Jaffa or Yafo, as it is known in Hebrew, is one of the oldest ports in the world. According to the Bible, it was founded by Japheth, one of the sons of Noah, after the Great Flood and it was from here, too, that Jonah set sail on his voyage, before being swallowed by a whale. Myths, legends and stories attenuated by the passage of time – the fact is that Jaffa is one of the most charming spots on Israel’s seaboard. Its narrow streets, craft stalls and views of Tel Aviv make this a magical place to wander through leisurely.

History, Artists and Street Markets

Various excavations in the area have unearthed remains dating back to 2,000 BC, making Jaffa one of the oldest active ports in the world.

After a period of splendour and its flourishing under the Ottomans, Jaffa went into a period of decline on account of the growth experienced by neighbouring Tel Aviv, which absorbed it in 1948. Today, however, it has become one of the city’s most vibrant districts.

The entrance to Jaffa is dominated by the Clock-tower, built in 1921 to mark the 25th anniversary of the Turkish sultan at the time. Radiating out from the tower are a number of streets that make up the street market. In Jaffa you can find souvenirs, craftwork and even second-hand objects. Be sure to visit the flea market, held every Sunday morning between Yefet street and the Jerusalem Boulevard. Their wares range from brick-a-brac to mid-century designer jewellery, furniture and crockery. If you won’t be visiting the quarter on a Sunday, however, rest assured all the streets make up one big bazaar where you can always pick up the odd gem any day of the week.

What’s more, the streets surrounding the market feature quaint, vintage-style restaurants with terraces where you can dip into a hummus or salad for just a few shekels.

Hub of Artists

While prices are no longer the way they once were, Jaffa is a still favourite haunt of local artists. Situated in the north of the district is the so-called Artists’ Quarter, a compact area of old Arab houses and narrow alleyways which have been turned into artists’ studios and craft workshops. One of the best known venues is the Ilana Goor Museum, an 18th-century building owned by this Jewish artist. It boasts a vast collection of ethnic art, as well as works by such established figures as Henry Moore, Diego Giacometti and Joseph Albers. And, if you’re lucky, you might bump into Ilana herself as she walks her dog through the museum.

The other major venue in Jaffa is the Old Jaffa Museum of Antiquities. Housed in a lovely 18th-century building, it features exhibits unearthed during excavations in the area itself.

A Mix of Religions

A stone’s throw from the Ilana Goor Museum stands the so-called House of Simon the Tanner where, according to the New Testament “Acts of the Apostles”, St Peter stayed. Israel is a land where various religions coexist, so don’t be surprised to find mosques, synagogues and churches in the same street. Indeed, the Catholic St. Peter's Monastery stands in Kedumim Square, underneath which we find a visitors centre, housed on the site of excavations from the Roman period. Immediately behind it and overlooking the sea is the Monastery of St Nicholas, dating from 1667, the seat of the area’s Armenian community. The quarter also has synagogues and two important mosques, notably the Sea Mosque, where fishermen traditionally go to pray, and the Mahmoudiya, dating from 1812, which serves the local Muslim community.

Make a Wish

There are two things you should not fail to do before leaving Jaffa. First, stroll through the Gan Ha-Pisga, a park sited atop Old Jaffa hill, with spectacular views over the Tel Aviv coastline.

And, lastly, you should cross the Wishing Bridge and make a wish of your own. However, make sure you do so while touching your sign of the Zodiac on the bronze statue while gazing out over the sea. It’s certain to come true.

Take a Vueling to Tel Aviv and discover the oldest port in the world.

Text by Aleix Palau for Los Viajes de ISABELYLUIS

Images by Aleix Palau, amira_a

Turin has two football teams – Torino FC, and the more famous Juventus FC. Most Turinese are Torino FC fans, despite the fact that Juventus is far better known around the world. Witnessing either of them playing a home match is quite an experience. But, let’s focus on the latter, as it has now regained its place among the finest teams and because it’s playing style is dazzling.

The Juve or Vecchia Signora – “Old Lady”, as it is known among the Turinese, shuns the customary dictates of the catenaccio – the typically Italian, ironclad defensive system – instead engaging in a more flashy, attacking play more in keeping with Dutch or English football teams.

The 80s – Italy Sparkles; Turin Sets the Play

Juventus lived out its golden age in the nineteen eighties, when its lineup featured such figures as Michel Platini, who was awarded three Ballon d’Or in a row and captained his French national team to its first European title win in the 1984 European Cup. But, Platini was not the only major figure in that prodigious team. Also playing in that squadra were the likes of Stefano Tacconi, Cesare Prandelli, Zbigniew Boniek, Massimo Bonini, Gaetano Scirea, Sergio Brio and Antonio Cabrini. And, that in itself was nothing! Indeed, that squad of soccer wizards achieved what no other team had managed before – they won all possible international titles in a single year. In the 1985–1986 season, they lifted the European Cup Winners’ Cup (against Oporto), the UEFA Super Cup (against Liverpool), the UEFA Champions League – then known as the European Cup – (also against Liverpool) and the Intercontinental Cup (against Argentinos Juniors), a feat that has only since been equalled by the Guardiola-era FC Barcelona. Italian football was then at the pinnacle, way ahead of the rest. On a national level, its team had won the World Cup at Spain ‘82 while, on a club level, with Juventus and, later, AC Milan, the Calcio’s hegemony of Europe lasted until well into the following decade. In those days of slick football, Italy was on the lips of everyone. The boot-shaped country became the favourite European holiday destination; its fashion, led by such brands as Versace, began to set global trends, while even its music, in the form of Italo-disco, crowded out the first positions on continental hit parades.

Tears, and Some Joy

The distinction of being the club that has lost most Champions League finals earns it a special place in our heart. While the eighties saw it rolling in celebrations and titles, the nineties were more of a torment. It wasn’t until eleven years later that the Bianconeri managed to win Europe’s major football competition, and that was after a penalty shoot-out against Ajax; but, it was all misery thereafter. They lost three finals in the space of seven years – against Borussia Dortmund, Real Madrid and AC Milan – while their supremacy in Europe fizzled out. That is, until this season, when they are again peerless Italian league leaders – they are more than ten points clear of the second placed team – and have once again classified for a Champions League semi-final, something they hadn’t achieved since 2003. What is this success down to? A combination of veterans –Buffon, Tévez, Pirlo– and new talent –Morata, Fereyra, Pogba. But, part of the reason lies with their coach, Massimiliano Allegri, who in his first season has set a seal of versatility on a team capable of attacking and defending at will.

The City of “Le Zebre”

Turin is a city that effectively revolves around its most international football team. The Calcio is still the favourite topic of conversation at any of its markets, cafés and restaurants. But, where you breathe the purest footballing atmosphere is of course at the Juventus Stadium. Located at 50 Corso Gaetano Scirea, this spectacular colosseum designed by the architect, Gino Zavanella, was unveiled in 2011 to replace the historical Stadio delle Alpi.

The stadium houses the J Museum, one of the most important soccer museums in the world. It was inaugurated on 16 May 2012 and comprises several rooms exhibiting trophies awarded to the club, as well as jerseys worn by the leading footballers in Juve’s history, and interactive areas full of historical photos of the Turinese club.

The area surrounding the stadium is traversed by a Walk of Fame featuring the names of the fifty most famous players inBianconerohistory, as elected by Juventus fans via the club’s website. Among the most illustrious names we find historical figures of world football such as Roberto Baggio, Zinedine Zidane, Michel Platini, David Trezeguet, Alessio Tacchinardi, Dino Zoff, Alessando Del Piero and Pavel Nedvěd.

Come and discover one of the cities with the greatest footballing spirit on the planet. Check out our flights here.

Text by ISABELYLUIS Comunicación

Images by Juventus FC, forzaq8

What can we say about Pedro Almodóvar? Luis Buñuel notwithstanding, he is the internationally best known Spanish film director. His Oscar-award-studded, iconoclastic filmography includes both masterpieces and a large number of highly interesting movies. Like any creator worth his salt – and the Manchegan is one of these – Almodóvar has a pet city that features repeatedly in his films. We are referring to Madrid. In the late seventies he left his native Calzada de Calatrava and journeyed to the capital, Madrid, intent on making his name in cinema. It ended up becoming his favourite set. He has portrayed it in many different ways, revealing both its highlights and shadows, its well-known and its hidden facets. Almodóvar has explored virtually all the streets of his adopted city with a view to heightening the emotions and feelings of his main actors. His fiction breathes life into buildings, streets, establishments, airports, train stations and a long list of other settings.

The director of Volver turned the city into a film set, using to advantage real locations recognizable  to his audience and turning some spots into must-visit centres of pilgrimage for his fans. Touring these precincts involves venturing into Almodóvar’s passionate, architectural world, by way of an alternative tourist guide to Madrid. We now retrace some of the most emblematic spots on a route which you can round off by viewing the films directed by the creator of Women on the Verge of a Nervous Breakdown and jotting down new sites in your Almodovarian logbook.

Chicote Museum and La Bobia

One of the two bars that appear in Almodóvar’s films is the Chicote Museum, a chic cocktail bar with an eventful history sited on Madrid’s iconic Gran Vía. It opened in 1930 and its premises have been graced by a considerable number of contemporary stars and Hollywood classics, too. Its interior features in one of the main scenes of Broken Embraces, starring Blanca Portillo. La Bobia is another legendary meeting point in Madrid. It is hard by El Rastro flea market and was once a hotspot of La Movida (The Madrilenian scene). It was actually during those heady times that Almodóvar decided to set the opening scene of Labyrinth of Passion in La Bobia. The movie’s cast was headed by Imanol Arias and Cecilia Roth.

Cuartel del Conde Duque

A must-visit venue to see the spot where one of the Manchegan filmmaker’s most famous scenes was shot – when Carmen Maura takes a night-time shower with a hose in one of his masterpieces, Law of Desire. The scene was filmed in the doorway of the Cuartel del Conde Duque, one of Madrid’s largest and oldest palaces (it was built in 1717), which also boasts a highly valuable cultural and historical endowment. What’s more, once you’ve taken the snapshot de rigueur to relive Almodóvar’s shot, you can go inside and visit it, as it has been turned into a cultural centre featuring various temporary exhibitions throughout the year.

The M-30 Apartment Blocks

Pedro Almodóvar did not restrict himself to capturing only Madrid’s well-known city centre – he also turned his gaze to the suburbs. He did so in one of his best movies, the iconic What Have I Done to Deserve This? in which a long-suffering Carmen Maura is going through hell. She plays a woman who lives in one of the apartment blocks lining the M-30 motorway, a working-class residential area in the district of Moratalaz.

The Segovia Viaduct

One of the natural settings Almodóvar has used most often, both at the beginning of his career and even today. It appears in both Matador and the very recent I'm So Excited. In the latter, Paz Vega stars in an amusing scene shot against this backdrop. The Segovia Viaduct is located in Calle Bailén, near the Royal Palace, and is one of Madrid’s best known bridges.

Be sure to tour these Almodovarian settings – book your Vueling to Madrid here.

Text by Xavi Sánchez for Los Viajes de ISABELYLUIS

Berlin clearly lived through one of its most bizarre periods during the Cold War. Bizarre, in that erecting a wall dividing a city into two parts, separating families and neighbours and setting them in opposing universes, is an Orwellian experience to say the least.

Each part of the city obviously developed in a very different way. On the one hand, East Berlin stagnated within a system based on obsessive control by the regime, a pattern shared by the rest of the communist bloc. West Berlin, for its part, evolved in similar fashion to the rest of the capitalist world.

West Berlin – From the Mecca of the Underground to Hedonistic House

From the seventies on, in line with the new trends in England and the United States, a new musical scene began to gain currency in Berlin, based on creative freedom and the aesthetic of a clean break with the past. Berlin became one of the leading centres of punk and all its subsequent ramifications. Their outsider and underground art culture sediment attracted performers of the calibre of David Bowie, Brian Eno, Keith Haring and Lou Reed throughout the seventies. By then, a good number of bands were feeding such exciting circuits as those of London and Sheffield.

At the end of the seventies, the music of Joy Division and dabblers in electronic and industrial music were adopted as icons of the flourishing alternative scene of an open Berlin. Unlike the British or American varieties, German post-punk was characterised by a tension between politics and culture and aesthetically owes much to krautrock, as many of its themes are endless repetitions at a heady pace, notably Geld/Money by the arty band, Malaria, or the early recordings of DAF.

As of 1980, the exciting Berlin scene was always on the move, spawning an inexhaustible string of bands like Einstürzende Neubauten– headed by the controversial Blixa Bargeld – Die Unbekannten, Nina Hagen, Die Krupps, Mekanik Destrüktiw Komandoh, Die Tödliche Doris, Geile Tiere and Die Arztewith their punk funk distinguished by sarcastic lyrics.True to say, the scene was not made up of musicians alone, but by film stars and directors, writers, philosophers, artists and photographers, too. By the mid-eighties a process of disintegration had set in. Music became ever more commercial and groups began to sign up with multinationals. However, it was not long before a new sound revolution arose which had a marked impact on the city – the advent of acid house and techno. Recall that Berlin’s Love Parade was the first mass parade of electronic music in the world. The first Love Parade was in 1989. The event started out as a clamour for peace and mutual understanding through music. Just a few months later, the Wall came down and West Berlin was consigned to history.

The legendary SO36 was still going strong at that time. The club, located on the Oranienstrasse near Heinrichplatz in the Kreuzberg district, took its name from the area’s famed postal code – SO36. The district of Kreuzberg is historically the home of Berlin punk, and of other alternative German subcultures. SO36 was initially dedicated mainly to punk music. As of 1979 it attempted a crossover between punk, new wave and visual art. In those days the club rivalled New York’s CBGB as one of the world’s leading new wave spots. Others on the Berlin circuit included Metropol, the disco, Kino, the club 54 Kantstrasse and the Sputnik alternative cinema, where the cult film Christiane F. premiered.

Period Document on the Big Screen

The 13th Beefeater In-Edit Festival will be held in Barcelona from 29 October to 8 November. Prominent among the many films to be shown is B-Movie: Lust & Sound in West-Berlin 1979-1989, a documentary directed by Jörg A. Hoppe, Heiko Lange and Klaus Maeck on music, art and chaos in the Wild West of Berlin in the decade of the 1980s, the walled city that became a creative crucible for a special type of pop subculture which attracted brilliant dilettantes and world-famous celebrities of all kinds. However, prior to the fall of the Iron Curtain, artists, squatters, poets, music creators and hedonists came together to enjoy a highly unconventional lifestyle in Berlin. They all knew it would be short-lived but, who’s worried about tomorrow? It was a case of living for the here and now.

Featuring mostly unreleased television material and original footage, photos and interviews, B-Movie chronicles life in a divided city, a cultural interzone where anything seemed possible – a place different from anywhere else in Europe. It is a fast-moving collage of stories about a frenzied but creative decade starting with punk and ending with the Love Parade, in a city where days are short and nights are interminable.

Berlin is currently experiencing a youthful resurgence in terms of cultural activity – and music, too! Why wait to discover it all? Check out our tickets here.

Text by ISABELYLUIS Comunicación

Images by B-Moviem, SO36