It was a film that led me to Turin. I was stunned by a giant edifice topped by a spire which towered over the city. It was the Mole Antonelliana, a vivid name alluding to both its blunt presence and its designer, Alessandro Antonelli, who had initially conceived of it as a synagogue. I discovered it in a humble but significant independent film entitled Dopo Mezzanotte (After Midnight), by Davide Ferrario, who lives in the city and has shot many of his films there. It is a hymn to cinema, a passion triangle with the action set in the Museo Nazionale del Cinema, which has been housed in the Mole since 2000. With an area of 3,200 square metres, it is the largest in Europe dedicated to “the Seventh Art”. It is a highly original, spectacular exhibition, both for its location and the layout of its collections, including pre-cinematographic devices, magic lanterns, and both old and modern stage items – notably masks from Star Wars and Bergman’s The Seventh Seal, Superman’s cloak and Marilyn Monroe’s bodice. It is actually one of the most frequented museums in Italy, quite a feat in a country with such a rich history and art heritage. It is also the site of the Turin Film Festival, next slated for 20 to 28 November, which has featured such filmmakers as Nanni Moretti, Gianni Amelio and Paolo Virzi.

The City that Bewitched Risi, Tornatore and Argento

The fact that Turin was Italy’s first capital is evident in its cinema, from Neorealism to erotic comedies, with a profusion of such explicit detective films as Double Game, Black Turin and Torino, centrale del vizio. It was in Turin that the master of horror movies and self-confessed lover of the city, Dario Argento, shot several scenes from one of his first hits, The Cat o' Nine Tails. He went on to film in their entirety his latest works, Do You Like Hitchcock?, Sleepless (Non ho sonno) and Giallo.

The city of the Juventus and Torino football clubs, the annual contenders at the “Derby della Mole”, is also an obligatory stop on the journeys depicted in the perennial classics. Enrico Loverso emigrates from the poor south to the Turinese industrial north in The Way We Laughed (Così ridevano) by Gianni Amelio. In Everybody's Fine (Stanno tutti bene), by Giuseppe Tornatore, an elderly, splendid Marcello Mastroianni visits his adult children distributed across Italy and finds the last of them – of course – in Turin. And, the irascible blind captain played by Vittorio Gassman sets off from Turin station in Scent of a Woman, directed by Dino Risi (the remake, with Al Pacino, came years later). Risi also happened to make his cinema debut in the same Alpine city, when he was assistant director during the shoot of Piccolo mondo antico (Little Ancient World), and it was there, too, that he one night declared his eternal love to the stunning actress, Alida Valli, while they were sitting in a carriage in the rain, in the romantic, lush gardens of the Parco Valentino.

The Setting for Robberies and Spies in American Movies

In The Pink Panther 2, with Steve Martin, one of the city’s most prized treasures is stolen – no less than the Turin Shroud. However, the film that has probably set Turin most on the map is the 1969 cult movie, The Italian Job, by Peter Collinson (which has seen a recent remake). In it, Michael Caine flees with his loot from the carabinieri in his Mini Coopers, through the Palazzo Carignano, along the inner staircases of the Palazzo Madama and around the exterior of the Gran Madre di Dio Church, skidding through the glamorous Galleria San Federico shopping centre, and driving over the flared roof of the Palazzo a Vela, built for the Italia 61 Exhibition and refurbished as a sports centre for the 2006 Winter Olympics. He also drives up the heady oval test track on the old FIAT factory – the city’s veritable economic driving force for decades – housed in the Lingotto building, now a multidisciplinary space for trade fairs and festivals. In his final getaway, his Minis reach the nearby Alps, the formidable mountain range which acts as the backdrop for this stunning city, after having crossed the river Po.

And, opposite the Po stands the majestic Piazza Vittorio Veneto, which appears in The Bourne Ultimatum, a saga starring Matt Damon. However, the café where we later see the fired up secret agent sitting is actually in Madrid! The fact is that the film crew were back working in Spain when a change to the script forced them to repeat the shoot of the scene originally filmed in Turin. The magic of cinema always involves some hidden devices!

If you fancy seeing the city for yourself, secure your ticket here!

Text by Carlos G. Vela para ISABELYLUIS Comunicación

Images by Felipe Cadona Colombo, Jean-Pierre Dalbera, Luigi Giordano, Marco Coïsson, MarkusMark, Nicola Gambetti

When it comes to Germany’s underground, everyone thinks of grand Berlin with its hipsters strolling through Kreuzberg, especially when it was alternative and arty – now Neukölln has taken over – its endless art galleries, flohmarkts and variegated events staged on any derelict or decadent-looking site.

However, it might occur to a few of you that Hypezig – from “hype” and “Leipzig” – has become Berlin’s major rival in the last ten years. The city is ideal for soaking up street art or homing in on radically alternative galleries, far removed from the bustle of the capital and beyond the tourist trail. A city where throngs of students, artists and musicians have been mingling for a long time.

Mom, I Want to be an Artist in Hypezig!

Spinnerei

This former cotton mill – once the largest in Europe – is a paradise for any art lover. Nearly a hundred artists and many galleries coexist in this emblematic spot. And, if you happen to stop by, you should not miss the ASPN Galerie, headed by Arne Linde, as this was a beacon of Leipzig’s art scene when it first got off the ground. Also a must is the Galerie Kleindienst, the city’s “New Leipzig School” of artists involved with all kinds of media and materials. At the Spinnerei you will also come across small establishments offering creative products, as well as a cinema and a bistro to act as your watering hole.

Weißcube Galerie

This gallery, housed in a white cube in the middle of a Bauhaus villa garden, is a must-see landmark. Apart from providing viewers with a fine example of outsider art, the dialogue set up between the building’s architectural pieces and its surroundings will leave no one indifferent.

Ortloff Galerie

On display in this gallery are exhibits ranging from graphic design to sculptures, to installations of all types. Many of the exhibiting artists are graduates of the Hochschule für Grafik und Buchkunst Leipzig (HGB), the city’s visual arts faculty.

But, perhaps the best way to soak up the art is to stroll through Leipzig’s streets. When you least expect it, you are likely to turn a corner and bump into such works as “Mural of the peaceful revolution”, by Michael Fischer, or Blek Le Rat’s “Madonna and child” graffito, which was restored and placed behind a protective glass screen.

Dancing in the Night

And, since man does not live by art alone, getting into the swing of the city’s nightlife is a good way of rounding off the day.

Elipamanoke

This is one of the first locales to be opened in the east of Leipzig, an area characterised by its industrial past and transformed into one of the city’s hot districts. The underground parties in Elipamanoke move to the rhythm of minimal techno and house, although you can also hear drum’n’bass or electroswing.

Institut fuer Zukunft

Their rule forbidding taking photos and their access policy make this an exclusive club which prides itself on being an alternative to the current club scene. The lineup at Institut fuer Zukunft features local and international DJs who gift experimental sessions of house and techno. During the day, they host conferences and debates on gender, club culture and electronic music.

Villa Hasenholz

The best parties are usually held at venues that were not originally clubs. Thus, this kulturhaus and biergarten called Villa Hasenholz, which is also a residence for artists, hosts rave-ups of all kinds. Making use of either the interior or their outside garden, the premises can operate as a disco, a concert hall or a multi-purpose festival venue, outside the established circuit and idyllically located in a forest.

Leipzig is the ideal destination for a weekend getaway where you can steep yourself in a bohemian ambience of art and music. It is also one of the iconic cities for its classical music or for lazing in its parks and gardens, like the Clara-Zetkin-Park, where jazz is played every Sunday. But the city offers, above all, a markedly alternative Germany, alien to any stodgy clichés. It also brings home the fact that smaller cities such as Weimar, Dresden or Bremen are also likely to raise the eyebrows of more than one cosmopolitan hipster.

I’m sure you’re eager to plunge into the city’s cultural effervescence. Make haste – check out our flights to Leipzig here.

Text by Carmen Gómez for ISABELYLUIS Comunicación

Photos by Elipamanoke, Institut fuer Zukunft, di.fe88, GlynLowe, Pfauenauge

Copious meals at Picos de Europa

It’s not a secret that Picos de Europa is a great place to eat. Only in the area of Cabrales, over 40 types of cheese are prepared, being the region in Europe with a greater variety.

It was clear that, before we feast on great food, we needed to make some kind of effort, first. The most common route to follow in the area is at Cares, uphill at the beginning but nice and relaxed the rest of the way. Is almost like a baptism to trekking, much frequented on the weekends.

We opt to follow the route from Poncebos to Bulnes, an uphill and amusing where we meet mountain goats several times. Bulnes is a small village, the only place in Asturias that is not accessible by car. There are many houses here but most of them are bars, inns and restaurants where you can eat very well. We tried delicious fabes and other specialties from the province, like a pot of octopus and potatoes, the small chorizos with cider and the scorpion fish cake.

Trying the best fabada in the world (and a great cachopo)

By chance, right next to the hotel where we were staying in Villaviciosa there is Bedriñana cider bar, which was awarded in 2014 for the ‘best fabada in the world’. That is something very remarkable in Asturias!

The fabada, obviously, was delicious and, to top it off, as a second course we ordered a cachopo to share. Cachopo (or cachopu) is a very typical dish from Asturian cuisine, only suitable to resistant stomachs. It is made of two veal filets that can be filled with cheese, ham or other ingredients. Furthermore, wine plus a side dish of potatoes, pepper and mushrooms. The two of us couldn’t even finish the half of the dish.

Then is when we realised that you have to be very careful when you order a dish. If an Asturian waiter tells you that you’re not ordering enough, be prepared. A big feeding feast is awaiting you.

For the great seafood, go to Tazones

Close to Villaviciosa, Tazones has the essence of a fishermen town, with pretty cobblestone streets and low-lying houses with colourful balconies, and is the place to go to eat great seafood and fish. The choices and quality are immense, any of the restaurants in town is provided by local fisheries.

Delicious cocktails in Gijón

We took advantage of a quick visit to Gijón to try some cocktails at one of the most frequented places in town. Its name is Varsovia and can be located by San Lorenzo avenue, exactly at Cabrales, 18, in an iconic historical building with an interior of eclectic decoration and a great variety of furniture, from Chester sofas to old wooden furniture. The large windows provide the best views over Gijón beach.

The menu includes a great variety of cocktails, provided in an unbeatable atmosphere and with a great music selection to enjoy.

The cider: customs & practices

A different matter is cider, the Asturian drink by excellence, and how it must be served. Cider in Asturias usually costs no more than 3€ each bottle, with a dark green colour and usually purchased to be shared. It has low alcohol content so you can order many and still remain not too much drunk.

The technique to pour cider usually leads to funny moments, especially among beginners who waste more cider than what is served. It is necessary to pour the cider right in the border of the glass, to enhance the flavour and smell when it mixes with the oxygen from the glass. When the cider is served you should ask ¿quién bebe? (“who drinks?”) and the glass must be empty in one sip or two, not more. It can be considered impolite to keep the cider for too long in the glass, because it loses the properties.

If you are not good at pouring cider, you better ask the waiter to serve you a “culín” or “culete”. If you dare to pour it yourself, you should know that the stream should be as high as possible and break right at the border of the glass. You don’t want to shower the rest of the diners.

Why not take a trip to Asturias? Have a look at our flights here!