A few days ago, after Banksy had updated his website, we noticed that his work is now displayed at various points in “The Jungle” refugee camp in Calais, one of the largest camps in western Europe. Despite his identity still being cloaked in anonymity, Banksy is currently one of the most highly valued artists around. His sharp, critical wit is undoubtedly the hallmark of his work.

Noteworthy among the four new artworks he posted is the one showing Steve Jobs carrying an early-eighties Macintosh, with a sack slung over his shoulder, reminiscent of the bags the forced migrants often take with them on their harsh journey. This is clearly a reference to the whole migratory movement being enacted from Syria to Europe. Jobs was, of course, the son of a Muslim Syrian immigrant and was adopted by a middle-class family of Armenian origin. That is the conceptual link Banksy draws between Steve Jobs and the Syrian diaspora.

Another Banksy offering in the same area makes reference to a famous work by Théodore Géricault, The Raft of the Medusa, painted between 1818 and 1819, depicting a group of castaways in danger, packed onto a drifting raft. This alludes to the dangerous voyage embarked on by many of these refugees who risk their lives crossing the Mediterranean on flimsy rafts. In this version, the castaways are crying out for help to a modern cruise ship speeding past near the horizon. The artist had previously drawn attention to the issues surrounding the refugee crisis in a work entitled, Dismaland.

In addition to these artworks, members of Banksy’s team set up 12 permanent installations in Calais, and a makeshift children’s playground in the camp precinct. The materials used were either sourced locally or were remnants of the Dismaland project brought here for the purpose. This new project is known as Dismal Aid.

A Much Frequented But Little Visited City

Calais is primarily a city of passage. Some 15 million people are estimated to pass through it each year as it is a compulsory way station for access between France and England. In contrast, comparatively few people actually spend some time visiting the city. However, we can wholeheartedly recommend this city in the north of France, with little over 75,000 inhabitants and just 34 km from Dover, as a tourist destination. Its charm lies not in its architecture or monuments but in its privileged siting on the seaboard and the majestic Côte d’Opale.

The city is not celebrated for its grand monuments or buildings, but it does have such landmarks as the Musée Mémoire 1939-1945, dedicated to the Second World War and housed in a bunker, a sculptural group by Rodin known as The Burghers of Calais, located opposite the City Hall, and the Cité Internationale de la Dentelle et de la Mode, the city’s Lace Museum. On display is a century-old mechanical loom with 3,500 vertical threads and 11,000 horizontal ones. Calais’ genuine heritage lies in its natural surroundings and local scenery is stunning. Come armed with your camera as the views are breathtaking. The attractive seafront is dotted with striped changing booths which take you back to the early 20th century. The sands stretch westwards for 8 km along the dune-filled Blériot beach, so named as it was here that the pioneer aviatorLouis Blériottook off on the first ever solo flight over the English Channel in 1909.

By the way, when you feel like having lunch or dinner, be sure to head for the Histoire Ancienne, a bistro specialising in regional and French dishes, some cooked on an open wood fire. This very pleasant, Parisian-style restaurant was opened in the 1930s. Prices are affordable, with dinner ranging from 19 to 28 euros.

Don’t miss your getaway to Calais – check out our flights to Lille here.

Text by ISABELYLUIS Comunicación

Images by Rob Sinclair, Carawah, Olivier Duquesne

What do cities like Cannes, Berlin,Venice, San Sebastián or Locarno have in common? Well, they all host long-standing film festivals and, for a number of days and at different spots in town, all feature both screenings and parallel events as a tribute to the seventh art. Visiting these cities during a festival reveals a different side to them. Instead of the conventional tourist escapade, it involves experiencing the city from a cultural viewpoint like any of its residents. To the above-mentioned cities we should add Rotterdam, famous for having one of the largest maritime harbours in the world. It is also an industrial centre and a capital of football, with three teams in the Dutch top-flight Eredivisie – Feyenoord, Sparta and Excelsior. Over and above that, however, Rotterdam is privileged to host a highly potent film festival which turns the city into one of the leading world cinema hubs for a period of twelve days.

This time around, the International Film Festival Rotterdam (its official name) will take place from 25 January to 5 February 2017, and the programme is dedicated to art house films, both European and international, and the leading figures of independent cinema. This year is dedicated to a retrospective of Jan Němec, one of the paramount filmmakers in Czech cinema, who died a few months ago. A tribute to his figure will involve screening his best known films, as well as a posthumous film, The Wolf from Royal Vineyard Street. The official festival lineup will feature the latest movies by Jim Jarmusch, Paterson and Gimme Danger, in addition to the long-awaited film, Jackie, by Pablo Larraín, starring Natalie Portman.

The focal point of the festival will be De Doelen, a venue with an eventful history in downtown Rotterdam. Its location gives you plenty of time to stroll around and discover the city between screenings. De Doelen was built in 1966 and is both a convention centre and the primary venue of the Rotterdam Philharmonic Orchestra. The other cinemas providing screenings are also in the city centre, in such charming theatres as Oude Luxor and the Pathé Schouwburgplein. They are relatively near some museums which are well worth visiting, including the Maritime Museum, devoted to the importance of maritime culture and various aspects of sailing. Apart from the exhibition space, it features a canal in the surrounding area offering all types of parallel activities. The Boijmans Van Beuningen Museum is Rotterdam’s stellar art museum with an amazing collection, a dream come true for any painting enthusiast. Its exhibits include works by Salvador Dalí, Tintoretto, Hubert van Eyck, Willem Heda and Pieter Bruegel, among others, but it doesn’t stop there – the museum also covers other art disciplines (industrial design, installations, graffiti) and itinerant exhibitions that are refreshed each month. By the way – the Boijmans Van Beuningen Museum is just a stone’s throw away from Museumpark, one of the city’s lungs and most beautiful parks.

Apart from the aforementioned films and cycles, the International Film Festival Rotterdam also hosts a number of out-of-the-ordinary special screenings. One of the most prominent is a whole, day-long session dedicated to children. This year it falls on Sunday 29 January and features a selection of films which the little ones can enjoy in the company of their parents. Other events worth mentioning include two short marathons to be hosted on 4 February. Lasting six hours each, they will be held in the Kino Rotterdam, a cinema where you can also have dinner or a drink, if you wish. Check out the rest of the festival events here.

Be sure to discover Rotterdam through the prism of its cinema festival – book your Vueling here.

Text by Xavi Sánchez for Los Viajes de ISABELYLUIS

A city underground. This idea was developed by Emir Kusturica – filmmaker born in Bosnia, raised on Islam, later converted to Christianity and self-proclaimed Serbian – in the movie Underground (1995), which showed the eventful recent history of the former Yugoslavia in a tragicomic point of view, with the protagonists create their own world underground to protect their interests, forgetting about the events above the ground. This is some kind of Plato’s cave where they live isolated while about the Nazis invade the territory, later Tito regime during the Cold War and finally the Yugoslavian war.

Located strategically between western and eastern territories, at the confluence of the Sava and Danube rivers and by the Adriatic, Aegean and Black seas, probably is the European city that has been devastated and rebuilt again the most. Serbian capital has been occupied about 38 times in the past 300 years. Austrians, Serbians and Germans have created all kind of structures in the territory that Belgrade occupies.

The insides - a tangle of tunnels, shafts, caves and bunkers - have always been there, preserved during all these wars and also created because of them. Most of the historical center is on archaeological sites and hundreds of meters of tunnels were built for many reasons, during thousands of years.

Since 2012, some of these secrets can be revealed in Belgrade - even most of them still remain closed to the public – in a trip through subterranean routes. Total, there are about 140 structures certified officially nowadays, which are allowed to be visited.

But for now is almost impossible to know how many elements can be found underground. One person that knows this well is Zoran Nikolic, cowriter of Beograd ispod Beograda (‘Belgrade under Belgrade’) where he reveals the secrets that he now also shows as specialized guide around this area.

Under the library in Belgrade

By the start of Knez Mihailova street the City Library can be found, located in a building that used to be the most famous hotel in Belgrade. In the underground floors there is the Roman room, with well-conserved rests of an old fortress and a collection of Roman sculptures and graves. The room is used for lectures, music concerts and other cultural events.

Under the Belgrade fortress

Kalemegdan, the great Fortress of Belgrade, is one of the seven fortifications that stand by the Danube, along Serbia and at the confluence of the Sava and Danube rivers. Here is where, according to the legend, Attila was buried. The fortress along to the Kalemegdan Park, become the most relevant historic-cultural complex in Belgrade.

Under the ground there is Barutana cave, a former Austrian military warehouse now used as archaeological museum, including pieces from Singidunum, the antique Roman city that used to be where Belgrade is now, including sarcophagi, tombstones and altars.

Bellow the park there is also a fascinating bunker, from the last days of the Soviet Union. Josip Broz Tito, Yugoslavian head of state, wanted to built a bunker after World War II to protect Belgrade of a possible Russian invasion.

Near the fortress, artificial caves where used as food warehouses. Nowadays, restaurants and cellars are located here, where there is never a need for air-conditioned.

Under Tašmajdan park

One of the most significant parts of the route is under the centric park of Tasmajdan, right bellow the Serbian Parliament. Bellow asphalt and concrete layers there are caves built by the Romans that were used centuries after for many purposes: during the Great War they were a warehouse for bombs and during World War II they were used as hidden headquarters by the Germans.

Picture from wikimapia.org

A place well worth discovering! Check out our flights here.

Cantabria is pure nature. In a small territory there is a wide range of landscapes, lovely beaches, cliffs, green valleys with exuberant nature and even the greatest mountains at Picos de Europa (a.k.a. “the Picos”).

Through these routes of incomparable beauty the hidden secrets of Cantabria will be revealed in the perfect spot for the most demanding hikers.

The redwood forest in Monte Cabezón

Follow the path in this forest, which was declared a natural monument, is a great experience. Some people think that this kind of vegetation can only be found in California but that’s not true. At Monte de las Navas there are thick redwood forests where sequoias can reach 36 meters high. To get in the park, you should go to the limit between the towns of Cabezón de la Sal and Udías to take the path that leaves from the parking there.

Nansa valley

There are many routes you can choose here. One of the most famous is the thematic path dedicated to water, the river route in Nansa, which links many viewpoints, all linked to the hydrology of the valley and its natural heritage. It begins at Uznayo, where the Collavín river starts, and finishes at Tina Menor. In total, coming and going through this path takes around 14 kilometers, from the top to the river’s mouth.

Oyambre Natural Park

At the same coastal zone of Saja and Nanja there is the Oyambre Natural Park, which has one of the best-conserved coastlines in the area. It covers the area from Comillas to San Vicente de la Barquera, and includes the estuaries in La Rabia and San Vicente de la Barquera, with large areas of marshland, dunes and beaches like Oyambre. This is a beautiful natural landscape to discover, with the Picos de Europa as a background.

The Aliva route

The perfect route to follow would be to start from Fuente Dé, at the foothills of Picos de Europa, and to take the cable car to Mirador del Cable. From here, you can go down Horcadina de Covarrobes to reach the valley of Camaleño, with lovely views. The route takes about 11,5 kilometers and is doable in about 4 hours, more or less.

Along the Cantabrian coastline

One of the best-conserved sections of the Cantabrian coastline is the area that goes from La Tablía, in Suances, along the coast to Punta Ballota. It goes by the beaches of Sable de Tagle or San Telmo and through Ubiarco coastline until it reaches the inlet of Puerto Calderón. This is a pleasant route that takes about 10 kilometers, specially meant for families.

Caballo lighthouse

By the Buciero hill you can follow a route of about 12 kilometers that passes by the Caballo lighthouse and mysterious holm oak forests. The route starts in Santoña, passing by the coastline of Berria and the old prison in El Dueso. At the end, the reward is a stunning view from the cliff at the Caballo lighthouse.

The route from Faro de Cabo Mayor

If you prefer to stay in the city, there is a nice route in Santander that leaves from the lighthouse in Cabo Mayor, at the northern area of the city. This lighthouse is also a museum dedicated to the Cantabrian artist Eduardo Sanz and his hyperrealist work of marshes, waves and lighthouses. From here you can take a route that goes along the coast and ends at Virgen del Mar, taking about an hour and a half, in total, to complete.

Picture from Áliva by Florentino Alonso

We’ll be there. If you want to come too, check out our flights here.