While Barcelona is a modern, cosmopolitan city, traces of its medieval past are very much in evidence. Buildings in the old quarter attest to a glorious past, thronging with Crusaders, Italian merchants, the nobility and a powerful clergy. Scattered in between Baroque, Neoclassical and Modernist constructions, a host of Gothic buildings are still standing, notably the Cathedral, the Basilica of Santa Maria del Mar and the Palau de la Generalitat. But, what many Barceloners are unaware of is that old Barcelona also boasts a considerable number of exquisite Romanesque complexes which have survived to the present in excellent condition.

Romanesque in the Heart of Plaza de Catalunya

Few Barceloners suspect that one of the city’s leading Romanesque monasteries is sited hard by the central Plaza de Catalunya. I am referring to Santa Anna, a church and former monastery dating from the 12th century, featuring a cloister and a chapterhouse which still serves parishioners. The building was designed by the architect, Ramón Amadeu, but construction work continued for three centuries thereafter, making for a marked amalgam of various Romanesque and Gothic styles, although the former is more in evidence. To reach the church from Plaza de Catalunya, go along Calle Rivadeneyra (next to the Hard Rock Cafe) or Calle de Santa Anna.

12th-Century El Raval

Pressing on with our itinerary, take Calle Santa Anna towards La Rambla and walk down this colourful boulevard as far as Calle Hospital. Turning right along this street takes you into the heart of the multicultural El Raval quarter, graced with such striking buildings as the MACBA, the Palau Güell and the Biblioteca de Catalunya. This route leads into Plaça del Pedró, an important square in that standing in its centre is the Santa Eulàlia Fountain, regarded as one of Barcelona’s oldest monuments. Also in the square is the 12th-century Romanesque Church of Sant Llàtzer. The latter was once part of a leper hospital which operated from the 12th to the 15th century. Since being deconsecrated in 1913 and following a number of refurbishments, it has since been in use as a secular building.

Still in El Raval, the Calle de la Riereta leads into Calle de Sant Pau, which houses one of the finest Romanesque landmarks in Barcelona, the Monastery of Sant Pau del Camp. The building dates from the 12th century, although the precinct is thought to have been founded in the 9th century by Wilfred II, who is buried there. The monument also has a small, 13th-century cloister which is noteworthy for its storied capitals depicting hunting scenes, warriors, sirens, animals and plant motifs. Still standing in the monastery garden is the former abbot’s residence, built from the 13th to 14th century and extended in the 18th century. Before entering, be sure to look at the facade, as the doorway is flanked by two columns with Visigoth capitals, while in the tympanum we see Christ with SS Peter and Paul and an ancient inscription, which invite us to enter.

To Sant Pere de les Puel·les

After touring El Raval, we return to La Rambla along Calle Nou de la Rambla with its striking little palace, known as the Palau Güell, the work of de Antoni Gaudí. We forge ahead as far as Barcelona Cathedral, next door to which is the Chapel of Santa Llúcia, The chapel is located in the corner of the Cathedral cloister and has a doorway onto the street. It was built in late-Romanesque style in the second half of the 13th century and originally served as the Episcopal Palace of Barcelona. This is a good moment to visit the Gothic Cathedral, take a seat on one of the pews and relax.

The next stop on our itinerary is the Born quarter, one of the liveliest in the city, with a lot of cultural activities on offer. Well worth seeing is the Palau de la Música Catalana and El Born Market archaeological site. On the opposite side of Via Laietana you can take Calle de la Bòria as far as Plazoleta de Marcús, a small square where the Marcús Chapel is located. A 12th-century construction, it was sited alongside the old Roman road out of Barcelona. Many of the original elements on the facade have been preserved, as well as its Lombardic arches. Strolling further into the quarter you come across the last stop on our itinerary, the Royal Monastery of Sant Pere de les Puel·les, of which only the parish church has survived to the present. Founded in the 5th century, it has undergone major alterations over time, although part of the Greek cross structure is still intact, as are the Corinthian capitals surmounted by a 12th-century dome. The so-called “bird campanile” is also from the Romanesque period. This monument is key to an understanding of Barcelona in the Middle Ages.

Eager to discover Barcelona’s Romanesque past? Book your Vueling here.

Text and images by Aleix Palau for Los Viajes de ISABELYLUIS

Sometimes you just have to burst certain stereotypes which seem to hound some cities. Our case in point is paradigmatic. In effect, Granada has such a lot going for it, apart from the legendary Alhambra and the first Renaissance cathedral to be built in Spain, the imperial Santa Iglesia Catedral Metropolitana de la Encarnación (both of these must-visit landmarks, although not the sum of the city’s attractions). Located on the banks of the river Genil and towered over by the Sierra Nevada, the capital of Granada is one of the focal points in Andalusian culture, a university city where the old and new come together. Local traditional music – flamenco, cante jondo – ring out side by side with pop music and contemporary rock (all related to independent music).

Granada has fewer than 250,000 inhabitants, but is an inexhaustible academy of artists and bands. Enrique Morente, Los Planetas, Lagartija Nick, 091 and Lori Meyers, to name just some of the more famous among them, emerged from the city’s streets and corners and went on to write some of the most celebrated chapters in Spanish music. Being a small city, you can walk through it comfortably. All you need is a pair of good trainers and, above all, motivation. So, if you’re eager to find out about more than just its historical landmarks, here goes a few musical slots geared to discovering a different Granada.

As mentioned above, the old and new come together in Granada. What’s more, those two currents have merged, thanks to the work of some of the aforementioned artists, like Enrique Morente and the incombustible Largartija Nick. The first must-visit spot on any tour of the city’s vibrant music scene is Sacromonte, the cradle of Granadan folklore. Situated in the Sierra de San Miguel and with a privileged view of the city, the area is brimming with caves blessed with excellent acoustics where the gypsy community organises recitals of cante jondo and flamenco. The performances are generous and varied. Apart from Sacromonte, it is well worth strolling through the district of Albaicín – also on the upper side of the city – another cradle of Granada flamenco and one of the most acclaimed gastronomic enclaves. In the streets of this district lies one of the most celebrated flamenco schools in the country, the Instituto de Flamenco Flora Albaicín.

Moving on to wholeheartedly modern currents, Granada is the land of independent rock. It boasts a rich fabric of clubs and concert halls with programmes that also open up to styles beyond Indie (electronic, mestizaje). One of the most venerable spots is Planta Baja, a veritable cultural institution in the city which, apart from hosting consolidated bands, also gives emerging local talent the chance to make their mark. Located in downtown Granada, near the Basilica of Juan de Dios, the Monastery of San Jerónimo and Granada Cathedral – you guessed it; you might as well do some sightseeing before visiting it – it offers activities from noon onwards and DJ sessions at the weekend. Some of the big names that will feature on stage at Planta Baja in the coming months include Sex Museum, Soledad Vélez and Carlos Sadness. Another club which deserves a pilgrimage if you’re into pop and rock is El Tren, located on the outskirts of the city.

A place with so much musical activity could not fail to have a good number of record shops, too. One of the best is Discos Marcapasos, just a few metres from Planta Baja. Located at 6 Calle Duquesa, it is the nerve centre of Granada’s music scene, also offering a generous stock of CDs and vinyls covering sixties years of pop music. It provides advance ticket sales for concerts at Planta Baja, El Tren and other venues in town as well. The store also hosts such activities as ad hoc DJ sessions, record signings and acoustic concerts. Another of the city’s institutions well worth considering is Discos Bora Bora, a small store with a large selection of vinyls.

Book your Vueling to Granada and discover its music scene.

Text by Xavi Sánchez for Los Viajes de ISABELYLUIS

Here are some pointers to discover and delve into this surprising city on the Adriatic.

1. A Meeting of Cultures

Any mention of Trieste conjures up an idea of cultural blending, thanks to its geographical location in the far north of Italy, on the Adriatic coast and very near the border with Slovenia. It has long been coveted by its neighbours for its strategic position, as attested by this titbit: although it now belongs to Italy, from 1382 to 1918 it was part of the Austro-Hungarian Empire. Hence, although we find ourselves in Italy, it is not unusual for visitors to feel as if they are in Austria, partly on account of the buildings, or because of touches in the local cuisine. A case in point is Borgo Teresiano, built in the mid-18th century during the reign of Empress Maria Theresa, traversed by the prominent Canal Grande.

This meeting of cultures was characterised by coexistence between various religious groups living in harmony, including the Greek Orthodox, Serbian Orthodox, Jewish, Lutheran and Helvetic denominations. No wonder, then, that among the religious buildings worth viewing we find the Byzantine-style Cathedral of St Justus, the formidable Neoclassic Synagogue on the Via San Francesco, and the Serbian Orthodox Church of the Santissima Trinità e San Spiridione (Holy Trinity and St Spyridon).

2. Trieste and the Sea

One hallmark of this city is its siting on the sea; indeed, throughout its history it has been one of the leading ports in the Mediterranean. During the Middle Ages it vied with a well-known neighbouring city – Venice – for hegemony over maritime trade, while nowadays it is Italy’s major seaport.

One of the best spots to savour the Adriatic Sea and the Gulf of Trieste is the marvellous Piazza dell’Unità d’Italia, one of the city’s major landmarks. Located between the Borgo Teresiano and Borgo Giuseppino, it has the honour of being the largest sea-facing square in Europe. Rectangular in shape, it is fronted by 19th-century public buildings and palaces in the Neoclassic and Viennese styles. A noteworthy example is the Prefettura or seat of government, and the Palazzo Stratti.

3. Roman Past

Needless to say, the seaport’s strategic potential did not go unnoticed by the Romans, who wasted no time in adding Trieste to their colonies. Dating from that period are a number of vestiges, including the Roman Theatre, from the 2nd century AD, and the Arco di Riccardo (Richard’s Arch), from the 1st century AD. The latter is named after Richard the Lionheart and was once an entrance gate into the old city.

4. The Historic Cafés

A visit to some of Trieste’s historic cafés comes highly recommended. Dating from the city’s age of splendour, these were the haunts of such illustrious writers and poets as James Joyce, Italo Svevo and Umberto Saba, who met to chat, deliver literary readings and exchange ideas. Some of the most renowned cafés are Caffè Tommaseo, Caffè degli Specchi, Caffè San Marco and Caffè Torinese.

5. Refined Cuisine

Triestini cuisine is heir to a blend resulting from the aforementioned cultures. Mediterranean-style dishes, like those based on fish, can be found side by side with predominantly meat-based Central-European recipes. Among the most typical dishes we find jota (a soup of beans, cabbage, bacon and potato), which is Slavic in origin, bolliti di maiale (various boiled pork cuts) and sardoni in savòr (sardines marinated in vinegar), of Venetian origin.

6. A Wind Known as Bora

Another characteristic feature of Trieste is a wind known as the Bora, which blows into the Gulf from the continental mass further north. It can reach sustained speeds of around 120 km/hr, with gusts of nearly 200 km/hr. It has the effect of drying out the atmosphere and clearing the sky of any cloud cover. Pavements in the city are fitted with ropes for people to hold on and avoid being carried off when the Bora blows. For those wishing to inquire further, we recommend a visit to the Bora Museum.

Now that you have the keys to unlock the city of Trieste, book your Vueling and embark on a trip of discovery.

Text by Los Viajes de ISABELYLUIS

Images by Stephen Colebourne, John W. Schulze , stefano Merli , Xenja Santarelli

Situated in western Holland, on the final stretch of the river Meuse, the modernity breathed by Rotterdam is stunning, far removed from the usual image we have of European cities. Don’t expect to find a typical historic city centre, with a jumbled network of backstreets and time-worn buildings storied with its historical past. The city layout and its tall buildings are more reminiscent of New York’s Manhattan than other Dutch cities like Amsterdam or Utrecht.

The Bombing Raids and Nazi Occupation

The reason for this peculiarity – so to speak – goes back to the Second World War. On 14 May 1940, in a desperate attempt to secure the surrender of Rotterdam, the German air force bombarded the city to such an extent that hardly any building was left standing in the city centre. The air raids destroyed over 24,000 homes and led to the loss of around 800 lives.

Rising from the Ashes

After the city was liberated from the Nazis, unlike other European cities that set about restoring their historic centres as best they could, Rotterdam elected to start from scratch. In this respect, they did not hesitate to adopt the latest building trends, as evinced in every corner of the city. Herein lies Rotterdam’s chief appeal – a host of contemporary architectural discourses coexisting in harmony.

The Standout Features

As Rotterdam has a lot of architecture worth viewing, and one does not always have enough time to see it all, here is a selection of the major landmarks in the city:

The Erasmus Bridge – or Erasmusbrug – which connects the north and south parts of the city, is the work of Ben Van Berkel. Inaugurated in 1996, this imposing structure over the river Meuse has become a well-known landmark.

Near one end of the bridge are two emblematic buildings which can’t fail to attract one’s attention. One is the KPN Telecom Building, designed by Renzo Piano, one facade of which leans slightly towards the city. It is studded with green lights that generate different figures or messages. Just behind it stands “De Rotterdam”, a huge complex consisting of three inter-connected towers. Designed by Rem Koolhaas, it was inaugurated in 2013.

Another icon of Rotterdam, although of a much smaller size, are the Cube Houses (Kubuswoning), designed by the architect, Piet Blom. The original structure of these houses is the result of tilting the cubes 45 degrees and setting them on hexagonal pillars. The set of houses, made up of 32 cubes, has an unusual forest-like appearance. For those curious to see what they look like inside, there is one open to visitors.

The Kuntshal cultural centre, designed by Rem Koolhaas, is well worth seeing, both for the building itself and the collections it houses. The ample, 3,300 m², of available space enables five exhibitions to be hosted in parallel. While it lacks its own, or a permanent, exhibition, it does act as an expositor for the latest trends in contemporary art.

The Central Library exterior, with its huge pipes painted in bright colours, is reminiscent of the Pompidou Centre in Paris, which provided the Van den Broek studio with the necessary inspiration to design this building. Opened in 1983, it is Holland’s largest public library. A quaint detail is the giant chess board inside.

The dazzling red covering the spectacular structure of the New Luxor Theatre is the first thing that catches one’s eye when approaching it. Opened in 2001, it is the work of the Australian architect, Peter Wilson. There are guided visits of the theatre interior and, for those of you who visit on your own, don’t miss the views to be had on the roof terrace.

The outstanding feature of Rotterdam Central (Centraal Station) is the entrance ceiling – shaped like a boomerang, it is made of stainless steel and covered in red-cedar panelling. Three teams of architects were commissioned to undertake the recent extension and remodelling project, namely Benthem Crouwel Architects, MVSA Meyer en Van Schooten Architecten and West 8.

Don’t miss out on one of Europe’s finest showcases of contemporary architecture – treat yourself to a Vueling, here.

Text by ISABELYLUIS Comunicación

Photos by bertknot, Franklin Heijnen, Luke Price, Tim van Vliet, Rory Hyde