Berlin clearly lived through one of its most bizarre periods during the Cold War. Bizarre, in that erecting a wall dividing a city into two parts, separating families and neighbours and setting them in opposing universes, is an Orwellian experience to say the least.

Each part of the city obviously developed in a very different way. On the one hand, East Berlin stagnated within a system based on obsessive control by the regime, a pattern shared by the rest of the communist bloc. West Berlin, for its part, evolved in similar fashion to the rest of the capitalist world.

West Berlin – From the Mecca of the Underground to Hedonistic House

From the seventies on, in line with the new trends in England and the United States, a new musical scene began to gain currency in Berlin, based on creative freedom and the aesthetic of a clean break with the past. Berlin became one of the leading centres of punk and all its subsequent ramifications. Their outsider and underground art culture sediment attracted performers of the calibre of David Bowie, Brian Eno, Keith Haring and Lou Reed throughout the seventies. By then, a good number of bands were feeding such exciting circuits as those of London and Sheffield.

At the end of the seventies, the music of Joy Division and dabblers in electronic and industrial music were adopted as icons of the flourishing alternative scene of an open Berlin. Unlike the British or American varieties, German post-punk was characterised by a tension between politics and culture and aesthetically owes much to krautrock, as many of its themes are endless repetitions at a heady pace, notably Geld/Money by the arty band, Malaria, or the early recordings of DAF.

As of 1980, the exciting Berlin scene was always on the move, spawning an inexhaustible string of bands like Einstürzende Neubauten– headed by the controversial Blixa Bargeld – Die Unbekannten, Nina Hagen, Die Krupps, Mekanik Destrüktiw Komandoh, Die Tödliche Doris, Geile Tiere and Die Arztewith their punk funk distinguished by sarcastic lyrics.True to say, the scene was not made up of musicians alone, but by film stars and directors, writers, philosophers, artists and photographers, too. By the mid-eighties a process of disintegration had set in. Music became ever more commercial and groups began to sign up with multinationals. However, it was not long before a new sound revolution arose which had a marked impact on the city – the advent of acid house and techno. Recall that Berlin’s Love Parade was the first mass parade of electronic music in the world. The first Love Parade was in 1989. The event started out as a clamour for peace and mutual understanding through music. Just a few months later, the Wall came down and West Berlin was consigned to history.

The legendary SO36 was still going strong at that time. The club, located on the Oranienstrasse near Heinrichplatz in the Kreuzberg district, took its name from the area’s famed postal code – SO36. The district of Kreuzberg is historically the home of Berlin punk, and of other alternative German subcultures. SO36 was initially dedicated mainly to punk music. As of 1979 it attempted a crossover between punk, new wave and visual art. In those days the club rivalled New York’s CBGB as one of the world’s leading new wave spots. Others on the Berlin circuit included Metropol, the disco, Kino, the club 54 Kantstrasse and the Sputnik alternative cinema, where the cult film Christiane F. premiered.

Period Document on the Big Screen

The 13th Beefeater In-Edit Festival will be held in Barcelona from 29 October to 8 November. Prominent among the many films to be shown is B-Movie: Lust & Sound in West-Berlin 1979-1989, a documentary directed by Jörg A. Hoppe, Heiko Lange and Klaus Maeck on music, art and chaos in the Wild West of Berlin in the decade of the 1980s, the walled city that became a creative crucible for a special type of pop subculture which attracted brilliant dilettantes and world-famous celebrities of all kinds. However, prior to the fall of the Iron Curtain, artists, squatters, poets, music creators and hedonists came together to enjoy a highly unconventional lifestyle in Berlin. They all knew it would be short-lived but, who’s worried about tomorrow? It was a case of living for the here and now.

Featuring mostly unreleased television material and original footage, photos and interviews, B-Movie chronicles life in a divided city, a cultural interzone where anything seemed possible – a place different from anywhere else in Europe. It is a fast-moving collage of stories about a frenzied but creative decade starting with punk and ending with the Love Parade, in a city where days are short and nights are interminable.

Berlin is currently experiencing a youthful resurgence in terms of cultural activity – and music, too! Why wait to discover it all? Check out our tickets here.

Text by ISABELYLUIS Comunicación

Images by B-Moviem, SO36

While Madrid’s gay epicentre is based on Chueca, Barcelona’s equivalent is the so-called Gayxample. In other words, the rectangle in the Eixample Esquerra district bounded by the streets Balmes, Gran Via de les Corts Catalanes, Comte d’Urgell and Aragó. And, the supply of bars and clubs mutates with the force of a tsunami each season. A prominent example are the discos at Club Arena, open from Monday to Sunday, a readily available resource for tourists and locals who can afford to stay the night. Sited in the same area is the Hotel Axel. When it opened in 2003, it became the first hetero-friendly hotel both in Barcelona and the world. The penthouse terrace is a classic place of pilgrimage where summer trippers can show off the muscles they have been working on all year around. No wonder it is one of the most popular stopovers during the Circuit Festival, which this year takes place from 2 to 14 August.

While Gayxample is a major hub of activity, the action also goes beyond its limits. One identity trait of Barcelona is its cosmopolitan ethos and the fact that all gays can find both bars and parties tailored to their needs in other districts. For instance, despite the closure of the iconic La Penúltima, in El Raval district, modern clientele have such alternatives as Zelig where, apart from the gin tonic de rigueur, you can also eat a good dish of pasta or some Dutch delicacy. Also on hand is La Casa de la Pradera (c/ Carretes, 57), a bar with a dance floor which would be perfect for those likely to migrate to the Sala Apolo later on, or, with their foot off the pedal, have enough with making the most of weekends until three in the morning. Another of the bars which has become all the rage is La Federica, (c/ de Salvà, 3), strategically located in Poble Sec. It has become one of the fetish spots of the city’s hipster crowd in record time. If you’re not one to dance through the night and prefer to just chill out on a drink, this is one of your best options.

Metro, which also opens every day of the week, is still one of the city’s classic clubs. However, if anything typifies current hedonism it is the monthly parties – held practically every week at some venue – which draw hundreds of souls eager to paint the town red. One of the most veteran such raves is Pop Air, which is usually hosted on the first Friday of the month in the Sala Tango (c/ Diputació, 94) and pulls the bears and followers of fur in the pop-lovers city. Similarly, once a month also sees the Sala Apolo (c/ Nou de la Rambla, 113) staging Somoslas for enthusiasts of burning calories to the rhythm of electronic music, and Under (c/ Tarragona, 141), featuring one of the youngest parties on the circuit. Then there is Tanga Party, which has a house section and an even larger area given over to enlightened rave-ups. An upshot of the meteoritic success of the Tanga (which is even celebrated in Madrid), this coming Sunday, 17 July, its creators will be launching La Piscini (en La Carpa Barcelona, Avenida Manuel Azaña 21-23), a new event which, over and above just music, has as its main attraction a giant tub to douse in. It is shaping up to be a great way to beat the heat.

Also on Sunday, the classic Churros con Chocolate, to be held in the Sala Apolo, is by far one of the most crowded parties. Just like La Ká (at the Sala Plataforma, c/ Nou de la Rambla, 145), it is admission-free, so we recommend you don’t delay your arrival too much at either venue if you want to avoid getting stuck in endless queues – don’t say we didn’t warn you! Check out our flights and come and discover them for yourself.

Text by Sergio del Amo for Los Viajes de ISABELYLUIS

The people of Manchester always have to settle for second prize. Perhaps it is a bitter victory to come behind rivals, first-placed London, the economic, social and cultural epicentre of old Britain, but Manchester is still plugging away. They have always had a better football team than any in the capital and, as far as music is concerned, they have sometimes hit Londoners where it hurts most.

When it comes to Manchester’s nightlife, what comes to mind willy-nilly is stories and pictures associated with The Haçienda, that hotbed of endless creativity that set the trends in club music throughout the United Kingdom for over a decade. It is now eighteen years since it was converted into an apartment block. However, its demise did not in any way herald a decline in Mancunian nightlife. Club culture has long enjoyed good health in that city and this, added to the fact that music spots have always been plentiful in Manchester, makes it one of the hotspots in Europe.

The city boasts countless centres of night leisure. One of the most vibrant of them, which is currently on an upsurge, is the Northern Quarter, located in Manchester’s historic centre, dating from medieval times. The Council aims to give the neighbourhood a new lease of life, offering low rentals to attract young entrepreneurs. Located here is one of the best house and techno clubs, Sankeys (Radium St. M4 6AY). It is worth visiting for the quality of their sound and, incidentally, their equipment was designed by the likes of NASA. A good way to start the evening in this district is to have a pint at Odd Bar (30-32 Thomas Street), a sort of pub which won the best city bar award and which has a quality DJ programme. For live music, a great choice is Moho Live (Tib St., M1 1SH). There you can find anything from upcoming bands to Soundsystems by seminal electronic artists like Nightmares on Wax.

Another not-to-be-missed club in the Oxford Road university area is Joshua Brooks (106 Princess St. M1 6NG), located on the corner of Charles Street and Princess St. Aside from being a bar, at night it doubles as a disco, where the music ranges from indie to dance and dubstep. For addicts of black sounds, the city’s temple is called Funkademia Sited in Mint Lounge (46-50 Oldham Street), their motto is “wear what you like, but dress well”. Saturdays evenings are the most crowded and feature sessions of the best northern soul, groove, old-school hip hop and disco music.

The Event

For some years now, one of Britain’s paramount electronic music events has been held in  Manchester. This is The Warehouse Project, a serie of events that gets under way at the end of September and takes places every weekend until the beginning of January. Under the watchword, “For Twelve Weeks This City Is Ours”, the event’s organisers have drawn up a programme featuring a pithy lineup, designed to cure your hiccups. This year will see the likes of Jamie XX, Luciano, Clark, Siriusmodeselektor, Leftfield, Adrian Sherwood, John Talabot, Andrew Weatherall, Goldie, Carl Craig, Four Tet... The venues differ from one year to the next. According to the festival’s policy, the location should be outlandish every time. Until 2007, this was sited at their current operations centre. It lies in the underbelly of Piccadilly Station(Store St. M1 2GH), an unsettling place on account of the presence of catacombs. Each club night has its own theme. This year we recommend the weekend devoted to New Order, on 5 and 6 December, with a stunning lineup featuring such names as New Order themselves (they will be performing both days), A Certain Ratio, Erol Alkan, Horse Meat Disco and Factory Floor, among others.

As you can see, the intense Manchester scene continues apace. Come and feel the vibe – check our flights here.

Text by

Images by Tom Jerkins photographic, Odd Bar, Duncan Hull, The Warehouse Project, Funkademia

When it comes to Germany’s underground, everyone thinks of grand Berlin with its hipsters strolling through Kreuzberg, especially when it was alternative and arty – now Neukölln has taken over – its endless art galleries, flohmarkts and variegated events staged on any derelict or decadent-looking site.

However, it might occur to a few of you that Hypezig – from “hype” and “Leipzig” – has become Berlin’s major rival in the last ten years. The city is ideal for soaking up street art or homing in on radically alternative galleries, far removed from the bustle of the capital and beyond the tourist trail. A city where throngs of students, artists and musicians have been mingling for a long time.

Mom, I Want to be an Artist in Hypezig!

Spinnerei

This former cotton mill – once the largest in Europe – is a paradise for any art lover. Nearly a hundred artists and many galleries coexist in this emblematic spot. And, if you happen to stop by, you should not miss the ASPN Galerie, headed by Arne Linde, as this was a beacon of Leipzig’s art scene when it first got off the ground. Also a must is the Galerie Kleindienst, the city’s “New Leipzig School” of artists involved with all kinds of media and materials. At the Spinnerei you will also come across small establishments offering creative products, as well as a cinema and a bistro to act as your watering hole.

Weißcube Galerie

This gallery, housed in a white cube in the middle of a Bauhaus villa garden, is a must-see landmark. Apart from providing viewers with a fine example of outsider art, the dialogue set up between the building’s architectural pieces and its surroundings will leave no one indifferent.

Ortloff Galerie

On display in this gallery are exhibits ranging from graphic design to sculptures, to installations of all types. Many of the exhibiting artists are graduates of the Hochschule für Grafik und Buchkunst Leipzig (HGB), the city’s visual arts faculty.

But, perhaps the best way to soak up the art is to stroll through Leipzig’s streets. When you least expect it, you are likely to turn a corner and bump into such works as “Mural of the peaceful revolution”, by Michael Fischer, or Blek Le Rat’s “Madonna and child” graffito, which was restored and placed behind a protective glass screen.

Dancing in the Night

And, since man does not live by art alone, getting into the swing of the city’s nightlife is a good way of rounding off the day.

Elipamanoke

This is one of the first locales to be opened in the east of Leipzig, an area characterised by its industrial past and transformed into one of the city’s hot districts. The underground parties in Elipamanoke move to the rhythm of minimal techno and house, although you can also hear drum’n’bass or electroswing.

Institut fuer Zukunft

Their rule forbidding taking photos and their access policy make this an exclusive club which prides itself on being an alternative to the current club scene. The lineup at Institut fuer Zukunft features local and international DJs who gift experimental sessions of house and techno. During the day, they host conferences and debates on gender, club culture and electronic music.

Villa Hasenholz

The best parties are usually held at venues that were not originally clubs. Thus, this kulturhaus and biergarten called Villa Hasenholz, which is also a residence for artists, hosts rave-ups of all kinds. Making use of either the interior or their outside garden, the premises can operate as a disco, a concert hall or a multi-purpose festival venue, outside the established circuit and idyllically located in a forest.

Leipzig is the ideal destination for a weekend getaway where you can steep yourself in a bohemian ambience of art and music. It is also one of the iconic cities for its classical music or for lazing in its parks and gardens, like the Clara-Zetkin-Park, where jazz is played every Sunday. But the city offers, above all, a markedly alternative Germany, alien to any stodgy clichés. It also brings home the fact that smaller cities such as Weimar, Dresden or Bremen are also likely to raise the eyebrows of more than one cosmopolitan hipster.

I’m sure you’re eager to plunge into the city’s cultural effervescence. Make haste – check out our flights to Leipzig here.

Text by Carmen Gómez for ISABELYLUIS Comunicación

Photos by Elipamanoke, Institut fuer Zukunft, di.fe88, GlynLowe, Pfauenauge