Expo Milano 2015 is in full swing, after more than seven years’ preparation. Going back over 160 years, this is one of the longest-standing international events. The central theme for this edition is Feeding the Planet, Energy for Life, covering the fields of technology, innovation, culture, traditions and creativity as related to food and diet. After touring the exhibition site for several days, we have drawn up a selection of the 10 best pavilions. This was no easy task, as this year there are over 145 participating countries.

10. Mexican Pavilion

The Mexican pavilion, designed by the Loguer Design firm, features an external structure in the shape of a large corn cob. The interior replicates to scale the agricultural irrigation system applied in the Mexican Basin during the reign of King Nezahualcóyotl, a veritable achievement in sustainability which involved harnessing the environment without degrading it.

9. Spanish Pavilion

Designed by the firm, B720 Fermín Vázquez Arquitectos. In an event of this order, which promotes healthy eating, the Mediterranean diet takes centre stage. The Spanish Pavilion combines the structure of a greenhouse with that of a traditional granary. On display in the latter is produce used in regional cuisine, as well as the processes involved in food growing and production.

8. Italian Pavilion

The Italian Pavilion, designed by Nemesi & Partners Srl, Proger SpA and BMS Progetti Srl, connects up with the various exhibition areas, the auditorium and the conference halls. The building is well worth visiting, the axes of which are fused with the structure itself. Here, too, the architecture is sustainable, based on evocative avenues and the use of new technologies.

7. China Pavilion

The undulating Chinese Pavilion was created by a consortium of Tsinghua University, the Beijing Qingshang Environmental & Architectural Design Institute, and the New York Studio Link-Arc team. Based on the theme, "Land of Hope, Food for Life", it showcases this huge nation’s progress in feeding its people through agriculture and distribution. The interior features a stunning field created by LEDs, simulating cultivation according to the Chinese lunisolar calendar.

6. Austrian Pavilion

This is actually a lush forest, located in the open air, enabling visitors to wander among the foliage and breathe fresh air. The leafy vegetation sets up a microclimate so that, although uncovered, the shade provided by the trees endows the structure with a temperature five degrees lower than the surrounding area. The forest generates enough oxygen for 1,800 visitors every hour.

5. Ecuador Pavilion

This is one of the most widely acclaimed projects among both the critics and the public at large, the work of the Spanish studio, Zorrozúa y Asociados. The theme, "Journey to the Center of Life", is implemented to perfection on the facade of the Ecuador Pavilion, as are others, such as the opportunities provided by the agricultural sector in terms of sustainable development, common welfare, the fight against hunger and feeding the world’s cultures and ethnic groups. A prominent feature are the curtains covering the whole building, the work of KriskaDECOR. This is the first time the whole surface of a pavilion has been clad with curtains.

4. German Pavilion

This pavilion is known as the “Fields of Ideas”. You can’t get more German than that, can you? Architectural devices have been used to reflect Germany’s rich, natural landscapes, including sinuous curves, a huge green canopy and enormous solar trees which produce energy using organic photovoltaic technology. We followed a route through the “sources of nutrition” – water, soil, climate and biodiversity – before arriving at the “Garden of Ideas”. The pavilion has numerous secluded spots for relaxing and taking in the landscapes and live music, DJ sessions and other shows.

3. Brazil Pavilion

Here, architecture and stage scenery are combined to provide visitors with an experience of Brazilian values. Implemented very successfully is the idea of a soft, decentralised, flexible network pervading the whole structure. According to its artificers, it stands for the country’s pluralism. Set in the middle of 130 other buildings, the Brazil Pavilion is a good place to take a breather – we took one – by way of a public square that attracts passers-by.

2. United Arab Emirates Pavilion

Designed by the iconic architectural studio, Foster + Partners, it features tall, undulating walls reflecting the UAE’s desert landscapes. This structure is built to provide a cool interior, as the 12-metre-high walls protect against the sun and set up shaded walkways for visitors. Strolling along them led us to the open-air exhibition areas, ending in a striking gold auditorium.

1. United Kingdom Pavilion

For us, the stand-out UK Pavilion is the most spectacular of them all for its originality and the way the theme has been implemented in actuality. Designed by the British artist, Wolfgang Buttress, it is strikingly reminiscent of a honeycomb. Visitors to the pavilion follow the path of a bee, winding their way through a field of flowers, to the heart of the bee hive. Sounds and visual signs are synchronised in real time to an actual bee-hive in the United Kingdom. The sounds emitted by the queen bee can be heard throughout the exhibition and the light provided by LEDs swells in response to an increase in the activity of the bees.

Don’t miss out on Milan. What better way to discover the present and future of many of the world’s nations than by visiting a Universal Exhibition? Come and check out our flights here.

Text by ISABELYLUIS Comunicación

Images by Expo Milano 2015

It is the coastal and tourist resort par excellence. Eilat is the southernmost city in Israel and lies on the border of Egypt’s Sinai Peninsula. From this bustling city straddling the sea and the desert you can see the mountains of Jordan and Saudi Arabia on the horizon. Four countries come into view with but a single glance – a unique setting.

Once you’ve got your bearings, it’s time to soak up this torrid resort where the thermometer rarely drops below 20 degrees. Indeed, it stays above 30 degrees most of the year around – well, even a bit higher in summer. Oddly enough, it can even happen that, while it is snowing in Jerusalem (quite a common occurrence in winter), you can be roasting in the sun in Eilat, just a four-hour drive away (or one hour, by plane, from Tel Aviv).

Apart from being spoilt by the warmest temperatures, what draws most visitors to Eilat is the Red Sea. Being able to swim in clear, warm, sky-blue, richly-coloured waters is a luxury in a country covered for the most part by such deserts as the Negev, Arava or Judea.

The city’s infrastructure is also a boon. It is designed for the holiday-maker’s benefit, with all the ingredients that a tourist thirsting for leisure, sun and sea could wish for. It boasts a seaside promenade lined with shopping centres and stores brimming with special offers for all kinds of tax-free souvenirs (Eilat is a free port). There are restaurants everywhere, a variety of attractions, particularly for children and families, and a throbbing nightlife with entertainment for those seeking all-nighters. And, most importantly, a lavish supply of holiday hotels of all categories with swimming pools, spas, beach access and all the comforts visitors could need to switch off for a few days.

But, I should emphasise – what visitors to Eilat enjoy most is the coastline studded with marine life. The Red Sea is an underwater paradise for lovers of all types of diving, from the pros to the amateurs.

Even children can take the plunge and dive with dolphins, which is perhaps the activity that both children and adults request most during their stay in Eilat. The experience is well worth trying at the dolphin-reef. It’s easy – all you have to do is put on a tight-fitting wetsuit, adjust your oxygen bottle properly and take everything you need to breathe freely under the water. And, pay attention to the instructor who is going to escort you on your underwater adventure… and let yourself go!

You’ll be taking in the colourful marine wildlife and coral reefs as a plus to the experience of diving down to conquer the seabed with the odd dolphin as your host, who is more than likely to perform a few pirouettes for its prized visitors – a fascinating experience!

Wait! There’s still more – instead of diving with dolphins, if you’d prefer to have your picture taken with sharks, all you have to do is head for the Underwater Observatory Marine Park, an interactive aquarium, most of which is in the open air, which boasts Shark World, the largest shark pool in the Middle East, covering a surface area of 1,000 cubic metres. What visitors enjoy most is when the staff come to feed the sharks. This is undoubtedly the best time to come face to face with these huge, dangerous marine animals. Apart from the shark pool, the aquarium also features a children’s adventure park where infants can stroke and feed various kinds of fish and be treated to futuristic screenings such as “A Journey into the World of Sharks”.

But the sea is not the only attraction in Eilat – the sky is also captivating. It is right now, in spring, that millions of birds fly over that area. In fact, according to the experts, up to 500 million of them! They fly in a south–north direction, the opposite of the tourists, as part of the spectacular spring migration, an essential event for all ornithologists.

Eilat also stands out for its cultural offerings – could it be otherwise? These include such celebrated events as the Chamber Music Festival, an international classic held each year in February. Also in the vicinity is the nearby Timna Park, an exotic attraction where all kinds of adventure sports can be done in the middle of the desert while viewing landscapes worthy of Mars.

What more could you ask for? Check out our flights here.

Text and images by Nani Arenas

John Waters shot to fame by directing outlandish, low-budget movies such as Pink Flamingos (1972) which glorify violence, sexual perversion and bad taste. He uses provocation as a weapon targeting the good-mannered hypocrisy, iron-fisted morals and religious values of the American way of life. However, few realise that the American dandy with a pencil moustache has also designed large-format collages and photomontages. He has chosen 40 of these pieces – including storyboards from his movies – for the exhibition, How Much Can You Take?, which runs until 1 November at the acclaimed Kunsthaus Zürich, coinciding with the murals by Joan Miró on display there until the end of January.

Paradoxically, the multifaceted filmmaker has other traits in common with Zürich, such as class, a sense of order and extreme cleanliness. Deep down, Waters also has a tenderness and fetishism that suggests he would delight in the bric-a-brac on sale in downtown Teddy’s Souvenir Shop, offering the music boxes, Swiss army knives, cowbells and cuckoo clocks so typical of Switzerland’s bucolic image. That same cliché embodied by Heidi, the children’s character created by the writer, Johanna Spyri who, like the poet, Gottfried Keller, is buried in the leafy park of Sihlfeld Cemetery, the first in Europe to incorporate a crematory. Waters would surely relish a visit there, both for his fascination for the macabre and his professed love of literature, which of late he is more engaged in than cinema. Hence, we might also recommend he visit Fluntern Cemetery, site of the beautiful tomb of James Joyce, who in Zürich gave himself over to a licentious alcoholism while writing much of Ulysses, a diatribe against Church and State. Another writer who also passed away in this city was the German author of The Magic Mountain, immortalised in the Thomas Mann Archives, a small museum housed in the ETH Zürich. This State university has also been graced by no fewer than twenty Nobel prizewinners, notably the scientist Albert Einstein, as much a rebel against conventional mores as Waters. Located in the same university is the spectacular Law Faculty Library, designed by the architect, Santiago Calatrava. However, the maker of morbid films would probably prefer to read in the old abbey housing the Zentralbibliothek Zürich, the city’s main library.

The filmmaker’s more iconoclastic side would relish the recollection that Zürich was the cradle of Dadaism, the anarchic “anti-art” so critical of middle-class society in World War I. That was when the artistic couple, Emmy Hennings and Hugo Ball, founded the celebrated Cabaret Voltaire in Niederdorf’s Old Town. Together with Tristan Tzara, the locale broke with all established canons. The building gradually became derelict until it was occupied in 2001 by a group of artivists and used to stage neo-Dadaist-style performances before vast crowds of Zurichers. After their eviction, the City Council overturned its original plan to demolish the building, which was then refurbished as an alternative cultural centre. Also located in the Old Town is the unusual Musée Visionnaire, where visitors choose what they want to see – and are encouraged to critique it – from a catalogue of Art Brut, a movement also known as Outsider Art – the work of amateurs, the mentally disabled and any creator alien to institutions and the boundaries set by official culture. In short, characters who would not be out of place among the Dreamlanders, counter-culture misfits and such regular collaborators of Waters as Mink Stole or Divine.

The young Waters who was so enthralled by gruesome accidents and bloodthirsty tales would also take a fancy to the Moulangenmuseum, a museum featuring wax representations of body parts twisted by disfiguring diseases, including exhibits in the University Hospital’s medical teaching collection dating from 1917. And, lured by the repulsive, he might also look up the dark oeuvre, biomechanical aesthetic and highly charged erotic sense of another illustrious native of Zürich who designed the visual effects for the movie, Alien – the recently deceased H.R. Giger. Although fans of the illustrator and sculptor have to choose between a visit to his comprehensive museum in the walled town of Gruyères (nearly two hours south of Zürich), and the stunning Giger Bar in his native Chur (about an hour’s drive from Zürich), situated, strangely enough, in the same land that inspired the pastoral Heidi.

To wind up this walk on the dark side, nothing better than supper at Blindekuh Zurich, the world’s first restaurant where diners eat in the pitch black. Fortunately, Waters is not the chef, so you needn’t worry about being served what Divine ate in Pink Flamingos. I assume you get my drift but, just to make sure, before you take the plunge you should go to a quality chocolaterie like Sprüngli.

In any event, remember that the Waters exhibition only lasts for a few more weeks, so get your tickets here!

Text by Carlos G. Vela para ISABELYLUIS Comunicación

Images by David Shankbone, Roland zh, Juerg Peter Hug, Absinthe, Edsel Little

Scotland offers many reasons for visiting – beautiful scenery, like in the Highlands, and beautiful lakes, like Lochs Lomond, Tummel, Duich and Ness, the latter with monster included. Not to mention such cultural events as the Edinburgh Festival, during which the city is filled with theatre, music and dance, and the chance to discover its writers, notably Sir Walter Scott, Robert Burns, Robert Louis Stevenson and Irvine Welsh. And – you guessed it – the land’s magnificent whisky. Celtic in origin, this distillation is the epitome of Scottish identity traits – bagpipes and kilts notwithstanding. Scotch is also one of the country’s greatest moneyspinners and stands out as a major attraction for visitors to this land. Newcomers will have the opportunity to make their whisky debut in style, while connoisseurs have the unique occasion to become experts while treating themselves to the huge gamut of tastes and aromas.

Known as uisge beatha (water of life) in Gaelic, whisky is made from the distillation of fermented malt, generally barley, although other grains such as wheat, rye and corn can also be used. The distillation is aged in an oak cask for at least three years. Scotch is classified into the following types – single malt, vatted malt (or pure malt), blended and single grain, single malt being the most highly valued.

A good way of coming to grips with everything related to this popular Scottish beverage is by heading for Edinburgh to visit the Scotch Whisky Experience, a centre located in the Old Town, adjacent to Edinburgh Castle, where you can learn all the ins and outs of scotch. Once you have mastered the basics, you are ready to venture into one of the myriad distilleries scattered about the country. To help get your bearings, you should know that Scotland is divided into five whisky-producing regions. And, as in the case of wine, each region has its own characteristics.

In the region of the Lowlands, in the south of the country, the whisky they produce is mild, light and unsmoky, making it ideal for blends. As it lacks the malt character of the other regions, it is less popular and is produced by a fewer number of distilleries.

Speyside, named after the river Spey which traverses it, is the leading whisky-producing region and the venue for most organised distillery tours. The world’s most popular malts are produced here. One of the must-visit distilleries is Cardhu, located near Archiestown and founded by the whisky smuggler John Cumming in 1824. Glenfiddich, situated in Dufftown, is the only distillery where the distillation, ageing and bottling processes take place on the same premises. At Craigellachie we find the Macallan distillery, which also dates from 1824. Here, the whisky was originally aged in Spanish sherry casks. It set the record for having produced one of the most expensive bottles of liquor ever sold when it fetched $54,000 at an auction. Lastly, the Glenlivet distillery near Ballindalloch is considered to produce one of the finest malts in the region.

The largest region in terms of size and whisky output is the Highlands, situated in the north of Scotland. One of our favourite distilleries here is Oban, located in picturesque Oban Bay, opposite the seafront, which has been producing its excellent malt since 1794. Still in this area, we come to the sub-region known as The Islands which is worth visiting for two gems – the Jura distillery, sited on the island of the same name – an eminently family concern, which has been producing excellent malt whisky since 1810 – and Talisker, located on the priceless island of Skye.

Campbeltown, a region which once boasted up to thirty distilleries, now has only three distilleries in operation.

Lastly, we come to the region of Islay, located on Scotland’s west coast, which is known above all for its smoky whiskies. We recommend a visit to Bowmore, which has one of the first distilleries to be set up on the island, and where the malt is still produced using traditional methods, and Port Ellen, home to the Lagavulin distillery, built in 1816.

Now that you know some of the best whisky distilleries in Scotland, book your Vueling to Edinburgh and get to experience them first-hand.

Text by Los Viajes de ISABELYLUIS

Images by Cls With Attitude, Sem Shnaider, Rob Schulze, Kkonstan, Stephane Farenga, lynjardine, 82Gab