The river-and-sea route along the Arousa estuary and the river Ulla commemorates the sea landing in Galicia of the mortal remains of the Apostle, James the Elder, after his martyrdom in Jerusalem in the year AD 44. James was a fisherman of Galilee, an apostle of Christ, and a preacher of the Gospel in the West. Herod ordered his assassination in the year AD 44.

This is undoubtedly one of the less trodden pilgrim’s routes to Santiago. No ordinary route, it is negotiated mainly by boat, against the magnificent backdrop of the Arousa estuary. The subsequent stretch negotiated on foot is only 26 km long, the distance separating Pontecesures from the holy point of arrival in Santiago de Compostela.

The Sea Route

The route starts in the O Grove fishing village. It has pleasure boats that make most of the journey, with stopovers at mussel rafts, tastings included. But, if you’re hankering after a more genuine adventure, the best approach is to make friends with a local fisherman to negotiate the stretch on a small boat. This is the best way to hear the scores of tales about a route celebrated the world over. And, the shallow draught of the vessel means that reaching the picturesque village of Pontecesures does not involve any major difficulty. It is safest to sail up the river during high tide.

The first few paces of the journey are incredible, sailing right past the shellfish harvesters rummaging between the rocks for clams and velvet crabs on the riverbank. You then wend your way among the mussel rafts, a veritable tangle of floating platforms beneath which you can make out sizeable loads of delicious mussels. From Cortegada Island on, a number of pilgrim’s crosses set on islets and on the shores of the Ulla estuary show the way, traversing the mythical Western Towers of Catoira and the nature reserve of Brañas de Laíño, until you reach Padrón and then on to Compostela.

Feet! You’re Now Required!

The half-ruined towers of the Catoira fortification mark the end of the most maritime estuary. From here on, the two riverbanks start moving together, as if to form a river. The stretch up to Padrón is no longer navigable after the river Sar channelling works were undertaken, but you can reach Pontecesures along the river Ulla. This is the landing point. According to ancient Christian traditions, reworked in medieval texts, after his martyrdom, some of St James’ disciples recovered his decapitated body and took it across the Mediterranean and up the Atlantic coast of Iberia as far as Iria Flavia, in the vicinity of present-day Padrón. They made the voyage in a celebrated “stone boat”, which might have been one of the vessels used for transporting minerals between Galicia and other areas of the Roman Empire. The stone or “Pedrón” is housed in the Church of Santiago de Padrón. Tradition has it that the Apostle’s boat was moored to the stone after its long voyage.

Padrón is a modern town. The boat was moored to a stone or pedrón, which is actually an altar stone that can now be seen under the altar at the Church of Santiago. Padrón, the former Iria Flavia, was one of the great Roman metropoli in Galicia. There are also vestiges of St James at the Fuente de Santiago (Fountain of St James) and in Santiaguiño do Monte, where a shrine and megalithic complexes recollect the Apostle’s early preachings. This maritime route was also plied by the Portuguese, who also celebrate it as the route taken by disciples who brought St James’ relics with them.

Don’t miss out on this maritime route reaching Santiago de Compostela after sailing up the Arousa estuary. Check out our flights here.

Text by ISABELYLUIS Comunicación

Photos by Turismo de Galicia, Turismo de Santiago

No bridge seems to be as famous as the one in Avignon, the central theme of one of the best known children’s songs in France. Indeed, it has been sung in virtually all languages – local guides can even sing it in Japanese – so it comes as no surprise that anyone arriving at the battered Pont Saint-Bénézet is likely to sing the song or even dance it. This structure, twice destroyed by flooding along the Rhone, has become an icon of this Provençal city and its ambassador par excellence, earning it universal fame.

Apart from its bridge, Avignon, which is just an hour’s drive from Marseille, is a historic city, having once been the capital of Christendom and the centrepiece in one of the major schisms in the Catholic Church. Dating from that period is the formidable Papal Palace, the largest known Gothic palace. In the 14th century it witnessed a cultural and economic Renaissance that saw the arrival of bankers, artists and writers from all over Europe in a quest to be near the papal orbit – Petrarch was one of them.

But, it was not until five centuries later that Avignon again became a beacon of intellectual activity.  1947 saw the birth of the Avignon Festival, France’s longest-standing and most celebrated event devoted to theatre and the scenic arts and one of the most firmly rooted festivals in Europe. This year it runs into its 70th edition and will be held from 6 to 24 July at more than 30 venues.

A turning point in the Festival’s schedule of events came in the year 2000 when Avignon was designated the European Capital of Culture. Then ensued a cultural revival in this, the major population centre in the department of Vaucluse – set in the new region of Provence-Alpes-Côte d’Azur – as attested by the opening of the Lambert Collection – Museum of Contemporary Art, set up in 2000 around a historic endowment by the merchant and collector, Yvon Lambert. The endowment is admirable and comprehensive and features permanent exhibitions showcasing the work of Jean-Michel Basquiat, Sol LeWitt, Douglas Gordon and the ever-controversial photographer, Andrés Serrano, among other artists, as well as numerous temporary exhibitions.

Avignon has ten museums in all, prominent among them being the Musée du Petit Palais, with a large collection of medieval painting, the Calvet Museum, the Musée Angladon, dedicated to Impressionism, and the Musée Louis-Vouland, which specialises in the decorative arts. There is also an opera theatre, an exhibition park and some unique facilities like La FabricA, a theatre factory where various companies rehearse their performances in the run-up to the Avignon Festival.

Art is also present in Les Halles Market, endowed with a stunning vertical garden created by the artist, Patrick Blanc. This market is the ideal spot for buying fresh produce and Provençal specialities at one of their forty plus stores.

It would be amiss to end this article without recommending some of the venues for eating the tastiest food in Avignon. One is Maison de Fogasses, a splendid town palace which offers an exquisite menu of the day for around 20 euros based on locally sourced products. Another is LE 46 which specialises in French cuisine with Mediterranean flourishes.

Avignon is the perfect destination for a getaway from Marseille. Check out your flights to Marseille here.

Text by Tus Destinos

Images by Tus Destinos, Avignon-Tourisme (C.Rodde)

You’ve spent the whole day traipsing about the city, tracking down the legacy of the Habsburgs in Vienna, soaking up its architectural gems, like Schönbrunn Palace, and visiting such splendid museums as the Albertina. The heat is oppressive – recall that it is not always cold in Vienna and in summer it bears its brighter side, as long as it doesn’t rain. You are also starting to become fatigued. Maybe it’s time to take a breather and chill out on your visit to Europe’s “musical capital”. You have heard a lot about the city’s magnificent cafés and the weighty tradition surrounding them, but what increasingly draws your attention is the sheer number of ice-cream parlours scattered about the Austrian capital. Time to check out whether Viennese ice-creams have anything on the popular Italian ice-creams. And, you are amazed to find that the Italian fare has found a stiff competitor in Vienna!

In a nutshell, this could be the experience of many tourists or other travellers passing through the city on discovering the Viennese penchant for this refreshing confectionery. You might wonder how ice-creams ever arrived here in the first place, and how they got to be so good. After doing a bit of research into the history of ice-cream, the first thing you realise is how muddled are the references when it comes to establishing a place and time when that creamy delight first appeared on the scene. However, it transpires that it first came to light in Mesopotamia around 4,000 BC in the form of boiled rice mixed with spices and milk, all wrapped in snow. This is one of the diverse forms the original recipe seems to have acquired. It was the Italians who spread it across Europe, while the French started adding some fresh ingredients to the blend. What all the sources consulted coincide in is that ice-cream reached Vienna in the 19th century, brought here by northern Italians, and that the city played an important role in applying new techniques to ice-cream making. It would not be amiss to conclude that the Viennese flair for crafting confectionery, added to the skills of the Italians when making ice-cream, inevitably led to such a successful final outcome.

So, if you’re planning to escape to Vienna, be sure to add to your to-do list the task of venturing into the heart of its myriad ice-cream parlours and trying out their refreshing delicacies. The city is said to have the largest concentration of ice-cream parlours in Europe. Among the most popular venues are Eissalon am Schwedenplatz (located in the Schwedenplatz), Zanoni & Zanoni,which is at Lugeck 7, and the Gelateria Hoher Markt,on Hoher Markt. Another well-known chain of parlours is Paolo Bortolotti, which has three venues on Mariahilferstrasse. And if, in addition to getting tasty ice-cream, you would like it served up in an ambience charged with design, then Eis Greissler is your spot. When it comes to choice, there are even vegan ice-creams to be had – the place to go is Veganista, located in the Seventh District.

Incidentally, for those of you who are fans of Empress Elisabeth – better known asSissi,whose presence is one of the leading draws on any visit to Vienna – one snippet of her lifestyle claims that, as part of her unusual and limited diet, she regarded violet ice-cream as one of her few favourite foods. So, you might want to try that original flavour.

Venture on a getaway to Vienna to savour their tempting ice-creams. Book your Vueling here.

Text by Los Viajes de ISABELYLUIS

With over forty museums, Basel can well boast of being one of Europe’s cities with the best contemporary cultural facilities. A large number of these numerous museums feature the plastic arts as their central theme, displaying works that range from antiquity to the present. The city’s penchant for collecting has its origins in the 16th century, when collectors hailed from both the private and public sectors. Several private collections have been opened to the public in recent years, augmenting the supply even further.

The Kunstmuseum Basel – the Beginning of Everything

This is the most significant museum in Basel and the largest in Switzerland. Its collections, which date back to 1662, feature works running from the Middle Ages up to the present. Hans Holbein enthusiasts are in for a treat if they come here, as it boasts one of the largest collections of this artist’s work.

The Beyeler Foundation – a European Collector’s Classic

This foundation, housing the collection of the spouses, Ernest and Hildy Beyeler, is one of the largest and most important in central Europe. It is a compendium of classical modern art, from Monet, Cézanne and Van Gogh to Picasso, Warhol, Lichtenstein and Bacon. The counterpoint to these figures is a display of tribal art from Africa, Oceania and Alaska, the contrast producing an interesting result. Also well worth seeing are the surroundings of the beautiful building – designed by Renzo Piano – with its priceless garden.

The Tinguely Museum – an In-Depth Look at the Artist’s Sculpture Machines

Dedicated to the life and work of the Swiss sculptor, Jean Tinguely. The interior of this original building, the work of the architect, Mario Botta, houses the sculpture machines that brought him fame, in addition to documentation, photographs and drawings of his work.

The Antikenmuseum (Museum of Antiquities) – in Search of the Classics

This is the only Swiss museum devoted to ancient Mediterranean art and civilisation. The collection features pieces dating from between the 4th millennium BC and the 7th century AD, sourced from the ancient Egyptian, Greek, Italic and Roman cultures, as well as works from the Near East and Cyprus. Featured are Greek ceramics and sculptures and the section dedicated to ancient Egypt.

Klingental – the Region’s Art Trends

Housed in the Klingental convent church, the Ausstellungsraum Klingental is dedicated to the region’s artistic production.

Schaulager – A Space for the Experts

The building housing this unusual space was designed by the Herzog & de Meuron architects studio. Directed at a specialist art audience, it also hosts events for the public at large and is innovative even in its conceptualisation. It is not intended to be a run-of-the-mill museum, but a storage facility open to the public which houses the undisplayed works of the Emanuel Hoffmann Foundation.

HeK – a Look at New Media in Art Production

The Haus der elektronischen Künste Basel (House of Electronic Arts Basel) specialises in art created using electronic media, known as “new media” or digital art. There are facilities for hosting all kinds of activities associated with these new trends in art. It also hosts the Forum for New Media, as well as Shift, Festival of Electronic Arts.

Schoenthal – Open-Air Sculpture

The former Romanesque convent of Schoenthal, situated half an hour from Basel, houses the Stiftung Sculpture at Schoenthal, a not-to-be-missed sculpture park featuring nearly twenty works by Swiss and international artists. The Romanesque church has been converted into a gallery for temporary exhibitions of contemporary artworks.

Have you taken note of all the art you can see in Basel? Check out our flights here and see it all first-hand.

Text by ISABELYLUIS Comunicación

Images by Forgemind ArchiMedia, Jean-Baptiste Maurice, John Lord, régine debatty, Rosmarie Voegtli