – knock on the door, even if you don’t plan to have a tattoo done.

Jack The Ripper and the Whitechapel District

A dream plan for any Halloween enthusiast. If you’re ever in London for Halloween, make a point of trying the sightseeing route that follows the life and exploits of this notorious first serial killer of modern times. You can set up your own tour on the Internet but, if you prefer to have it laid on, you could opt for The Jack The Ripper Tour, highly rated and recommended by users.

The Rocky Horror Picture Show at the Prince Charles

Once you’ve completed the previous three tasks, the ideal way of opening the Witches Day evening is by attending one of the best horror musicals in cinema history – The Rocky Horror Picture Show. Located in Leicester Place, near the heart of the City, the Prince Charles Cinema is one of the most unusual in London with its policy of re-screening film classics. And, needless to say, for Halloween they have lined up a special screening at which – take note – you can sing along with the stars of the movie, as this is a sing-along session – What a treat!

John Carpenter at the Troxy

The icing on the cake for these splendid Halloween dates are the two live performances by John Carpenter in London on 31 October and 1 November. A legend of horror movies, and also known for having composed the soundtracks of his films, Carpenter will be giving two concerts featuring soundtracks from such movies as The Fog, They Live and Assault on Precinct 13, as well as new songs from his studio recordings. You can enjoy these performances in style, in one of London’s iconic cinemas, the Troxy, in the Commercial Road area near the Limehouse tube stop.

Liven up your horror Halloween in London – book your Vueling here.

Text by Xavi Sánchez for Los Viajes de ISABELYLUIS

Images by DAVID HOLT, James Nash, Tarquin Binary , Holloway Life, Alexander Baxevanis, Matt From London

Oran is still off the beaten tourist track, which makes it all the more appealing when it comes to planning a trip which avoids scheduled routines and well-worn tourist prototypes. During the French colonial period it was the capital of the Oran Department, and it is currently an important port city and commercial hub and boasts one of the leading universities in North Africa. Sunni Islam is the official State religion, although there are Christian and Jewish minority communities. A visa is required when travelling there.

The Spain Brand in Oran

The capital of western Algeria, Oran occupies a privileged, strategic location in the Mediterranean basin. It is regarded by Spaniards as the most Spanish city in Africa, given the wealth of Spanish vestiges still present right across the region. Indeed, traces of Spain linger in local culture, language and gastronomy. The Oranians eat cocas, a sausage similar to Spanish sobrasada, and claim to have invented the paella, a word derived from the Arabic baiya, consisting of rice and seafood. The city also sports a bullring – now in disuse – which was inaugurated in 1954.

In geographical terms, Oran is the point in Algeria closest to the Iberian peninsula and indeed, on a clear day, the city of Almería can be seen from Oran, or vice versa. Its privileged position has enabled it to build up all manner of land and maritime connections. Its bay opens to the north-east, while the western flank is dominated by the steep Aïdour mountain. The city lies sheltered between the old colonial city and the new developments, which lend it a more modern air. Not to be missed is a stroll down the seafront promenade with its delightful panoramic view of the harbour and the old city. From here you can walk to the interesting Pacha Mosque.

You should not pass over the occasion to visit the famous Santa Cruz Fort. Built atop a mountain adjacent to the city, where it has served as a faithful lookout for over four centuries, this is undoubtedly the masterpiece of Spanish military architecture in the city, and also houses the well-worth-seeing Chapel of the Virgin.

The Place de la Perle (or Plaza de Armas), once the centre of Oran, while the city was under Spanish rule, is another of the prime sightseeing spots. Together with the Spanish Gate, the Casbah, the Porte de Santon, the St Philip Garrison and the Tambour de San José, it is one of the best preserved places from that period, from the 16th to the 18th century. Most striking is this latter monument, due to its important role in the Spanish history of Oran. Radiating from there was a network of underground galleries which ran underneath the old citadel and connected the Qasr el-Bey (Bey Castle) to the Santa Cruz Fort.

Historical District

The old town features an alcazaba (citadel), a fortified urban enclosure built to house the governor’s residence, to defend a specific area and its surroundings and to garrison troops, making up a small military precinct. The cluster of buildings forming this citadel includes an 18th-century mosque.

The district of Sidi El Houari, the patron saint of the city, is the oldest in Oran. There are guided tours of the walls and tunnels dating from the Spanish period, the Spanish Gate, the Madrid Ramp, la Blanca, la Escalera, the Casbah, etc. In this historical district you can also see the old Saint-Louis school, and the Pacha Mosque, built during the 17th century. Before leaving Oran, make sure you visit the marabout or Moorish shrine of the city’s patron saint, Sidi El Houari and make a wish, as tradition dictates.

This district also houses some of the city’s most important museums. The Ahmed Zabana Museum, formerly known as the Demaeght Museum, has archaeological, ethnological and natural history collections from the Maghreb on display, as well as an exhibition area devoted to Oran. In the archaeology section, the Carthaginian and Roman collections take pride of place. The buildings date from 1933, while in 1986 the museum was taken over by the Ministry of Culture and renamed. It comprises seven sections focusing on Oran and its surrounding region – fine art, the Moudjahid, numismatics, pre-history, old Oran, ethnography and natural history. Another prominent museum is the Moudjahid, located in the USTO district, which is dedicated as a memorial to the struggle for independence during the Algerian War.

Discover one of the best kept secrets of the Mediterranean! Check out our prices here.

Text by ISABELYLUIS Comunicación

Photos by Algerian Embassy

Prague is a monumental city, with great historic buildings that bring unique, elegant and refined atmosphere to the city. But a contemporary artist got to the city to turn upside down its classic harmony with some of his weird work.

Born in Prague, David Černý is a controversial, irreverent and disturbing artist who loves to provoke the audiences. And he does so! His sculptures, with a remarkable social criticism, against power and authority, disturbed some of his audiences.

David Černý started his career as a provoking artist when, along with his colleagues at the arts school, painted in bright pink a tank from the soviets at the garden of the German Embassy -a monument to Czechoslovakia liberation in 1945-. Černý was arrested for his colourful attack but now this tank is exposed at the Military Museum in Lešany, 20 kilometers away from Prague, ad a freedom symbol.

His work is all around the city where this artist was born. There are many, but this is a little route to the most shocking and remarkable work.

Quo Vadis?

His first work, Quo Vadis?, was located at the German Embassy in Prague (Vlašská 19, Malá Strana). In Quo Vadis? Černý reinterprets Trabant, the most common car at East Germany, putting legs instead of wheels. It’s a tribute to over 3.000 Germans from the East who invaded the garden of this embassy on summer 1989, short after the fall of the wall.

The dead horse in Saint Wenceslaus

We already said that Černý’s work is the opposite to the classicism of this city. Thus, the dead horse of Saint Wenceslaus is a good example of that, oppositely to the classic stature located in the square of the same name. Saint Wenceslaus is, indeed, a symbol to the national Czech identity, and saint patron of Bohemia.
The version by Černý of this statue is pretty close to the original, at Lucerna avenue, but the horse is upside down, death and with its tongue out.

Viselec

You should pay attention when passing by the centric street of Husava, at Staré Mesto. Actually, you should look at the sky if you don’t wanna miss it. Above, you’ll see the hanging stature, a human figure that looks a lot like Sigmund Freud.
As with most of the work by Černý, it’s open to interpretations and the artist was never willing to reveal the actual meanings.

Piss

Located by Franz Kafka Museum, at Cihelná 2b, 118. These are two figures that move thanks to an electric mechanism who are peeing in a small pool with the same shape as the Czech Republic as they write quotes, from famous local authors, with the effluent.
Next to this sculpture there is a phone number where you can send SMS suggesting your own quote to be written by this peculiar sculpture.

Miminka babies

About 216 meters high, Žižkov is the telecommunications tower in Prague and the highest building in Czech Republic. Right here, David Černý located his disturbing work of ten dark babies who climb the building while crawling.
This sculpture can be seen also from the park at Kampa island, near Charles bridge.

Klaus & Knizak

At Futura Art Gallery (Holečkova 789/49), you should go by the stairs to find two great figures that are the bottom half of a human body to put your head by the hole on their bum. Inside, a satirical video is projected featuring the former president of the Czech Republic until 2013, Václav Klaus, and the artist Milán Knížák, feeding each other while the song "We are the Champions" is played.
This is a critic to the Czech politics and also to the voyeur viewer who just observers their actions without taking part.

Shark

In 2005, this work was presented for the Bienal in Prague, but it was forbidden in other exhibitions in Belgium or Poland. This piece presents Saddam Hussein’s image captive, on his underwear and bound hand and foot, immersed in a tank of formaldehyde. The work is signed by Mahoma and was presented one year before Hussein was killed, in 2006.

Quo Vadis? by VitVit | Pink tank by Hynek Moravec| Miminka by Evrik| Piss by UkillaJJ

So you feel like visiting Prague, do you? Book your flights here!

Situated in western Holland, on the final stretch of the river Meuse, the modernity breathed by Rotterdam is stunning, far removed from the usual image we have of European cities. Don’t expect to find a typical historic city centre, with a jumbled network of backstreets and time-worn buildings storied with its historical past. The city layout and its tall buildings are more reminiscent of New York’s Manhattan than other Dutch cities like Amsterdam or Utrecht.

The Bombing Raids and Nazi Occupation

The reason for this peculiarity – so to speak – goes back to the Second World War. On 14 May 1940, in a desperate attempt to secure the surrender of Rotterdam, the German air force bombarded the city to such an extent that hardly any building was left standing in the city centre. The air raids destroyed over 24,000 homes and led to the loss of around 800 lives.

Rising from the Ashes

After the city was liberated from the Nazis, unlike other European cities that set about restoring their historic centres as best they could, Rotterdam elected to start from scratch. In this respect, they did not hesitate to adopt the latest building trends, as evinced in every corner of the city. Herein lies Rotterdam’s chief appeal – a host of contemporary architectural discourses coexisting in harmony.

The Standout Features

As Rotterdam has a lot of architecture worth viewing, and one does not always have enough time to see it all, here is a selection of the major landmarks in the city:

The Erasmus Bridge – or Erasmusbrug – which connects the north and south parts of the city, is the work of Ben Van Berkel. Inaugurated in 1996, this imposing structure over the river Meuse has become a well-known landmark.

Near one end of the bridge are two emblematic buildings which can’t fail to attract one’s attention. One is the KPN Telecom Building, designed by Renzo Piano, one facade of which leans slightly towards the city. It is studded with green lights that generate different figures or messages. Just behind it stands “De Rotterdam”, a huge complex consisting of three inter-connected towers. Designed by Rem Koolhaas, it was inaugurated in 2013.

Another icon of Rotterdam, although of a much smaller size, are the Cube Houses (Kubuswoning), designed by the architect, Piet Blom. The original structure of these houses is the result of tilting the cubes 45 degrees and setting them on hexagonal pillars. The set of houses, made up of 32 cubes, has an unusual forest-like appearance. For those curious to see what they look like inside, there is one open to visitors.

The Kuntshal cultural centre, designed by Rem Koolhaas, is well worth seeing, both for the building itself and the collections it houses. The ample, 3,300 m², of available space enables five exhibitions to be hosted in parallel. While it lacks its own, or a permanent, exhibition, it does act as an expositor for the latest trends in contemporary art.

The Central Library exterior, with its huge pipes painted in bright colours, is reminiscent of the Pompidou Centre in Paris, which provided the Van den Broek studio with the necessary inspiration to design this building. Opened in 1983, it is Holland’s largest public library. A quaint detail is the giant chess board inside.

The dazzling red covering the spectacular structure of the New Luxor Theatre is the first thing that catches one’s eye when approaching it. Opened in 2001, it is the work of the Australian architect, Peter Wilson. There are guided visits of the theatre interior and, for those of you who visit on your own, don’t miss the views to be had on the roof terrace.

The outstanding feature of Rotterdam Central (Centraal Station) is the entrance ceiling – shaped like a boomerang, it is made of stainless steel and covered in red-cedar panelling. Three teams of architects were commissioned to undertake the recent extension and remodelling project, namely Benthem Crouwel Architects, MVSA Meyer en Van Schooten Architecten and West 8.

Don’t miss out on one of Europe’s finest showcases of contemporary architecture – treat yourself to a Vueling, here.

Text by ISABELYLUIS Comunicación

Photos by bertknot, Franklin Heijnen, Luke Price, Tim van Vliet, Rory Hyde