A maze of cobbled streets where you can easily get lost; white houses, prominent among them the traditional cármenes (Moorish-style houses); historical vestiges which transport us back to their Moorish origins, and what are possibly the best views of the Alhambra, make the Albaicín a must-visit quarter for sightseers in Granada. In short, while on one bank of the river Darro stands the main reason for visiting this beautiful city – the Alhambra and Generalife – on the other bank lies the other reason for coming here – the Albaicín.

Our first piece of advice when visiting this quarter of Moorish Andalusian origin is that you should take things leisurely, as it is packed with captivating, inspirational nooks and crannies that need time to soak up. Not for nothing was it designated a UNESCO World Heritage Site in 1994.

Traces of its Moorish Past

Its steep, narrow, winding streets, where you can easily lose your bearings, is one of the first signs of the quarter’s Moorish past. But, there are many other reminiscences of what was one of the Albaicín’s periods of greatest growth and splendour – the Nasrid dynasty. These include the 11th-centuryZirid Wall,which runs between the Albaicín and neighbouring Sacromonte, the entrance gates, like those of Puerta Nueva (New Gate), Arco de las Pesas (Gate of Weights)–located in the Plaza Larga –Puerta de Fajalauza,on the Cuesta de San Gregorio Alto, and Puerta de Elvira, on the street of the same name. Similarly, the 11th-century Arab Baths, on the Carrera del Darro, known locally as the Bañuelo or “Little Bath”, and the Palace of Dar al-Horra, the 15th-century residence of Boabdil’s mother and queen. Even some of the local churches feature surprises from the past, as in the Church of San Salvador, located in the Plaza de Abad, the interior of which features an ablutionary font from the former Great Mosque of the Albaicín.

Also from those times are vestiges of former water distribution channels and the aljibes (cisterns), of which twenty-five still remain, notably the Aljibe del Rey (King’s Cistern), located between the Zirid Wall and the Placeta del Cristo de las Azucenas.

Another of the Albaicín’s traditional buildings are the so-called cármenes granadinos, which also date from the Nasrid period. This type of Moorish house is typically free-standing and surrounded by a high wall, with a small orchard or garden inside. A noteworthy example is the Carmen de Aben Humeya, on the Cuesta de las Tomasas, which is now a restaurant.

To round off this venture into the past, we recommend visiting the streets of Calderería Vieja and Calderería Nueva, in the lower part of the quarter. They are lined with shops and tea houses with a special charm that will transport you to the lands lying south of the Strait of Gibraltar.

The Finest Sunsets in Granada

One thing you simply must do in this city is head for one of the miradores or vantage points in the Albaicín to watch the sun setting, as the views are really stunning. The two best and most popular lookouts are the Mirador de San Cristóbal, said to afford the finest vistas of the Alhambra and Generalife, the Vega of Granada and the Sierra Nevada, and the Mirador de San Nicolás, which became popular after a visit to the city by Bill Clinton. However, be prepared for the crowds, as throngs of people tend to come here to enjoy the dusk sights.

Succumb to the charms of one of Granada’s most beautiful quarters – check out your Vueling here.

Text by Los Viajes de ISABELYLUIS

Images by Rocío Garro, Alper Çuğun, Isa Ruiz, Julia Kostecka, Esteban Chiner

Like clogs, windmills and bicycles, the tulip as a symbol is intimately linked to one’s image of Holland. This bulb, which originated in Anatolia and the Middle East, reached Europe in the 16th century and was met with marked admiration, particularly in the Low Countries. There, just one century later, it sparked a phenomenon that came to be known as “tulip mania”. As a result, the flower became a veritable cult object, fetching exorbitant prices and eventually being listed on the stock exchange. This ended up triggering the first recorded economic bubble in history, on account of the speculation that emerged around this product.

Nowadays, tulips inundate the Dutch countryside each spring, turning it into a genuine explosion of colour. It is well worth a getaway to the Netherlands just to contemplate it. For those eager to savour this priceless flower to the full, we have put together a selection of places you can’t fail to include on your must-see list.

Keukenhof, a Park With Over 7 Million Flower Bulbs
Keukenhof is located in Lisse, between Amsterdam and The Hague, in the heart of what is known as the “Bulb Region”. Here you will encounter an amazing 7 million plus flower bulbs, the sight of which is overpowering. This is a must-visit site for flower lovers and nature devotees in general. But, Keukenhof is not celebrated just for its huge number of flowers, but also for its landscape design, featuring lakes, fountains, walkways and windmills, making up a surprisingly heady ensemble. The only drawback is that this marvellous garden is only open to the public at the time of the tulip blossom; that is, from mid-March to the end of May and, owing to the large crowds that flock here, it is advisable to book well in advance.

En Route Through Bollenstreek, The Bulb Region
The area known as the Bulb Region (Bollenstreek, in Dutch) is another destination you should make a point of visiting in spring. Situated 30 kilometres south-west of Amsterdam, between Haarlem and Leiden, the area is characterised by the presence of clayey earth which, in conjunction with the prevailing maritime climate, makes for perfect tulip-growing conditions, in addition to other bulbs, notably crocuses, daffodils and hyacinths. The time of year to come here is in April, when the tulips reach their maximum splendour. Touring this land by car or bicycle is a veritable delight on the eyes, as you come across field after field of myriad tulips in all shapes and colours – an astonishing sight for any visitor to behold. Organised tours from Amsterdam ply a fairly comprehensive circuit through the towns in Bollenstreek.

Tulip Museum
If you are eager to know the history and all the ins and outs of this popular, highly prized bulb, make a point of visiting Amsterdam’s Tulip Museum before you leave Holland. Located in the Jordaan district, hard by the Anne Frank house museum, it is an essential resource for learning the thrilling history of this priceless flower.

Book your Vueling to Amsterdam and gear up to savour spring in Holland.

Text by Los Viajes de ISABELYLUIS

Photos by Robert Lyle Bolton

Who would have thought that, when they made their debut on stage at the Café Bizarre in New York, the young Lou Reed and John Cale would end up being the stars of an exhibition paying tribute to their band in Paris? That was back in 1965 when, having first called themselves The Warlocks and then The Falling Spikes, they had finally settled on a name that would identify and enshrine them for posterity. Incidentally, The Velvet Underground was the title of a book on sado-masochism written by Michael Leigh which had fallen into their hands by sheer chance. Nothing unusual, however, considering that drugs, prostitution, transvestism and homosexuality were rife in their New York haunts and would become the subject of many of their song lyrics, a fact which rattled more than one music producer.

Andy Warhol, a great one for moving in the New York underground and absorbing it into his parties and his works, particularly in the film pieces he shot with Paul Morrissey, was enthralled with the music of this upcoming band and added them to the prevailing fauna in The Factory. What’s more, he even took the bold step of taking over as manager of the group and in 1967 released his first production, The Velvet Underground & Nico, for which he did the cover design. Indeed, I am referring to the famous cover with the banana sticker, a veritable icon in the art world. But, the album’s value lies not only in its wrapping. Its content includes some genuine musical pearls like Sunday Morning, I’m Waiting for the Man, Venus in Furs and Heroin.One of the upshots of their collaboration with the pop artist par excellence were the videos he recorded with them, which ranged from ghoulish to arty, in which he enveloped the band in light and colour.

While the album was not a super-hit – only some 30,000 copies were sold – the band decided to  break with the core of Andy Warhol and The Factory to pursue their career as musicians. The Velvet Underground remained active until 1973, when differences between the leaders were responsible for precipitating a break-up – John Cale having had a more academic music training, while Lou Reed had followed a more rebellious line. They actually started moving in and out of the band, until they eventually decided to break up altogether.

Despite their short career and meagre success, at least as far as album sales is concerned, The Velvet Underground was one of the most influential bands of New York. Heirs to the beat generation legacy, they played a crucial role in New York’s counter-culture, far removed from the psychedelic hippie culture of the seventies that reigned in San Francisco, the other major hub of creativity in the United States. Among those who inherited their destructured sound and coarse lyrics were Ramones, The Voidoids, Dead Boys, The Heartbreakers, Siouxsie and the Banshees, Joy Division, Bauhaus, The Contortions, Bush Tetras, Teenage Jesus and The Jerks, DNA, Sonic Youth, Spacemen 3 and Nirvana.

The Philharmonie de Paris is hosting a tribute to this band in the form of an exhibition entitled, The Velvet Underground. New York Extravaganza, which runs until 12 August. Audiovisual material has been carefully curated, with six films being purpose produced for the occasion, also featuring television file pictures, photos and portraits of the band members, objects from private collections and works by contemporary and later artists who were seduced by the charms of the band. This whole ensemble is designed to recount the story of the group and its lasting legacy. But, there is more – the exhibition will be supported by a parallel set of activities, including conferences, screenings and concerts.

Go back down memory lane and relive one of the outstanding rock bands of New York’s counter-culture by taking a getaway to Paris. Check out your Vueling here.

Text by Los Viajes de ISABELYLUIS

Apart from unforgettable scenery, villages brimming with charm and a scrumptious cuisine, Provence has an interesting cultural agenda which includes three magnificent summer festivals that any culture devotee should take into consideration. Here are some tips to get the most out of them.

Festival d’Avignon

Apart from its popular Pont Saint-Bénézet (legend and song included), and having once been the Holy See, Avignon is known internationally for hosting one of the most long-standing and important performing arts festivals in Europe. Each July, the Festival d’Avignon, which was founded by Jean Vilar in 1947, fills all spaces in the city with theatre and dance performances, this year featuring a programme of some 40 works by artists from all over the world. As if that were not enough, this outstanding schedule is rivalled by a parallel Festival Off, a programme of fresher, more alternative performing arts shows. The streets, squares, bars and any imaginable free space in the city have been coopted into hosting the more innovative side of theatre and dance.

So, be sure to head for Avignon between 6 and 26 July and, while you’re there, see the stunning Palais des Papes – its sheer size and beauty will leave you open-mouthed. Soak up the different shows that will take you through the streets and mentally convey you far beyond the old “Sur le pont d’Avignon”.

International Photography Festival of Arles

Another major cultural event to bear in mind on your wanderings through beautiful Provence, held in another of its must-visit towns – Arles – adopts the form of an international photography meeting. If you stroll around Arles, which is inspiring in itself – otherwise, why should Van Gogh have been have been so fascinated by its light? – try to make your arrival coincide with Les Rencontres d’Arles (Arles International Photography Gathering). Created in 1970 by the photographer Lucien Clergue, the writer Michel Tournier and the historian Jean-Maurice Rouquette, this festival is a gem for photography enthusiasts who this year, from 3 July to 24 September, will be treated to the work of 250 artists displayed at 25 venues across the city, ranging from emblematic Arlesian landmarks to such unique buildings as the former rail sheds. Sixty scheduled exhibitions, in addition to conferences, workshops, talks and all kinds of activities, will lead visitors into the wonderful world of photography.

Marseille Jazz Festival

Marseille is the site of our third summer festival proposal in Provence. A city which embraces the Mediterranean, with the sightseeing hub of its Old Port (Vieux-Port),contemporary architectural offerings like the MuCEM and the Villa Méditerranée ready to seduce even the more staid visitors, and with such enchanting corners as Le Panier, this is the city chosen to host a jazz festival as its main summer attraction. The Marseille Jazz des Cinq Continents runs for ten days, from 19 to 29 July, and features such long-standing favourites as George Benson, Herbie Hancock, Roberto Fonseca and Guillaume Perret, as well as newcomers to this port city like Norah Jones, Kamasi Washington and representatives of the new generation such as Imany. Jazz arriving from all corners of the globe suited to all tastes.

Book your Vueling to Marseille and succumb to the magic of the leading festivals in Provence.

Text by Los Viajes de ISABELYLUIS

Images by jean-louis Zimmermann, Fred Bigio, Les Rencontres d'Arles  (Julio Perestrelo)