Musical journalist Bruno Sokolowicz decided to leave behind his hectic work life for a few years to embark upon a long journey leisurely exploring the most out of the way corners of the world. His plan: to slow down, turn off the auto-pilot and learn to look at the world around him again – to live every experience as if it was the first time again. First stop: Naples.

Napoli is a fascinating city. Unique. With great character. It is THE city of southern Italy. A historical marvel, architectural wonder, artistic beauty, gastronomic delight and geological impressive. Its inhabitants are as hot-blooded as the lava from Mount Vesuvius, the volcano that looms over the city, always in the background. There is an endless list of historical buildings, castles, palaces and churches to visit in Naples: Castel dell’Ovo, Palazzo Reale, the iglesia del Gesù Nuovo and the Capella Sansevero where one of the most special statues from the history of sculpture can be found – the Veiled Christ by Giuseppe di San Martino

On this tour, we will explore the streets of this Mediterranean city and its surrounding area in search of some unique sites.
Pizza Da Michele

The world’s first pizza parlour, opened in 1870. Even today, with thousands of pizza parlours all around the planet, it continues to be one of the best and, of course, the most authentic. They only offer the two classic varieties from the city: Margarita (normal or double cheese) and Marinara. Less is more!

It was here that the pizza legend began and the most popular version comes from Naples: the Margarita. Three colours like the Italian flag: white for the mozzarela di buffala, red for the home-made tomato sauce and green for the fresh basil.

For those interested in more “pizzeril” gastronomy tourism, there are a couple of appealing alternatives to a Da Michele (always full of both locals and tourists long before Julia Roberts scoffed her pizza in “Eat, Pray, Love”): Gino Sorbillo, the inventor of the calzone, wide variety of pizzas. Quality.
Di Matteo, spectacular Marinara (no mozzarela, but with a decent portion of garlic).

Galleria Umberto I

A shopping precinct with some serious architectural touches from the end of the 19th Century. Built at the same time as the Eiffel Tower in Paris, the architect Emanuele Rocco was inspired by the Galleria Vittorio Emanuele II in Milan. Tall, imposing, something interesting wherever you look. From the mosaics on the floor to the glass and metal domed ceiling. For talking a walk indoors around the Naples of 120 years ago.

Mergellina Fishing Port

Strolling along the shores of Naples, leaving Mount Vesuvius behind us, we reach the old fishing village of Mergellina. Today, it is a district of the city with its own character where locals relax in the sun, especially at weekends. One sunny Sunday morning, no matter if it’s in the middle of winter, the fishing port of Mergellina fills with walkers, roller-skaters, cyclists and people gathering for chat. People seeking to enjoy the more Mediterranean side of the city. An excellent place to buy live fish directly from the fishermen on the boats or on the beach. Or even to eat that fish in one of the many beach bars that dot the promenade.

Posillipo

Fancy wandering around the most beautiful houses in Naples? Take a photo of the bay from where you can see the whole city, the sea and Mount Vesuvius in the background? Go to a park and take in the Mediterranean breeze? Take a break from the fast pace of the city and recharge your batteries? If you answered ‘yes’ to any of these questions, then you can’t leave Naples without visiting the residential Posillipo district, where the smart, rich people live. But don’t worry, you won’t spend much money there because there are hardly any bars or shops to be found. Just lovely tree-lined streets, views of the sea, gorgeous houses, parks and lookout points. Basically, a wealth of peace and beauty to be enjoyed free of charge. Check it out!

Solfatara de Pozzuoli

Two thousand years ago, Mount Vesuvius was one single volcano. With the violent eruption of 24 August of 79 AD, which buried the cities of Pompeii and Herculaneum (also recommended visits), a crater was formed that created a volcano with two peaks: Vesuvius and Solfatara. Solfatara is like a snub-nosed volcano with vents that stink of rotten eggs. That is the smell of sulphur, which was once associated with hell and the devil, and that some believe today increases libido, strengthens sex lives and enhances reproduction when inhaling the fumes. Just in case it’s true or even if you only get the placebo effect from visiting Solfatara de Pozzuoli, it has to be included as another place of interest in the Gulf of Naples.

By Bruno Sokolowicz from scannerFM

Makes you want to go, right? Do it! Check out our prices here!

Some years ago, a few sequences from the movie, Indiana Jones and the Last Crusade, were filmed in Venice. Specifically, in August 1988. Yet the fascination produced by good old Indy’s scenes in the city is still imprinted on our retinas.

Many of us would like to be able to take DeLorean in Back to the Future and travel, not only in space, but also in time, in order to attend the shoot and see the young Harrison Ford performing great feats. Fantasies aside, we can indeed now plan our trip to Venice in the form of a game in which, after the typical tours of St Mark’s Square and theRialto Bridge,we follow the tracks left by Indiana Jones in the beautiful city of canals.

First Stop – the Salute

The Venice scenes begin when Indiana and his colleague, Marcus, meet the archaeologist, Elsa Schneider, on alighting from the vaporetto. The vaporetto is the water taxi that acts as public transport in Venice and plies the regular routes along the Grand Canal and between the various islands in the lagoon. Specifically, they get off at the stop known as Salute, on Line 1 of the vaporetto– the most popular route – immediately alongside the church of Santa Maria della Salute. Clearly, the stop is named after the church. But, those scenes don’t really match the current Salute stop, as they were shot at the jetty of the fondamenta della Dogana alla Salute. From here you can catch a glimpse of the Campanile di San Marco in the distance – located in one corner of St Mark’s Square – as it appears in the movie.

Ponte dei Pugni

Once they have disembarked, they stroll along some of the quiet streets of the Dorsoduro quarter. The gallant Indiana gives Dr Schneider a flower while crossing the Ponte dei Pugni (bridge of fists), curiously named after the years of fist fights between the rival bands of the Nicolotti and the Castellani. The losers usually ended up in the water as, until quite recently, the bridge lacked a railing.

The Chiesa di San Barnaba

Finally, they get to the San Barnaba library – where Indy’s father was last seen – the facade of which is actually part of the Church of San Barnaba (Chiesa di San Barnaba). Bear in mind that, of the natural backdrops to the quests of Indiana Jones, the one the diehards of the saga were most impressed by was the Treasury of Petra, in Jordan, which was used as a secret temple housing the Grail, and the one in the Venice Library, located precisely in this church.

The church of San Barnaba was founded in the 9th century but its current appearance is the result of the 1749 restoration. It is located in the Campo San Barnaba square, where Katharine Hepburn was also the protagonist of a scene in Summertime in which she falls into the canal. Indiana Jones emerges from a sewer in that square once he has escaped from the catacombs under the library, uttering the celebrated words, “Ah, Venice!”

Some Familiar Backdrops

Fleeing from members of the Brotherhood of the Cruciform Sword, they run along the fictitious street of Santa Lucia. This is where a number of speedboat chase scenes begin which were actually filmed at the jetties of the English town of Tilbury. The Venetian scenes then continue in the vicinity of the Grand Canal and the Palazzo Ducale. Indiana then releases Kazim – a member of the Brotherhood he has captured – opposite the Palazzo Barbaro, level with the Ponte dell’Accademia. This palace, also known as Ca ‘Barbaro, once accommodated such distinguished guests as Sargent, Henry James, Robert Browning, Whistler and Monet. Two other facades can also be distinguished in the scene – those of Palazzo Venier dei Leoni and Palazzo Barbarigo.

Indiana Jones’ adventure in Venice ends with a shot of the most typical Venetian scene – a gondola punting a couple along the Rio del Malpaga, with the Ponte de l’Avogaria in the background.

Venice – a Movie Set

If you like discovering film locations during your trips, try to do it with some of the other numerous movies that have been shot in Venice, notably The Talented Mr. Ripley, Casino Royale,The Tourist or The Italian Job,to mention some of the best known ones. It is a unique, fun way of unearthing interesting spots in the city. What are you waiting for? Check out our flights here.

Text by Scanner FM

Images by Carlos de Paz, Didier Descouens, Frans Persoon, John_k, Bernard-G

John Waters shot to fame by directing outlandish, low-budget movies such as Pink Flamingos (1972) which glorify violence, sexual perversion and bad taste. He uses provocation as a weapon targeting the good-mannered hypocrisy, iron-fisted morals and religious values of the American way of life. However, few realise that the American dandy with a pencil moustache has also designed large-format collages and photomontages. He has chosen 40 of these pieces – including storyboards from his movies – for the exhibition, How Much Can You Take?, which runs until 1 November at the acclaimed Kunsthaus Zürich, coinciding with the murals by Joan Miró on display there until the end of January.

Paradoxically, the multifaceted filmmaker has other traits in common with Zürich, such as class, a sense of order and extreme cleanliness. Deep down, Waters also has a tenderness and fetishism that suggests he would delight in the bric-a-brac on sale in downtown Teddy’s Souvenir Shop, offering the music boxes, Swiss army knives, cowbells and cuckoo clocks so typical of Switzerland’s bucolic image. That same cliché embodied by Heidi, the children’s character created by the writer, Johanna Spyri who, like the poet, Gottfried Keller, is buried in the leafy park of Sihlfeld Cemetery, the first in Europe to incorporate a crematory. Waters would surely relish a visit there, both for his fascination for the macabre and his professed love of literature, which of late he is more engaged in than cinema. Hence, we might also recommend he visit Fluntern Cemetery, site of the beautiful tomb of James Joyce, who in Zürich gave himself over to a licentious alcoholism while writing much of Ulysses, a diatribe against Church and State. Another writer who also passed away in this city was the German author of The Magic Mountain, immortalised in the Thomas Mann Archives, a small museum housed in the ETH Zürich. This State university has also been graced by no fewer than twenty Nobel prizewinners, notably the scientist Albert Einstein, as much a rebel against conventional mores as Waters. Located in the same university is the spectacular Law Faculty Library, designed by the architect, Santiago Calatrava. However, the maker of morbid films would probably prefer to read in the old abbey housing the Zentralbibliothek Zürich, the city’s main library.

The filmmaker’s more iconoclastic side would relish the recollection that Zürich was the cradle of Dadaism, the anarchic “anti-art” so critical of middle-class society in World War I. That was when the artistic couple, Emmy Hennings and Hugo Ball, founded the celebrated Cabaret Voltaire in Niederdorf’s Old Town. Together with Tristan Tzara, the locale broke with all established canons. The building gradually became derelict until it was occupied in 2001 by a group of artivists and used to stage neo-Dadaist-style performances before vast crowds of Zurichers. After their eviction, the City Council overturned its original plan to demolish the building, which was then refurbished as an alternative cultural centre. Also located in the Old Town is the unusual Musée Visionnaire, where visitors choose what they want to see – and are encouraged to critique it – from a catalogue of Art Brut, a movement also known as Outsider Art – the work of amateurs, the mentally disabled and any creator alien to institutions and the boundaries set by official culture. In short, characters who would not be out of place among the Dreamlanders, counter-culture misfits and such regular collaborators of Waters as Mink Stole or Divine.

The young Waters who was so enthralled by gruesome accidents and bloodthirsty tales would also take a fancy to the Moulangenmuseum, a museum featuring wax representations of body parts twisted by disfiguring diseases, including exhibits in the University Hospital’s medical teaching collection dating from 1917. And, lured by the repulsive, he might also look up the dark oeuvre, biomechanical aesthetic and highly charged erotic sense of another illustrious native of Zürich who designed the visual effects for the movie, Alien – the recently deceased H.R. Giger. Although fans of the illustrator and sculptor have to choose between a visit to his comprehensive museum in the walled town of Gruyères (nearly two hours south of Zürich), and the stunning Giger Bar in his native Chur (about an hour’s drive from Zürich), situated, strangely enough, in the same land that inspired the pastoral Heidi.

To wind up this walk on the dark side, nothing better than supper at Blindekuh Zurich, the world’s first restaurant where diners eat in the pitch black. Fortunately, Waters is not the chef, so you needn’t worry about being served what Divine ate in Pink Flamingos. I assume you get my drift but, just to make sure, before you take the plunge you should go to a quality chocolaterie like Sprüngli.

In any event, remember that the Waters exhibition only lasts for a few more weeks, so get your tickets here!

Text by Carlos G. Vela para ISABELYLUIS Comunicación

Images by David Shankbone, Roland zh, Juerg Peter Hug, Absinthe, Edsel Little

Words by Rita Branco

To begin your journey we invite you to take a closer look at an almost forgotten side of Lisbon: Braço de Prata. Located between Santa Apolónia and Oriente, it’s not the most charming area in the city, but in recent times it has become a place where new things find a start. Pioneers in recycling forgotten buildings, the cultural center Fábrica Braço de Prata was created back in 2007. Formerly a factory where war materials were manufactured, it is now a place to cultivate new ideas: since it replaced gunpowder with books, this special spot locks up between its doors countless proposals: from live music to art exhibitions, poetry sessions, dance meetings and other gatherings. Due to its variety of rooms, there is always something happening. It has twelve doors in total, all hiding secrets and each one with its own purpose: four exhibition rooms, another one for film projections, other for musical performances, a bookstore and a couple of bars. A place of leisure filled with a young and dynamic crowd.

Moving to one of the oldest neighborhoods in the heart of Lisbon, Anjos, there’s a place called Taberna das Almas, another cultural association born out of a deactivated glass factory. With two floors and three different rooms, this place made out of wood and full of personality, wants to revitalize the area by promoting and supporting all sorts of cultural projects. Since 2012, every road leads to Feira das Almas on the first Saturday of every month: this alternative market presents sixty projects every new edition, from vintage shopping and handicraft to brand new designers and labels, always accompanied by live music. Being the place where online shops gain a temporarily physical space, big traveling bags are turned into showcases and young artists exhibit their work, Feira das Almas brings a fresh idea into traditional business.

So you feel like visiting Lisboa, do you? Book your flights here!

Imagen de Ricardo Junqueira