A walk around Rennes, the capital of Brittany, takes you back to medieval times. A large number of houses with wooden framing are still preserved in the streets of the historic centre. Wood was a popular building material in this region until the mid-17th century, when it was replaced by stone after the large fire of 1720 that burnt down more than 900 houses in the city centre. However, these old wooden buildings can be seen in the streets running from Rue de Chapitre and Champ-Jacquet square, with a statue of John Leperdit, the mayor of Rennes during the French Revolution.

Rennes has some beautiful spots, one of my favourite being the Place des Lices, where terrace cafés are jam-packed with the arrival of the good weather. In summer, evenings in Brittany are endless and the sun doesn't go down until after 10 p.m. Some centuries ago, this place was the setting of medieval jousts. Nowadays, its market is the second most important in France, bringing together more than 300 local and regional producers.

Two of the symbols of Rennes' medieval past are the Duchesne tower and the Mordelles Gates –Portes Mordellaises– which were part of the city walls in the 15th century. The Neoclassical Cathedral of Saint-Pierre is close by, as is the Basilica of Saint-Sauveur, both landmarks of the city's religious architecture.

The fires of the early 18th century marked a turning point in Rennes' urban design. After that, constructions were built in stone, notably the city hall, by the royal architect – Jacques Gabriel – who designed it to be immortal.

Another must-see is the Palace of the Parliament of Brittany, with lavishly decorated rooms representative of 17th-century French pictorial art. This building is an emblem of the historical region of Brittany, which has a culture and a language of its own. Some street names in Rennes are in Breton, as well as in French, the former being the only surviving Celtic language outside the British Isles.

Contemporary art has a notable presence in Rennes. Examples of this are the Parmiggiani fountain, the Cap Mail building, by the prestigious Jean Nouvel, Quai Ouest by Christian Hauvette, and Champs Libres by Christian de Portzamparc. The Champs Libres premises are divided into three areas: the Musée de Bretagne – with a surface area of 2,000 square metres – a six-floor library, and an area devoted to science, with a planetarium. Rennes also has a great art gallery in the Museum of Fine Arts, an old university palace designed by Vincent Boullé, featuring works by Rubens, Veronese and Picasso, among others. In music, the city is well known for Les Transmusicales de Rennes, a festival that has been offering new and eclectic music for its last 32 editions.

Finally, Thabor Park, a very pleasant spot, is one of the most important green areas of the Breton capital. This 10-hectare French-style garden, which used to belong to the monks of Saint-Melaine– features a rose garden, an aviary, statues and greenhouses, amongst other attractions. Musical comedy and dance performances are held here on Sundays in the months of May and June; many people attend these entry-free events.

Rennes is a city with lots of charm and can be easily discovered in a single weekend! Check out our flights here.

Text by María Jesús Tomé

Images by María Jesús Tomé / Oficina de Turismo de Rennes

What do Ben Hur, La Dolce Vita, Gangs of New York and Nine have in common? At first glance, we might think… nothing, but, if we pay attention to the credits, we will see they were all shot at Cinecittá. For many of us, these film studios, located on the outskirts of Rome, are inevitably associated with the name of the great Federico Fellini, but they have also been a privileged host to some of the best moments in cinema history, and the spot where a large number of movie stars converged.

This “Cinema City” was built in 1937 after the previous studios were destroyed in a fire, the cause of which has never been accounted for. The construction project was commissioned to the engineer, Carlo Roncoroni, and the architect, Gino Peressutti. The aim was to build a veritable city of the seventh art, capable of competing with Hollywood itself, which would turn Italian cinema into a worldwide beacon. It should be noted that Mussolini’s Fascist regime was in power at the time and, like Germany, the Italian regime regarded cinema as a powerful propaganda tool.

Fortunately for us, not everything produced there was regime propaganda as it eventually became the place that witnessed the passage of great names in the history of Italian cinema – Roberto Rossellini, Federico Fellini, Vittorio De Sica and Luchino Visconti.

Production came to a halt when the Second World War broke out, and the premises were even put to a different use. Two years before the war came to an end, Cinecittá was occupied by the Nazis and converted into a concentration camp for civilians. It was subsequently bombarded by Allied forces and then turned into a shelter for internally displaced people. All this upheaval led to the loss of most of the technical equipment and machinery once housed in the studios.

After weathering those dark years, Cinecittà gradually evolved into its period of greatest splendour. First, it became the site of grand American productions, featuring such unforgettable movies as Ben Hur,Quo Vadis? and Cleopatra. Second, this was where the careers of the great figures of Italian cinema unfolded. And, the presence of the Americans brought a fresh lease of life and modernity to the Eternal City, as so accurately portrayed in Fellini’s La Dolce Vita.

But all golden ages have their expiry date and the number of large-scale productions began to wane in the seventies, losing out to television. The fact is that the trend of block-buster productions started falling behind, while Italian cinema gradually ceased to be a major player on the world scene. Despite this, the studios can still boast of having been involved in such movies as The Godfather III, by Francis Ford Coppola (1988), The English Patient, by Anthony Minghella (1996), Gangs of New York, by Martin Scorsese (2002), The Passion of the Christ, by Mel Gibson (2004) and the popular television series,HBO Rome (2005-2007).

On a curious note and perhaps as a symbol of our times, Cinecittá is currently the premises of the house and set of Grande Fratello, the Italian version of Big Brother, a contest which has become one of the great television hits.

Cinecittá is now a place of pilgrimage for any film-lovers worth their salt, although what remains to experience is merely an exercise in nostalgic reunion with a period in which cinema was different. It is also a good excuse for taking the whole family along to teach the new generations some cinema history and show them one of its landmark venues. In addition to its sets and some of the most popular set designs, visitors can also see the exhibitions hosted in the Fellini Building.

Nowadays, it might feel weird to stroll through those almost ghostly spaces, tinged with the decadence of time, and try to relive the period in which the great American film stars walked those corridors. What is guaranteed though is the flush of excitement one feels when catching sight of its stunning, iconic entrance.

Ready for a trip to the cinema? Check out your Vueling to Rome here.

Text by ISABELYLUIS Comunicación

Images by Jean-Pierre Dalbéra, Carlo Mirante

To see such homes, you no longer need to wrack your imagination or resort to infographics or 3D mock-ups. The small town of Granadilla de Abona in Tenerife already boasts some fully ecological buildings. While we still resort to electric radiators and vitroceramics, such dependencies have been eliminated in the Iter futuristic homes. Available to prospective tenants is a catalogue of over twenty bioclimatic homes, each with its own name (La Estrella, La Duna, El Cangrejo…), allowing clients to choose whichever suits them best. And, they all come with the best gift of all – a resplendent starry sky, which has turned the town into a prime Starlight tourist destination (a UNESCO listing for destinations with optimum conditions for gazing at the night sky).

A Visionary Idea

The revolutionary idea was first implemented through an international tender put out by the Cabildo Insular de Tenerife (Tenerife Island Council) and the Instituto Tecnológico y de Energías Renovables – Institute of Technology and Renewable Energy (ITER), which owns the land where the development has sprung up – endorsed by the International Union of Architects. The objective was to set up a laboratory of bioclimatic homes adhering to the principles of bioclimatic architecture and adaptation to environmental conditions, capable of energy self-sufficiency. And, the experiment has been successful and the results obtained will be used as a blueprint for future sustainable construction initiatives.

Of the 397 projects submitted for tender, 25 were selected and now form part of the development. Each of the homes is different from the others in terms of design, materials, techniques for harnessing natural resources and the architectural integration of thermal and photovoltaic solar energy. So, every single home is the outcome of full dedication by architects from all over the world, backed up by the labour of local interior designers, who have personalised the interior of each building. They have developed eclectic living spaces characterised by a blend of classical contemporary design and local craft elements. The result is surprising and engaging, each home redolent with its own character and style. This makes the development a unique enclave in the world, as it is living proof of the direct application of highly diverse bioclimatic techniques.

Everything has been thought out, down to the last detail. Each of these houses is fitted with sensors to detect certain common parameters, and others specific to each building, in accordance with its distinctive features. Another essential criterion for choosing the winning projects is related to environmental impact – the distribution and orientation of each home was carefully surveyed to ensure full integration in the landscape, while special attention was devoted to designing a microclimate around the homes. As for gardens, indigenous vegetation was used as far as possible, reinforced by a watering regime suited to its structural features.

New Eating Experiences

Here, things are anything but conventional, and cuisine is no exception. When it comes to food, various options are available in this development. Thus, for instance, there is an organic basket made up of produce from neighbouring farms, an option to go to the fishing village of El Médano just 10 kilometres away, and an à la carte menu booked a day in advance and delivered to the home.

What to Expect

The bioclimatic homes, located facing the sea and alongside the Montaña Pelada Natural Monument – an ancient, dormant volcano – form a bioclimatic development with energy self-sufficiency and zero CO2 emissions. It is a unique enclave conducive to peace and calm.

The development lies between the sea and the mountains. It encompasses 45,000 m2 covered in indigenous vegetation which regales the area with sweet-smelling plants. The home surroundings are embellished by streaks of water, ponds and channels, making up a breathtaking scenic composition.

The are also several scarcely frequented sandy beaches within a short walking distance. What more could you ask for? Why wait to discover it for yourself? Check out our flights here.

Text by Turismo de Tenerife

Images by Iter

The Bauhaus is to Tel Aviv what Art Deco is to Miami or Modernism is to Barcelona, an unmistakeable identity trait which is the pride and joy of the city’s inhabitants. We came across more than 1,000 buildings in the length and breadth of the city, which stretches for 50 square kilometres.

Bauhaus Comes To Tel Aviv

The relationship between Tel Aviv and the Bauhaus goes back to the 1930s when, coinciding with the rise of the Nazi party, many Jewish architects decided to leave their homeland and try their luck elsewhere. At that time, the future metropolis was a young city with an urge to expand and to tap its full potential. The so-called White City – as the area housing these buildings is known – was built between the early 1930s and 1948 to an urban layout designed by Sir Patrick Geddes, based on the principles of modern organic urbanism. The likes of Walter Gropius, the founder of the Bauhaus in Weimar, and of Arieh Sharon, Shlomo Bernstein and Shmuel Mestechkin, arrived in Tel Aviv and drew up an elaborate, ambitious urban plan which enabled the directives of this style to be adapted to the arid surroundings of the site and to its Mediterranean context. Thus, the light, fresh air of this architecture consorted to perfection with the thirst for renewal and creativity that characterised what would become the new State of Israel as of 1948.

Preservation – A New Challenge

The buildings were designed in light colours – generally white – leaving open-air pillars for the wind to blow unfettered through the lower part of the buildings, while recessed windows were fitted to check the passage of heat. The Bauhaus of Tel Aviv is also characterised by its straight lines, its symmetry and a minimalist style which even today tends to amaze visitors on account of its simplicity and overall character. The fact is that, faced with a new cultural context, those architects designed an exceptional set of buildings which became highly representative of the modern architecture movement.

Despite the large number of such buildings scattered about the city, their state of preservation is somewhat precarious. In fact, over 4,000 of these buildings were originally erected, so many of them clearly did not survive. Hence, concerted endeavours have been under way in recent years to restore over 1,000 extant constructions to their original state. It is a slow, arduous task, as most of them are private property and have not been touched since their completion some 70 or 80 years ago.

The Best Examples In the City

Given the large number of surviving buildings, the best thing is to plan an itinerary before embarking on a search of Bauhaus buildings in the city. Some of the most prominent examples are on the Rothschild Boulevard, and on Bialik and Dizengoff Street, but you are advised to first visit the Bauhaus Center to get the relevant information. They have books and maps on the subject and you can find out about the free tour organised by the City Hall on Saturdays called the Tel Aviv-Bauhaus Walking Tour.

To round off your visit, be sure to visit the Bauhaus Museum on Bialik Street which is useful for gaining insight on the impact which the Bauhaus of Tel Aviv has had on the rest of the world.

Text by Aleix Palau for Los Viajes de ISABELYLUIS