Some years ago, a few sequences from the movie, Indiana Jones and the Last Crusade, were filmed in Venice. Specifically, in August 1988. Yet the fascination produced by good old Indy’s scenes in the city is still imprinted on our retinas.

Many of us would like to be able to take DeLorean in Back to the Future and travel, not only in space, but also in time, in order to attend the shoot and see the young Harrison Ford performing great feats. Fantasies aside, we can indeed now plan our trip to Venice in the form of a game in which, after the typical tours of St Mark’s Square and theRialto Bridge,we follow the tracks left by Indiana Jones in the beautiful city of canals.

First Stop – the Salute

The Venice scenes begin when Indiana and his colleague, Marcus, meet the archaeologist, Elsa Schneider, on alighting from the vaporetto. The vaporetto is the water taxi that acts as public transport in Venice and plies the regular routes along the Grand Canal and between the various islands in the lagoon. Specifically, they get off at the stop known as Salute, on Line 1 of the vaporetto– the most popular route – immediately alongside the church of Santa Maria della Salute. Clearly, the stop is named after the church. But, those scenes don’t really match the current Salute stop, as they were shot at the jetty of the fondamenta della Dogana alla Salute. From here you can catch a glimpse of the Campanile di San Marco in the distance – located in one corner of St Mark’s Square – as it appears in the movie.

Ponte dei Pugni

Once they have disembarked, they stroll along some of the quiet streets of the Dorsoduro quarter. The gallant Indiana gives Dr Schneider a flower while crossing the Ponte dei Pugni (bridge of fists), curiously named after the years of fist fights between the rival bands of the Nicolotti and the Castellani. The losers usually ended up in the water as, until quite recently, the bridge lacked a railing.

The Chiesa di San Barnaba

Finally, they get to the San Barnaba library – where Indy’s father was last seen – the facade of which is actually part of the Church of San Barnaba (Chiesa di San Barnaba). Bear in mind that, of the natural backdrops to the quests of Indiana Jones, the one the diehards of the saga were most impressed by was the Treasury of Petra, in Jordan, which was used as a secret temple housing the Grail, and the one in the Venice Library, located precisely in this church.

The church of San Barnaba was founded in the 9th century but its current appearance is the result of the 1749 restoration. It is located in the Campo San Barnaba square, where Katharine Hepburn was also the protagonist of a scene in Summertime in which she falls into the canal. Indiana Jones emerges from a sewer in that square once he has escaped from the catacombs under the library, uttering the celebrated words, “Ah, Venice!”

Some Familiar Backdrops

Fleeing from members of the Brotherhood of the Cruciform Sword, they run along the fictitious street of Santa Lucia. This is where a number of speedboat chase scenes begin which were actually filmed at the jetties of the English town of Tilbury. The Venetian scenes then continue in the vicinity of the Grand Canal and the Palazzo Ducale. Indiana then releases Kazim – a member of the Brotherhood he has captured – opposite the Palazzo Barbaro, level with the Ponte dell’Accademia. This palace, also known as Ca ‘Barbaro, once accommodated such distinguished guests as Sargent, Henry James, Robert Browning, Whistler and Monet. Two other facades can also be distinguished in the scene – those of Palazzo Venier dei Leoni and Palazzo Barbarigo.

Indiana Jones’ adventure in Venice ends with a shot of the most typical Venetian scene – a gondola punting a couple along the Rio del Malpaga, with the Ponte de l’Avogaria in the background.

Venice – a Movie Set

If you like discovering film locations during your trips, try to do it with some of the other numerous movies that have been shot in Venice, notably The Talented Mr. Ripley, Casino Royale,The Tourist or The Italian Job,to mention some of the best known ones. It is a unique, fun way of unearthing interesting spots in the city. What are you waiting for? Check out our flights here.

Text by Scanner FM

Images by Carlos de Paz, Didier Descouens, Frans Persoon, John_k, Bernard-G

Por Michael Schuermann de Easy Hiker

London is a great city for hikers. For one because there are so many scenic trails and nature reserves near-by – the Ridgeway, the South Downs Way, the New Forest – and for another because they are all so easy and convenient to reach by what is probably the world’s best public transport system. (I know the London urban and suburban rail networks get a lot of stick, but I still have to find another city in the world where it is as easy to get around even if you have no car.)

We will spend more time in London in the near future and intend to explore the walking trails of the area in some detail, although the more serious hiking trips will have to wait until the spring.

For the time being, however, we will keep things simple and start you off this week with two short walksalong the Thames, one in the east and one in the west, each roughly two to three hours long, allowing you to set out late, after a leisurely breakfast on a weekend for example, and still be back in time “for tea” to watch the afternoon soccer game “on the telly”. Are you still with me, “guv”?

Ghosts of London Past

Wapping in the east of the city has always been my favourite part of “walking London”. I have done this walk several times over the past twenty years or so, but it was never the same walk – because the area has changed and still changes so quickly.

This stretch of London – between the Tower and Greenwich – was once the most important hub of global trade, the place where shiploads after shiploads of coffee, tobacco and sugar from the British colonies arrived on their way to the European consumers.

The London docks were abandoned in the 1960s, and the area lay fallow, a barren industrial wasteland, for twenty years before it was redeveloped in the 1980s. When I came here first, a little over twenty years ago, this process was still very much ongoing, and the “docklands” at the time were a surreal blend of derelict industrial buildings, waste dumps, modern office developments and handsome 19th century mansions.

Nowadays, the docklands are very trendy and chic, but they are still nothing like similarly trendy and chic areas of West London. They are, for one, much less lively. Wapping High Street is a residential area, but when we went there, on a Saturday around lunchtime, we were almost the only people in the street, give or take the odd jogger. Between old warehouses, centuries-old taverns and narrow stairways that lead down to the river, you feel that ghosts are walking with you every step of the way.

Our walk starts at St. Katharine Docks in the back of Tower Hill station. Walk down the stairs on your left hand side, turn left in front of the moat of the Tower of London and simply follow the signs.

The three basins of St. Katharine Docks were developed in the 1820s when one of the largest London slums – with over 10,000 inhabitants – was razed to the ground. (The rubble of the destroyed dwellings, ironically, was used to lay the foundations for one of London’s most luxurious property development projects in Belgravia.)

The St. Katharine Docks were never a great commercial success – the gates to the river Thames were too narrow, preventing larger ships from entering – and, having been heavily bombed in WWII, never fully rebuilt and gradually abandoned.

They became, however, also the first of the London docks to be redeveloped as a leisure-plus-retail facility and the blueprint for all such projects since, in the capital and all across Britain. They are a very pretty sight indeed, particularly on a sunny day. (Unfortunately, we were not quite so lucky on our walk.)

Leave St. Katharine Docks in the back of the Dickens Inn through Thomas More Street and turn left into Wapping High Street along the Thames. Look out for Wapping Pier Head, two early 19th century brick buildings that were erected right on the entrance to the docks to accommodate leading dock officials and their families …

… and, a few houses down the road, the ancient Town of Ramsgate pub. The Wapping Old Stairs beside the pub – they lead down to the river – are said to be haunted: for many men, convicts on their way to Australia and drunks who were imprisoned in the pub’s cellar before being “press-ganged” into the navy, these stairs would have been the last things they ever saw of England.

A little further on, in the garden next to the modern HQ of the London River Police, the City of London used to execute pirates – not removing their bodies before three high tides had washed over them, as a kind of deterrent presumably. The infamous Captain Kidd was hanged here in 1701, and a couple of blocks down, there is a pub that was named in his honour. (Go check it out. It has stunning views over the Thames.)

Continue past some more old warehouses before turning right into Wapping Wall – look for London’s oldest riverside pub, the Prospect of Whitby – and crossing the bridge into Shadwell. (Another modern development, called Shadwell Basin, appears on your left.)

Immediately after the bridge, turn right in the direction of King Edward VII Memorial Park, and continue by the bank of the river with some spectacular views of Canary Wharf in the distance.

Turn left into Spert Street for Limehouse Basin, where this walk ends. There is a DLR station on your left hand side from where the trains of the “Docklands Light Railway” take you back into the centre of London within a few minutes.

By Michael Schuermann de Easy Hiker 

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In terms of tourism, Germany is much more than just Berlin, Munich and Hamburg. In recent years, some cities from the former German Democratic Republic (GDR) are gaining prominence like any other, having shaken off the dust and deadweight of the Socialist regime they lived under during the Cold War. One of these newly emerging cities is Leipzig, its waxing popularity driven by the art scene, its recent history and the great vitality of its inhabitants. In the following we pinpoint the reasons that make Leipzig the ideal destination for your next getaway.

Leipzig – A Music Destination

Listen up, classical music lovers! Music is very much in vogue in Leipzig, and I mean goodmusic, largely owing to the city’s past. It is famous for composers of the calibre of Johann Sebastian Bach, who was cantor of the Choir at St Thomas Church, one of the oldest in the world. And of Robert Schumann and Clara Wieck, who entertained their contemporaries as musicians and as a couple. For Felix Mendelssohn, Leipzig was where he spent the last few years of his life, while the city is the birthplace of Richard Wagner. The Augustusplatz is the city’s music hub and the site of the Gewandhaus concert hall, a Brutalist-style building which houses one of the most widely acclaimed symphonic orchestras. Right opposite stands the Opera, the third oldest in Europe. Oddly enough, the two institutions share the same conductor.

Leipzig – A Defiant City

The chain of events that led to the downfall of the GDR unfolded precisely in Leipzig. Throughout 1989, a number of masses and peaceful protests were held around the Church of St Nicholas that gradually wore down the old, established regime and led to the fall of the Berlin Wall. The Stasi, the feared secret police of East Germany, witnessed these events in silence, as, faced with growing grass-roots pressure, they declined to intervene. Leipzig boasted numerous printing presses in the second half of the 20th century and, in order to monitor their activity, the Stasi had their headquarters set up in the so-called Haus zur runden Ecke (House of the Rounded Corner). Today it is a museum showcasing the workings of the former State security, which so hobbled the lives of the GDR’s citizens.

Leipzig – A Trade Centre & River Port

Leipzig has long been a major trade centre and, to provide merchants conducting their business with shelter from the inclement weather – rainy and overcast most of the year – around twenty covered arcades were built. Two of the best known arcades are Speck’s Hof – the oldest in Leipzig, which currently showcases some magnificent paintings and ceramic medallions, and the Mädler arcade with its stylish glass skylight and the historic Auerbachs Keller restaurant, where Goethe overheard the stories that inspired Faust when he was studying in Leipzig. As a tribute to the celebrated writer, there are two statues dedicated to the main characters in this paramount work of universal literature.

Leipzig’s commercial calling is partly due to the White Elster river, a sub-tributary of the Elbe, which numerous canals criss-crossing the city flow into. They also provide a different way of discovering it – from a small boat.

Leipzig – An Artistic Melting Pot

The Saxon city is currently one of the favourite destinations among painters, designers and creators from the world over on account of the lively art scene that has blossomed in the Spinnerei, once Europe’s largest spinning mill. Today it is an unusual, colossal cultural centre where contemporary art is produced and exhibited. It features twelve art galleries, a hundred art studios and over a hundred cubicles rented out to creators who flock to Leipzig to soak up the latest trends and share their know-how with other colleagues. Here, they feel very much at home.

Leipzig – A Grand City

Leipzig is a distinguished city with character and some striking monuments and other buildings. Prominent in the Augustusplatz is the Paulinum, one of the Leipzig University buildings, featuring a facade emulating the Paulinerkirche, the former university church which was senselessly dynamited in 1968 during the times of the GDR regime. Another building which stands out, at least for its height, is the City-Hochhaus, known as the “wisdom tooth” on account of its design. The top floor of this landmark houses the Panorama Tower restaurant and viewing platform. Their lunch menu is very reasonable and the eatery is worth visiting, if only for the splendid views.

The city also features a colossal monument which, apart from being oversized, also has an unpronounceable name – the Völkerschlachtdenkmal– which was built to commemorate the Battle of the Nations in 1813, specifically the defeat of Napoleon at Leipzig by a coalition of nations, namely Prussia, Russia, Sweden and Austria.

Come and discover this German city – check out your Vueling here.

Text by Tus Destinos

Images by Robin Kunz, Michael Bader, Peter Hirth, LTM-Tom Schulze, Nils Petersen

John Waters shot to fame by directing outlandish, low-budget movies such as Pink Flamingos (1972) which glorify violence, sexual perversion and bad taste. He uses provocation as a weapon targeting the good-mannered hypocrisy, iron-fisted morals and religious values of the American way of life. However, few realise that the American dandy with a pencil moustache has also designed large-format collages and photomontages. He has chosen 40 of these pieces – including storyboards from his movies – for the exhibition, How Much Can You Take?, which runs until 1 November at the acclaimed Kunsthaus Zürich, coinciding with the murals by Joan Miró on display there until the end of January.

Paradoxically, the multifaceted filmmaker has other traits in common with Zürich, such as class, a sense of order and extreme cleanliness. Deep down, Waters also has a tenderness and fetishism that suggests he would delight in the bric-a-brac on sale in downtown Teddy’s Souvenir Shop, offering the music boxes, Swiss army knives, cowbells and cuckoo clocks so typical of Switzerland’s bucolic image. That same cliché embodied by Heidi, the children’s character created by the writer, Johanna Spyri who, like the poet, Gottfried Keller, is buried in the leafy park of Sihlfeld Cemetery, the first in Europe to incorporate a crematory. Waters would surely relish a visit there, both for his fascination for the macabre and his professed love of literature, which of late he is more engaged in than cinema. Hence, we might also recommend he visit Fluntern Cemetery, site of the beautiful tomb of James Joyce, who in Zürich gave himself over to a licentious alcoholism while writing much of Ulysses, a diatribe against Church and State. Another writer who also passed away in this city was the German author of The Magic Mountain, immortalised in the Thomas Mann Archives, a small museum housed in the ETH Zürich. This State university has also been graced by no fewer than twenty Nobel prizewinners, notably the scientist Albert Einstein, as much a rebel against conventional mores as Waters. Located in the same university is the spectacular Law Faculty Library, designed by the architect, Santiago Calatrava. However, the maker of morbid films would probably prefer to read in the old abbey housing the Zentralbibliothek Zürich, the city’s main library.

The filmmaker’s more iconoclastic side would relish the recollection that Zürich was the cradle of Dadaism, the anarchic “anti-art” so critical of middle-class society in World War I. That was when the artistic couple, Emmy Hennings and Hugo Ball, founded the celebrated Cabaret Voltaire in Niederdorf’s Old Town. Together with Tristan Tzara, the locale broke with all established canons. The building gradually became derelict until it was occupied in 2001 by a group of artivists and used to stage neo-Dadaist-style performances before vast crowds of Zurichers. After their eviction, the City Council overturned its original plan to demolish the building, which was then refurbished as an alternative cultural centre. Also located in the Old Town is the unusual Musée Visionnaire, where visitors choose what they want to see – and are encouraged to critique it – from a catalogue of Art Brut, a movement also known as Outsider Art – the work of amateurs, the mentally disabled and any creator alien to institutions and the boundaries set by official culture. In short, characters who would not be out of place among the Dreamlanders, counter-culture misfits and such regular collaborators of Waters as Mink Stole or Divine.

The young Waters who was so enthralled by gruesome accidents and bloodthirsty tales would also take a fancy to the Moulangenmuseum, a museum featuring wax representations of body parts twisted by disfiguring diseases, including exhibits in the University Hospital’s medical teaching collection dating from 1917. And, lured by the repulsive, he might also look up the dark oeuvre, biomechanical aesthetic and highly charged erotic sense of another illustrious native of Zürich who designed the visual effects for the movie, Alien – the recently deceased H.R. Giger. Although fans of the illustrator and sculptor have to choose between a visit to his comprehensive museum in the walled town of Gruyères (nearly two hours south of Zürich), and the stunning Giger Bar in his native Chur (about an hour’s drive from Zürich), situated, strangely enough, in the same land that inspired the pastoral Heidi.

To wind up this walk on the dark side, nothing better than supper at Blindekuh Zurich, the world’s first restaurant where diners eat in the pitch black. Fortunately, Waters is not the chef, so you needn’t worry about being served what Divine ate in Pink Flamingos. I assume you get my drift but, just to make sure, before you take the plunge you should go to a quality chocolaterie like Sprüngli.

In any event, remember that the Waters exhibition only lasts for a few more weeks, so get your tickets here!

Text by Carlos G. Vela para ISABELYLUIS Comunicación

Images by David Shankbone, Roland zh, Juerg Peter Hug, Absinthe, Edsel Little