The Hermitage Museum is a must-visit for sightseers in Saint Petersburg. It is one of the best ways to delve into the country’s past – that of the Czars – to get an idea of the opulence and splendour they lived in. The figures speak for themselves: the Hermitage has over three million artworks, from both East and West, including paintings, sculptures, archaeological pieces, Greek and Roman antiquities, jewellery and weapons – imagine that! The art gallery rates among the finest in the world, leaving behind other great art museums such as the Louvre and the Prado. What’s more; only about 3% of that huge number of artworks are actually on public display.

That enormous private collection, which became a State Museum in 1917, dates from 1764, when Catherine the Great acquired 225 Dutch and Flemish paintings. It was also during her reign that construction began on the massive architectural complex where the collections are now housed. It is made up of seven buildings: the Winter Palace – the former residence of the Czars – the Hermitage Theatre, Old Hermitage, Small Hermitage, New Hermitage, General Staff Building and the Menshikov Palace, once the residence of the governor of Saint Petersburg.

The Hermitage Cats

What strikes visitors to this magnificent museum – apart from its wealth, splendour, fine execution and antiquity – are the cats that roam about there. In case you think they are there by chance – no, they are there by design, as they are tasked with hunting down rodents to prevent any artworks from deteriorating. Thus far, it might just sound like some quaint story but there is actually a long history behind these feline guardians. In fact, they are the only tenants of the Palace that have survived all the upheavals of the country’s past – the Napoleonic invasion, the Russian Revolution and the German invasion during World War II.

The first cat to appear in the royal palace was brought there by Czar Peter I from the Low Countries. But, it was his daughter, Czarina Elisabeth Petrovna, who in 1774 decreed the use of cats to rid the palace of mice, which she was genuinely terrified of. Cats have lived in the Winter Palace ever since and have witnessed the passage of Czars, courtesans and the Bolsheviks. Nowadays they share the premises with the museum staff and visitors. Only the siege of Leningrad, which lasted nearly 900 days and sowed famine throughout the city, caused them to vanish temporarily.

There are currently over 60 cats of different breeds roaming through the basements, the offices and the area surrounding the Hermitage, although they are not allowed into the exhibition halls. They even have their own caretaker, Irina Popovets. While the museum does not have a budget for their upkeep, funds are raised for this purpose by different means. They are supported through private patronage and the association, “Feline Friends of the Hermitage”. They have even had exhibitions held in their honour.

Whether you like these whiskered creatures or not, we recommend you book a Vueling to Saint Petersburg to discover one of the world’s largest and finest art collections.

Text by Los Viajes de ISABELYLUIS

Images by James Byrum, Brent Ozar, Jorge Cancela, RachelH_

In addition to its canals, the dockside in the old harbour, the Gravensteenor Castle of the Counts of Flanders, the City Hall and the Korenmarkt, one of Ghent’s major attractions is an altarpiece. Granted, it might not sound overly exciting or novel at first glance. If we add that it is one of the masterpieces of Flemish painting and the cornerstone in the transition from medieval to Renaissance art, it might start arousing some interest. And, that it is one of the artworks which, in the course of history, has been stolen most often, as well as having travelled through many countries, you are bound to see it in a different light.

The masterpiece in question is the Polyptych of The Adoration of the Mystic Lamb,also known as the Ghent Altarpiece, the work of the brothers Hubert and Jan van Eyck. It is located on the high altar in St Bavo Cathedral and was executed in 1426, commissioned by Joost Vijdt and his wife, Lysbette Borluut. The altarpiece consists of 12 panels painted in oil on both sides and measuring 3.5 m high by 4.6 m wide. It remains closed most of the year, and is only opened on festive holidays, revealing all its splendour. The paintings on the outer panels are more sober, with a marked sculptural air, the central theme being the Annunciation. A noteworthy highlight of the inner panels is their colouring, with a Deësis of Christ the King, the Virgin Mary and John the Baptist as the prominent upper feature, and the Adoration of the Lamb in the lower centre. Without going into the subject, the symbology and details behind the scenes of the altarpiece would fill a whole book.

The startling vicissitudes affecting this artwork date from 1566, when the retable had to be dismantled and concealed in the City Hall to preserve it from an assault by Calvinist iconoclasts.

In 1781, the two upper panels, depicting Adam and Eve, were removed from the ensemble, as Joseph II of Bohemia and Hungary found the nakedness of the figures disagreeable. In the 19th century, the panels were replaced with clothed versions of Adam and Eve, executed by the Belgian painter, Victor Lagye.

In 1800, the Napoleonic troops regarded it as the spoils of war – the wings were sectioned off and sold, while the central panels ended up in the Louvre. Once Napoleon had been defeated, the panels were restored to their rightful place in Ghent. But not for long.

In 1816, the vicar of St Bavo sold several of the side panels, which passed through a number of hands before coming into the possession of Wilhelm II, King of Prussia. They ended up being displayed at the Kaiser Friedrich Museum in Berlin. To provide a better view of them, the panels were sectioned lengthwise to reveal the obverse and reverse sides in the same plane. At the end of the First World War, among the multitude of artworks Germany was forced to return were these panels, which were again replaced in their original site.

In 1934, the panel of The Just Judges was stolen and a ransom of one million Belgian francs was demanded for its safe return, but the deal was rejected. It is still missing to this day and has been replaced by a copy, the work of the Brussels Fine Arts Museum curator, Jef Van der Veken.

Needless to say, the altarpiece was not left unscathed by the Second World War either, forming part of the large-scale plunder perpetrated by the Nazis. After a complex hunt for stolen art undertaken by the so-called “Monuments Men”, it was located in the Altaussee salt mine in the Austrian Alps.

The altarpiece is currently being restored, so not all the panels are on display in St Bavo Cathedral. To make up for this, those interested can follow the restoration project live in the Ghent Fine Arts Museum (MSK).

Now that you’re up to speed with all the ins and outs behind this marvellous artwork, we recommend you get hold of a Vueling and see it for yourself. And, don’t leave it too long, in case it gets stolen again!

Text by ISABELYLUIS Comunicación

Half an hour south of Barcelona lies the Penedès DO wine region, primarily noted for being a leading producing centre of cava, one of Spain’s most celebrated sparkling wines. A mainstay of all major celebrations in the country, the origins of this “Catalan champagne” go back to the mid-19th century. French champagne arrived in the area around 1820 and a certain Luis Justo Villanueva of the Instituto Agrícola Catalán de San Isidro was one of the first vintners to try out and advocate the traditional champenoise method required to produce this innovative product. However, it was the Reus-based firm Soberano & Cía, run by Domènec Soberano i Mestres and Francesc Gil i Borràs, that first marketed the product, presenting it at the Paris World Fair of 1868.

Initially, the same grape variety was used as in champagne, but, owing to the phylloxera epidemic of 1887 which ravaged the local vines, the use of indigenous grape varieties was introduced, endowing the cava we know today with its distinctive personality. The main varieties are macabeo, parellada and xarel·lo.

It was originally known as champagne but, as a result of French champagne being awarded “protected geographical status” in 1972, the Catalan variety began to be called cava, named after the cellars (cavas) where the wine reposes during its production.

Well, what’s in it for anyone wishing to set out in search of those delicious bubbles? For starters, there is the product itself, a worthy equal to its French counterpart in terms of quality. And, those who are not particularly fond of sparkling beverages can always embark on tasting sessions of the region’s other wines, which deserve a section of their own. Then there is the scenery, characterised by vineyards stretching across the land and the proximity of the Mediterranean, in addition to the villages where the wine cellars are located. And, if you’re eager for still more, you can explore the region’s culinary offerings and the enotourism activities hosted there, noteworthy being the Wine and Cava Routes, a set of ten trails taking you through the different vineyards. What more could you ask for?

The town of Sant Sandurní d’Anoia is regarded as the “cava capital” of the DO Penedès wine region as 75% of the area’s production is concentrated here. It is thus a fitting point of departure for embarking on any route associated with this fine sparkling wine. You could make an initial stop at the Cava Interpretation Centre, a 1,200-square-metre space where you can learn about cava production, as well as its history, origins and other details.

Before or after visiting some of the wine cellars, we recommend taking a stroll in the town centre as a number of interesting Modernist buildings are located there. Noteworthy examples of such Art Nouveau edifices include the Lluís Mestres House, Cal Rigol, the Escoles Noves building and the headquarters of the Ateneu Agrícola.

Then comes the time for venturing into some of the myriad wineries in the town. Among the most popular is Cava Codorniu, which dates back to 1872. Apart from its cava, one of its standout features is the building itself, designed by the Modernist architect, Puig i Cadafalch. A curiosity you will discover on a visit to this winery are its 26 kilometres of underground cellars. The other great winery, of international fame, is Cava Freixenet, which first opened in 1861. The building, in Noucentista style with Modernist touches, is one of the leading works of the architect, Josep Ros Ros.

The following list features all the wineries and cavas making up the DO Penedès, showing their location and contact details, to help you plan a trip through the region and visit your favourites.

Make a point of striking a trail through the DO Penedès in search of its main cavas and wineries – book your Vueling to Barcelona here.

Text by Los Viajes de ISABELYLUIS

Images by Angela Llop, MARIA ROSA FERRE

Imagine, for example that we have a few free days to escape to any of our destinations Vueling. So why not visit Minsk?

The capital of Belarus is maybe one of the most unknown destinations that we could choose. However, it is a mesmerizing town, full of culture that will surprise almost everyone, quite sure!

Minsk is the cultural epicenter of the country. Its first theaters and libraries were built in the mid nineteenth century and today we find eleven theaters, museums sixteen, nine libraries - among which is found the National Library of Belarus- and a wide range of concert halls.

The best way to get around the city is using its modern metro, which was built in the 80s and that consists of two lines that connect the center with the periphery of Minsk. Or using a still current transport as trolleybus or tram to quietly contemplate the city and feel like the protagonist of a film set in the Cold War. Remember also that Minsk is considered one of the cleanest and safest cities in Europe.

For dining, Minsk has a strong influence both Ukrainian and Russian. Undoubtedly, the typical dish of the city are mushrooms combined with many sauces as you can imagine. Plus Borsch, beetroot soup served with a sour cream called smetana with pieces of meat. Special mention to typical local fish like herring, or the more expensive and luxurious product from sea world: caviar. On the other hand, the Vodka, the Bela-Cola and Kefir are the most common drinks.

Let's review some of the most emblematic places of the city, that you should visit if you are in the Belarusian capital city:

1.-Victory Square

Minsk's main square. Located in the city center and dedicated to the Great Patriotic War. It is the place where the most important events in the capital are celebrated, as well as parades and concerts. In the center there is an 40 meters high obelisk . It is prism-shaped and on the bottom there is an eternal flame in honor of the soldiers of the Soviet Army and the partisans of Belarus.

2.-National Museum of History and Culture

Issuing the largest collection of material and spiritual culture of the Belarusian people, from 40,000 BC to this day. There we can see from ancient manuscripts, archaeological finds, to costumes and heraldic collections.

3.-Cathedral of the Holy Spirit

Built between 1633 and 1642, it is one of the few historic buildings of the city. Currently works as an art gallery and includes a superb collection of Orthodox icons such as Mother of God, discovered in the sixteenth, that work is thought by San Lucas.

4.-Island of Tears

Across the river Svisloch we find a small island where stands a monument dedicated to Belarusians soldiers killed in Afghanistan. It consists of four altars with the names of the 771 soldiers engraved on them. According to tradition, the newlyweds of Minsk should visit the monument.

5.-National Library of Minsk

It is certainly one of the most modern architectural projects of the city. A building of 72 feet tall and 22 floors diamond-shaped, modernist and futurist. At night, becomes one of the most emblematic of the city thanks to its dramatic lighting.

6.-Museum of Great Patriotic War

Second World War Museum was the first museum to open during the course of the war commemorating the German-Soviet battle after the end of the Nazi occupation. Inside we can see from a model of concentration camp until a section devoted to the Belarusian resistance. 7.- Park Chelyuskinites The Amusement Park of Minsk. Its appeal lies in the essential conservation thereof, dated 1932 In addition to all kinds of attractions, you can also enjoy the beautiful botanical garden next to it.

Imagen de Monk - Ihar Mahaniok

Por Jordi Herrero

A place well worth discovering! Check out our flights here.