Who hasn’t spent hours enjoying the adventures of Tintin and his dog Snowy (Milhou in the original French)? Do you remember the lonesome cowboy Lucky Luke astride his horse Jolly Jumper, being pursued by the dreadful Dalton brothers? What about the office boy Spirou and his inseparable pals Fantasio and the squirrel Spip? And the little blue Smurfs in their mushroom houses, fleeing from the evil Gargamel and his cat Azrael? What do they all have in common? All their authors are from Belgium, which boasts its share of the Franco-Belgian comic publishing industry, the world’s biggest after those of the United States and Japan. Visitors to Brussels are soon aware of the importance of comics, dubbed “the ninth art” (the first eight, as everyone knows but forgets, are architecture, sculpture, painting, dance, music, poetry, cinema, and television), since comics are all over the place, in museums, shops, outdoor murals, and festivals.

Museums

In the heart of Brussels (rue des Sables, 20), in the sumptuous Art Nouveau building designed by Victor Horta in 1906, is the Belgian Comic Strip Centre (popularly know as the CBBD, standing for Centre Belge de la Bande Dessinée), with a steadily expanding permanent collection and numerous temporary exhibitions that draw thousands of people to this popular venue.

Just down the rueis the Marc Sleen Museum, with a permanent exhibition, a reading room, and a programme of temporary shows focusing on the work of the Flemish cartoonist Marc Sleen, best known for his series “The Adventures of Nero & Co.”

Some 30 km. distant, in Louvain-la-Neuve, we find the Mecca of all Tintin fans, the Hergé Museum, in a building designed by the French architect Christian de Portzamparc. The museum displays original drawings, photographs, objects, films and other documents having to do with Tintin and his creator Hergé, whose real name was Georges Remi (1907-1983), the most celebrated Belgian cartoonist of all time.

A more relaxing spot is the Moof Museum (“Museum Of Original Figurines” spells MOOF –get it?) with three-dimensional representations of a host of comic book figures, and well as other collectors’ items, original artwork, and prints.

Comic Strip Route

Thanks to an initiative of the Belgian Comic Strip Centre in the 1990s, you can also enjoy cartoons in Brussels’ streets, where some 50 painted murals on buildings depict scenes from Lucky Luke, Tintin, the Smurfs, Nero, Asterix, and many more comic book series.

Shopping for Comics

Understandably, Brussels is a must for collectors of original comic artwork and for published comics. To start with the biggest, there is Brüsel (Boulevard de Anspach 98), three whole floors of comics, objects, silkscreen prints, and original drawings. For something a little more special try the Maison de la Bande Dessinée (Boulevard de l’Impératrice, 1), a bookstore featuring an ample selection of old comics, special editions, reprints, a Manga departments, and Dutch- and English-language sections. Tintin fans will not want to miss La Boutique de Tintin, (rue de la Colline 13) for every sort of Tintin memorabilia. Lastly, we recommend the Huberty-Breyne Gallery (rue Bodenbroeck, 8ª Place du Grand Sablon), with exhibitions of illustrations, and where original drawing are on sale.

Fairs and Festivals

Devoted comic fans should schedule a visit to the bi-annual Brussels Comic Strip Festival and the Strip Turnhout, specialising in Dutch-language comic strips. There’s also the even merrier Belgium Comics Festival, with a varied activity programme ensuring fun for all, including the Balloons’ Day Parade, a procession of giant inflated cartoon characters.

If comics are your passion, Brussels is the place to be. Check out our fares today!

Text: Isabel y Luis Comunicación

Photos:
Wallonie-Bruxelles Tourisme
Bruxelles, parcours bande dessinée (Stéphane Colman, Billy the Cat)_© CBBD - Daniel Fouss
Bruxelles, parcours bande dessinée (Jacobs, Blake et Mortimer)_© WBT - J.P. Remy
Bruxelles, parcours bande dessinée (Hergé, Quick et Flupke)_© WBT - J.P. Remy
Hergé Museum
Hergé Museum frontage - Nicolas Borel

Do you dream of taking home the best photos of Santiago? Buying postcards and books might be the quickest solution, but, if you enjoy taking your own pictures, you shouldn’t hesitate to embark on this eminently photogenic route through Compostela. Here are 10 of its most emblematic subjects.

1. Praza do Obradoiro

We admit you’d be hard put to capture its entirety, as it covers 7,700 square metres. Surrounded by monumental buildings, snapping a whole picture of the Praza do Obradoiro is no mean feat. A wide-angle shot of the portico of the Colexio de San Xerome will yield an image of the Cathedral – cloister and towers included – as well as the Pazo de Xelmírez, the front of the Hostal dos Reis Católicos and the Paxo de Raxoi to the left.

2. Cathedral Facade

The centre of the square is a reasonable viewpoint, as are the arcades of the Pazo de Raxoi, to stand square in front of the Cathedral, if you have a fish-eye lens. But, if you’re looking to take full-length photos with a normal lens, the trick is to go down the stairs of the Rúa de Raxoi, where you get a complete view of the facade with the towers. Ideal for group photos.

3. Goal and Excitement

While its monumental beauty tends to hog everyone’s gaze, the Praza do Obradoiro and its surroundings are indeed the most intensely exciting spots in all Santiago de Compostela. The arrival of pilgrims and the display of satisfaction at having achieved their goal are commonplace scenes in this privileged setting.

4. Bird’s-Eye View

The ascent to the Cathedral Rooftops, 30 metres above the Praza do Obradoiro, affords some of the best views of the squares surrounding the Cathedral, as well as revealing its architectural features and the rooftops and chimney stacks in the old town. The tapestry gallery in the cloister, which can be visited using your museum ticket, provides another fine perspective of the Obradoiro, and of the cityscape south of the Cathedral.

5. The Photogenic Quintana

The stark bareness of the Plaza de la Quintana takes on special significance with the interplay of light on the stone. Noon yields snapshots of the granite in all its hardness. Late afternoon throws the shadows of the spires and lantern of the Cathedral on the wall of the Convento de Antealtares. Night lighting turns the surface into a quasi aquatic medium, like some silent fish tank. You can also get good shots from the Casa da Conga arcades.

6. A Tiny Playhouse

Secluded and motley, the Plaza de las Platerías and its stairs provide splendid group snapshots all day long, thanks to the south-facing portal. In a low-angle shot, the horses on the fountain will seem to graze the Torre del Reloj. To capture the whole square, you have to backpedal to the entrance to the Rúa do Vilar. If you have a wide-angle lens, use the towers to frame the shot. Night light endows the Casa del Cabildo and the stepped cloister tower with a special relief when seen from the church door.

7. Streets and Towers

The rúas (streets) in the monumental site are rich showcases of typical Galician architecture. The Torre de las Campanas or Belltower can be photographed from the middle and upper stretches of the Rúa do Franco. The Rúa do Vilar, flush with the Airas Nunes Café, provides a classic view of the arcades and main facades, with the Torre del Reloj or Clocktower in the background. The parallel street, Rúa Nova, affords a picture postcard view of the porticoed houses around the tower of the Church of Santa María Salomé.

8. The Bountiful Market

Getting back to the historic core, the Mercado de Abastos or market is abuzz with activity, particularly first thing in the morning, suggesting detailed portraits of myriad people and gastronomic delights. Between the green of peppers and turnip greens, the orange of the velvet crabs and the blue of the lobsters, your pictures will look almost aromatic.

9. A Park With a View

You get to Bonaval Park through the Porta do Camiño, between the CGAC and the Convento de Bonaval. There, Álvaro Siza and Isabel Aguirre designed a succession of platforms and terraces which are a delight for any photographer. They are highlighted by the shadows cast by trees, the ruins of old monastic dwellings, the spring, the old cemetery with its lone cypress tree… Late afternoon light is magical, revealing splendid views of the monumental precinct with back lighting. The best time is in autumn, when the landscape is carpeted with yellow, red and brown foliage and branches become denuded, revealing towers and sturdy chimneys in the distance. Extraordinary views of the city from its carballeira and the neighbouring Rúa de Bonaval, which in the afternoon reflects the sun’s rays like no other street.

10. Walkway To A Historic City

By proceeding down the Avenida de Xoán XXIII as far as the transport terminal you get a contrasting image between the contemporary layout of the long steel marquee and the back facade of the Convento de San Francisco. The pergola grows smaller as you approach the monumental area, creating the optical effect of having “entered” the historic city.

How long can you afford to put off enjoying such a beautiful setting, Come on – free up some space on your smartphone and start packing. Check out our flights here.

Text and images: Santiago de Compostela Turismo

Located in the heart of Europe, alongside the Rhine valley, this lush area of Germany, with its huge pine and fir forests (which give the landscape its characteristic dark colour), green valleys, lakes, waterfalls and charming villages is one of the most picturesque spots in Europe. The Black Forest is now highly coveted for its rural tourism, as it offers endless potential both as a winter destination and during the months of milder weather. It is advisable to hire a car to get around the region. The best option is to prepare your route, in line with your personal preferences, and stick to it, and it is worth seeking out the occasional higher spots to catch a glimpse of the beautiful scenery.

The North (Nordschwarzwald)

Among other things, here lies the source of the Danube (Donaueschingen), Europe’s longest river. Baden-Baden is a city of spa baths, a magnificent thermal resort with a stunning, luxurious mid-19th-century atmosphere. Apart from spa baths, it boasts casinos and venues for international congresses and meetings. Further north, in the upper Kinzig valley, lies Alpirsbach, known for its old brewery and its landmark Benedictine abbey, the oldest and most important Romanesque building in the Black Forest. Some 20 km north of it is the city of Freundenstadt, situated on the east side of a plateau. In this spa resort, with its priceless old quarter, it is well worth strolling around the market square, one of the largest in the district, flanked by buildings with lofty arches, a church and a fountain in the centre. Close by lies Oberkirch, with its old town featuring some historical buildings, Baroque churches and fragments of the old fortified walls. The ruins of Schauenburg Castle still stand on a hilltop.

The Middle Black Forest (Mittlerer Schwarzwald)

Prominent in the Middle Black Forest is Gengenbach, also located in the Kinzig valley. The town is virtually all built of timber and features narrow streets, beautifully restored houses and a charming medieval centre. Numerous rivers flow through this region, notably the Schutter, Acher, Rench and Kinzig, where all kinds of watersports are available. The city of Offenburg, located hard by the French city of Strasbourg, offers a number of attractions, including the Salmen inn, the Charterhouse, the Ritterhaus, a stately home dating from 1784 – currently a museum housing the city archives – the Jewish baths (Mikwe), thought to originate in medieval times and the Royal Palace (Königshof), designed by Michael Ludwig Rohrer.

The Great South

This is where the forest is most luxuriant, thronging with fir trees that blanket the area in dense foliage. Winter is ideal for sleigh-riding here, as in the town of Schluchsee, while the snow-bound villages like Hinterzarten, situated at an altitude of over 900 metres in the southern Black Forest, seem to be inviting us to take snapshots at dusk. The area is also criss-crossed by footpaths used for cross-country skiing. The village offers a wealth of activities for enthusiasts of winter sports. Freiburg is a striking Gothic city where you should make a point of strolling through its narrow streets and squares and visit the marketplace. It boasts an imposing cathedral in mixed Romanesque and Central-European Gothic style.

Cuisine

One of the best-known delicacies of German cuisine is the local Black Forest cake (schwarzwaldtorte),made of chocolate, cherries and cream. Also worth trying is the honey, which here has a fruity flavour. There are also fine wines, most of them white from the Baden region, although they are not listed by appellation d’origine as in Spain. The Rhine is fringed with small grape-growing districts, between the river and the Black Forest mountains. West of the Rhine valley lie the Vosges mountains which shelter the region from Atlantic rainfall. To the east, the Black Forest itself forms a barrier against cold continental winds. In short, a climate conducive to viticulture. The renowned riesling variety of wine hails from Baden-Baden, in the district of Ortenau, which has its vinicultural capital in Durbach. This is home to the Andreas Laible winery, featuring excellent riesling wines, and the Heinrich Männhle winery, which specialises in red wine of the spätburgunder variety. Local fare includes a wealth of regional dishes associated with a particular wine, such as zwiebelkuchen (onion pie), typically accompanied with a young wine known as federweisser.

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Text by Isabel y Luis Comunicación

Photos by TI Schluchsee, Vogtsburg Tourist Board, TI Seebach / Elmar largo Bacher, Tourist-Info Schluchsee, Gengenbach Culture and Germany Tourism. Schwarzwald Tourismus

While Barcelona is a modern, cosmopolitan city, traces of its medieval past are very much in evidence. Buildings in the old quarter attest to a glorious past, thronging with Crusaders, Italian merchants, the nobility and a powerful clergy. Scattered in between Baroque, Neoclassical and Modernist constructions, a host of Gothic buildings are still standing, notably the Cathedral, the Basilica of Santa Maria del Mar and the Palau de la Generalitat. But, what many Barceloners are unaware of is that old Barcelona also boasts a considerable number of exquisite Romanesque complexes which have survived to the present in excellent condition.

Romanesque in the Heart of Plaza de Catalunya

Few Barceloners suspect that one of the city’s leading Romanesque monasteries is sited hard by the central Plaza de Catalunya. I am referring to Santa Anna, a church and former monastery dating from the 12th century, featuring a cloister and a chapterhouse which still serves parishioners. The building was designed by the architect, Ramón Amadeu, but construction work continued for three centuries thereafter, making for a marked amalgam of various Romanesque and Gothic styles, although the former is more in evidence. To reach the church from Plaza de Catalunya, go along Calle Rivadeneyra (next to the Hard Rock Cafe) or Calle de Santa Anna.

12th-Century El Raval

Pressing on with our itinerary, take Calle Santa Anna towards La Rambla and walk down this colourful boulevard as far as Calle Hospital. Turning right along this street takes you into the heart of the multicultural El Raval quarter, graced with such striking buildings as the MACBA, the Palau Güell and the Biblioteca de Catalunya. This route leads into Plaça del Pedró, an important square in that standing in its centre is the Santa Eulàlia Fountain, regarded as one of Barcelona’s oldest monuments. Also in the square is the 12th-century Romanesque Church of Sant Llàtzer. The latter was once part of a leper hospital which operated from the 12th to the 15th century. Since being deconsecrated in 1913 and following a number of refurbishments, it has since been in use as a secular building.

Still in El Raval, the Calle de la Riereta leads into Calle de Sant Pau, which houses one of the finest Romanesque landmarks in Barcelona, the Monastery of Sant Pau del Camp. The building dates from the 12th century, although the precinct is thought to have been founded in the 9th century by Wilfred II, who is buried there. The monument also has a small, 13th-century cloister which is noteworthy for its storied capitals depicting hunting scenes, warriors, sirens, animals and plant motifs. Still standing in the monastery garden is the former abbot’s residence, built from the 13th to 14th century and extended in the 18th century. Before entering, be sure to look at the facade, as the doorway is flanked by two columns with Visigoth capitals, while in the tympanum we see Christ with SS Peter and Paul and an ancient inscription, which invite us to enter.

To Sant Pere de les Puel·les

After touring El Raval, we return to La Rambla along Calle Nou de la Rambla with its striking little palace, known as the Palau Güell, the work of de Antoni Gaudí. We forge ahead as far as Barcelona Cathedral, next door to which is the Chapel of Santa Llúcia, The chapel is located in the corner of the Cathedral cloister and has a doorway onto the street. It was built in late-Romanesque style in the second half of the 13th century and originally served as the Episcopal Palace of Barcelona. This is a good moment to visit the Gothic Cathedral, take a seat on one of the pews and relax.

The next stop on our itinerary is the Born quarter, one of the liveliest in the city, with a lot of cultural activities on offer. Well worth seeing is the Palau de la Música Catalana and El Born Market archaeological site. On the opposite side of Via Laietana you can take Calle de la Bòria as far as Plazoleta de Marcús, a small square where the Marcús Chapel is located. A 12th-century construction, it was sited alongside the old Roman road out of Barcelona. Many of the original elements on the facade have been preserved, as well as its Lombardic arches. Strolling further into the quarter you come across the last stop on our itinerary, the Royal Monastery of Sant Pere de les Puel·les, of which only the parish church has survived to the present. Founded in the 5th century, it has undergone major alterations over time, although part of the Greek cross structure is still intact, as are the Corinthian capitals surmounted by a 12th-century dome. The so-called “bird campanile” is also from the Romanesque period. This monument is key to an understanding of Barcelona in the Middle Ages.

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Text and images by Aleix Palau for Los Viajes de ISABELYLUIS