When planning a trip to Sicily, what springs to mind is the island’s astounding heritage – the result of its eventful past – as well as the chance to see an active volcano like Mt Etna, taste its delicious, varied cuisine, have a bathe in its magnificent waters or simply let yourself be carried away by its decadent magic. And, why deny it, devotees of The Godfather who want to discover the cradle of the Sicilian Mafia have things cut out for them here. Who would have though that the largest island in the Mediterranean, coveted and invaded over the centuries by Greeks, Germanic tribes, Saracens, Normans, Spaniards and, finally, Italians would end up becoming a destination for tourists in search of experiences and souvenirs.

The capital, Palermo, is a must-visit city for any tourists worth their salt. What a delight it is to wander along the city’s labyrinthine streets and behold the sheer number and variety of monuments, a melange of the Byzantine, Arab, Norman, Renaissance and Baroque. It is a pleasure for art lovers and sightseers alike.

Mummies in the Catacombs of the Capuchins

However, those who hanker for something over and above myriad monuments in Palermo, or who simply wish to add a touch of mystery and morbid fascination to their stay in the city – and are prepared for the odd nightmare – should not hesitate to jot down on their wish list a visit to the Catacombs of the Capuchins. Situated in the Piazza Cappuccini, on the outskirts of Palermo, it offers what is certain to be one of the most unusual shows on the island as it houses the mummies of numerous Palermitani. We aren’t aware of whether they rest in peace, what with so many tourists milling about the rooms, but they do manage to stir up fear and inspiration for the odd horror movie.

The story goes that, from the 17th to the late-19th century, the friars in this community used to mummify and thus preserve for posterity the bodies of numerous Palermitani – specifically, those who requested and were able to afford it. To achieve this they resorted to a rather rudimentary technique which involved eliminating all moisture from the corpses inside a cave with a very dry atmosphere and then bathing them in vinegar, after which the bodies were left to dry in the sun, to complete the process of mummification. Quite shocking, isn’t it?

When filing through the catacombs, you get the feeling you are not alone, but accompanied by a bizarre retinue, some of whose members are lying down and others hanging vertically against the walls, dressed in all their finery and meticulously arranged by gender and social class. The headiest and severest moment on the tour is when you see the mummy of the little girl, Rosalia Lombardo, who died in 1920 at the age of two and who seems to be more asleep than dead. It is almost impossible not to feel cold shivers when setting eyes on her.

The strangest thing about this story is that the reason for this practice is not known, while there is no other place on the island where corpses are preserved in this manner.

Pluck up the courage to visit this unusual spot, suitable only for dare-devils and lovers of the bizarre. Book your Vueling here.

Text by Los Viajes de ISABELYLUIS

Images by Juan Antonio F. Segal

Who would have thought that, when they made their debut on stage at the Café Bizarre in New York, the young Lou Reed and John Cale would end up being the stars of an exhibition paying tribute to their band in Paris? That was back in 1965 when, having first called themselves The Warlocks and then The Falling Spikes, they had finally settled on a name that would identify and enshrine them for posterity. Incidentally, The Velvet Underground was the title of a book on sado-masochism written by Michael Leigh which had fallen into their hands by sheer chance. Nothing unusual, however, considering that drugs, prostitution, transvestism and homosexuality were rife in their New York haunts and would become the subject of many of their song lyrics, a fact which rattled more than one music producer.

Andy Warhol, a great one for moving in the New York underground and absorbing it into his parties and his works, particularly in the film pieces he shot with Paul Morrissey, was enthralled with the music of this upcoming band and added them to the prevailing fauna in The Factory. What’s more, he even took the bold step of taking over as manager of the group and in 1967 released his first production, The Velvet Underground & Nico, for which he did the cover design. Indeed, I am referring to the famous cover with the banana sticker, a veritable icon in the art world. But, the album’s value lies not only in its wrapping. Its content includes some genuine musical pearls like Sunday Morning, I’m Waiting for the Man, Venus in Furs and Heroin.One of the upshots of their collaboration with the pop artist par excellence were the videos he recorded with them, which ranged from ghoulish to arty, in which he enveloped the band in light and colour.

While the album was not a super-hit – only some 30,000 copies were sold – the band decided to  break with the core of Andy Warhol and The Factory to pursue their career as musicians. The Velvet Underground remained active until 1973, when differences between the leaders were responsible for precipitating a break-up – John Cale having had a more academic music training, while Lou Reed had followed a more rebellious line. They actually started moving in and out of the band, until they eventually decided to break up altogether.

Despite their short career and meagre success, at least as far as album sales is concerned, The Velvet Underground was one of the most influential bands of New York. Heirs to the beat generation legacy, they played a crucial role in New York’s counter-culture, far removed from the psychedelic hippie culture of the seventies that reigned in San Francisco, the other major hub of creativity in the United States. Among those who inherited their destructured sound and coarse lyrics were Ramones, The Voidoids, Dead Boys, The Heartbreakers, Siouxsie and the Banshees, Joy Division, Bauhaus, The Contortions, Bush Tetras, Teenage Jesus and The Jerks, DNA, Sonic Youth, Spacemen 3 and Nirvana.

The Philharmonie de Paris is hosting a tribute to this band in the form of an exhibition entitled, The Velvet Underground. New York Extravaganza, which runs until 12 August. Audiovisual material has been carefully curated, with six films being purpose produced for the occasion, also featuring television file pictures, photos and portraits of the band members, objects from private collections and works by contemporary and later artists who were seduced by the charms of the band. This whole ensemble is designed to recount the story of the group and its lasting legacy. But, there is more – the exhibition will be supported by a parallel set of activities, including conferences, screenings and concerts.

Go back down memory lane and relive one of the outstanding rock bands of New York’s counter-culture by taking a getaway to Paris. Check out your Vueling here.

Text by Los Viajes de ISABELYLUIS

What do Ben Hur, La Dolce Vita, Gangs of New York and Nine have in common? At first glance, we might think… nothing, but, if we pay attention to the credits, we will see they were all shot at Cinecittá. For many of us, these film studios, located on the outskirts of Rome, are inevitably associated with the name of the great Federico Fellini, but they have also been a privileged host to some of the best moments in cinema history, and the spot where a large number of movie stars converged.

This “Cinema City” was built in 1937 after the previous studios were destroyed in a fire, the cause of which has never been accounted for. The construction project was commissioned to the engineer, Carlo Roncoroni, and the architect, Gino Peressutti. The aim was to build a veritable city of the seventh art, capable of competing with Hollywood itself, which would turn Italian cinema into a worldwide beacon. It should be noted that Mussolini’s Fascist regime was in power at the time and, like Germany, the Italian regime regarded cinema as a powerful propaganda tool.

Fortunately for us, not everything produced there was regime propaganda as it eventually became the place that witnessed the passage of great names in the history of Italian cinema – Roberto Rossellini, Federico Fellini, Vittorio De Sica and Luchino Visconti.

Production came to a halt when the Second World War broke out, and the premises were even put to a different use. Two years before the war came to an end, Cinecittá was occupied by the Nazis and converted into a concentration camp for civilians. It was subsequently bombarded by Allied forces and then turned into a shelter for internally displaced people. All this upheaval led to the loss of most of the technical equipment and machinery once housed in the studios.

After weathering those dark years, Cinecittà gradually evolved into its period of greatest splendour. First, it became the site of grand American productions, featuring such unforgettable movies as Ben Hur,Quo Vadis? and Cleopatra. Second, this was where the careers of the great figures of Italian cinema unfolded. And, the presence of the Americans brought a fresh lease of life and modernity to the Eternal City, as so accurately portrayed in Fellini’s La Dolce Vita.

But all golden ages have their expiry date and the number of large-scale productions began to wane in the seventies, losing out to television. The fact is that the trend of block-buster productions started falling behind, while Italian cinema gradually ceased to be a major player on the world scene. Despite this, the studios can still boast of having been involved in such movies as The Godfather III, by Francis Ford Coppola (1988), The English Patient, by Anthony Minghella (1996), Gangs of New York, by Martin Scorsese (2002), The Passion of the Christ, by Mel Gibson (2004) and the popular television series,HBO Rome (2005-2007).

On a curious note and perhaps as a symbol of our times, Cinecittá is currently the premises of the house and set of Grande Fratello, the Italian version of Big Brother, a contest which has become one of the great television hits.

Cinecittá is now a place of pilgrimage for any film-lovers worth their salt, although what remains to experience is merely an exercise in nostalgic reunion with a period in which cinema was different. It is also a good excuse for taking the whole family along to teach the new generations some cinema history and show them one of its landmark venues. In addition to its sets and some of the most popular set designs, visitors can also see the exhibitions hosted in the Fellini Building.

Nowadays, it might feel weird to stroll through those almost ghostly spaces, tinged with the decadence of time, and try to relive the period in which the great American film stars walked those corridors. What is guaranteed though is the flush of excitement one feels when catching sight of its stunning, iconic entrance.

Ready for a trip to the cinema? Check out your Vueling to Rome here.

Text by ISABELYLUIS Comunicación

Images by Jean-Pierre Dalbéra, Carlo Mirante

The Galician district of Salnés, in the province of Pontevedra, has the honour of being the cradle of one of Spain’s supreme varieties of white wine – albariño. Made from the grape variety of the same name, these wines are young, fresh and fruity, with the right touch of acidity, making for a delightful experience on the palate and pairing to perfection with one of the region’s main products – seafood. Apart from the wines, touring this grape-growing region is packed with enticements as the land is redolent with spectacular scenery, dominated by the presence of the Arousa estuary and its typical country homes, known as pazos, as well as its hórreos (granaries raised on stilts), its cuisine and, needless to say, the affable character of its people.

You are bound to have a host of experiences in the numerous wine cellars you will encounter on your way. The Pazo de Rubianes is the most spectacular example by far. Designated a “Garden of International Excellence”, and with a history going back 600 years, this priceless country manor is surrounded by gardens likely to enchant any nature lover. For its part, the magnificent example of 16th-century Galician stately home that is the Pazo de Señoráns will take you back in time. In the town of Sanxenxo stands the Adega Eidos, built in a far more modern style than the preceding ones as its facilities date from 2003. It affords some excellent views of the Pontevedra estuary. Also built in more contemporary style is Paco & Lola Wine Cellar and Vineyards, founded in 2005, with over 22 hectares given over to vineyards and wines increasingly more in vogue.

And, in between moving from one wine cellar to the next, we recommend stopping off at the Cambados Wine Museum where you can learn about the history, art, geography, grass-roots culture and all viniviticultural aspects of the Rías Baixas DO.

A Pause Along the Way
Man does not live by wine alone and at some point you will need to refuel, so your best option is to do so in the typical ambience of a local pazo. One such manor that is well worth visiting is the Pazo Carrasqueira, a fine example of typical Galician architecture. Built in the 18th century, it has now been turned into a nine-room hotel, with its own albariño cellar of course. Another interesting option is Lagar de Costa, a family winery with lodgings that offer a tour of their vineyards and the island of A Toxa.

The Festa do Albariño in Cambados
Each summer the heartland of albariño wine production is given over to the Festa do Albariño in Cambados.Designated a Tourist Interest Site in 1990, this is the crowning event related to albariño wine-making. What started out in 1953 as a contest between wine producers, promoted by Bernardino Quintanilla Álvarez and Ernesto Zarate, is currently a full-blown festival, with concerts and all kinds of activities suited to all audiences. This year the festival takes place from 2 to 6 August and provides the ideal excuse for tasting the great local albariños in an incomparable setting and ambience, a great final fling after a route through this spectacular wine-growing region.

Book your Vueling to Santiago de Compostela, less than an hour away from Cambados, and gear up to tour this viticultural region dotted with pazos and homesteads full of charm and great wines.

Text by Los Viajes de ISABELYLUIS