Expo Milano 2015 is in full swing, after more than seven years’ preparation. Going back over 160 years, this is one of the longest-standing international events. The central theme for this edition is Feeding the Planet, Energy for Life, covering the fields of technology, innovation, culture, traditions and creativity as related to food and diet. After touring the exhibition site for several days, we have drawn up a selection of the 10 best pavilions. This was no easy task, as this year there are over 145 participating countries.

10. Mexican Pavilion

The Mexican pavilion, designed by the Loguer Design firm, features an external structure in the shape of a large corn cob. The interior replicates to scale the agricultural irrigation system applied in the Mexican Basin during the reign of King Nezahualcóyotl, a veritable achievement in sustainability which involved harnessing the environment without degrading it.

9. Spanish Pavilion

Designed by the firm, B720 Fermín Vázquez Arquitectos. In an event of this order, which promotes healthy eating, the Mediterranean diet takes centre stage. The Spanish Pavilion combines the structure of a greenhouse with that of a traditional granary. On display in the latter is produce used in regional cuisine, as well as the processes involved in food growing and production.

8. Italian Pavilion

The Italian Pavilion, designed by Nemesi & Partners Srl, Proger SpA and BMS Progetti Srl, connects up with the various exhibition areas, the auditorium and the conference halls. The building is well worth visiting, the axes of which are fused with the structure itself. Here, too, the architecture is sustainable, based on evocative avenues and the use of new technologies.

7. China Pavilion

The undulating Chinese Pavilion was created by a consortium of Tsinghua University, the Beijing Qingshang Environmental & Architectural Design Institute, and the New York Studio Link-Arc team. Based on the theme, "Land of Hope, Food for Life", it showcases this huge nation’s progress in feeding its people through agriculture and distribution. The interior features a stunning field created by LEDs, simulating cultivation according to the Chinese lunisolar calendar.

6. Austrian Pavilion

This is actually a lush forest, located in the open air, enabling visitors to wander among the foliage and breathe fresh air. The leafy vegetation sets up a microclimate so that, although uncovered, the shade provided by the trees endows the structure with a temperature five degrees lower than the surrounding area. The forest generates enough oxygen for 1,800 visitors every hour.

5. Ecuador Pavilion

This is one of the most widely acclaimed projects among both the critics and the public at large, the work of the Spanish studio, Zorrozúa y Asociados. The theme, "Journey to the Center of Life", is implemented to perfection on the facade of the Ecuador Pavilion, as are others, such as the opportunities provided by the agricultural sector in terms of sustainable development, common welfare, the fight against hunger and feeding the world’s cultures and ethnic groups. A prominent feature are the curtains covering the whole building, the work of KriskaDECOR. This is the first time the whole surface of a pavilion has been clad with curtains.

4. German Pavilion

This pavilion is known as the “Fields of Ideas”. You can’t get more German than that, can you? Architectural devices have been used to reflect Germany’s rich, natural landscapes, including sinuous curves, a huge green canopy and enormous solar trees which produce energy using organic photovoltaic technology. We followed a route through the “sources of nutrition” – water, soil, climate and biodiversity – before arriving at the “Garden of Ideas”. The pavilion has numerous secluded spots for relaxing and taking in the landscapes and live music, DJ sessions and other shows.

3. Brazil Pavilion

Here, architecture and stage scenery are combined to provide visitors with an experience of Brazilian values. Implemented very successfully is the idea of a soft, decentralised, flexible network pervading the whole structure. According to its artificers, it stands for the country’s pluralism. Set in the middle of 130 other buildings, the Brazil Pavilion is a good place to take a breather – we took one – by way of a public square that attracts passers-by.

2. United Arab Emirates Pavilion

Designed by the iconic architectural studio, Foster + Partners, it features tall, undulating walls reflecting the UAE’s desert landscapes. This structure is built to provide a cool interior, as the 12-metre-high walls protect against the sun and set up shaded walkways for visitors. Strolling along them led us to the open-air exhibition areas, ending in a striking gold auditorium.

1. United Kingdom Pavilion

For us, the stand-out UK Pavilion is the most spectacular of them all for its originality and the way the theme has been implemented in actuality. Designed by the British artist, Wolfgang Buttress, it is strikingly reminiscent of a honeycomb. Visitors to the pavilion follow the path of a bee, winding their way through a field of flowers, to the heart of the bee hive. Sounds and visual signs are synchronised in real time to an actual bee-hive in the United Kingdom. The sounds emitted by the queen bee can be heard throughout the exhibition and the light provided by LEDs swells in response to an increase in the activity of the bees.

Don’t miss out on Milan. What better way to discover the present and future of many of the world’s nations than by visiting a Universal Exhibition? Come and check out our flights here.

Text by ISABELYLUIS Comunicación

Images by Expo Milano 2015

What remains of Pink Floyd 45 years on? In truth, very little. With Roger Waters touring half the world with his 3D show,The Wall,and Richard Wright’s disappearance eight years ago, of the avant-garde rock band which dominated the show scene in the 70s and part of the 80s, only Nick Mason and the lead, David Gilmour, are left from the original group to spearhead the effort.

A Touch of History

Pink Floyd is one of the best bands of all time; no doubt about it. This is attested by their records and their endurance in the top positions among the benchmark groups for decades. Granted, they didn’t invent the concept album – The Who had invented it just before them – but it was they who exploited it to its full expression.

Pink Floyd has some records to its name. Perhaps the most striking one is having had a disc on the Billboard list for 889 weeks (over 17 years) in a row; indeed, their album was on the list longer than any other disc ever. With an estimated 50 million copies sold, The Dark Side of the Moon is Pink Floyd’s most successful album and the top-selling rock disc ever, coming in second in worldwide record sales behind Michael Jackson’s Thriller. But, their success is not limited to that 1973 album. They were famous before that, too. At the end of the sixties, they were the flagship of the British psychedelic scene. Their early records, when Syd Barrett also played in the group, acted as a magnet for a whole seething mass of new ideas and experimentation. Likewise, The Dark Side of the Moon wasn’t their only pinnacle of success – their subsequent albums were on a par, although they weren’t able to match the level of sales. Thus, the decade of the seventies was theirs – with the permission of Led Zeppelin and The Rolling Stones – thanks to such legendary tracks as Animals, Wish You Were Here and, above all, The Wall, which was made into a film directed by Alan Parker and starring Bob Geldof.

What Happened in Pompeii?

It is a well-known fact that Pink Floyd’s live concerts were in technological terms the most spectacular shows for several decades. They actually reigned supreme until the early nineties, up to the time that U2 staged a tour with their album, Achtung Baby. Live performances were always one of Pink Floyd’s fortes right from the outset, when the original crew delighted the crowds on London’s university and underground circuits. Those were the days of British psychedelics, and their concerts were a veritable sensorial experience, thanks to the support of screenings and performances. To get a better idea of what they were like, it is worth seeing the film, Tonite Let’s All Make Love in London, directed by Peter Whitehead, which includes performances by the London band from those times.

In the seventies, by then without Syd Barrett, the group continued to flourish. Their music shifted from psychedelic to progressive rock, while technological devices became gradually more entrenched in their live shows. But, before becoming one of the stadium bands par excellence, they embarked on a project that ended up becoming one of the great milestones in rock history. They joined forces with the movie director, Adrian Maben, with a view to shaping a film project they were working on. The result was Pink Floyd Live at Pompeii, set in the mythical ruins of the Roman city which was devastated by the eruption of Mt Vesuvius in AD 79.

The project was hatched quite coincidentally. The director, Adrian Maben, had simply phoned Stephen O’Rourke, Pink Floyd’s manager, in the early seventies, and suggested making a movie with the group. At that time the idea was to produce a very arty piece and to elicit the participation of artists of the standing of Magritte, De Chirico,Christo and Jean Tinguely who would create on a visual level what Pink Floyd created in sound. But, they never managed to reach an agreement. Months later, Maben went to Italy with his girlfriend of the time and visited the ruins of Pompeii. That evening he discovered he had lost his passport and, thinking back, he decided he must have left it in the Pompeii amphitheatre. He went back to the spot at dusk and there, among the monuments, sculptures and paintings of a place that had frozen in time, Maben experienced his great moment of inspiration – it was the ideal spot to film Pink Floyd. In the near mystic silence of nightfall, he realised that Pompeii had it all – death, sex and oodles of latent life. And there, in that amphitheatre, Pink Floyd could bring it all back to life.

45 Years Later

Last March, Italy’s Minister of Culture, Dario Franceschini, confirmed in his Twitter account that the 70-year-old British guitarist, David Gilmour, would play in Pompeii on 7 and 8 July. There, you have it – Pink Floyd’s lead will again perform at the legendary archaeological site, forty-five years after having been the leading light in the shooting of the movie, Live At Pompeii. On this occasion, he will be presenting the tracks from his latest release, Rattle That Lock. However, the possibility that he might also play songs by his former band has not been ruled out. Recall that Gilmour and Nick Mason still hold the operating rights to practically the whole of Pink Floyd’s legacy.

Be sure to relive the magic of one of the best concerts ever. You can also enjoy a tour of the most famous Roman archaeological site in the world. Check out our flights here.

Text by Los Viajes de ISABELYLUIS

We know that Tintin travelled to America, the Soviet Union, China and South America… he even got to step onto the moon! But, where did the endearing reporter created by Hergé actually live? While the cartoonist never revealed it explicitly, there is no doubt that Brussels, where Hergé lived all his life, is the backdrop in the cartoon strips whenever the amusing reporter and his faithful dog, Snowy, are captured at home. We ventured into Tintin’s haunts and discovered the palaces, museums, hotels, theatres and parks in Brussels which Hergé converted into comic artefacts.

On their return from their first adventures in Tintin in the Land of the Soviets, Tintin and Snowy are welcomed as heroes by a crowd in the Gare du Nord, an exact copy of the former Brussels Gare du Midi. Now featured in the railway station is a mural inspired by a cartoon of Tintin in America to mark the centenary of the birth of Georges Remi, “Hergé”.

In the second of his 24 adventures, the iconic reporter and his faithful friend travel to the Congo, an album which Hergé was likely inspired to pen after various visits to the Royal Museum for Central Africa. Among many other nods, the leopard man that threatens Tintin in the comic is an imitation of the statue sculpted by Paul Wissaert on display in that museum.

The address, 26 Labrador Road, is well known to Tintinophiles. First mentioned in The Broken Ear, don’t waste your time looking it up in a Brussels street finder. Instead, head for 26 de la rue Terre-Neuve, where you will come across an uncannily similar building to the one where the young reporter’s flat was located!

Built in the late-19th century on the south side of the Royal Park, the Royal Palace stands out as one of the most emblematic landmarks in Brussels. This majestic building was where Hergé drew inspiration for the Royal Palace of Syldavian King Muskar XII in King Ottokar's Sceptre.

Dating from 1873, the Flea Market or Marché aux Puces, located in the Place du Jeu de Balle, is the Brussels mecca of collectors, antiquarians, treasure hunters and bric-a-brac seekers. It was at this flea market that Tintin discovered the model ship at the opening of The Secret of the Unicorn.

However, it was most likely in The Seven Crystal Balls that Hergé captured most of Brussels’ architectural landmarks. For example, in this thirteenth instalment of The Adventures of Tintin, one of the city’s most emblematic hotels appears – the Metropole. Also easily recognised in this comic album is La Monnaie theatre, renamed the Music-Hall Palace. And, the mansion where Professor Hercules Tarragon lives is the spitting image of the opulent villa on Avenue Delleur 6.

Also in The Seven Crystal Balls, we come across the character, Rascar Capac, a mummy inspired by a relic on display in the Cinquantenaire Museum. Hergé was a regular at this gallery, where he went in search of ideas. It was also where he discovered the fetish created by the Arumbaya, the focus of the storyline in The Broken Ear.

Another prime magnet for Tintinophiles is the southern Brussels district of Uccle, one of the nineteen districts making up the Belgian capital. In Uccle we find the Brussels Planetarium, an observatory which Hergé portrayed in The Shooting Star. Interestingly, the Centre Culturel d'Uccle has a statue of Tintin on display, while in the district cemetery, a short distance away from where he lived until his death, is the artist’s grave. A plaque at 33 Rue Philippe Baucq, in the more central district of Etterbeek, reminds visitors that this was the birthplace of Georges Remi “Hergé”. (The house is not open to the public.)

At Louvain-la-Neuve, less than half an hour from the centre of Brussels, stands the Musée Hergé. Designed by the French architect, Christian de Portzamparc, the Hergé Museum is three storeys high and has 8 exhibition halls, featuring 80 original prints, 800 photographs and countless documents and miscellanea related to the life and work of the creator of Tintin and Snowy.

Highly recommendable for Tintin lovers in particular, and enthusiasts of the ninth art in general, is a visit to the Brussels Comic Strip Centre (Rue des Sables 20) which features thousands of original works relating to some of the most outstanding Belgian creations in the comic world, notably The Smurfs, Lucky Luke, Spirou and Tintin, among others.

The huge dragon from The Blue Lotus painted on the ground at the entrance to rue de la Colline 13 announces your arrival at the Tintin Boutique. This is the ideal store for stocking up on all types of objects and souvenirs associated with the illustrious reporter and his endearing troupe of cartoon companions.

Fire up and venture into the world of Tintin – book your Vueling to Brussels here.

Text by Oriol Rodríguez for Los Viajes de ISABELYLUIS

Images by Oscar W. Rasson, Julien, Andrea Carrozzo, CTJ71081, Dustin Hackert, Laurence Livermore, Su-Lin, Stephane Mignon

Some months ago we wrote about five must-visit restaurants in Gijón: Los Pomares, where the fabada is a winner; El Quinto, a wine tavern with globe-trotting tapas; Casa Trabanco, a cider mill with guided visits laid on and dishes based on ingredients from their own market garden; El Candil, which boasts the best fish in town, and La Bolera, a grillroom acclaimed throughout Spain.

Should the list not make the grade – it does, I can assure you – Gijón also hosts several gastro-events which provide an excellent pretext to visit.

Flavours of Arcu Atlánticu

Billed as a culture festival featuring a blend of literature, performing arts, fine arts, music and cuisine from the Atlantic regions of Spain, France, Portugal, Ireland and the United Kingdom, the festival also features star chefs in action. Graced with awards by the city of Gijón, they cook on an enormous stage in the Plaza Mayor before more than 1,000 people, flanked by giant screens, as if a rock concert were being staged. This year, it will be held on 1 August. The event has already hosted such celebrities as Elena Arzak, Eneko Atxa, Andoni Luis Aduriz and Dieter Koschina, the chef at the Vila Joya restaurant, until recently the only Portuguese eatery with two Michelin stars.

Natural Cider Festival

In the week from 22 to 28 August, Gijón tastes only of cider. Around thirty cider mills set up their cider-serving stalls in two urban settings – the Plaza Mayor and the marina (alongside a sculpture known as “The Cider Tree”, made up of bottles from 80 Asturian cider mills). For a token fee, visitors get a commemorative glass they can fill up free-of-charge at any of the stands throughout the day at the so-called Mercadín de la sidra y la manzana (cider and apple market). There are various activities during the week. The bus de la sidra or “cider bus”, which visitors can take to the local cider mills, cursos de escanciado (courses in cider-pouring) and cancios de chigre (cider tavern songs) when hundreds of people gather in the Plaza Mayor to sing the most popular songs of Asturias, while on Poniente Beach there will be an attempt to break the Guinness simultaneous cider-pouring record. Set in 2014, it brought together 8,448 cider pourers.

Gijón de sidra

The Gijón de Sidra festival is held for eleven days each October (this year, from 6 to 16 October), during which cider mills from all over Asturias are twinned with emblematic cider taverns in the city. Each tavern then offers a bottle of cider from the mill they represent, in addition to a homemade portion of food served in a cazuelina, all at a moderate price, accompanied by the singing ofcancios de chigre(cider tavern songs).

Gastronomic Workshops

You can always join some gastronomic workshop around the time of the traditional fiestas. The celebrations of Antroxu (Carnival), with pote (hotpot), picadillo (mince) and frixuelos (flour fritters); those of Holy Week, the Asturian de Pinchos contest (in February), the pinchos (meat on the skewer) contest at the Gijón Sound Festival (last held from 15 to 17 April), and the Pinchos de Gijón championship (in November).

The Cider Route

A good way of learning everything you need to know about cider, the Asturian beverage par excellence, is by indulging in it. Depending on the ticket you purchase, you can learn the secrets of cider making, visit outlets where it is sold, take part in tasting sessions or eat candies made with apple. (There are four types of ticket, which are sold at the Gijón Tourist Offices or online). Available throughout the year.

Gijón Gourmet

Epicureans have the chance to lunch or dine at seven of the best restaurants in Gijón (Casa Gerardo, Agua, Bellavista, El Candil, La Salgar, Casa Víctor, Ciudadela) at an attractive price – 50 euros in the case of Michelin-starred eateries and 45 euros in the others. The menu comprises two starters, two main dishes, dessert and wine. When booking, all you need to point out is that you want a Gijón Gourmet Menu (only tables of up to 8 diners are eligible for the offer).

Gijón Goloso

Gijón Goloso works in a similar way. Considering it is one of Spain’s cities with the most confectionery shops, sixteen of them were selected to make a special sweet which visitors can taste after buying a ticket online or at the Infogijón offices. Five tastings costs 7 euros, while 10 tastings costs 13 euros. The offer lasts all year long, so you have ample time to prepare your trip, as sweet-toothed tourists will never be short of their candies.

Text and photos by Ferran Imedio of Gastronomistas.com