Picking up from our activities in the previous chapter, today we continue with our monographic tour of Berlin techno. This, then, will be our second night in the city. For this purpose there is a variety of venues. In a radius of less than 200 metres there are two of the standout spots, both on the Kreuzberg intersection. Access to the first of these, Monarch, is up a staircase which doesn’t seem to lead to anywhere safe. But, after negotiating a metal door concealed on one side of the street – bingo! The venue has a fixed programme and special events, such as the XJAZZ Festival. Another of the mythical spots is La Paloma – you could pass by the door twenty times and you’d never suspect that there was any action there… and on this occasion there wasn’t. 9 p.m. is too early for this locale. We didn’t even try going to Farbfernseher as we wanted to really hit the big time!

“The best techno is still at underground rave-ups, where it’s not easy to get a look in”, remarked Ana, a designer from Madrid who lives in Berlin. With that auspicious comment we head into the Berlin night, to more exciting spots than the ones touted… Before that, we make a slip-up.

“Tresor has become the Pachá of Berlin”, wages Carlota, a Catalan who has been living in the German capital for some years. Tresor is not the best of places in Berlin – it is no longer on its original premises either – but it is an affordable piece of history. The tunnel leading down into the basement hall with its strobe lights and tedious hard techno is unlike anything else in Europe. Whatever is being played, thanks to its crew it sounds marvellous. As well, the premises are clean and they even offer deodorant and shampoo to customers who prolong their stay through the night.

After a couple of hours we realise that there aren’t any real Berliners around. You can hear more Spanish and English being spoken in the corridors than German. You also encounter a host of guiris in such places as Suicide Circus, Cassiopeia, Kit Kat and Weekend. The venues actually exploit the fact that some legendary clubs have closed down precisely because of the pressure exerted by foreigners and a process of gentrification – Kater Holzig, Golden Gateor Icon, for example. We decide to head for another iconic spot, this time with its pedigree intact – Berghain, in Rudersdorf.

The sandy forecourt leading to the earthy-coloured building rising several storeys high is imposing. Not for its size but because it smells of fear from a long way off. The stats confirm that no for an answer is the prevailing response at the door. Five pro bouncers are tasked with controlling not so the outbreak of scuffles as customer dress code (spotless black, although a couple dressed in green latex was allowed in) and the deportment of the cautious queuers (no talking in the queue, no group entry, no boy-girl couples). Martí, a Barceloner who went to Berlin on an Erasmus, has never been able to get in. Needless to say, neither were we. It’s 4 in the morning.

“Have you got an invitation?” asks a sturdy bouncer in English. We haven’t yet opened our mouths, but he already knows we are certainly not Teutons.

“No”, we reply in our half-German. The bouncer moves his head to one side, motioning towards an exit. Our visit to Berghain with its legendary label is short-lived.

What gives in the club that has made the legend grow exponentially in the last few years? “It’s their hallmark of exclusiveness which the club is careful to promote”, replies a Galician, who has also been unable to gain access. “They say there are dark rooms inside and, maybe, the best music”, adds Ana. Little is known about the interior, over and above the odd testimonial from people who have managed to get in, as the image of Berlin’s clubs is jealously guarded.

The night is taking its toll on our legs. And, to round off our whirlwind weekend, we make another mistake – we go to the best afternoon club, but in the early hours. Sisyphos has been one of Berlin’s mainstays in the last few years. It is a huge, open-air expanse on the riverside, where our eyes begin to shut. We take a taxi as our NH is on the far side of the city, and we leave mulling over our encounter with techno in Berlin. “We’ll be back!”

Text by Yeray S. Iborra | Our thanks to Ángel Molina, Ana Riaza, Carlota Surós and Martí Renau for the first-hand information on the itinerary for this article.

Images by Los Viajes de ISABELYLUIS, Michael Mayer

How to define Catania? A city of a thousand faces, a thousand flavours, a thousands treasures. A city of the sea and of a volcano, port on the Ionian sea, and capital of Etna. A city of tradesmen, countryfolk and fishermen who have always lived in symbiosis with the water, the fire, the sea and the mountains. A city of a thousand hearts of a multiethnic culture, multicultural, multi-religious, home of Bellini, of Sicilian Baroque, and of street food. From the sea to the mountains, the endless fields of orange groves and vineyards of the Etna coast, the black cliffs of volcanic rock and the long stretches of white sand, the Roman ruins and the Baroque churches, the festival of Saint Agata, and the city centre markets, all this is Catania.

You probably already know the Baroque, the churches, the palaces, the streets, the balconies and the traditions that give life to the city centre. Instead, choose one of the many alternative experiences of Catania, unearthed by sicilying.com, the portal to the best experiences in Sicily. Here we have three suggestions for you.

Suggestion one:take a walk down the streets of the city centre with your nose in the air, to explore the city by the scents that invade it.
The food and culinary traditions found here are a treasure trove of many cultural influences: Greeks, Phoenicians and Romans, Normans and Arabs, Spanish and French, have all left their mark. Peasant cooking and aristocratic cuisine, rich and poor ingredients blend together to create authentic and intense flavours. Sophisticated restaurants are complemented by genuine traditional taverns, and alleyways are brought to life by the most extraordinary street food.

Catania is the home of "street" food. Entrusting yourselves to the best of specialized tour operators, you will be able to combine a Catania tour with the discovery of the best food and wine that the city can offer. You can visit the Sicilian Baroque in Piazza Duomo or Via Crociferi, cross the famous fish market ("la pescheria") and taste the "sangeli" (pig's blood) or "zuzzu" (meat jelly). In Piazza Stesicoro, with the Roman amphitheatre, you can stop in a traditional bar to sample the street foodpar excellence: the “arancino”, the “cartocciata”, the “cipollina”, and all the sweet and savory varieties of "walking" food. Or let yourself be guided by local chefs through the traditional markets of the centre, to then be put to work in preparing Sicilian cuisine yourself.

Suggestion two:immerse yourself in the green countryside of Catania, in search of the roots of the most famous Sicilian wines. Many wineries of Catania trace their origins back to the 1700s: their vineyards are located on lava rock 700 metres above sea level and are cultivated according to methods handed down from generation to generation. The typical micro-climate and the favourable characteristics of the volcanic soil allow the cultivation of a high quality grape.

Beyond the vineyards and you will find old “bagli” (isolated old buildings in the Sicilian countryside), Fourteenth Century monasteries, now “agriturismi” farm homestays. The wine tasting in a cellar on Mount Etna is a wonderful experience, giving you the chance to savour "on the land" some of the most famous products of this region - Nero d'Avola, Inzolia, Cerasuolo di Vittoria, Etna DOC red and white – all washed down with typical cuisine tastings.

Suggestion three:after having eaten and tasted some wine, it's time to get out of the city and climb in mountain bike the “muntagna”, Mount Etna! Mount Etna, the mountain of fire, with a summit of 3,300 metres above sea level, the highest active volcano in Europe.

With its lunar landscapes at high altitude, and woods along the coast, the trails and unique landscapes, the typical products and the historical centres of the little towns, Etna is in every season a fascinating visit, for travellers and nature lovers, for lovers of food and wine, for lovers of outdoor sports in unique surroundings.

The lava flows have greatly influenced the land, making it extremely varied, rocks, lush vegetation and landscapes, are always in continuous change as the substrate moves over time, as temperatures, precipitation and exposure also vary at these altitudes.

Making an Etna tour by bike along the stunning trails (the “Pista Altomontana”) led by an expert guide, or try an Etna bike tourdescending from the volcano to the sea, either way it'll be an extraordinary experience that you will remember for years to come.

Would you rather see Sicily from a completely unique point of view, unusual and absolutely breathtaking? Then book a mongolfiera tour in an hot air balloon! The flight will give you the chance to live a totally extraordinary experience, giving you an unforgettable view of the whole of Sicily; on landing a glass of fine Etna wine will be waiting for you, along with some special typical local products, and you will be awarded a “flight baptism certificate” signed by the pilot.

Come on, don't just settle for the usual stay: Catania is a city to enjoy to the full!

Strasbourg’s historic centre, known as the Grande-Île (great island), is an enchanting maze of lanes, picturesque squares and houses with wood carvings. Concentrated in a small area on this river island is an exceptional wealth of art heritage, an enriching blend of French and German essences.

A Cathedral With A 1,000 Years of History

An example of this is the Cathedral of Our Lady of Strasbourg, the pride of the city. While Strasbourg is located in France, the Cathedral is one of the finest exponents of the German Gothic and the clearest example of the artistic harmony between the two cultures. Situated on the Grande-Île, it is one of Europe’s most beautiful cathedrals. For 200 years it was the world’s tallest building, while currently it is the fourth tallest religious building on earth. Its interior houses an extraordinary, 18-metre-high astronomical clock, built in 1571. It is regarded as the world’s first computer as it is capable of calculating dates, and it marks all calendar holidays. The moment most awaited by tourists is when it peals out the midday chimes, and the figures of the Apostles parade in front of Christ.

The foundations of Strasbourg Cathedral were laid in 1015, and its construction was not completed until 400 years later. This year, 2015, the city’s most important religious building turns one thousand years. A programme of activities has been drawn up to commemorate this anniversary, notably the event “1015 - 2015 : La Cathédrale de toute éternité”, a spectacle of lights projected on the Cathedral’s main facade. This will take place every Thursday from 4 July to 20 September. The times for July are at 10.30 p.m., 11 p.m., 23,30 p.m. and 24 p.m. In August, at 22.15 p.m., 22.45 p.m., 23.15 p.m. and 23.45 p.m. and, in September, at 21.15 p.m., 21.45 p.m. and 22.15 p.m.

FARSe will Fill the Streets of Strasbourg with Scenic Arts

Another enticement for visiting the city in July is the Festival des Arts de la Rue (Street Arts Festival), providing free shows for all audiences in some of Strasbourg’s more central, emblematic areas distributed mainly along the axis between the Austerlitz and Kléber squares.

On Friday 17 and Sunday 19 July, these spots will feature circus, theatre, dance, music and burlesque shows to liven up your visit to the city centre even more. Leading theatre companies, selected under the supervision of and in collaboration with the dancer and choreographer, Ali Salmi, will provide the highlights of these performances.

Of all the shows scheduled for this year, the aerial dance and pyrotechnics of Deus Ex Machina take pride of place. They will be performing on 17 July at 10 p.m. in the Place Kléber, and at the Holi Festival – a festival of colours of Hindu origin – in conjunction with the company Artonik, at the close of the festival on 19 July. You can choose from among the various options shown on the full programme here.

The Place Kléber

One of the nerve centres of the shows is the place Kléber, the city’s main square and a major hub of commercial activity. This, the preferred meeting point of Strasbourgers, is also the centre of the Grande Île, fringed with magnificent Renaissance buildings and located near the Cathedral.

The Maison Kammerzell

North-east of the Cathedral square, on the Rue des Hallebardes, lies the Maison Kammerzell, another must-see, as it is one of the best preserved late-Gothic buildings in the area. It is considered by some to be the most beautiful building in Strasbourg, on account of its decoration of carved figures and stunning leaded windows. Like the Grand Île, it is listed as UNESCO World Heritage.

La Petite France

Also on the Grand Île is La Petite France, the most picturesque district in the historic centre. Its timber-framed houses date from the 16th and 17th century, when they were inhabited by fishermen and millers.

Don’t wait to hear about it from someone else – come and live it out for yourself. Check out our flights here.

Text by Scanner FM

Images by Chris Barker, Spiterman, María Renée Batlle Castillo, Filip Maljković , Richard Penn, Daniel Sancho

Even without the reputation of Hollywood, Florence is also a very appreciated city to film movies. The capital of Tuscany has been the location for known movies such as A Room with a View by James Ivory, Tea with Mussolini from local filmmaker Franco Zeffirelli, The Portrait of a Lady starring Nicole Kidman or Obsession, a of Alfred Hitchcock’s Vertigo, to mention a few. Already for 2015 the film version of Inferno, the best-seller story by Dan Brown is on production.

The beautiful city of Florence has delighted the greatest filmmakers with an intriguing atmosphere, medieval alleys and stunning historical buildings, is a unique referent in Europe and a much requested location for the greatest film productions.

A visit trough these movie locations doesn’t ignore all the worldwide-known cultural heritage of Florence. On the contrary, this is the hometown to many literary and arts great names and this is reflected anywhere, where you can always pass by a magic corner.

This time, we are taking a deep look to all the locations in the city from the famous movie Hannibal, a disturbing thriller based in a novel by Thomas Harris, sequel for The Silence of The Lambs, both two of the most famous movies by filmmaker Ridley Scott.

Thanks to the film, Santa María Novella pharmacy became a very popular and visited spot. Here is where the protagonist, played by Anthony Hopkins, goes to purchase perfumes and almonds soap to gift Clarice, character played by Julianne Moore. The business was founded in 1600, by Dominican friars who already worked with exotic aromas.

Hannibal is hidden on the false identity of Dr. Fell, who lives in Florence and works in the library at Palazzo Capponi (via dei Bardi, 36). However, the locations are usually relocated according to the movie production and when Pazzi goes to the library to pick up the belongings from the previous librarian, he goes upstairs at Spedale degli Innocenti, an old orphanage considered the first work by Filippo Brunelleschi. At the cloisters at this building there are terracotta works by Lucca della Robbia and paintings by Botticelli, Piero di Cosimo and Domenico Ghrilandaio.

The Piazza della Signora is another remarkable location in the movie. Here is where inspector Pazzi smokes before arriving to the reunion at Salone dei Cinquecento del Palazzo Vecchio, where there is a discussion to decide if Dr. Fell will be the new librarian at Capponi library. This square is the heart of the city, very close to the famous bridge Ponte Vecchio.

Also the Ponte Vecchio is featured in the movie. Here you will find many stores like the one where inspector Pazzi buys a silver bracelet that will help him getting Hannibal’s fingerprint. According to the legend, traders worked in the bridge because it was tax-free. It’s also believed here is where the expression ‘bankrupt’ started as, when traders couldn’t deal with the debt, soldiers broke his table so he couldn’t continue trading.

At the room in Gigli del Plazzo Vecchio is where the conference about arts takes place in the movie; here is also where the feared cannibal kills the inspector who follows him, Rinaldo Pazzi. It’s located at Piazza della Signoria and holds a museum with works by Miguel Angel, Visari or Brozino. At the main frontage, there is the famous tower, one of the symbols of Florence.

At the Santa Croce church is where the concert Dante's Inferno takes place and is where Hannibal meets with Rinaldo’s wife. This is the biggest Franciscan church in the world and, even the interior is not as remarkable as the façade, the decoration by Brunelleschi, Donatello or Giotto is remarkable. It’s known as the Temple for the Glories of Italy as it has the mortuary graves of historic characters like Miguel Angel, Galigelo, Dante or Maquiavelo.

Near Porcellino fountain, Dr. Lecter will stab gipsy Enrico Loverso when he tries to steal his bag. Porcellino is a funny sculpture made of bronze that represents a boar actually, not a pig. It’s a work by sculptor Pietro Tacca, a replica for the one at Palazzo Pitti, this is at Market Square in via Porta Rossa. The legend says that touching its mouth gives good luck and, to be even luckier, you must put a coin on its mouth.

If you get there, you’ll also see Mercato Nuevo that takes place daily around it, where you could purchase many craft products.

A place well worth discovering! Check out our flights here.