Federico García Lorca, the poet, playwright and a member of the Generation of 27, was undoubtedly one of the leading figures of 20th-century Spanish literature with worldwide acclaim. He is the artificer of such magnificent works as Gypsy Ballads, Poet in New York, Blood Wedding, The House of Bernarda Alba and Yerma, among others. The biography of Federico García Lorca is closely linked to the city of Granada and to some villages in the surrounding Vega of Granada. Just as these lands left their mark on his work, so has Lorca’s influence lingered there over time. We now retrace the footprints of this magnanimous artist.

The Lorca route sets out from Fuente Vaqueros, a small town on the Vega de Granada where the poet was born. The house where he was born, located at 4 Calle García Lorca, which has been turned into a museum, provides visitors with an idea of his first steps in life.

Near Fuente Vaqueros lies the town of Valderrubio. Apart from being the first place to grow Virginia tobacco brought from the Americas, it was here that Lorca spent his holidays during his infancy. Prominent places of interest include the house of Bernarda Alba, on the Calle de la Iglesia, which was next door to García Lorca’s family home. As you may have gathered, it was the source of inspiration for one of his most widely acclaimed stage plays, The House of Bernarda Alba, with its mordant portrayal of life in the Spanish heartland. The old family abode has been turned into a House Museum, with some of the poet’s personal belongings on display.

In 1909, the Lorca family moved to Granada, where our route continues. His first home in this city was at 50 Calle Acera del Darro and the second, at 31 Acera del Casino. In 1914 he started a degree in Law and Arts at Granada University. During that period, he began to frequent what was one of the most celebrated meeting places of young intellectuals, the Café Alameda, which is now the Restaurante Chikito. That what where the conversational circle known as “El Rinconcillo” used to meet. The group was made up of artists of different disciplines whose common aim it was to promote cultural renewal in the city. The Centro Artístico y Literario de Granada (CALC) and El Polinario – also a famous flamenco tablao– were other spots frequented by Lorca.

An upshot of these gatherings was that Lorca struck up a friendship with Manuel de Falla, also a member of “El Rinconcillo”. Together they organised the first Cante Jondo de Granada contest – also a first in the whole of Spain – which was held in the Plaza de los Aljibes at the Alhambra.

The second-last stopover on our itinerary, just two kilometres from Granada, is the town of Huerta de San Vicente, the family’s summer residence from 1926 to 1936. Set in a beautiful park, it became a retreat for Lorca and it was there that he was able to relax, and draw inspiration to write. It was also the place where he spent the last few days of his life. The home has now been turned into the Federico García Lorca House-Museum, with furniture, personal objects and photographs of Lorca on display.

When the Spanish Civil War broke out in the summer of 1936, Lorca was forced to seek refuge in the family home of the poet, Luis Rosales, although this did not prevent him from being arrested on 16 August 1936. Our final stop on this itinerary through Lorca’s haunts in Granada is an olive grove located between Vízcar and Alfacar, where Federico García Lorca was executed by firing squad in the morning of 18 August. This subsequently became a park named after the poet. In it stands a monolith in memory of the victims of the Francoist repression during the Civil War.

Good reason to book your Vueling to Granada and follow the Lorca trail through Granada.

Text by Los Viajes de ISABELYLUIS

Images by Alfons Hoogervorst, John Levin

In addition to its canals, the dockside in the old harbour, the Gravensteenor Castle of the Counts of Flanders, the City Hall and the Korenmarkt, one of Ghent’s major attractions is an altarpiece. Granted, it might not sound overly exciting or novel at first glance. If we add that it is one of the masterpieces of Flemish painting and the cornerstone in the transition from medieval to Renaissance art, it might start arousing some interest. And, that it is one of the artworks which, in the course of history, has been stolen most often, as well as having travelled through many countries, you are bound to see it in a different light.

The masterpiece in question is the Polyptych of The Adoration of the Mystic Lamb,also known as the Ghent Altarpiece, the work of the brothers Hubert and Jan van Eyck. It is located on the high altar in St Bavo Cathedral and was executed in 1426, commissioned by Joost Vijdt and his wife, Lysbette Borluut. The altarpiece consists of 12 panels painted in oil on both sides and measuring 3.5 m high by 4.6 m wide. It remains closed most of the year, and is only opened on festive holidays, revealing all its splendour. The paintings on the outer panels are more sober, with a marked sculptural air, the central theme being the Annunciation. A noteworthy highlight of the inner panels is their colouring, with a Deësis of Christ the King, the Virgin Mary and John the Baptist as the prominent upper feature, and the Adoration of the Lamb in the lower centre. Without going into the subject, the symbology and details behind the scenes of the altarpiece would fill a whole book.

The startling vicissitudes affecting this artwork date from 1566, when the retable had to be dismantled and concealed in the City Hall to preserve it from an assault by Calvinist iconoclasts.

In 1781, the two upper panels, depicting Adam and Eve, were removed from the ensemble, as Joseph II of Bohemia and Hungary found the nakedness of the figures disagreeable. In the 19th century, the panels were replaced with clothed versions of Adam and Eve, executed by the Belgian painter, Victor Lagye.

In 1800, the Napoleonic troops regarded it as the spoils of war – the wings were sectioned off and sold, while the central panels ended up in the Louvre. Once Napoleon had been defeated, the panels were restored to their rightful place in Ghent. But not for long.

In 1816, the vicar of St Bavo sold several of the side panels, which passed through a number of hands before coming into the possession of Wilhelm II, King of Prussia. They ended up being displayed at the Kaiser Friedrich Museum in Berlin. To provide a better view of them, the panels were sectioned lengthwise to reveal the obverse and reverse sides in the same plane. At the end of the First World War, among the multitude of artworks Germany was forced to return were these panels, which were again replaced in their original site.

In 1934, the panel of The Just Judges was stolen and a ransom of one million Belgian francs was demanded for its safe return, but the deal was rejected. It is still missing to this day and has been replaced by a copy, the work of the Brussels Fine Arts Museum curator, Jef Van der Veken.

Needless to say, the altarpiece was not left unscathed by the Second World War either, forming part of the large-scale plunder perpetrated by the Nazis. After a complex hunt for stolen art undertaken by the so-called “Monuments Men”, it was located in the Altaussee salt mine in the Austrian Alps.

The altarpiece is currently being restored, so not all the panels are on display in St Bavo Cathedral. To make up for this, those interested can follow the restoration project live in the Ghent Fine Arts Museum (MSK).

Now that you’re up to speed with all the ins and outs behind this marvellous artwork, we recommend you get hold of a Vueling and see it for yourself. And, don’t leave it too long, in case it gets stolen again!

Text by ISABELYLUIS Comunicación

Europe’s most popular carnivals are a great excuse to get away in February. Where do you fancy going? Cadiz, Tenerife, Venice, Basel...

Strasbourg’s historic centre, known as the Grande-Île (great island), is an enchanting maze of lanes, picturesque squares and houses with wood carvings. Concentrated in a small area on this river island is an exceptional wealth of art heritage, an enriching blend of French and German essences.

A Cathedral With A 1,000 Years of History

An example of this is the Cathedral of Our Lady of Strasbourg, the pride of the city. While Strasbourg is located in France, the Cathedral is one of the finest exponents of the German Gothic and the clearest example of the artistic harmony between the two cultures. Situated on the Grande-Île, it is one of Europe’s most beautiful cathedrals. For 200 years it was the world’s tallest building, while currently it is the fourth tallest religious building on earth. Its interior houses an extraordinary, 18-metre-high astronomical clock, built in 1571. It is regarded as the world’s first computer as it is capable of calculating dates, and it marks all calendar holidays. The moment most awaited by tourists is when it peals out the midday chimes, and the figures of the Apostles parade in front of Christ.

The foundations of Strasbourg Cathedral were laid in 1015, and its construction was not completed until 400 years later. This year, 2015, the city’s most important religious building turns one thousand years. A programme of activities has been drawn up to commemorate this anniversary, notably the event “1015 - 2015 : La Cathédrale de toute éternité”, a spectacle of lights projected on the Cathedral’s main facade. This will take place every Thursday from 4 July to 20 September. The times for July are at 10.30 p.m., 11 p.m., 23,30 p.m. and 24 p.m. In August, at 22.15 p.m., 22.45 p.m., 23.15 p.m. and 23.45 p.m. and, in September, at 21.15 p.m., 21.45 p.m. and 22.15 p.m.

FARSe will Fill the Streets of Strasbourg with Scenic Arts

Another enticement for visiting the city in July is the Festival des Arts de la Rue (Street Arts Festival), providing free shows for all audiences in some of Strasbourg’s more central, emblematic areas distributed mainly along the axis between the Austerlitz and Kléber squares.

On Friday 17 and Sunday 19 July, these spots will feature circus, theatre, dance, music and burlesque shows to liven up your visit to the city centre even more. Leading theatre companies, selected under the supervision of and in collaboration with the dancer and choreographer, Ali Salmi, will provide the highlights of these performances.

Of all the shows scheduled for this year, the aerial dance and pyrotechnics of Deus Ex Machina take pride of place. They will be performing on 17 July at 10 p.m. in the Place Kléber, and at the Holi Festival – a festival of colours of Hindu origin – in conjunction with the company Artonik, at the close of the festival on 19 July. You can choose from among the various options shown on the full programme here.

The Place Kléber

One of the nerve centres of the shows is the place Kléber, the city’s main square and a major hub of commercial activity. This, the preferred meeting point of Strasbourgers, is also the centre of the Grande Île, fringed with magnificent Renaissance buildings and located near the Cathedral.

The Maison Kammerzell

North-east of the Cathedral square, on the Rue des Hallebardes, lies the Maison Kammerzell, another must-see, as it is one of the best preserved late-Gothic buildings in the area. It is considered by some to be the most beautiful building in Strasbourg, on account of its decoration of carved figures and stunning leaded windows. Like the Grand Île, it is listed as UNESCO World Heritage.

La Petite France

Also on the Grand Île is La Petite France, the most picturesque district in the historic centre. Its timber-framed houses date from the 16th and 17th century, when they were inhabited by fishermen and millers.

Don’t wait to hear about it from someone else – come and live it out for yourself. Check out our flights here.

Text by Scanner FM

Images by Chris Barker, Spiterman, María Renée Batlle Castillo, Filip Maljković , Richard Penn, Daniel Sancho