Fez, also known as the mazy city of Morocco is one of the country’s most ancient and best-preserved cities, conserving its authenticity and exoticism with a an architecture that has remained practically untouched for centuries. What is perhaps most striking in this North African city is the fact that its less touristy and crowded, especially if you compare it to its neighbour, Marrakech. For this reason, it has a special charm that allows oneself to submerge into the culture of the citizens, without feeling suffocated by the sellers and merchants that often bother travellers in other Moroccan cities.

1.- Medina Fes el-Bali

The highlight of our trip to Fez is precisely in the maze that is made up by more than a hundred districts ofFes el-Bali, that are full of narrow streets with thousands of turning points and dead ends. UNESCO has protected it since 1967, as it is considered the oldest part of the city, which concentrates some of the most important monuments.

In the past, according to the law, each district was obliged to have a mosque, a religious school, a bakery, fountain and hammam. The Mausoleum of Moulay Idris and the Al Karaouine, together with the Koranic schools Attarine and Bou Inania boast an exquisite architecture that deserves to be seen. The latter, Bou Inania can be visited by non-Muslims, with an exception of the prayer rooms.

The Medina Fes el- Jdid or New Medina was raised by the Merindia dynasty in the twelfth century, outside the old town. It is full of mansions with Andalusian patios, gardens, mosques and new souks, but mostly what makes it interesting is the swanky Royal Palace of golden gates, every so often cleaned with a curious mixture of lemon juice, salt and vinegar. The Mellah or Jewish quarter, which stands in the heart of Fes el- Jdid, close to the palace also offers a large market thanks to the Grand Rue, Boulevard Bou Ksissat, contrasting with the of the facades and balconies of traditional Muslim architecture, where privacy reigns.

3.- La Ville Nouvelle

In order to complete our tour of Fez, we must not forget to visit the Ville Nouvelle, the newest part of the city that was built following the French protectionism during the twentieth century. Most urbanites enjoy this area reserved for the more affluent locals, with their walk through the Avenue Hassan II and the Boulevard Mohammed V. There’s an entire collection of glamorous bars with terraces, restaurants, ice cream parlours and bakeries. Boutiques fill the streets of movement and make the Ville Nouvelle an ideal place for the classic mint tea with typical pastries that help regain strength after an afternoon of shopping.

Picture by NaSz451

Text by Blanca Frontera

Words: Jos Porath – Photos: Lena Aliper

Sunday is the day of rest?! Not so in Berlin. While the party crowd is still going strong, or else nursing their hangovers, sipping espressos and hiding behind dark shades, treasure seekers, bargain hunters and lovers of curiosities flock to the flea markets that pop up all over this mecca of kitsch and knick-knacks on the weekend. Something of a time-honoured tradition, many of the capital’s streets, parks and squares transform into bustling Wunderkabinetts that are a must-do for anyone after a unique gift (to others or self), or a souvenir of the best way to do Sunday strolling in Berlin.

While antiques, vintage clothes, GDR memorabilia, attic finds and someone’s-junk-another-one’s-treasure pieces still dominate, many vendors are also local artists, fashion designers or jewellery makers, offering a chance to snap up one-of-a-kind item particular to Berlin’s creative scene. With twenty plus flea markets to chose from on most weekends, the following top three picks showcase the best of what the barter-and-bargain scene has to offer.

Mauerpark

For those not shy of rubbing shoulders, the flea market at Mauerpark is a must-see. Berlin’s biggest and busiest flea market, this maze features everything from Edwardian nightgowns over formica coffee tables to oversized 1980s knit sweaters, and local designers and artists, and fresh food and drinks stalls to boot. Plan a whole day first scouting the goods, then hang out in the adjoining park watching bands, buskers and performers, or get involved in some open air karaoke.

Bernauer Straße 63-64, Prenzlauer Berg

U8 Bernauer Straße
Sunday, 7 am – 5 pm
Tram M10 Friedrch-Ludwig-Jahn-Sportpark

Arkonaplatz

A five-minute walk from Mauerpark, the flea market at Arkonaplatz is located in a leafy, residential part of town. A much smaller and more upscale/less digging through smelly boxes affair, browsing and shopping here has an almost bespoke quality to it. While the vendors finding, selecting, cleaning and repairing the goods on offer at this market is reflected in the prices, it can make for a welcome shortcut to finding pieces that are either in astonishing condition or have been lovingly restored.

On Arkonaplatz, Prenzlauer Berg

Sunday, 10 am – 4 pm
Tram M1/M12 Zionskirchplatz

Nowkoelln Flowmarkt/Kreuzboerg Flowmarkt

Berlin is becoming younger, hipper and more international by the day, and the flea markets most reflective of these exciting changes are the Nowkoelln Flowmarkt near the canal at Maybachufer, as well as Kreuzboerg flea market in the Prinzessinnengardens in the heart of Kreuzberg. Aiming to attract a younger crowd with a well-presented and priced selection of hip second hand items, trendy vintage pieces and timeless design objects, as well as top notch food and coffee stalls, the two markets are a great place to stroll, browse and people-watch.

Nowkoelln Flowmarkt, Neukölln

Maybachufer
Every first and third Sunday of the month, 10 am – 6 pm
U8 Schönleinstraße
—
Kreuzboerg Flowmarkt
Prinzessinnengärten, Kreuzberg
Every second and fourth Sunday of the month, 10 am – 6 pm
U8/Bus M29 Moritzplatz

Words: Jos Porath – Photos: Lena Aliper

Makes you want to go, right? Do it! Check out our prices here!

What do cities like Cannes, Berlin,Venice, San Sebastián or Locarno have in common? Well, they all host long-standing film festivals and, for a number of days and at different spots in town, all feature both screenings and parallel events as a tribute to the seventh art. Visiting these cities during a festival reveals a different side to them. Instead of the conventional tourist escapade, it involves experiencing the city from a cultural viewpoint like any of its residents. To the above-mentioned cities we should add Rotterdam, famous for having one of the largest maritime harbours in the world. It is also an industrial centre and a capital of football, with three teams in the Dutch top-flight Eredivisie – Feyenoord, Sparta and Excelsior. Over and above that, however, Rotterdam is privileged to host a highly potent film festival which turns the city into one of the leading world cinema hubs for a period of twelve days.

This time around, the International Film Festival Rotterdam (its official name) will take place from 25 January to 5 February 2017, and the programme is dedicated to art house films, both European and international, and the leading figures of independent cinema. This year is dedicated to a retrospective of Jan Němec, one of the paramount filmmakers in Czech cinema, who died a few months ago. A tribute to his figure will involve screening his best known films, as well as a posthumous film, The Wolf from Royal Vineyard Street. The official festival lineup will feature the latest movies by Jim Jarmusch, Paterson and Gimme Danger, in addition to the long-awaited film, Jackie, by Pablo Larraín, starring Natalie Portman.

The focal point of the festival will be De Doelen, a venue with an eventful history in downtown Rotterdam. Its location gives you plenty of time to stroll around and discover the city between screenings. De Doelen was built in 1966 and is both a convention centre and the primary venue of the Rotterdam Philharmonic Orchestra. The other cinemas providing screenings are also in the city centre, in such charming theatres as Oude Luxor and the Pathé Schouwburgplein. They are relatively near some museums which are well worth visiting, including the Maritime Museum, devoted to the importance of maritime culture and various aspects of sailing. Apart from the exhibition space, it features a canal in the surrounding area offering all types of parallel activities. The Boijmans Van Beuningen Museum is Rotterdam’s stellar art museum with an amazing collection, a dream come true for any painting enthusiast. Its exhibits include works by Salvador Dalí, Tintoretto, Hubert van Eyck, Willem Heda and Pieter Bruegel, among others, but it doesn’t stop there – the museum also covers other art disciplines (industrial design, installations, graffiti) and itinerant exhibitions that are refreshed each month. By the way – the Boijmans Van Beuningen Museum is just a stone’s throw away from Museumpark, one of the city’s lungs and most beautiful parks.

Apart from the aforementioned films and cycles, the International Film Festival Rotterdam also hosts a number of out-of-the-ordinary special screenings. One of the most prominent is a whole, day-long session dedicated to children. This year it falls on Sunday 29 January and features a selection of films which the little ones can enjoy in the company of their parents. Other events worth mentioning include two short marathons to be hosted on 4 February. Lasting six hours each, they will be held in the Kino Rotterdam, a cinema where you can also have dinner or a drink, if you wish. Check out the rest of the festival events here.

Be sure to discover Rotterdam through the prism of its cinema festival – book your Vueling here.

Text by Xavi Sánchez for Los Viajes de ISABELYLUIS

Who would have thought that, when they made their debut on stage at the Café Bizarre in New York, the young Lou Reed and John Cale would end up being the stars of an exhibition paying tribute to their band in Paris? That was back in 1965 when, having first called themselves The Warlocks and then The Falling Spikes, they had finally settled on a name that would identify and enshrine them for posterity. Incidentally, The Velvet Underground was the title of a book on sado-masochism written by Michael Leigh which had fallen into their hands by sheer chance. Nothing unusual, however, considering that drugs, prostitution, transvestism and homosexuality were rife in their New York haunts and would become the subject of many of their song lyrics, a fact which rattled more than one music producer.

Andy Warhol, a great one for moving in the New York underground and absorbing it into his parties and his works, particularly in the film pieces he shot with Paul Morrissey, was enthralled with the music of this upcoming band and added them to the prevailing fauna in The Factory. What’s more, he even took the bold step of taking over as manager of the group and in 1967 released his first production, The Velvet Underground & Nico, for which he did the cover design. Indeed, I am referring to the famous cover with the banana sticker, a veritable icon in the art world. But, the album’s value lies not only in its wrapping. Its content includes some genuine musical pearls like Sunday Morning, I’m Waiting for the Man, Venus in Furs and Heroin.One of the upshots of their collaboration with the pop artist par excellence were the videos he recorded with them, which ranged from ghoulish to arty, in which he enveloped the band in light and colour.

While the album was not a super-hit – only some 30,000 copies were sold – the band decided to  break with the core of Andy Warhol and The Factory to pursue their career as musicians. The Velvet Underground remained active until 1973, when differences between the leaders were responsible for precipitating a break-up – John Cale having had a more academic music training, while Lou Reed had followed a more rebellious line. They actually started moving in and out of the band, until they eventually decided to break up altogether.

Despite their short career and meagre success, at least as far as album sales is concerned, The Velvet Underground was one of the most influential bands of New York. Heirs to the beat generation legacy, they played a crucial role in New York’s counter-culture, far removed from the psychedelic hippie culture of the seventies that reigned in San Francisco, the other major hub of creativity in the United States. Among those who inherited their destructured sound and coarse lyrics were Ramones, The Voidoids, Dead Boys, The Heartbreakers, Siouxsie and the Banshees, Joy Division, Bauhaus, The Contortions, Bush Tetras, Teenage Jesus and The Jerks, DNA, Sonic Youth, Spacemen 3 and Nirvana.

The Philharmonie de Paris is hosting a tribute to this band in the form of an exhibition entitled, The Velvet Underground. New York Extravaganza, which runs until 12 August. Audiovisual material has been carefully curated, with six films being purpose produced for the occasion, also featuring television file pictures, photos and portraits of the band members, objects from private collections and works by contemporary and later artists who were seduced by the charms of the band. This whole ensemble is designed to recount the story of the group and its lasting legacy. But, there is more – the exhibition will be supported by a parallel set of activities, including conferences, screenings and concerts.

Go back down memory lane and relive one of the outstanding rock bands of New York’s counter-culture by taking a getaway to Paris. Check out your Vueling here.

Text by Los Viajes de ISABELYLUIS