We embarked once more on a trip with the Mondo Sonoro crew of journalists. This time we decided to investigate Bristol’s music scene, highly active as of the late 1970s, during the heyday of punk. However, it was in the early 90s that music in this port city of southern England riveted world attention, as it was there that one of the defining genres of the late 20th century was born, evolved and, they say, died – Trip Hop. But things did not stop at that. Shortly afterwards, Bristol challenged London as the cradle of drum’n’bass, while today it is dubstep that has earned it a top spot among avant-garde electronic music. As well, it continues to be a haven for all kinds of live music. So, we headed for Bristol with a fistful of question marks; perhaps too many to be answered in a space of just 48 hours. Here’s what the experience yielded.

Bristol lies just 48 minutes from Cardiff by train, a short ride which you can use to go over the lineups of the countless clubs and concert halls that liven up the night of a city with little over 400,000 inhabitants.

Bristol was England’s busiest port for several decades. The city once flourished as a trading post, garnering its wealth from the distribution of wine, tobacco and, in the 17th century, slaves, too. Not for nothing was the home of pirate Long John Silver, of Treasure Island fame, located here. In World War II, the importance of its docks and aeronautical industry made it a target for terrible aerial bombardments. The harbour area has come into its own again recently as a result of an ambitious urban renewal plan, completed in 2008, which paved the way for one of the most popular promenades – Harbourside. The area, which has been totally remodelled, features leisure and hospitality areas, as well as an open-air flea market crammed with second-hand books and records, in addition to craftwork, confectionery and even craft beer.

Also sited there is the Bristol Tourist Information Centre, an inexhaustible source of information, where we learned that here too are the headquarters of Aardman Animations, the studio where the Oscar-winning Plasticine figures of Wallace & Gromit were created. This is also the birthplace of Cary Grant, a star of Hollywood’s early period who continues to be celebrated in the form of a festival bearing the name of this perennial Hitchcock actor. Another titbit – the writer, JK Rowling, Harry Potter’s mater, lived in the city’s environs until her adolescence. However, our most prized acquisition in the Tourist Office was a street plan for locating a host of works scattered about the city by someone who is probably the most popular local celebrity, even though his identity remains a mystery. I am talking about Banksy, Bristol’s favourite son, although not all the city councils would refer to him in such terms.

However, before setting out on a photo safari around the city walls, it might be an idea to first explore it from the river that traverses and connects it to the sea. Several companies organise boat tours, including Bristol Ferry Boats, The Bristol Packet and The Matthew. The latter offers rides lasting up to four hours, during which you can enjoy the classic Fish & Chips or a Cream Tea – milk tea with scones and jam and cream.

Still in the neighbourhood, we were tempted to visit At-Bristol, which combines an interactive science centre with a planetarium, but there are many cultural enclaves worth exploring. First we headed for the nearby area of theatres and dropped in on the Bristol Hippodrome, which focuses on great musicals, notably one dedicated to the “Million Dollar Quartet” (Johnny Cash, Jerry Lee Lewis, Carl Perkins and Elvis Presley), where the legendary producer, Sam Phillips, is played no less than by the ex-pop star Jason Donovan! Around there we came across a number of tapas bars, attesting to a marked increase in Spanish emigration, including El Puerto and La Tomatina, the latter located next to the first Banksy we were able to enjoy, the hilarious “Well Hung Lover” on Park Street, a steep commercial thoroughfare which is a must for picking up bargains. Our hotel was near there, in the historical Old City, so we still had time to wander through St Nicholas Market, a charming covered market, like a bazaar with glass ceilings. We also made for St Peter’s Church, an evocative ruined church at the top of Castle Park, on a stretch of the river bordering the Broadme addistrict, the city’s commercial centre. Further north lies Bearpit, an unusual square sunk between a junction of trunk roads that swerve around pedestrian tunnels plastered with posters announcing musical performances and street art exhibitions. We were taken aback by a number of graffiti paying tribute to the tragedy of the 43 missing Mexican “normalistas”. There were also skate ramps, a space for performances of all kinds and even a typical double-decker London bus converted into a food truck serving Mexican dishes.

On this note we wind up the first part of our intense and interesting visit to Bristol. In the second part we delve into the area where most of the clubs are concentrated. We also talked to Euan Dickson, sound engineer of Massive Attack, one of the seminal bands in the city’s music scene. Get going and discover the sounds of Bristol – check out our flights here.

Text by Mondo Sonoro and Los Viajes de ISABELYLUIS

Images by Los Viajes de ISABELYLUIS

The people of Manchester always have to settle for second prize. Perhaps it is a bitter victory to come behind rivals, first-placed London, the economic, social and cultural epicentre of old Britain, but Manchester is still plugging away. They have always had a better football team than any in the capital and, as far as music is concerned, they have sometimes hit Londoners where it hurts most.

When it comes to Manchester’s nightlife, what comes to mind willy-nilly is stories and pictures associated with The Haçienda, that hotbed of endless creativity that set the trends in club music throughout the United Kingdom for over a decade. It is now eighteen years since it was converted into an apartment block. However, its demise did not in any way herald a decline in Mancunian nightlife. Club culture has long enjoyed good health in that city and this, added to the fact that music spots have always been plentiful in Manchester, makes it one of the hotspots in Europe.

The city boasts countless centres of night leisure. One of the most vibrant of them, which is currently on an upsurge, is the Northern Quarter, located in Manchester’s historic centre, dating from medieval times. The Council aims to give the neighbourhood a new lease of life, offering low rentals to attract young entrepreneurs. Located here is one of the best house and techno clubs, Sankeys (Radium St. M4 6AY). It is worth visiting for the quality of their sound and, incidentally, their equipment was designed by the likes of NASA. A good way to start the evening in this district is to have a pint at Odd Bar (30-32 Thomas Street), a sort of pub which won the best city bar award and which has a quality DJ programme. For live music, a great choice is Moho Live (Tib St., M1 1SH). There you can find anything from upcoming bands to Soundsystems by seminal electronic artists like Nightmares on Wax.

Another not-to-be-missed club in the Oxford Road university area is Joshua Brooks (106 Princess St. M1 6NG), located on the corner of Charles Street and Princess St. Aside from being a bar, at night it doubles as a disco, where the music ranges from indie to dance and dubstep. For addicts of black sounds, the city’s temple is called Funkademia Sited in Mint Lounge (46-50 Oldham Street), their motto is “wear what you like, but dress well”. Saturdays evenings are the most crowded and feature sessions of the best northern soul, groove, old-school hip hop and disco music.

The Event

For some years now, one of Britain’s paramount electronic music events has been held in  Manchester. This is The Warehouse Project, a serie of events that gets under way at the end of September and takes places every weekend until the beginning of January. Under the watchword, “For Twelve Weeks This City Is Ours”, the event’s organisers have drawn up a programme featuring a pithy lineup, designed to cure your hiccups. This year will see the likes of Jamie XX, Luciano, Clark, Siriusmodeselektor, Leftfield, Adrian Sherwood, John Talabot, Andrew Weatherall, Goldie, Carl Craig, Four Tet... The venues differ from one year to the next. According to the festival’s policy, the location should be outlandish every time. Until 2007, this was sited at their current operations centre. It lies in the underbelly of Piccadilly Station(Store St. M1 2GH), an unsettling place on account of the presence of catacombs. Each club night has its own theme. This year we recommend the weekend devoted to New Order, on 5 and 6 December, with a stunning lineup featuring such names as New Order themselves (they will be performing both days), A Certain Ratio, Erol Alkan, Horse Meat Disco and Factory Floor, among others.

As you can see, the intense Manchester scene continues apace. Come and feel the vibe – check our flights here.

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Images by Tom Jerkins photographic, Odd Bar, Duncan Hull, The Warehouse Project, Funkademia

From David Bowie or Iggy Pop, to U2 or R.E.M, Berlin has long been a source of inspiration for the most famed ambassadors of pop and rock (their impact on club culture deserves a separate article). With the iconic Hansa Tonstudio recording studios as the hub of experimentation and creation, the German capital stands out as the inextricable backdrop for beacons of musical genesis over the last few decades.

“Heroes” (David Bowie, 1977)

David Bowie took refuge in Berlin in search of inspiration in the late seventies. His German sojourn ended up spawning the Berlin Trilogy,a triptych of albums that began with Low (1977) and ended with Lodger (1978), although epitomised by the second album, Heroes.Recorded in the legendary Hansa Tonstudio (or Hansa Studio by the Wall), the title track recounts the story of two lovers who hide their idyll in the shadows of the Berlin Wall.

“Lust For Life” (Iggy Pop, 1977)

Following in the footsteps of his friend, David Bowie, Iggy Pop headed for Berlin to develop his career as a solo artist. The first chapter in that new venture was The Idiot (1977). A bigger hit still was Lust for Life, released that same year. With the Hansa Studio by the Wall again becoming his centre of operations, Iggy Pop took just eight days to breathe life into such essential titles in his repertory as Lust for Life, The Passenger and Tonight.

“Kollaps” (Einstürzende Neubauten, 1981)

Few albums has captured so well the essence of Berlin in the early eighties as Kollaps, Einstürzende Neubauten’s debut. A landmark industrial and experimental band, the calling card of this group led by Blixa Bargeld was a collection of pieces which even today, three decades on, still resound as searing, psychotic and oppressive – an exquisite torture on the ears.

“Night Time” (Killing Joke, 1985)

The quasi-metal, industrial band, Killing Joke, achieved one of their major hits with Night Time, a work suggestive of an interlude between their strident beginnings and the calmer stretches they would subsequently experiment with, albeit fruitlessly. And, while you’re at it – listen to Eighties, the last track on the album, and then do the same with Come as You Are, by Nirvana. Influence, coincidence or plagiarism?

“Black Celebration” (Depeche Mode, 1986)

Depeche Mode went to Berlin to record their fifth studio album, with Martin Gore then consolidating as the band’s creative engine. As the title suggests,Black Celebrationstresses the darkening sound passages that the Britons had been flirting with in their previous works, Construction Time Again (1983) and Some Great Reward (1984). Definitely one of the most influential records of the eighties.

“Your Funeral… My Trial” (Nick Cave And The Bad Seeds, 1986)

Nick Cave has stated on more than one occasion that Your Funeral… My Trial is the best album in their career. Indeed, his long fourth track harbours some of the most hair-raising cuts by the Australian, like its counterpart, Your Funeral, My Trial, Stranger Than Kindness or The Carny which Cave and The Bad Seeds would play a year later in the Wim Wenders film, Wings of Desire.

“Bossanova” (Pixies, 1990)

Engendered in Berlin, this third album of the Pixies is undoubtedly one of the great works of independent rock. The hideout of simply irresistible tracks like Velouria, Dig for Fire or Allison, their customary dedication to sure-fire tunes entangled with distorted guitar rasps,Bossanovareveals borrowings from surf and space rock. While not a conceptual work, many of the themes bear references to aliens, UFOs and the remaining extraterrestrial paraphernalia that so obsessed its leader, Black Francis.

“Achtung Baby” (U2, 1991)

Having scoured the roots of American music with Rattle and Hum (1988), U2’s next release marked a radical departure in sound. Having moved to Berlin to allow the winds of change blowing across the city to rub off on them, the Irishmen caught the world unawares with a work grounded in the essences of the burgeoning genres, including independent rock and electronic music. Achtung Baby is one of those definitive records in the history of rock.

“Collapse Into Now” (R.E.M., 2011)

R.E.M. was one of the most popular bands in the last few decades, with the added advantage that they managed to keep their integrity and artistic credibility intact. They split up in September 2011, a few months before the release of their last album, Collapse Into Now. Recorded in the Hansa Tonstudio, this is a standout farewell bordering on the sublime, as in Discover, Mine Smell Like Honey and Überlin.

Berlin Musictours offers an extensive, more than interesting gamut of tours to the hotspots of Berlin’s ever effervescent musical activity. Among the various itineraries to choose from, notable routes include the Bowie Berlin Tour, U2 Berlin Tour, Depeche Mode Berlin Tour and Hansa Studio Tour. Why wait to discover an à la carte musical Berlin? Check our flights here.

Text by Oriol Rodríguez for ISABELYLUIS Comunicación

Having been invited on a pintxo crawl of San Sebastián by the club, Dabadaba, and to steer the DJ booth for revellers to dance to their heart’s content, I set out some hours ahead of my session to find the best pintxos in town. I was lucky to have my friend, Borja, as my guide. Apart from being a local, as well as producing and DJ’ing good music, he knows the temples of those delicious dinky bites like the back of his hand. Here we go…

Evenings In the Thick Of It

Our tour began at Txepetxa, home of the anchovy, offering all kinds of pintxos featuring that small yet noble fish, accompanied by cream of spider crab, sea urchin, olive paté, foie gras, stewed apple or trout and salmon roe. Everything looked awesome, but I opted for a fresh anchovy classic. Great! We went for a stroll to La Concha and headed into Narru, in the basement of the historic Hotel Niza, with views over the bay which clearly ratchets up the experience of tasting their dishes, notably their luma gorri (chicken wing) with potato, smashed fried egg and alioli or the secreto ibérico ham. Stunning! We retraced our steps to the old town and went into Zazpi, where the young chef, Paul Arrillaga, doles out happiness from his fiery helm in the form of a spectacular “potato volcano”, a pintxo based on truffle, egg and potato or an exquisite ox-tail ravioli. A veritable banquet. We made our way to Dabadaba.

After opening in April 2014, the locale has been graced by the likes of Allah-Las, Sean Nicholas Savage, The Godfathers and Omar Souleyman, among others. On stage were The Space Lady, a pioneer of electronic music, with a staging as minimalist as it is breathtaking. They bewitched us completely and, when we came down to earth again, we were faced by Fernando Lagreca churning out his particular electronic brand as a matchless prelude to my own set. My turn came. I started with some new releases I have been DJ’ing recently, interspersing themes from Italo disco, acid and disco bizarro. Things perked up and Dabadaba ended up dancing in full swing. A great night – we had a smashing time. Then we hit the hay.

Saturday In Donosti Is No Ordinary Saturday

Rising early is a virtue, but doing so when you’ve been to bed late is untenable. So we headed straight off in search of pintxos. Again in the old town, I was taken to Paco Bueno, a spot I wouldn’t miss for anything. Offering a meagre four or five pintxos, notably shrimp dumpling, hake in batter, croquettes and pie, this is one of the city’s most crowded bars, opened in 1950 by a retired boxer. The business was later taken over by his son, a rugby player, as is his brother, Chufo, and his son, Gorka. A family concern with warm, family service, the bar walls crammed with pictures of boxing and the sport with a melon-shaped ball – what else would you expect? Still in the inner city, we made for Borda Berri, whose staff are shared by La Cuchara de San Telmo, another illustrious pintxo temple. The star dish is their “kebap”, a delicious pork ribs with an incongruous name which prompts veritable pilgrimages to taste it. Other dishes with the same fate include their cheek of beef, octopus and risotto de Idiazábal. Just opposite lies Txuleta, specialising in meat dishes, if you fancy that. The best thing then was to work off the meal by striking out and we ended up at the Club Náutico de Donosti, with the whole La Concha bay before us. The sun was blazing that day and this spot was divine. The upstairs floor houses GU, another club where you can dance house or techno, depending on the night. I made a point of visiting Tabakalera before I left.

On the verge of making its debut as the European Capital of Culture, with the San Sebastián International Film Festival and the San Sebastián Jazz Festival among its leading cultural draws, the city boasts a peerless interdisciplinary space known as La Tabakalera. This public International Contemporary Culture Centre focuses on promoting upcoming local creatives and hosts activities revolving primarily around research, production and exhibition. Their feature-film and documentary seasons, exhibitions and Hirkilabs spaces, their Digital and Technology Culture Lab and Ubik – Tabakalera Creation Library – make this one of Donosti’s liveliest and most avant-garde hubs. The premises have character, set in a building that was once the city’s tobacco factory. A city with character, too.

There you have it – there’s a lot more to San Sebastián than La Concha. Fancy discovering it? Check out our flights here.

Text and images by Luis Costa for ISABELYLUIS Comunicación