In 1996, Bordeaux decide to jack up and become a city of the 21st century. The ensuing project developed in several stages – the facades of the city’s Baroque buildings were cleaned (Bordeaux’s 18th-century heritage is exceptional), the docks along the Garonne river were reconditioned and a solar-powered tramway was built. The Bordelais are rightly proud of this sustainability initiative. This whole facelift led to the capital of Aquitania being chosen as the European Best Destination in 2015 with an all-time record score, ahead of the greats like Rome, Brussels, London and Berlin.

Apart from the aforementioned works, designed to modernise the city, Bordeaux has committed to sustainability. Among other things, three years ago this involved unveiling the Darwin Ecosysteme, an area around the Queyries quayside, although the project originally dates from 2005. This area, which stretches along the right bank of the Garonne, is sited over an erstwhile industrial zone. Cleaning it up and remodelling it took two years. The brain behind the project is Philippe Barre, an Bordeaux entrepreneur committed to sustainable development who did not hesitate to invest his own money in an ecosystem which combines energy efficiency, renewable energies, ecology and thrift. To this end, Darwin is managed by the Évolution Group, an incubator of companies devoted to sustainable development, funded through office space rentals and coworking, events organising and the support of private patrons and, to a lesser extent, public subsidies. The ultimate aim of this initiative is to elicit the responsible use of resources in order to check the advance of climate change.

At first glance Darwin looks like a half-derelict site, but it actually houses over a hundred companies, many of them start-ups, who are dedicated to sustainable development – a pre-condition for being allowed to set up here. This fosters a pleasant, ecological working environment for employees, able to reap the benefits of an ecosystem conducive to development and human growth. Also based here are around twenty Bordeaux associations involved in urban culture and ecology.

Darwin features some unique spaces, such as a huge skatepark built using recycled materials, graffiti-decorated walls, the Magasin Général, the largest biological restaurant in France and a macrostore with organic products. Protecting the environment is an idea which is here starting to take its first few tentative steps, so it comes as no surprise that the projects evolving in this area are still on a modest scale, such as protecting bees, organic allotments and free-range chicken rearing. There is also a recycling station which supplies material to the coworking spaces. In the future, Darwin will be hosting fully sustainable social housing, making it the most ecological district in Bordeaux.

Fancy seeing this sustainable district for yourself? Check out your Vueling to Bordeaux here.

Text and images by Tus Destinos

Images by Sara Soulignac and S.Duboscq

In addition to its canals, the dockside in the old harbour, the Gravensteenor Castle of the Counts of Flanders, the City Hall and the Korenmarkt, one of Ghent’s major attractions is an altarpiece. Granted, it might not sound overly exciting or novel at first glance. If we add that it is one of the masterpieces of Flemish painting and the cornerstone in the transition from medieval to Renaissance art, it might start arousing some interest. And, that it is one of the artworks which, in the course of history, has been stolen most often, as well as having travelled through many countries, you are bound to see it in a different light.

The masterpiece in question is the Polyptych of The Adoration of the Mystic Lamb,also known as the Ghent Altarpiece, the work of the brothers Hubert and Jan van Eyck. It is located on the high altar in St Bavo Cathedral and was executed in 1426, commissioned by Joost Vijdt and his wife, Lysbette Borluut. The altarpiece consists of 12 panels painted in oil on both sides and measuring 3.5 m high by 4.6 m wide. It remains closed most of the year, and is only opened on festive holidays, revealing all its splendour. The paintings on the outer panels are more sober, with a marked sculptural air, the central theme being the Annunciation. A noteworthy highlight of the inner panels is their colouring, with a Deësis of Christ the King, the Virgin Mary and John the Baptist as the prominent upper feature, and the Adoration of the Lamb in the lower centre. Without going into the subject, the symbology and details behind the scenes of the altarpiece would fill a whole book.

The startling vicissitudes affecting this artwork date from 1566, when the retable had to be dismantled and concealed in the City Hall to preserve it from an assault by Calvinist iconoclasts.

In 1781, the two upper panels, depicting Adam and Eve, were removed from the ensemble, as Joseph II of Bohemia and Hungary found the nakedness of the figures disagreeable. In the 19th century, the panels were replaced with clothed versions of Adam and Eve, executed by the Belgian painter, Victor Lagye.

In 1800, the Napoleonic troops regarded it as the spoils of war – the wings were sectioned off and sold, while the central panels ended up in the Louvre. Once Napoleon had been defeated, the panels were restored to their rightful place in Ghent. But not for long.

In 1816, the vicar of St Bavo sold several of the side panels, which passed through a number of hands before coming into the possession of Wilhelm II, King of Prussia. They ended up being displayed at the Kaiser Friedrich Museum in Berlin. To provide a better view of them, the panels were sectioned lengthwise to reveal the obverse and reverse sides in the same plane. At the end of the First World War, among the multitude of artworks Germany was forced to return were these panels, which were again replaced in their original site.

In 1934, the panel of The Just Judges was stolen and a ransom of one million Belgian francs was demanded for its safe return, but the deal was rejected. It is still missing to this day and has been replaced by a copy, the work of the Brussels Fine Arts Museum curator, Jef Van der Veken.

Needless to say, the altarpiece was not left unscathed by the Second World War either, forming part of the large-scale plunder perpetrated by the Nazis. After a complex hunt for stolen art undertaken by the so-called “Monuments Men”, it was located in the Altaussee salt mine in the Austrian Alps.

The altarpiece is currently being restored, so not all the panels are on display in St Bavo Cathedral. To make up for this, those interested can follow the restoration project live in the Ghent Fine Arts Museum (MSK).

Now that you’re up to speed with all the ins and outs behind this marvellous artwork, we recommend you get hold of a Vueling and see it for yourself. And, don’t leave it too long, in case it gets stolen again!

Text by ISABELYLUIS Comunicación

In addition to Brussels, any decent trip to Belgium should take in these three pretty cities, each with its own unique features and endearing charm.

Antwerp – the City of Diamonds, Rubens Permitting

Antwerp (Antwerpen, in Flemish) is the largest city in Flanders. It lies on the river Scheldt, which has played a key role in the city’s development, and boasts one of the largest harbours in Europe, with a dockside that stretches for around fifty kilometres.

Another major factor in the economic development of Antwerp is the presence of one of Europe’s largest Jewish communities, who were instrumental in setting up one of the most important diamond industries in the world, handling up to 85% of the raw diamonds used in the production process. Not for nothing is it sometimes referred to as the “world diamond capital”. Well worth visiting are the numerous stores and workshops engaged in this activity, clustered mainly around the Central Station. Those wishing to learn more about this precious mineral should visit the Antwerp Diamond Museum.

But Antwerp also features other “precious stones” worth visiting. One essential destination is the Grote Markt (Main Square), flanked by impressive Renaissance-style guild buildings, of which the City Hall takes pride of place. Prominent above the fountain in the middle of the square is the statue of Silvius Brabo, a hero who founded the city after slaying the tyrant, Antigone, according to local legend. Another must-see is the Cathedral which has several works by Rubens on display. The artist is himself a major figure in the city as he lived here for many years. Other paintings of his can be admired in the Royal Museum of Fine Arts and the Rubens House.

Other interesting sights include the Plantin-Moretus Museum, which features old printing presses listed as World Heritage, and Steen Castle, one of the oldest buildings in Antwerp.

Ghent – Adventures of the Mystic Lamb

Ghent (Gent, in Flemish) is situated at the confluence of the rivers Scheldt and Leie whose waters dominate the city, criss-crossed as it is by a large network of canals, well worth touring by barge. Remember to visit the dockside in the old port, the Graslei (herb quay) and the Korenlei (wheat quay) with their beautiful rows of houses in different styles and from different periods.

Prominent among local landmarks is the Gravensteen or Castle of the Counts of Flanders. Built in the 13th century, it stands in the historic centre. Adjacent lies the Patershol quarter, one of the oldest in the city, which preserves much of its original charm and features numerous restaurants where you can enjoy a culinary treat. Other landmarks include the City Hall, the Belfry of Ghent and the Korenmarkt.

One essential visit is to St Bavo’s Cathedral, which houses one of the leading magnets of Ghent, the polyptych, The Adoration of the Mystic Lamb, painted by Jan Van Eyck in 1432. In addition to being a masterpiece studded with symbolism, it is one of the artworks which, in the course of history, has been stolen most often, as well as having travelled through many countries and been sectioned, censored, sold and forged. The fact we can still view it today is something of a miracle.

Bruges – the Venice of the North

Bruges (Brugge, in Flemish) is the smallest of the three cities, but undoubtedly the most beautiful and popular among tourists. The medieval essence of its historic centre, listed as a World Heritage site, has been preserved mainly intact and is the city’s leading attraction. Prominent landmarks are the Grote Markt (Main Square), the spectacular Belfry or Belfort, affording magnificent views over the city, the Basilica of the Holy Blood and the Church of Our Lady.

Not be missed is the city’s large network of canals, which has earned Bruges the sobriquet of “Venice of the North”. It is well worth sailing along these canals and soaking up the urban perspectives provided from the vessel.

If you want to take a breather, you could head for the strange sounding Friet Museum or “Museum of Potato Fries” where you can discover the history of one of the country’s culinary specialities.

Ready to be seduced by those three Flemish beauties? Check out our flights here.

Text by ISABELYLUIS Comunicación

Images by Alan Stanton, Mikel Santamaria, Carlos Andrés Reyes, ADTeasdale , Jiuguang Wang, Ed Webster

Hablamos con Bert Ostyn y Jan Duthoy, voz y teclados respectivamente de Absynthe Minded, grupo belga que acaba de editar su trabajo As It Ever Was sobre su ciudad.

1. St. Jans-Molenbeek

La primera canción As It Ever Was y que da título a su último trabajo está inspirada en el trabajo de un artista Jeroen Peters. Este artista que vive en Bruselas, una ciudad grande y pequeña a la vez, ha creado un jardín único en las afueras de la ciudad. El jardín de St. Jans-Molenbeek está situado en un lugar donde antes había una zona gris e industrial en una zona de Bruselas no demasiado bonita y done se concentra mucha pobreza y personas desfavorecidas, muchos camellos por el barrio y muchas otras cosas de las que hablan en la canción. Peters alquiló una gran espacio de tierra que pertenecía a una industria, un espacio en el que no pasaba nada desde los años 70 y consiguió convertir esos terrenos grises en espacio verde construyendo allí un jardín con sus propias manos para ofrecérselo al barrio para su uso y disfrute. Es un jardín conceptual donde todo el mundo es bienvenido y es algo muy bueno para el barrio, una obra de arte que Peters creo con sus propias manos y ha invitado allí a políticos y otras personalidades para que vean lo bueno que es el jardín. Este es el jardín del que habla la canción As It ever was.

2. Overpoortstraat, Ganthe

Hay otra canción en el álbum llamada Crosses que pasa en una calle llamada Overpoortstraat, una zona de Gante donde están todos los bares y clubes, y donde está toda la movida nocturna. La canción habla de una chica que actúa irresponsablemente y de forma un tanto peligrosa. Habla del tipo de chicas que no deben ir con cierto tipo de personas a su edad, no deben confiar en todo el mundo o actuar de un modo tan ingenuo. Han querido reflejar en esta canción con el sonido del bajo que asemeja a una chica joven atrapada en el pánico. Crosses va de los peligros de la noche y de quizás beber demasiado.

3. Music Mania, Gante

Absynthe MInded compran discos en Gante en la tienda Music Mania, una tienda especializada en lo nuevo y en discos de segunda mano. Una tienda my popular donde acuden muchos jóvenes a comprar vinilos. Los propietarios son increíbles y tiene mucha pasión por la música. Little Rascal es una canción con gran presencia de samplers de una vieja compañía discográfica egipcia llamada KayuFone.

Music Mania, Walpoortstraat 3, 9000 Gent

4. Botanique

En Bruselas existen lugares como Botanique que es un jardín botánico que, además, tiene sala de conciertos donde acuden a tocar infinidad de bandas de la Bélgica francófona.

5. Werchter Festival

El festival más grande de Bélgica es el Werchter Festival, un grandísimo festival donde descubrir siempre bandas nuevas pero hay además muchos más festivales en Bélgica parece a día de hoy que cada ciudad tiene el suyo propio.

6. L’Archiduc

Hay un famoso cóctel bar no muy lejos de la Ancienne Belgique, a la vez que una de las más reconocidas salas de conciertos, llamado L’Archiduc. Es un lugar de moda con unos combinados espectaculares y donde puedes encontrar caras famosas de Bélgica. “Bruselas es una ciudad perfecta, caótica que siempre ofrece grandes inspiraciones para nuevas canciones. Bruselas es la ciudad de Bélgica. Gante es muy pequeña y Amberes está a medio camino. Bruselas es muy internacional y es la capital de nuestro pequeño país Bélgica”, nos cuentan.

L’Archiduc, Antoine Dansaertstraat 6 1000 City of Brussels

7. Gante

Gante es una ciudad muy acogedora, una ciudad preciosa con muchos restaurantes y nada caótica, con muy buenas vibraciones. Nadie del grupo es originario de allí pero todos han ido. En Gante, hay muchos estudiantes, muy buen ambiente y muchos clubs de rock donde empiezan infinidad de bandas. También hay muchos bares de jazz, muchos conciertos y mucha actividad cultural. Es una ciudad llena de vida, una ciudad muy joven.

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