A sign up in the entrance to Rock And Sole Plaice proclaims there is nothing more British than a good helping of fish and chips doused in salt and sprinkled with vinegar. Indeed, along with afternoon tea, the Union Jack, Beckham and Victoria and the Gallagher brothers’ diatribes, this dish is one of the grand institutions of British society. Having staged a comeback in the islands after decades of decline, this simple but exquisite and foolproof combination of batter-fried codfish and a good helping of chips is drawing ever more adepts. Here, then, are London’s 10 best chippies, which will turn you into a die-hard supporter of the cause.

Bonnie Gull

Fish and chips is just one of the offerings on the menu at Bonnie Gull, but their version of it is so ineffably delicious they could easily dedicate themselves solely to this dish. Their fish is battered North Sea haddock with a varnish of beer and tempura, giving it a doubly crunchy texture. Their chips, a greasy indulgence, are cooked slowly in beef dripping. To not dip them in their homemade ketchup would be unforgiveable.

Fish Central

A veritable London culinary institution specialising in fish. Opened in 1968, very few things have changed since then at the Fish Central. In their case, this is great news. As its name suggests, their menu offers the best and freshest fish and seafood, from humble sardines to pompous oysters. Their fish and chips, among the best in town, provide an exquisite contrast between the excitingly crunchy chips, and tender codfish which melts in your mouth.

Fish Club

Strict rules about how fish and chips should be made limit the varieties of fish to cod – or, failing that, haddock. Luckily for our palates and stomachs, The FishClub flouts the regulations. This small chippy, with two branches in The City, also makes fish and chips from sardines, gilt-head bream, mackerel, sole and – the great speciality of the house – pollock, among others. Guests can choose between classical-style batter (a mixture of flour, egg and beer), breadcrumbs, grilled, baked or fried. The only item which is set are their chips, which are large, potent and crunchy.

The Golden Hind

A classic among classics, in 2014 the folks at The Golden Hind celebrated their hundredth anniversary as purveyors of fish and chips in London. Peerless masters of the trade, they conceal their scrumptious haddock under a feathery-light batter. This is accompanied, needless to day, by generous helpings of chunky potatoes. Those of you who are not too keen on tubers can swap the chips for colourful, appetising sautéed peas. Golden Hind, 73 Marylebone Lane.

Golden Union Fish Bar

In the heart of Soho, Golden Union has been frying up their wares for over a hundred and fifty years. Such centennial experience translates into generous portions of codfish, perfectly seasoned and coated in a crunchy batter which – thanks to some secret recipe – has a texture similar to puff pastry. Special mention goes to their silky, spongy French fries.

Kerbisher & Malt

A top-drawer chippy, with four restaurants dotted around London – we recommend the one on Shepherd’s Bush Road. Here, the popular British culinary classic comes in many venues and options, notably battered in beer, in accordance with tradition, fried in breadcrumbs or grilled, for those who are seeking a healthier variety. Their superior quality chips are accompanied with mouth-watering mushy peas, pickled onion rings, coleslaw or homemade tartare sauce.

Poppie’s

Behind a somewhat kitsch decor, a re-creation of London’s East End in the 40s and 50s, lies one of the best spots for wolfing down fish and chips. The classic aesthetics also spills over into their cuisine. The folks at Poppie’s don’t try to innovate, but to raise tradition to the nth degree – a hearty slice of codfish delivered fresh from Billingsgate market, and chips of the kind that are crunchy on the outside and spongy on the inside.

Rock And Sole Plaice

This is Idris Elba’s favourite chippy. We support his verdict, not so much for the quality of their fare as for the experience as a whole. Off the beaten track in an alley next to Covent Garden, the Rock and Soile Plaice is scarcely a few square metres of white tiles coated in a fine, greasy layer. Their cute terrace is the best place to eat. A typical venue where you feel like just another Briton stuffing yourself with fried fish.

Sutton And Sons

Danny Sutton, the owner of this fish-and-chips shop, listed in all guides as one of the best in town, also runs a fishmonger’s in the same street. No wonder then that anything they serve up at Sutton and Sons is so fresh it is liable to leap off the plate. Their top-of-the-line fish and chips is much more wholesome when paired with one of their numerous craft beers. For dessert, we recommend Mrs Sutton’s caramel pudding.

Toff’s

Ever since they opened in 1968, experts, connoisseurs and epicures of fish and chips have chosen it on more than one, two or three occasions as the best chippy in both London and the United Kingdom. Juicy, scaly codfish coated with fatless, crunchy batter. While the generous island of fish surrounded by crispy chips does not appear to be based on any special recipe, you will be itching to come back to this chippy on Muswell Hill even before you leave it.

Come and try this classic of British cuisine – book your Vueling to London here.

Text by Oriol Rodríguez for Los Viajes de ISABELYLUIS

Images by Mark Hillary , Marshall Segal, RosieTulips, Ewan Munro, Duncan C

Its industrial past well behind it, but true to its roots, Bilbao is today a modern, cosmopolitan city offering the finest cuisine, music and, in particular, art and architecture. Indeed, ever since the Guggenheim Museum opened to the public in the mid-1990s, the Basque capital has become a magnet for devotees of contemporary art and architecture. In tandem with the museum’s inception, the city saw an upsurge in urban renewal – historical constructions were restored, stunning modern buildings erected and the estuary precincts were integrated with green areas and the layout of a metro network, designed by the likes of Sir Norman Foster. Hence, Bilbao is currently one of Europe’s best cities to live in. Here, then, is our tour of its most groundbreaking museums and buildings.

Around the Guggenheim Museum

This monumental building designed by Frank O. Gehry is an icon of the transformed Bilbao and an international art and architectural yardstick. It is rewarding to saunter around the building and become enveloped in the curves on its facades, and in awe of the famous Spider by Louise Bourgeois, or the acclaimed Puppy by Jeff Koons. Venturing into its interior, however, is a unique experience. Wandering through the steel labyrinth of The Matter of Time, by Richard Serra, or visiting the noteworthy temporary exhibitions that pass through the Guggenheim, is something all art lovers should make a point of doing.

Near the museum stands La Salve Bridge. While is has been spanning the estuary since 1972, it was not until 2007 that the French artist Daniel Buren added its famous Red Arch. Also worth seeing and adjoining the Guggenheim is the New University of Deusto Library, by Rafael Moneo, with its monolithic volume and rounded corners.

Just behind it stands the Iberdrola Tower. Designed by César Pelli, this 41-storey, 165-metre-high tower with its dramatic appearance is the tallest building in the Basque Country. It is flanked by the Viviendas Ferrater housing project, two luxury buildings designed by Carlos and Lucía Ferrater, Xavier Martí and Luis Domínguez. Opposite them lies the Plaza de Euskadi, by the landscape architect, Diana Balmori.

The Museo de Bellas Artes – A Contemporary Classic

Located near the Plaza de Euskadi, opposite Doña Casilda Park, the Museo de Bellas Artes provides an enhancement to the great collections of classical European art with its selection of top-notch works, including a Lucretia by Lucas Cranach the Elder and paintings by Francisco de Goya, El Greco and Zurbarán, while the contemporary section features paintings by Miquel Barceló and Francis Bacon. Here, you can actually travel from ancient times to the 21st century. To cater for such a variety, the building, originally dating from 1945, was upgraded incrementally, leading to its current appearance. The latest renovation has endowed both the exterior and interior with a leading-edge look. It dates from from 1996, when Luis María Uriarte opened new spaces and added the structure and glass foyer which now provide access to the museum.

Strolling Along the Estuary

The ría, once a dark, polluted estuary, was converted into one of the recreational areas of choice for Bilbao’s residents. Part of this upgrade is due to the Isozaki Atea (Isozaki Gateway) project, an ensemble of seven buildings designed by the Japanese architect, Arata Isozaki, in collaboration with the Bilbao architect, Iñaki Aurrekoetxea. Opposite this precinct stands the Zubizuri Bridge, Santiago Calatrava’s contribution to Bilbao, although also the most controversial landmark in the city.

The Alhóndiga and Osakidetza

Venturing into Bilbao’s Ensanche district will inevitably lead visitors to the Azkuna Zentroa or Azkuna Centre, better known as the Alhóndiga, a former wine exchange which has now been converted into a vibrant hub of leisure and culture. Originally completed in 1909 to a design by Ricardo Bastida, it was innovative for its time on account of the architect’s use of such materials as reinforced concrete. Following an overhaul assigned to architect Philippe Starck, it re-opened to the public in 2010 as a multi-purpose centre.

A short distance away, you get the impression of suddenly having stepped into the heart of Europe  when confronted by the Osakidetza (Public Health building), unmistakeable for the polyhedral design of its facade, by Juan Coll-Barreu.

Before leaving Bilbao, be sure to visit the city’s metro which, designed by Sir Norman Foster, is said to be one of the best in the world.

Book your Vueling to Bilbao and delight in its museums and magnificent buildings.

Text and images by Aleix Palau for Los Viajes de ISABELYLUIS

Food is always good in Asturias, but you need to know which restaurants to choose. It’s best to avoid expensive ones and go for those with hearty fare. Better still, those offering something different, entertaining, mouth-watering, with more gastronomic intent… In short, venues resembling the ones we visited in Oviedo. Oh, and don’t look for fabada here, because you can find it everywhere. Here, we’re after something else.

180° C

Located on Calle Jovellanos, at one end of Calle Gascona, known as the “cider boulevard” for the numerous cider halls lining the street. 180° C is a no-frills gastrobar headed by chef Edgar de Miguel,who learned the trade from Martín Berasategui, Carme Ruscalleda and Pedro Subijana, among others. The restaurant has a bar counter with dishes of shared tapas for an average of 12 euros, and a dining room serving traditional, local cuisine based on modern techniques and humble produce, for around 30 euros. There is also the odd international dish, like the amusing, in no way sour red pomfret ceviche(lemon-and-garlic marinade) with passion fruit and corn cream, round bites like the brioche de bocartes with avocado pear and tomato, and such noble dishes as tender codfish candied over a low fire with a salad of broad beans, dried tomato and homemade kefir. They offer three working-day lunch menus for 12.50, 16.50 and 19 euros.

De Labra

Two hurdles need to be overcome in order to enjoy your meal to the full here. One is physical, as the restaurant lies 3.5 kilometres from the centre of Oviedo, which translates to a half-an-hour’s walk or a taxi ride. The other is psychological, as the restaurant is wont to arrange banquets and, for some unknown reason, for many this generates misgivings. Well, no – De Labra is well worth the visit because their cuisine is sensational and their prices amazing compared to any big city. The best example is their in-season menu, featuring three aperitifs and four dishes – this costs 25 euros without drinks, and 33 with pairings. They are equally adept at crafting traditional dishes with modern methods and presentations as producing Japanese cuisine, as they have a teppanyaki griddle. It was the first restaurant in north-east Spain to serve Japanese cuisine and have been doing so for 12 years now. Average price – 35 euros. They have four menus – an executive lunch menu on working days for 17.95 euros, an in-season menu (three aperitifs and four dishes for 25 euros, or 33 euros if you include four wines), a tasting menu (six dishes for 42 euros; 55 euros including six wines), and Japanese (7 dishes for 45 euros, excluding drinks).

Naguar

Naguar means “to make your mouth water” in Bable (Asturian). The name couldn’t be more appropriate for a restaurant serving modern Asturian cuisine. “Flavour and roots”, proclaims their chef, Pedro Martino, by way of a motto describing his work over the fire. If his dishes stand out for anything it is their intensity, potency, strength, simple elegance and complete lack of aggressiveness. Try the spicy tripe and bone marrow gravy, the creamy clam and jig-caught squid rice and/or the llámpares (limpets) in their juice and your mouth will water until you say – enough! Martino won the 2013 Spanish Pinchoscompetition with a chickpea stew coulant which is eaten in one go. He was also awarded a Michelin star from 2003 to 2009 for L’Alezna, in Oviedo, so he’s guaranteed to make you “naguar”. Average price – 40 euros (there is a tasting menu for 35 euros and another for 55, both excluding drinks).

Mestura

There is always a moment for indulging in some gastronomic tribute on any trip. The Restaurante Mestura, housed in the Gran Hotel España, is ideal for this (and it’s not very pricey either). Noteworthy for its setting, their stately service and the chef, Javier Loya’s elegant culinary offerings (he earned a Michelin star for the Real Balneario de Salinas). This is Asturian cooking with a refined flourish, with just the right (masterly) technique in the service of upscale products. Peerless dishes like the charcoaled monkfish with lemon thyme and Jerusalem artichoke, and squid tartare with rhubarb salad, snow peas and tarragon broth. Average price – 35 to 45 euros. There is an executive lunchtime menu from Tuesday to Friday for 21.80 euros, the Foment Asturian cuisine menu (aperitif, two starters, main course and dessert, without drinks) for 39, and a tasting menu for 60 euros sans drinks.

Book your Vueling to Oviedo – you will delight in these culinary gems.

Text and photos: Ferran Imedio of Gastronomistas.com

It would be impossible to imagine 20th-century Vienna without the amazing art legacy of Gustav Klimt (1862-1918). While his primary subjects were the female nude and portraits of Vienna’s high society, the works of this symbolist painter continue to fascinate experts and amateurs alike. Today we tour Vienna in search of the oeuvre of one of the most compelling painters of all times.

“To Every Age its Art, to Every Art its Freedom”

The best way to come to grips with Klimt’s legacy in Vienna is by starting at the building of the Vienna Secession, designed by Joseph Maria Olbrich and sited at 12 Friedrichstrasse. A dome festooned with laurel leaves crowns a facade which bears the motto of the Secession, “To Every Age its Art, to Every Art its Freedom”. The motto is accompanied by a frieze created by Klimt in 1902 as a tribute to Ludwig van Beethoven. Visitors to the building were greeted by the Beethoven Frieze, one of his most celebrated works. Measuring 34 metres long by 2.15 metres high, it was not put on public display again until 1986.

This famous painting recalling Wagner conducting Beethoven’s Ninth Symphony was actually intended for a temporary exhibition, but was saved from destruction by a collector. It was divided up and acquired by the Austrian state again in 1973, and exhibited once more as of 1986.

After the Vienna Secession building, our next stop is the must-visit Museum of Art History (Kunsthistorisches Museum). After entering, as you go up the staircase, look up at the 40 paintings on the columns and arches executed by the three artists making up the so-called Society of Artists, whose members were Gustav Klimt, his brother Ernst and Franz Matsch.

The Burgtheater

After completing their work at the Museum, the Society of Artists was commissioned to execute a number of frescoes on the two staircases of the Burgtheater (Universitätsring, 2). The project was so successful that the painters were decorated by Emperor Franz Josef. On the main staircase, Klimt recreated the Theatre in Taormina, while on the other he provided a depiction of the Globe Theatre in London featuring the final scene from Shakespeare’s "Romeo and Juliet." This work includes what is regarded as the only self-portrait he ever painted.

A stone’s throw from the Burgtheater lies the Karlsplatz, one of the city’s nerve centres, which boasts some of the most famous buildings of the Vienna Secession. Prominent landmarks include the Otto Wagner Pavilion (built in 1900 for the Vienna Metro lines), the Künstlerhaus and the Art History Museum, which houses some of Klimt’s works, notably Pallas Athene and a portrait of Emilie Flöge. He was very attached to Emilie, his sister-in-law, although there is no evidence that they romanced, as some claim. He also painted many other women, including Maria Zimmermann (Mizzi), Johanna Staude and Adele Bloch-Bauer, of whom he did two portraits.

The Belvedere

The Belvedere Palace Museum houses some of Klimt’s most acclaimed paintings, chiefly  two icons of his “Golden Phase” – The Kiss and Judith I. Gustav’s father and brother were gold engravers, which accounts for his foray into golden ornamentation and his use of gold leaf. The Belvedere houses more works by Klimt than any other gallery – twenty-four, in all. However, you should also make a point of visiting the Leopold Museum, in the heart of the Museumsquartier (MQ). Displayed alongside works by Schiele are Klimt’s Death and Life, in addition to a study for Judith II and a view of Lake Atter.

Villa Klimt

Gustav Klimt had several studios during his lifetime, but the only one which has survived to the present is where he spent the last few years of his life. The Klimt Villa, situated on the Feldmühlgasse 11, was re-opened to the public in 2012 after being rebuilt from period photos. While it does not house original works, it provides an interesting insight into the life of this universal artist.

Don’t pass up the chance to discover the work of Gustav Klimt – book your Vueling here.

Text by Aleix Palau for Los Viajes de ISABELYLUIS