Yve Ramírez, AKA La Ecocosmopolita, author of the book “Vida residuo cero” and founder of the online shop Usar y Reusar, tells us how to travel more sustainably and without generating any waste. And it's not so difficult!

Along with Madrid, Milan is the city with the most European cups and Champions League trophies. While Madrid’s ten trophies are held by the competition’s overall master, Real Madrid, in Milan the spoils are divided between the two continental greats – AC Milan (with seven trophies) and Inter Milan (with three). The balance will of course tip in favour of the Madrilenians on 28 May, but the hottest question right now is whether Atlético Madrid is capable of finally ending its run of bad luck and conquering the greatest of finals to be crowned emperor of football on the continent. We’ll know the answer in a few days’ time.

At My Vueling City, we know only too well that the king of sports moves masses, and that hordes of people will be descending on Milan to witness one of the greatest spectacles in the world. We are aware that fans will be going on a lightning visit which, in many cases, will be less than 24 hours. No problem, as Milan has a lot to offer. Following are some tips for making the most out of this getaway. The idea is you get to see something more than the area surrounding San Siro, the stadium hosting the final.

Lightning Visit

San Siro stadium is quite far from the city centre, but it is well connected. You can get there easily by taking buses 95, 49 or 72. Tram no. 24 also has a stop there. But, the metro is clearly the fastest way of reaching the stadium – the recently unveiled Line 5 goes there direct. Curiously, the two great local soccer clubs share the stadium and, when it is Inter Milan’s turn to do so, it changes its name to Giuseppe Meazza. During the soccer season, both teams play there on alternate Sundays. On the day of the final, there are unlikely to be any guided tours but, if you visit the stadium any other time, we can recommend two. Both include a tour of the stadium, built in 1920, and visits to the players’ changerooms and to the AC Milan and Inter Milan Museum.

For those of you who will only be around for a few hours, we can recommend a walk through the inner city to give you a taste of the capital of Lombardy. Start with a stroll down the Corso Buenos Aires. This broad avenue is the backbone of the shopping district. Be sure to stop off at the Torrefazione Caffè Ernani, at Corso Buenos Aires 20. A visit to the café is essential if you want to perk up fully after the trip. They serve their own coffee, ground and roasted on the premises. Their espresso is highly aromatic and the best thing of all is the price – just one euro. Continuing down the avenue towards the centre, you will go through the Porta Venezia gateway, a sign you are entering the city’s historic centre. On the right (to the north) you will see a stunning park, the Indro Montanelli Gardens, a green lung which is ideal for having a picnic or for going for a run. Inside the park stands the impressive Villa Comunale, which currently houses the Natural History Museum. Further along what has now turned into the Corso Venezia, the avenue is lined with the storefronts of such exclusive brands as Dolce & Gabbana (which features a barber’s shop) and Vivienne Westwood. After crossing the Piazza San Babila, we recommend heading straight along the Corso Vittorio Emanuele II where big brand stores have taken over the street level. Here, the tall buildings house a number of shopping malls or galleries. The street eventually leads into the Piazza del Duomo, presided over by Milan Cathedral or Duomo di Milano with its characteristic spires. This formidable construction built of pink Candoglia marble rivets the attention of most tourists who flock to the square. Another building well worth visiting is the Museo del Novecento as it affords the best views of the Cathedral. We realise that time is at a premium and that trippers will have their mind on nothing but a ball and 22 players. However, with a view to going back to Milan at a later date, we recommend you visit the museum as it features works by some of the leading artists of the early European avant-garde, notably De Chirico, Fontana and Marinetti. Lastly, take a stroll in the Quadrilatero d’Oro, undisputed as the most acclaimed shopping precinct in the world. The “Golden Quadrilateral” with its cobbled streets roofed with translucent barrel-vaulting leaves sightseers open-mouthed.

This route will surely have whet your appetite to see more of the city, but football is football and you probably don’t have much more leeway if you’ve come specifically to see the final. Further posts about Milan will follow soon, so keep your eye on the blog. If you fancy seeing the city for yourself, check out our flights here.

Text by Los Viajes de ISABELYLUIS

Images by Los Viajes de ISABELYLUIS, John Seb Barber, Jose Luis Hidalgo

Some destinations attract visitors for their museums; others, for their beaches or mountains, for the energy they give off or, simply, because they are fashionable. In the case of Tangier, the journey is inevitably related to the inspiration and yearnings for the past which it harbours like some muse of the arts. Myriad artists and scholars have passed through that city, located on the northern tip of Morocco, and have become spellbound by its charms.

The Light and Colour of Tangier

The first artist to be captivated by Tangier was the French painter, Eugène Delacroix. In 1832 he journeyed there as part of a diplomatic mission and ended up being seduced by its light and colour, as masterfully portrayed in such paintings as Jewish Wedding in Morocco.

The Spanish painter, Mariano Fortuny, who was familiar with Delacroix’s production, also went to Tangier in search of that magic, which infused a host of sketches and notes for his Orientalist works.

Henri Matisse reached Tangier in 1912. There, not only did he encounter “the landscapes of Morocco just as Delacroix had depicted them in his paintings”, as he himself stated, but he also discovered a new palette of colours for his own works. He took up lodgings in room 35 of the extant Grand Hotel Villa de France, where he painted such works as Window at Tangier.

Paul Bowles, Tangier and the Beat Generation

Tangier became a veritable beacon for writers, particularly in the 1950s and part of the 1960s. And, no wonder, as from 1923 to 1956 the city was a demilitarised zone under joint administration by various countries. This measure was implemented on account of its strategic position in the Strait of Gibraltar and the ensuing international disputes over its control. Known as the Tangier International Zone, it became a place of passage for many people – diplomats, adventurers, artists, spies and others. Functioning as “everyone’s city” or, if you will, “no man’s city”, it enjoyed an unusual status as a place of freedom and tolerance which would be difficult to find elsewhere.

One of the best known regulars in the city was the writer and composer, Paul Bowles, who arrived in Tangier in 1947 and was completely swept off his feet by its charms. It was there that he wrote his first novel, The Sheltering Sky, so masterfully ported to the cinema by the director, Bernardo Bertolucci. Then ensued the arrival of other creative figures, including Truman Capote, Tennessee Williams and Francis Bacon. And, he was also instrumental in spawning the Beat Generation – William Burroughs, Allen Ginsberg and Jack Kerouac, who succumbed to the allure of a place where they could give free rein to their imagination and – there’s no denying it – their vices, too.

Tangier Today

What remains of all that past now? While a lot of water has flowed under the bridge since then, and the city is in the throes of a process of renewal, the spots which resonate of those artists are still standing.

A visit to the Grand Socco provides a suitable introduction to the city. Its pleasant ambience and colourfulness are guaranteed, as is your likelihood of (literally) getting lost in its streets. You will eventually end up willy-nilly in the Petit Socco, a square in the heart of the Medina, packed with cafés and restaurants. Another square, the Place de France, is also a must-see, as it is the site of the Grand Café de Paris, with a history of its own. This is where our protagonists spent countless hours chatting and observing the passers-by.

The Fondation Lorin, housed in a synagogue, boasts a fine collection of photographs, documents and posters that give you a good idea of what Tangier was like in the first half of the 20th century. Then there is the Tangier American Legation Museum, a visit not to be missed by enthusiasts of Paul Bowles as it features a section dedicated to the writer which displays photos, portraits and Moroccan musical scores which he recorded himself.

The Villa Muniria – now reconditioned as the Hotel El-Muniria (1, Rue Magellan) – was the favourite lodgings of the Beat Generation. Tennessee Williams and the Rolling Stones themselves were counted among the guests that stayed there. It was there, too, in room number 9, that William Burroughs wrote his seminal work, Naked Lunch.

Another landmark of literary Tangier is the Librairie des Colonnes (54, Boulevard Pasteur). It was a meeting place for writers and artists, while nowadays it continues to host cultural activities.

Like the writers and artists of yesteryear, allow yourself to succumb to the charms of this inspiring city and plan your trip with Vueling!

Text by ISABELYLUIS Comunicación

Images by Dieter Weinelt, Andrzej Wójtowicz

Why deny it – one of the main reasons for going to Menorca, albeit not the only one, is its magnificent beaches. They come in all sizes and shapes, suited to all tastes. Some have fine white sand and crystal-clear waters; others, reddish sand, surrounded by pine forests, while still others take the form of comparatively inaccessible, secluded coves. Some are for day-tripping with the kids; others, for the more adventurous…

An alternative way of roaming this small piece of the Mediterranean to seek out its beaches is by hiking along the footpath known as the Camí de Cavalls (Horse Trail), a route that encircles the island and enables ramblers to rim Menorca from tip to toe while taking in spectacular, ever-changing views from one stretch of the coastline to the next. Along this 185-kilometre route you will come across all types of beaches, as well as pasturelands and cultivated land, beautiful, refreshing pine forests, cliffs topped by ever-vigilant lighthouses, old watchtowers, urban precincts and, more importantly, all the magic you can imagine.

The origins of the Camí de Cavalls are hazy. What we do know, however, is that some stretches of the trail were already in use in the 14th century and that the need to defend the island from pirates and possible invasions led to the construction of defensive towers at strategic points, and to the building of a road that would encircle and connect the whole island. It fell into disuse in the 20th century and marked deterioration set in. However, following the enactment of the “Camí de Cavalls Law” in the year 2000, the footpath was repaired, restored and signposted, turning it into a veritable landmark for tourists and locals alike, as from there Menorca can be enjoyed in all its splendour and scenic variety.

The best time of year to venture along the trail is in spring or autumn, when the temperatures are milder and the route is less crowded. It is best negotiated on foot, although there are many stretches which can be comfortably covered by bicycle or on horseback, a tribute to the animal that gave the trail its name. Whatever way you undertake the trip, there are a number of basic recommendations you should follow, like wearing a hat to protect against the sun, or taking sufficient food and water with you, as not all beaches and coves you encounter along the way have a beach hut where you can refuel and, when you do find them, they are likely to be closed if you’re hiking off season.

The Camí de Cavalls is divided into 20 stages. Those in the north are more difficult to negotiate as the terrain is more arid, while the southern legs are more suitable for a family outing.

Stage 1: Mahón-Es Grau
Duration: 3 h 30 min, Distance: 10 km, Difficulty: Medium

Stage 2: Es Grau-Favàritx
Duration: 3 h 30 min, Distance: 8.6 km, Difficulty: Medium

Stage 3: Favàritx-Arenal d’en Castell
Duration: 5 h, Distance: 13.6 km, Difficulty: Medium

Stage 4: Arenal d’en Castell-Cala Tirant
Duration: 4 h, Distance: 10.8 km, Difficulty: Low

Stage 5: Cala Tirant-Binimel·là
Duration: 4 h, Distance: 9.6 km, Difficulty: Medium

Stage 6: Binimel·là-Els Alocs
Duration: 5 h, Distance: 8.9 km, Difficulty: High

Stage 7: Els Alocs-Algaiarens
Duration: 4 h 30 min, Distance: 9.7 km, Difficulty: Medium

Stage 8: Algaiarens-Cala Morell
Duration: 2 h 10 min, Distance: 5.4 km, Difficulty: Medium

Stage 9: Cala Morell-Punta Nati
Duration: 3 h, Distance: 7 km, Difficulty: Low

Stage 10: Punta Nati-Ciudadela
Duration: 4 h, Distance: 10.5 km, Difficulty: Low

Stage 11: Ciudadela-Punta de Artrutx
Duration: 5 h, Distance: 13.2 km, Difficulty: Low

Stage 12: Punta de Artrutx-Cala en Turqueta
Duration: 5 h, Distance: 13.3 km, Difficulty: Medium

Stage 13: Cala en Turqueta-Cala Galdana
Duration: 2 h 30 min, Distance: 6.4 km, Difficulty: Low

Stage 14: Cala Galdana-Sant Tomàs
Duration: 4 h 30 min, Distance: 10.8 km, Difficulty: Medium

Stage 15: Sant Tomàs-Son Bou
Duration: 2 h 30 min, Distance: 6.4 km, Difficulty: Low

Stage 16: Son Bou-Cala en Porter
Duration: 3 h 30 min, Distance: 8 km, Difficulty: Medium

Stage 17: Cala en Porter-Binisafúller
Duration: 4 h 30 min, Distance: 11.8 km, Difficulty: Low

Stage 18: Binisafúller-Punta Prima
Duration: 3 h 30 min, Distance: 8.1 km, Difficulty: Low

Stage 19: Punta Prima-Cala de Sant Esteve
Duration: 2 h 40 min, Distance: 7.3 km, Difficulty: Low

Stage 20: Cala de Sant Esteve-Mahón
Duration: 2 h 20 min, Distance: 6 km, Difficulty: Low

After learning about this valuable part of Menorca’s historical and cultural heritage, all that’s left is to book your Vueling and experience it for yourself!

Text by Los Viajes de ISABELYLUIS

Images by Franco Vannini