The Manhattan of Europe
By Tensi Sánchez from Actitudes Magazine
Frankfurt on the Main, commonly known as Frankfurt, is one of the most important cities in Germany and one of Europe’s leading economic and financial centres.
Tradition and modernity live side by side in this German city on the banks of the River Main. Its skyline of metal and glass buildings is reminiscent of the famous views of Manhattan as seen from the Hudson River. Although modernity has made its mark on this Bavarian metropolis, many architectural treasures still remain of what was, centuries ago, one of the most important cities in the German empire.
A perfect symbiosis that endows Frankfurt on the Main with a timeless ambience, where conservative German style, contemporary architecture, classic European art and cutting edge design create a fusion that makes this city an ideal destination for all types of tourism.
From Haupbanhof, the city’s main station, we can explore almost the entire city without having to use public transport. As we stroll among Frankfurt’s modern building’s, the old city begins to make its presence felt ever more clearly with each step. Along the cobbled streets in the city centre, we discover magnificent examples of classic German architecture: balconies teeming with flowers, houses with red tile roofs and picturesque buildings that reflect the history of a Medieval city.
The main artery of the city is the Zeil and adjoining streets, all full of shops and shopping arcades. We recommend visiting Zeil Galerie, where we find shops like The Hub, a concept store offering such brands as Acne and Filippa K, as well as the boutique Balmain, Mathew Williamson and vintage articles at Moschino, Vivienne Westwood and Issey Miyake, among others. Another great option is Superette du design, a spectacular shop selling decorative items and gadgets, or Leonid Matthias, a multi-brand store with articles by both German and international designers. From the Zeil Galerie roof-top terrace, you can enjoy fabulous views over the city centre.
The city’s old quarter is home to many famous buildings, such as the former Römer city hall inRömerberg square, Hauptwache, Frankfurt opera house, St. Bartholomew’s Cathedral, the Stock Exchange guarded by a bronze bull and a bear that represent the ups and downs of the stock market. The historic city centre boasts modern, state-of-the-art buildings such as the European Central Bank and theMMK Museum of Modern Art, one of the most important contemporary art museums in the world. Its vast collection includes works by Andy Warhol, Roy Lichtenstein, Claes Oldenburg, Pablo Picasso, Mario Merz, Jeff Wall, Marlene Dumas, Bruce Nauman… The museum is also home to the Club Michel City restaurant, offering a pop-art ambience, the perfect place to take a break and wind down.
On the banks of the River Main we find the museum area, popularly known as Museumufer (Museum Embankment) a series of ten wonderfully restored villas converted into cultural spaces, all with cafés, shops and extensive gardens. One of the finest is the Museum für Angewandte Kunst (Museum of Applied Arts), where you can find fashion design and Asian decor alongside locally designed furniture from 1925 through to 1985. The museum also has a concept store and restaurant. Another great museum in Frankfurt is the Städel Art Museum, which houses one of the finest collections in Germany: Rembrandt, Edgar Degas, Johannes Vermeer, Botticcelli…along with other great masters.
One of the city’s greatest attractions must be the Frankfurter Skyline, which includes some of Europe’s tallest skyscrapers, towering over 331 metres. And some of the city’s bridges offer fabulous views of the sunset.
The Frankfurter Skyline encompasses over 26 skyscrapers, including: Commerzbank Towerdesignedby Norman Foster and at 259 m is considered the tallest building in Frankfurt and the second tallest in the European Union, although it is surpassed in height by Europaturm at 331m, but this observation tower is not generally regarded as a building as it has no consecutive floors that can be occupied.
It is also worth mentioning Westendtower, Opernturm, Tower 185 and Main Tower, the latter being one of the most visited by tourists (entrance charged) and has an excellent restaurant known as Main Tower Restaurant & Lounge.
The Eurotheum skyscraper is home to INNSIDE Frankfurt Eurothem, the ideal place to relax in the evening, located as from the 22nd floor and serving wonderful cocktails to the sound of live piano music while we marvel at the breathtaking views. A truly unique experience. While this hotel is quite incredible, those who are not too keen on heights and prefer a more relaxed atmosphere can stay at the vanguard hotel that is part of the same chain,INNSIDE Frankfurt Niederrad, just one stop from the main train station and the perfect place to relax and wind down after exploring the city.
Picture by Rubén Seco
What are you waiting for to book your vueling? The perfect way to enjoy a weekend break.
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Steel Glass & Art 21st Century Bilbao
Its industrial past well behind it, but true to its roots, Bilbao is today a modern, cosmopolitan city offering the finest cuisine, music and, in particular, art and architecture. Indeed, ever since the Guggenheim Museum opened to the public in the mid-1990s, the Basque capital has become a magnet for devotees of contemporary art and architecture. In tandem with the museum’s inception, the city saw an upsurge in urban renewal – historical constructions were restored, stunning modern buildings erected and the estuary precincts were integrated with green areas and the layout of a metro network, designed by the likes of Sir Norman Foster. Hence, Bilbao is currently one of Europe’s best cities to live in. Here, then, is our tour of its most groundbreaking museums and buildings.
Around the Guggenheim Museum
This monumental building designed by Frank O. Gehry is an icon of the transformed Bilbao and an international art and architectural yardstick. It is rewarding to saunter around the building and become enveloped in the curves on its facades, and in awe of the famous Spider by Louise Bourgeois, or the acclaimed Puppy by Jeff Koons. Venturing into its interior, however, is a unique experience. Wandering through the steel labyrinth of The Matter of Time, by Richard Serra, or visiting the noteworthy temporary exhibitions that pass through the Guggenheim, is something all art lovers should make a point of doing.
Near the museum stands La Salve Bridge. While is has been spanning the estuary since 1972, it was not until 2007 that the French artist Daniel Buren added its famous Red Arch. Also worth seeing and adjoining the Guggenheim is the New University of Deusto Library, by Rafael Moneo, with its monolithic volume and rounded corners.
Just behind it stands the Iberdrola Tower. Designed by César Pelli, this 41-storey, 165-metre-high tower with its dramatic appearance is the tallest building in the Basque Country. It is flanked by the Viviendas Ferrater housing project, two luxury buildings designed by Carlos and Lucía Ferrater, Xavier Martí and Luis Domínguez. Opposite them lies the Plaza de Euskadi, by the landscape architect, Diana Balmori.
The Museo de Bellas Artes – A Contemporary Classic
Located near the Plaza de Euskadi, opposite Doña Casilda Park, the Museo de Bellas Artes provides an enhancement to the great collections of classical European art with its selection of top-notch works, including a Lucretia by Lucas Cranach the Elder and paintings by Francisco de Goya, El Greco and Zurbarán, while the contemporary section features paintings by Miquel Barceló and Francis Bacon. Here, you can actually travel from ancient times to the 21st century. To cater for such a variety, the building, originally dating from 1945, was upgraded incrementally, leading to its current appearance. The latest renovation has endowed both the exterior and interior with a leading-edge look. It dates from from 1996, when Luis María Uriarte opened new spaces and added the structure and glass foyer which now provide access to the museum.
Strolling Along the Estuary
The ría, once a dark, polluted estuary, was converted into one of the recreational areas of choice for Bilbao’s residents. Part of this upgrade is due to the Isozaki Atea (Isozaki Gateway) project, an ensemble of seven buildings designed by the Japanese architect, Arata Isozaki, in collaboration with the Bilbao architect, Iñaki Aurrekoetxea. Opposite this precinct stands the Zubizuri Bridge, Santiago Calatrava’s contribution to Bilbao, although also the most controversial landmark in the city.
The Alhóndiga and Osakidetza
Venturing into Bilbao’s Ensanche district will inevitably lead visitors to the Azkuna Zentroa or Azkuna Centre, better known as the Alhóndiga, a former wine exchange which has now been converted into a vibrant hub of leisure and culture. Originally completed in 1909 to a design by Ricardo Bastida, it was innovative for its time on account of the architect’s use of such materials as reinforced concrete. Following an overhaul assigned to architect Philippe Starck, it re-opened to the public in 2010 as a multi-purpose centre.
A short distance away, you get the impression of suddenly having stepped into the heart of Europe when confronted by the Osakidetza (Public Health building), unmistakeable for the polyhedral design of its facade, by Juan Coll-Barreu.
Before leaving Bilbao, be sure to visit the city’s metro which, designed by Sir Norman Foster, is said to be one of the best in the world.
Book your Vueling to Bilbao and delight in its museums and magnificent buildings.
Text and images by Aleix Palau for Los Viajes de ISABELYLUIS
more infoThe Zürich That Would Captivate John Waters
John Waters shot to fame by directing outlandish, low-budget movies such as Pink Flamingos (1972) which glorify violence, sexual perversion and bad taste. He uses provocation as a weapon targeting the good-mannered hypocrisy, iron-fisted morals and religious values of the American way of life. However, few realise that the American dandy with a pencil moustache has also designed large-format collages and photomontages. He has chosen 40 of these pieces – including storyboards from his movies – for the exhibition, How Much Can You Take?, which runs until 1 November at the acclaimed Kunsthaus Zürich, coinciding with the murals by Joan Miró on display there until the end of January.
Paradoxically, the multifaceted filmmaker has other traits in common with Zürich, such as class, a sense of order and extreme cleanliness. Deep down, Waters also has a tenderness and fetishism that suggests he would delight in the bric-a-brac on sale in downtown Teddy’s Souvenir Shop, offering the music boxes, Swiss army knives, cowbells and cuckoo clocks so typical of Switzerland’s bucolic image. That same cliché embodied by Heidi, the children’s character created by the writer, Johanna Spyri who, like the poet, Gottfried Keller, is buried in the leafy park of Sihlfeld Cemetery, the first in Europe to incorporate a crematory. Waters would surely relish a visit there, both for his fascination for the macabre and his professed love of literature, which of late he is more engaged in than cinema. Hence, we might also recommend he visit Fluntern Cemetery, site of the beautiful tomb of James Joyce, who in Zürich gave himself over to a licentious alcoholism while writing much of Ulysses, a diatribe against Church and State. Another writer who also passed away in this city was the German author of The Magic Mountain, immortalised in the Thomas Mann Archives, a small museum housed in the ETH Zürich. This State university has also been graced by no fewer than twenty Nobel prizewinners, notably the scientist Albert Einstein, as much a rebel against conventional mores as Waters. Located in the same university is the spectacular Law Faculty Library, designed by the architect, Santiago Calatrava. However, the maker of morbid films would probably prefer to read in the old abbey housing the Zentralbibliothek Zürich, the city’s main library.
The filmmaker’s more iconoclastic side would relish the recollection that Zürich was the cradle of Dadaism, the anarchic “anti-art” so critical of middle-class society in World War I. That was when the artistic couple, Emmy Hennings and Hugo Ball, founded the celebrated Cabaret Voltaire in Niederdorf’s Old Town. Together with Tristan Tzara, the locale broke with all established canons. The building gradually became derelict until it was occupied in 2001 by a group of artivists and used to stage neo-Dadaist-style performances before vast crowds of Zurichers. After their eviction, the City Council overturned its original plan to demolish the building, which was then refurbished as an alternative cultural centre. Also located in the Old Town is the unusual Musée Visionnaire, where visitors choose what they want to see – and are encouraged to critique it – from a catalogue of Art Brut, a movement also known as Outsider Art – the work of amateurs, the mentally disabled and any creator alien to institutions and the boundaries set by official culture. In short, characters who would not be out of place among the Dreamlanders, counter-culture misfits and such regular collaborators of Waters as Mink Stole or Divine.
The young Waters who was so enthralled by gruesome accidents and bloodthirsty tales would also take a fancy to the Moulangenmuseum, a museum featuring wax representations of body parts twisted by disfiguring diseases, including exhibits in the University Hospital’s medical teaching collection dating from 1917. And, lured by the repulsive, he might also look up the dark oeuvre, biomechanical aesthetic and highly charged erotic sense of another illustrious native of Zürich who designed the visual effects for the movie, Alien – the recently deceased H.R. Giger. Although fans of the illustrator and sculptor have to choose between a visit to his comprehensive museum in the walled town of Gruyères (nearly two hours south of Zürich), and the stunning Giger Bar in his native Chur (about an hour’s drive from Zürich), situated, strangely enough, in the same land that inspired the pastoral Heidi.
To wind up this walk on the dark side, nothing better than supper at Blindekuh Zurich, the world’s first restaurant where diners eat in the pitch black. Fortunately, Waters is not the chef, so you needn’t worry about being served what Divine ate in Pink Flamingos. I assume you get my drift but, just to make sure, before you take the plunge you should go to a quality chocolaterie like Sprüngli.
In any event, remember that the Waters exhibition only lasts for a few more weeks, so get your tickets here!
Text by Carlos G. Vela para ISABELYLUIS Comunicación
Images by David Shankbone, Roland zh, Juerg Peter Hug, Absinthe, Edsel Little
more info5 deliciosos 5 delicious moments in Asturiasen Asturias
Copious meals at Picos de Europa
It’s not a secret that Picos de Europa is a great place to eat. Only in the area of Cabrales, over 40 types of cheese are prepared, being the region in Europe with a greater variety.
It was clear that, before we feast on great food, we needed to make some kind of effort, first. The most common route to follow in the area is at Cares, uphill at the beginning but nice and relaxed the rest of the way. Is almost like a baptism to trekking, much frequented on the weekends.
We opt to follow the route from Poncebos to Bulnes, an uphill and amusing where we meet mountain goats several times. Bulnes is a small village, the only place in Asturias that is not accessible by car. There are many houses here but most of them are bars, inns and restaurants where you can eat very well. We tried delicious fabes and other specialties from the province, like a pot of octopus and potatoes, the small chorizos with cider and the scorpion fish cake.
Trying the best fabada in the world (and a great cachopo)
By chance, right next to the hotel where we were staying in Villaviciosa there is Bedriñana cider bar, which was awarded in 2014 for the ‘best fabada in the world’. That is something very remarkable in Asturias!
The fabada, obviously, was delicious and, to top it off, as a second course we ordered a cachopo to share. Cachopo (or cachopu) is a very typical dish from Asturian cuisine, only suitable to resistant stomachs. It is made of two veal filets that can be filled with cheese, ham or other ingredients. Furthermore, wine plus a side dish of potatoes, pepper and mushrooms. The two of us couldn’t even finish the half of the dish.
Then is when we realised that you have to be very careful when you order a dish. If an Asturian waiter tells you that you’re not ordering enough, be prepared. A big feeding feast is awaiting you.
For the great seafood, go to Tazones
Close to Villaviciosa, Tazones has the essence of a fishermen town, with pretty cobblestone streets and low-lying houses with colourful balconies, and is the place to go to eat great seafood and fish. The choices and quality are immense, any of the restaurants in town is provided by local fisheries.
Delicious cocktails in Gijón
We took advantage of a quick visit to Gijón to try some cocktails at one of the most frequented places in town. Its name is Varsovia and can be located by San Lorenzo avenue, exactly at Cabrales, 18, in an iconic historical building with an interior of eclectic decoration and a great variety of furniture, from Chester sofas to old wooden furniture. The large windows provide the best views over Gijón beach.
The menu includes a great variety of cocktails, provided in an unbeatable atmosphere and with a great music selection to enjoy.
The cider: customs & practices
A different matter is cider, the Asturian drink by excellence, and how it must be served. Cider in Asturias usually costs no more than 3€ each bottle, with a dark green colour and usually purchased to be shared. It has low alcohol content so you can order many and still remain not too much drunk.
The technique to pour cider usually leads to funny moments, especially among beginners who waste more cider than what is served. It is necessary to pour the cider right in the border of the glass, to enhance the flavour and smell when it mixes with the oxygen from the glass. When the cider is served you should ask ¿quién bebe? (“who drinks?”) and the glass must be empty in one sip or two, not more. It can be considered impolite to keep the cider for too long in the glass, because it loses the properties.
If you are not good at pouring cider, you better ask the waiter to serve you a “culín” or “culete”. If you dare to pour it yourself, you should know that the stream should be as high as possible and break right at the border of the glass. You don’t want to shower the rest of the diners.
Why not take a trip to Asturias? Have a look at our flights here!
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