If you are desperate to get away from the sweltering heat, take a look at these destinations and get ready to use a blanket at night.

The sea, nature, fishing villages, cities full of monuments, nightlife, valleys and mountains. There are so many reasons to visit Asturias that we have struggled to pick just ten.

The Bauhaus School – from the German bau (construction) and haus (house) – was probably one of the most important and revolutionary driving forces in the 20th century in the fields of art, design and architecture. In the short space of merely 20 years, a team of inquiring artists and architects, influenced by the social movements of the time, managed to overturn the prevailing way of conceiving art and architecture and their relationship to society. Their achievements include laying the foundations for industrial design, graphic design and modern architecture. What’s more, they even put forward and saw implemented an alternative educational model which was ahead of its time. A host of figures succumbed to such innovation and each contributed their grain of sand, including Walter Gropius, Hannes Meyer, Ludwig Mies van der Rohe, Wassily Kandinsky, Paul Klee, László Moholy-Nagy, Marcel Breuer and Lyonel Feininger.

A good way of taking stock of that brilliant past, which we are now so indebted to, is by visiting two cities where the movement was based –Weimar and Dessau.

Weimar – The First Steps

Weimar was the first of three centres of Bauhaus activity. No wonder, then, that this city had already been the hub of the German Enlightenment and a meeting place for intellectuals. The Bauhaus was founded in 1919 by Walter Gropius, who took his first tentative steps in the Haus Hohe Pappeln, a school of arts and crafts designed by a pioneer of modernity, Henry van de Velde.

The only building in the Bauhaus style still standing in Weimar is the Haus am Horn, built in 1923 and designed by Georg Muche, a painter and lecturer at the Bauhaus. The building was designated World Heritage of the 20th Century in 1996.

Located in the Theaterplatz is the Weimar Bauhaus Museum, a moderately sized venue devoted to the Bauhaus. A much more spacious centre is due to be inaugurated in 2018.

Dessau – The Boom

In 1925, Walter Gropius was forced to close the school in Weimar for political reasons, but he received the necessary support to move it to Dessau. Fortunately, in the case of Dessau, there are lots of buildings that have survived to the present, including the school itself, regarded as a masterpiece of European rationalism. When preparing the groundwork for your tour of the various Bauhaus landmarks in the city, we recommend you browse this website to check the times and to book your tickets, as not all the areas are admission free.

Bauhaus Building (Bauhausgebäude).The work of Walter Gropius, this is the most emblematic of the Bauhaus constructions. Built in 1925 and 1926, it is made up of various interconnecting volumes, each with a different function. Building work involved the use of industrial techniques and a striking feature of the design is the glazed frontage.

Masters’ Houses (Meisterhäuser).Located near the school, this ensemble of four residential buildings was home to the masters: Gropius, Moholy-Nagy/Feninger, Muche/Schelemer and Kandinsky/Klee. Their interiors are open to the public, except for that of Gropius, which was destroyed during the war.

Törten Estate. The work of Walter Gropius, this ensemble of 300 houses was built in 1920 in the south of Dessau. Commissioned by the City Council, it is a prototype of a housing estate and was intended to act as a model for social housing.

Kornhaus. More playful in design, this restaurant and pub overlooking the river Elbe was designed by Carl Fieger, a draughtsman in Gropius’ practice.

Berlin was the last of the Bauhaus centres, where it was located from 1932 to 1934. However, the rise of National Socialism would put an end to this brilliant core of creativity and innovation, driving it to other countries, but the mark it left has survived until the present.

From Leipzig it is an easy train ride to both Weimar and Dessau, where you can steep yourself in the Bauhaus. Check out your flight here!

Text by Los Viajes de ISABELYLUIS

Valencia is not all Calatrava and paella, just as Barcelona does not account for all of Spain’s Modernist buildings – well, someone had to say it! Clichés aside, if there is anything the first-time visitor to Valencia is likely to be amazed at it is the sheer quantity and quality of its Modernist heritage. It hits you as you wander down its streets, particularly in the historic centre and the Ensanche.

Valencia saw marked urban development in the late-19th century, the upshot of its economic boom at the time. The city grew beyond its old walled precinct, giving rise to an overspill known as the Ensanche. The expansion coincided with one of the burgeoning art movements of the moment, one that would become all the rage among Europe’s middle classes. The movement became known as Modernism, elsewhere dubbed Art Nouveau, Modern Style, Jugendstil, Liberty or Floreale, depending on the country. Not to be outdone, the Valencian middle classes became enthralled by this new style, which a marked a break with the prevailing academic tradition. Its artificers were inspired by nature and experimented with new applications of iron and glass in architecture.

Valencian Modernism is characterised by the use of glazed ceramics on facades and in interiors, which usually feature motifs associated with the region, notably oranges and orange blossom. Among the standout buildings, which you should make a point of visiting on your itinerary of Valencia’s Modernist heritage, are the following:

- Mercat Central. Built in 1914 and designed by Francesc Guàrdia i Vial and Alexandre Soler, both of whom trained at the Barcelona School of Architecture, this is one of the city’s major tourist attractions and it’s not for nothing. The interior metallic structure is painted white, making the colours of wares sold in the stalls stand out all the more. Further, visitors are met by the striking, spectacular central dome, which floods the interior with light. Both the stunning architecture and the congenial atmosphere in the market make this a must-visit for all sightseers in the city.

- Mercado de Colón. Inaugurated in 1916 and designed by Francisco Mora Berenguer, it was commissioned to provide services for the Ensanche district. Prominent is the ornamented brick facade, decorated with a host of ceramic figures – it couldn’t be otherwise! Restored in 2003, the interior now houses various shops, cafés and bars.

- Estación del Norte. Passengers arriving in Valencia by train are rewarded with the sight of this marvellous station. Opened in 1917, it boasts some beautiful areas, notably the vestibule, decorated in wood, glazed ceramics and marble.

- Casa Ordeig. Located next to the Mercat Central, it was designed by Francisco de Mora i Berenguer. He drew inspiration from the Lonja de la Seda (Silk Exchange), which accounts for the Neo-Gothic motifs on the facade.

- Edificio Suay. This grand edifice with its white facade is located on the corner of Calle Correos and the Plaza del Ayuntamiento. It was designed by the same architect as the Casa Ordeig.

- Edificio de los Dragones. Located on the corner of Calle Sorni and Calle Jorge Juan, it was designed by José María Manuel Cortina Pérez and built in 1901. Its Neo-Gothic-inspired decoration is striking and features a profusion of mythical animals, particularly dragons – hence its name.

Apart from the aforementioned landmarks, we recommend you take a stroll along Calle de la Paz, where you will come across numerous Modernist buildings, including the Edificio Camaña Laymon, Edificio Sancho, Casa Gray, and Casa Sagnier I and II.

Ready to discover one of Valencia’s most alluring and evocative architectural facets? Book your flight here.

Text by Los Viajes de ISABELYLUIS

Images by Jocelyn Kinghorn, Marja van Bochove, Carquinyol, Pleuntje, Paul Thompson